Publications and Projects

2011 ‘Hilary Lloyd: The Shard’, Arena Homme +, Issue 36, Autumn/Winter
2004 ‘Artist’s Project: Hilary Lloyd, 16 Photographs’, Esopus, Number 2, Spring
2000 Resolute (London: Platform)
1997

Matthew Higgs (ed.), Multiple Choice (London: Cubitt)
Princess Julia, Casco Issues, no. 3, October, Utrecht, Netherlands

1995

Desert Island Discs, artists’ project (London: City Racing/Imprint 93)
Gregor Muir (ed.), Speaking of Sofas... (London: London Electronic Arts)

1994 E1. (London: Imprint 93)
Top Tens (London: Imprint 93)
Untelevision, Issue 3, Unproductions 94, London
1993 Making People Disappear (London: Cubitt)
‘A Haiku Invitational’, Publicsfear, vol. 1, no. 3, New York

Catalogues

2015

Søren Grammel, ‘Untitled (Cut-Outs)’, Manual No. 4: Von Bilder. Strategien der Aneignung, (Basel: Museum für Gegenswartkunst, Kunstmuseum Basel), exh. cat. Nicola Lees, Nad Tabo Ti, Over You / You: 31st Biennial of Graphic Arts (Slovenia: International Centre of Graphic Arts, 2015) pp. 96 – 97 (catalogue)

2012 Nikola Dietrich, Scott C. Weaver, Hilary Lloyd, (Basel: Museum für Gegenwartskunst / Berlin: Hatje Cantz)
Søren Grammel, Janice Kerbel, Hilary Lloyd, Silke Otto-Knapp, (Cologne: Koelnischer Kunstverein), exh. cat.
2011 Francesco Bonami, Stefano Collicelli Cagol (eds.), Un'Espressione Geografacia
(Milan: Mousse Publishing)
Michael Newman et al, Hilary Lloyd (New York: Artists Space)
2010 Creamier: Contemporary Art in Culture (London: Phaidon)
2009

Amna Malik, Au Naturel (London: Afterall), pp. 87 – 90, 152 – 153
Lucy Steeds, Seduced by the Enigma (Glasgow: Tramway) (exhibition guide) Nikola Dietrich, Jacob, Fabricius, Dominic Eichler, Little Theatre of Gestures, (Basel: Museum für Gegenwartskust), pp. 109 – 123
Polly Staple, Dispersion (London: ICA), pp. 49 – 61

2008

Søren Grammel, The Symbolic Commissioner (Berlin: Sternberg Press), pp. 100 – 103
Natalie Rudd, Spotlight Series: Catch This 2008: New Works from the Arts Council Collection (London: Arts Council Collection, 2008)

2007

Stuart Comer, ‘Hilary Lloyd’ in Hans Ulrich Obrist, Stéphanie Moisdon (eds.), Lyon Biennale: 00s - The history of a decade that has not yet been named. (Zurich: JRP Ringier, 2007), pp. 85 – 87
Haluk Akakçe, Emily Butler, Bruce Haines, Paul Hammond, La Cámara del Eco, Arte Británico, Art from Britain, Echo Room, (Madrid: Alcacá 31 / British Council), pp. 54 – 55, pp. 154 – 163

2003 Mark Beasley and Colin Ledwith, Electric Earth: Film and Video from Britain (London: British Council), pp. 48 – 49
2002 Happy Outsiders from London and Scotland (Warsaw: Galerii Zacheta), p. 17
Pause it, (Gwangju Biennale), pp. 180 – 181 (illus.)
2001 Jan Verwoert, ‘Hilary Lloyd’, Videonale 9 (Bonn: Bonner Kunstverein), pp. 20 – 25
2000

Marcelo Spinelli, ‘Hilary Lloyd’ in The British Art Show 5 (London: National Touring
Exhibitions) (exhibition catalogue), p. 84 – 85 (illus.)
Virginia Button and Charles Esche, ‘Hilary Lloyd’ in Intelligence: New British Art 2000, (London: Tate Britain), pp. 11, 67 – 69 (illus.)Peter Pakesch (ed.), ABBILD recent portraiture and depiction (Steirischer Herbst) catalogue, pp. 110 – 111

1999

From A to B (and back again), a publication to accompany the exhibition ‘Go Away: Artists and Travel’ (London: Royal College of Art), p. 62
Accelerator, Southampton City Art Gallery, UK (exhibition catalogue), (illus.) Maria Rosa Sossai, ‘Female Identity in the British Video Between 80s and 90s’, Sweetie (Rome: The British School at Rome), exh. cat. pp. 112 – 113, p. 156

1997 Kate Bush, ‘Assuming Positions’, and Gregor Muir, ‘Andy Warhol’s Unfinished Symphony’, Assuming Positions (London: ICA)
1996 Laurence Bossé and Hans-Ulrich Obrist, Life/Live (Paris: Musée d’Art Moderne de la Ville de Paris), pp. 44, 55, 158 – 161
1993 Gareth Jones, Making People Disappear (London: Cubitt) Stuart Morgan, Matter & Fact, (London: Collection Gallery)

Articles

2016 Richard Birkett, ‘Interview with Hilary Lloyd,’ SPIKE, autumn
Casey Gregory, ‘Hilary Lloyd at Blaffer Art Museum’, Arts and Culture TX, online, 15 June
Magali Reus, ‘Top Ten’ Artforum, vol. 54, no. 7, March, pp. 165 – 166
2015

Pierre-Nicolas Bounakoff, ‘Hilary Lloyd, “Balfour” Sadie Coles, London’, Frog, Issue 15, Fall/Winter, pp. 76 – 81
Nick Warner, ‘Hilary Lloyd: Sadie Coles HQ, London’, Flash Art, July

2014 Mark Prince, ‘New Realism’, Art Monthly, May
2012 Mark Prince, ‘Painting Space’, frieze d/e, Issue 6, Autumn ‘Highlight: Hilary Lloyd’, Museum Basel Magazine, no. 1, Spring De ja Vu, January
2011

Laura McClean-Ferris, ‘Hilary Lloyd’, The Independent, 05 December, p. 38 Emily Hall, ‘Hilary Lloyd: Artists Space’, Artforum, November, pp. 275 – 276 Jackie Wullschläger, Financial Times, 29 – 30 October, p. 17
Rachel Campbell-Johnston, ‘Urban Wastelands Doing Battle with a Slut’s Bathroom’,
The Times, 21 October
Rob Sharp, ‘Eyes on the Prize’, The Independent, 21 October
Adrian Searle: ‘Review: Shaw’s Miserabilist, Curdled View of England Is the World we Live in’, Guardian, 21 October
Charlotte Higgins, ‘Is it Exciting Fresh Art or the Same Old Thing? At the Baltic, it Might Be Both’, The Guardian, 21 October
Richard Dorment, ‘The Best Turner Prize Contenders for Ages’, The Daily Telegraph, 21 October
Thomas Keane and Maddie Bates, ‘Turner Prize

2011

Opens on the Tyne’, ArtLyst, 21 October
Anita Singh, ‘Turner Prize 2011: Figurative Painting Competes with Park Bin’, The Daily Telegraph, 20 October
Ian Young, ‘Turner Prize Exhibits Go on Show in Gateshead’, BBC online, 20 October Coline Milliard, ‘A “Barometer” for British Art, the

2011

Turner Prize Exhibition Brings the Spotlight to Newcastle’, Artinfo.com, 19 October
Chris Tighe, ‘Turner Triumph: Prize Exhibitors Go through the Mill in Gateshead’,
Financial Times, 15 October
Kirsty Bell, ‘Hilary Lloyd: Paying Attention’, Camera Austria, no. 115, September, pp. 11 – 22
Nana Asfour, ‘Review: Hilary Lloyd’, Time Out New York, 20 June
Brett Litman, ‘Roving Eye: Hilary Lloyd Takes on Artists Space’, Art in America, 03 June
Ian Wallace, ‘Hardware: On Recent Work by Hilary Lloyd’, Artwrit.com, June Hilary Lloyd, ‘Top Ten’, Artforum, May, p. 124
Martin Herbert, 'Review: Hilary Lloyd', Camera Austria, no.113, March, pp. 83 – 84 Elena Filipovic, ‘All this Happened, More or Less’, VIS A VIS, March, pp. 162 – 169 Lee Triming, ‘Reviews: Hilary Lloyd’, Art in America, March, pp. 163 – 164
Steven Cairns, ‘Hilary Lloyd’, Artforum.com, 25 January

2010

Antonio Scoccimarro, ‘Agenda London / Hilary Lloyd at Raven Row’, Mousse, no. 26, December
JJ Charlesworth, ‘Hilary Lloyd’, Time Out, 17 December
Lorena Muñoz-Alonso, ‘Rosa Barba & Hilary Lloyd: Dance with a Projector’,
SelfSelector.co.uk, 13 December
Rye Holmboe, ‘Hilary Lloyd’, ThisIsTomorrow.info, 08 December
Skye Sherwin, ‘Hilary Lloyd’, The Guardian Guide, 27 November – 03 December, p. 38
Pablo Leon de la Barra, ‘Hilary Lloyd at Raven Row’, Centre for Aesthetic Revolution Blog, 26 November
Coline Milliard, 'Camera Eye, Hilary Lloyd', Modern Painters, November, pp. 42 – 43 Stuart Comer, ‘Film’, Frieze, January–February, pp. 28 – 29

2009

Martin Herbert, ‘Now See This’, ArtReview, Issue 35, p. 31
Anny Shaw and Rob Curran, ‘Tripping the light fantastic’, Art Newspaper (Frieze Art Fair edition), 16 October
Gigiotto del Vecchio, ‘Around Herself…’, Mousse, no. 20, September – October, pp. 59 – 62
Mark Prince, ‘Reel Time’, Art Monthly, no. 325, April, pp. 5 – 8, April Judith Rodenbeck, ‘Studio Visit’, Modern Painters, March, pp. 52 – 57
Gigiotto Del Vecchio, ‘Looking Back: Emerging Artists’, frieze, January – February Polly Staple, Dispersion, ICA, London pp. 49 – 61

2008

Stéphanie Moisdon, ‘Hilary Lloyd’, Qu'est-ce que l'art vidéo aujourd'hui?, pp. 138 – 139
Colin Perry, ‘Hilary Lloyd: Sadie Coles HQ, frieze.com
Adam E. Mendelsohn, ‘Observing and Contemplating’, Spike Art Quarterly, no. 17, Autumn, p. 102
David Barrett, ‘Reviews: Hilary Lloyd’, Art Monthly, October Gabriel Coxhead, ‘Reviews: Hilary Lloyd’, Time Out, no. 320, p. 68 Adrian Searle, ‘Clocking Off’, The Guardian, 26 February
Bart van der Heide, ‘Art Sheffield 08: Yes, No, Other Options’, Camera Austria, no. 102, June, p. 78
Andrew Hunt, ‘Art Sheffield 08’, frieze, no. 11, January – February

2007

Christiane Meixner, ‘Hilary Lloyd’, Monopol, no. 7
Hans-Jurgen Hafner, ‘Hilary Lloyd: Studio’, Spike, Summer Katrin Bettina Müller, ‘Spuren’, tip Berlin, no. 11

2006

Jan Verwoert, ‘Body Language’, Frieze, issue 102, October, pp. 16-17, pp. 218-223 G, A. ‘Voyeur und Performer”, Go München, September
Rüdiger Heise, ‘Theater des Alltags’, Applaus, September Julia Bähr, ‘Scharfer Blick aufs Alltägliche’, AZ München, July ‘Feiern mit Kunstgenus’, Welt Kompakt, July
Simone Dattenberger, ‘Ballett aus Männern und Autos’, Münchner Merkur, July

2001

Jan Verwoert, ‘TV eye on you’, Afterall, issue 3, p. 47-60 (illus.), pp. 47 – 54
David Bussel, ‘Hilary Lloyd: The Work of Time’, Afterall, Issue 3, pp. 61 – 64

2000

Polly Staple, ‘Precious Time’, Untitled, no. 21, Spring, pp. 7 – 9
John Slyce, ‘Hilary Lloyd’, Flash Art, January – February
Mark Sladen, ‘Hilary Lloyd’, frieze, Issue 50, January – February Maite Lores, ‘Hilary Lloyd’, Contemporary Visual Arts, Issue 26

1999

Alexandra Bradley, ‘Hilary Lloyd’, Art Monthly, no. 231, November Chris Quigley, ‘Filmosophy’,Level, October - November
Julia Thrift, ‘Hilary Lloyd’, Time Out, 20 – 27 October
Duncan McClaren, ‘Hilary Lloyd’, Independent on Sunday, 17 October Niru Ratnam, ‘Hilary Lloyd’, Scene, October
Alex Farquharson, ‘Accelerator’, frieze, July/August
Leontine Coelewij, SMBA N 42 SuperNova (Amsterdam: Stedelijk Museum Bure

1998

John Slyce, ‘Hilary Lloyd, Jemima Stehli, Brian Dawn Chalkley’, Flash Art, May/June
Bridget Virden, ‘F**k Dance, Let's Art’, Time Out, 25 February – 04 March
Matthew Higgs, ‘Hilary Lloyd, Jemima Stehli, Brian Dawn Chalkley: Show 48’, Artists Newsletter, March
Martin Herbert, ‘Hilary Lloyd, Jemima Stehli, Brian Dawn Chalkley’, Time Out, 28 January – 04 February

1997

Ben Judd, ‘Assuming Positions’, Untitled, no. 14, Winter Richard Reynolds, ‘Traffic’, Untitled, no. 14, Winter
Kieran Wyatt, ‘Art Attack!! Club Culture!!’, Muzik, no. 29, October David Burrows, ‘Assuming Positions’, Variant, vol. 2, no. 4, Autumn
John Tomlinson, ‘Hilary Lloyd’, nc magazine, British Summer Setting Issue Imogen O’Rourke, ‘Sod Art, Let's Dance’, The Guardian, 10 July
Jenny Madden, ‘Yes, But Is it Art?’, i-D: The Obsession Issue, no. 167 Mark Morris, ‘Hype’, The Face, no. 6, July
Martin Herbert, ‘Jeremy Deller, Hilary Lloyd, Nicholas Usansky’, Time Out, May Henriette Heezen, ‘Snowflakes Falling on the International Dateline’, Metropolis M, February

1996

Eric Troncy, ‘Hilary Lloyd’, Documents sur l'art, no. 9
Andrew Wilson, ‘Spatialised Time, Unchecked Duration: Film and Video Work by Contemporary British Artists’, Art & Design, no. 7/8
Gregor Muir, ‘Hilary Lloyd’, frieze, January – February

1995

‘The Ruby Kelly Column’, Art Review, November
Nick Wegner, ‘Imprint’, What's On, 26 July

1993

Sarah Kent, ‘Making People Disappear’, Time Out, 14 – 21 April