| 1962 | Born Boulder CO, USA |
| 1984 |
BFA, Carnegie Mellon University, Pittsburgh PA, USA |
| 1986 | MFA, Yale University, New Haven CT, USA Lives and works in New York City NY, USA |
Solo Exhibitions
| 2022 |
New Paintings, Sadie Cole HQ, Bury Street, London, England |
| 2021 |
Memorial, Gagosian, 24th Street, New York NY, USA |
| 2019 |
Gagosian, Hong Kong My life as a Man by John Currin, Dallas Contemporary, Dallas TX, USA Gagosian, Geneva, Switzerland |
| 2016 |
Sadie Coles HQ, Davies Street, London, England Paintings, Museo Stefano Bardini, Florence, Italy |
| 2015 | Gagosian, Beverly Hills CA, USA |
| 2013 | Gagosian, Paris, France |
| 2012 | Sadie Coles HQ, South Audley Street, London, England |
| 2011 |
DHC / ART Foundation for Contemporary Art, Montreal, Canada John Currin meets Cornelis van Haarlem, Frans Hals Museum, Haarlem, The Netherlands |
| 2010 | New Paintings, Gagosian Gallery, New York NY, USA |
| 2009 | Works on Paper: A Fifteen Year Survey of Women, Andrea Rosen Gallery, New York NY, USA |
| 2008 | Sadie Coles HQ, South Audley Street, London, England |
| 2006 | Gagosian, Madison Avenue, New York NY, USA |
| 2003 |
Sadie Coles HQ, Heddon Street, London, England MCA Museum of Contemporary Art, Chicago IL, USA; Serpentine Gallery, London, England; Whitney Museum of Art, New York NY, USA, organized by MCA Museum of Contemporary Art Chicago and Serpentine Gallery Works on Paper, Des Moines Art Center, Des Moines IA, USA; Aspen Art Museum, Aspen CO, USA; Milwaukee Art Museum, Milwaukee WI, USA John Currin Selects, MFA Museum of Fine Arts, Boston MA, USA |
| 2002 |
Regen Projects, Los Angeles CA, USA with Rachel Feinstein, The Honeymooners, Hydra Workshops, Hydra, Greece |
| 2001 | Andrea Rosen Gallery, New York NY, USA |
| 2000 |
Monika Sprüth Gallery, Cologne, Germany Sadie Coles HQ, Heddon Street, London, England |
| 1999 |
Andrea Rosen Gallery, New York NY, USA Regen Projects, Los Angeles CA, USA |
| 1997 |
Andrea Rosen Gallery, New York NY, USA Sadie Coles HQ, Heddon Street, London, England |
| 1996 | Regen Projects, Los Angeles CA, USA |
| 1995 |
ICA Institute of Contemporary Arts, London, England Andrea Rosen Gallery, New York NY, USA FRAC Fonds Regional d’Art Contemporain, Limoges, France Donald Young Gallery, Seattle WA, USA Jack Hanley Gallery, San Francisco CA, USA |
| 1994 |
Galerie Jennifer Flay, Paris, France Andrea Rosen Gallery, New York NY, USA |
| 1993 |
Critical Distance, Ado Gallery, Belgium, curated by Luk Lambrecht Monika Sprüth Gallery, Cologne, Germany |
| 1992 | Andrea Rosen Gallery, New York NY, USA |
| 1989 | White Columns, New York NY, USA |
Group Exhibitions
| 2023 |
Time Travel: Italian Masters through a Contemporary Lens, Petzel, New York NY, USA |
| 2022 |
Pictus Porrectus: Reconsidering the Full-Length Portrait, Isaac Bell House, Newport RI, USA REPEATER, Sadie Coles HQ, Kingly Street, London, England |
| 2021 |
Hong Kong Exchange, Pedder Building, Hong Kong |
| 2020 |
On Everyones Lips, From Pieter Bruegel to Cindy Sherman, Kunstmuseum Wolfsburg, Wolfsburg, Germany American Pastoral, Gagosian, Britannia Street, London, England |
| 2019 |
Reason Gives No Answers: Selected Works from the Collection, Gagosian, Paris, France An Exhibition for Notre-Dame, Gagosian, Paris, France Flora + Fauna, Sadie Coles HQ, Davies Street, London, England |
| 2018 | Cliche, Almine Rech Gallery, New York NY, USA Nude: Art from the Tate’s Collection, Yokohama Museum of Art, Yokohama, Japan NUDE: Masterpieces from the Tate, Seoul Olympic Museum of Art, Seoul, South Korea |
| 2017 |
Body Laid Bare: Masterpieces from the Tate, Auckland Art Gallery Toi o Tāmak, Auckland, New Zealand Lucas Cranach the Elder: 500 Years of the Power of Temptation, The National Museum of Art, Osaka, Japan |
| 2016 |
Lucas Cranach the Elder: 500 Years of the Power of Temptation, NMWA The National Museum of Western Art, Tokyo, Japan Desire, Moore Building, Miami FL, USA Nude: From Modigliani to Currin, Gagosian, Madison Avenue, New York NY, USA |
| 2015 |
America Is Hard to See, Whitney Museum of American Art, New York NY, USA The Shell (Landscapes, Portraits & Shapes); A show by Éric Troncy, Almine Rech Gallery, Paris, France Dans un Intérieur. Meubles, œuvres murales & textiles d'artistes. Almine Rech Gallery, Brussels, Belgium As Is Is, Altman Siegel, San Francisco CA, USA La Peregrina, A Contemporary Response To Rubens and His Legacy, RA Royal Academy of Arts, London, England,curated by Jenny Saville Sleepless – The bed in history and contemporary art, 21er Haus, Österreichische Galerie Belvedere, Vienna, Austria, curated by Mario Codognato |
| 2014 |
She: Picturing Women at the Turn of the 21st Century, David Winton Bell Gallery and the Cohen Gallery, Brown University, Providence RI, USA FIERCE CREATIVITY, Pace Gallery, New York NY, USA Urs Fischer curated show, Sadie Coles HQ, South Audley Street, London, England Somos Libres II: Works from the Mario Testino Collection,Pinacoteca Giovanni e Marella Agnelli, Turin, Italy, curated by Neville Wakefield |
| 2013 | NYC: 1993: Experimental Jet Set, Trash and No Star, New Museum, New York NY, USA |
| 2012 |
Freedom Not Genius, Works from Damien Hirst’s collection, Pinacoteca Giovanni e Marella Agnelli, Turin, Italy Curators’ Series #5. Bouvard and Pécuchet's Compendious Quest for Beauty, David Roberts Art Foundation, London, England Absentee Landlord, Walker Art Center, Minneapolis MN, USA |
| 2011 |
Celebrating the Golden Age, Frans Hals Museum, Amsterdam, The Netherlands The Deer, Le Consortium, Dijon, France Compass: Drawings of the Museum of Modern Art New York, Martin-Gropius-Bau, Berlin, Germany |
| 2010 |
Crash: Homage to JG Ballard, Gagosian, Britannia Street, London, England Lebenslust und Totentanz, Kunsthalle Krems, Krems, Austria Kupferstichkabinett: Between Thought and Action, White Cube, Hoxton Square, London, England In the Company of Alice, Victoria Miro Gallery, London, England Connecticut, D'Amelio Terras, New York City NY, USA Lust for Life & Dance of Death. Olbricht Collection, Kunsthalle Krems, Krems an er Donau, Austria |
| 2009 |
Mary Magdalene, The Metropolitan Opera, New York NY, USA Slow Paintings, Museum Morsbroich, Leverkusen, Germany Tears of Eros, Museo Thyssen-Bornemisza, Madrid, Spain Oscar Tuazon. That's Not Made For That, David Roberts Foundation, London, England Paint Made Flesh, Memorial Art Gallery of the University of Rochester, Rochester NY, USA; Frist Center for the Visual Arts, Nashville TN, USA; The Phillips Collection, Washington DC, USA The Figure and Dr Freud, Haunch of Venison, New York NY, USA Talk Dirty to Me..., Larissa Goldston Gallery, New York NY, USA Fatal Attraction: Diana and Actaeon – The Forbidden Gaze. Compton Verney, Warwickshire, England Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, MoMA Museum of Modern Art, New York NY, USA |
| 2008 |
Diana And Actaeon: The Forbidden Sight of Nudity, Museum Kunstpalast, Düsseldorf, Germany Bad Painting, Good Art, MUMUK Museum of Modern Art, Vienna, Austria Pretty Ugly, Gavin Brown's Enterprise, New York, NY, USA THE OLYMP - Works on Paper, Burkhard Eikelmann Com, Dusseldorf, Germany L´Homme Merveilleux, Château de Malbrouck, Manderen, France Second Thoughts, CCS Bard Hessell Museum of Art, Annandale-on-Hudson NY, USA Out of Shape: Stylistic Distortions of the Human Form in Art, The Frances Lehman Loeb Art Center, Poughkeepsie NY, USA |
| 2007 |
Old School, Hauser & Wirth Colnaghi, London, England; Zwirner & Wirth, New York NY, USA Very Abstract and Hyper Figurative, Thomas Dane Gallery, London, England, curated by Jens Hoffman Insight?, Gagosian, Moscow, Russia What is Painting? - Contemporary Art from the Collection, MoMA Museum of Modern Art, New York NY, USA Zurück zur Figur - Malerei der Gegenwart, KunstHaus Wien, Vienna, Austria News on Paper, Galerie Burkhard Eikelmann, Düsseldorf, Germany |
| 2006 |
In the Darkest Hour there may be light, Work’s from Damien Hirst’s Murderme Collection, Serpentine Gallery, London, England (cat.) Surprise, Surprise, ICA Institute of Contemporary Arts, London, England Zurück zur Figur: Marlerei der Gegenwart, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany; Kunsthal Rotterdam, Rotterdam, The Netherlands (cat.) Painting Codes: I Codici della Pittura, Galleria Comunale d’Arte Contemporanea di Monfalcone, Monfalcone, Italy Prints, Sadie Coles HQ, Heddon Street, London, England Dryden Goodwin - Portrait Perspectives, Stephen Friedman Gallery, London, England The Power of Women, Galleria Civica di Arte Contemporanea di Trento, Trento, Italy Back to the Figure: Contemporary Painting, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany Sweets and Beauties, Fredericks and Freiser, New York NY, USA New York, New York, Grimaldi Forum, Monaco, France |
| 2005 |
Girls on Film, Zwirner & Wirth Gallery, New York NY, USA, curated by Kristine Bell Drawing from the Modern, 1975-2005, MoMAMuseum of Modern Art, New York NY, USA Idols of Perversity, Bellwether, New York NY, USA In Limbo, Victoria H. Myhren Gallery, University of Denver, Denver CO, USA Getting Emotional, ICA Institute of Contemporary Art, Boston MA, USA Works on Paper, Gagosian Gallery, Beverly Hills CA, USA The Figurative Impulse - Works from the UBS Art Collection, Museo de Arte de Puerto Rico, Santurce, Puerto Rico Fondos Regionales de Arte Contemporáneo Île-de-France y Poitou-Charentes, MAMBA - Museo de Arte Moderno de la Ciudad de Buenos Aires, Buenos Aires, Argentina Syzygy, Shaheem Modern and Contemporary Art, Cleveland OH, USA |
| 2004 |
SITE, Sante Fe’s Fifth International Biennal: Disparities and Deformations: Our Grotesque, SITE Santa Fe Biennial, Santa Fe NM, USA She’s Come Undone, Artemis, Greenberg van Doren Gallery, New York NY, USA Now Is a Good Time, Andrea Rosen Gallery, New York NY, USA Painting Now: Selections from the Permanent Selection, MCASD Museum of Contemporary Art San Diego, San Diego CA, USA 15 year anniversary of Regen Projects, Regen Projects, Los Angeles CA, USA Selections from the Collection of William and Ruth True, Henry Art Gallery, Seattle WA, USA II Nudo: Fra Ideale e Realta, Galleria d’Arte Moderna, Bologna, Italy The Charged Image: From the Collection of Douglas S. Cramer, Joseloff Gallery, West Hartford CT, USA Projet Cône Sud, MALI Museo De Arte de Lima, Lima, Peru; Centro Cultural Matucana 100, Santiago, Chile; Museo de Arte Moderno de Buenos Aires, Buenos Aires, Argentina; Museo Nacional de Artes Visuales, Montevideo, Uruguay |
| 2003 |
Inaugural Exhibition, Regen Projects, Los Angeles CA, USA 20th Anniversary Show, Sprüth Magers, Cologne, Germany John Currin Selects, Museum of Fine Arts, Boston MA, USA An International Legacy: Selections from Carnegie Museum of Art, OKCMOA Oklahoma City Museum of Art, Oklahoma City OK, USA; Nevada Museum of Art, Reno NV, USA; MMofA Mobile Art Museum, Mobile AL, USA Supernova: Art of the 1990s from the Logan Collection, SFMOMA San Francisco Museum of Modern Art, San Francisco CA, USA Fast Forward (twenty years of white rooms),White Columns, New York NY, USA Pittura/painting: From Rauschenberg to Murakami, 1964-2003, Museo Correr, Venice, Italy Trésors Publics: 20 Ans de Création dans les Fonds Régionaux d’Art Contemporain, Villa Greiner, Strasbourg, France DC: Lily van der Stokker: Small Talk, Museum Ludwig, Cologne, Germany As Time Goes By, Leo Koenig, New York NY, USA Awakenings, CCS Center for Curatorial Studies Bard, Hessel Museum of Art, Annabelle-on-Hudson NY, USA The Great Drawing Show, 1550-2003, Michael Kohn Gallery, Los AngelesCA, USA |
| 2002 |
Liebe Maler, male mir…Dear Painter, paint me…Cher peintre, peins-moi, Pompidou Centre, Paris, France; Kunsthalle Wien, Vienna, Austria; Schirn Kunsthalle Frankfurt, Frankfurt-am-Main, Germany, curated by Alison Gingeras (cat.) Drawing Now: Eight Propositions, MoMA Museum of Modern Art, New York NY, USA American Standard (Para) Normality and Everyday Life, Gladstone Gallery, New York NY, USA The Honeymooners: John Currin and Rachel Feinstein, The Hydra Workshop, Hydra, Greece Its Unfair!, Museum De Paviljoens, Almere, Spain Art for Today, IMA Indianapolis Museum of Art, Indianapolis IN, USA …Curious Pictures…, CCS Center for Curatorial Studies Bard, Hessel Museum of Art, Annabelle-on-Hudson NY, USA Walk around Town: Selections from the Permanent Collection, Walker Art Center, Minneapolis MN, USA New York Renaissance: Masterworks from the Whitney Museum, Palazzon Reale, Milan, Italy Les Vertus sont des Titres, Les Souffrances sont des Droits, FRAC Poitou-Charantes, Angoulême, France Cher Peintre: Peintures Figuratives depuis l’Ultime Picabia, Centre Pompidou, Paris, France American Standard: (Para) Normality and Everyday Life, Gladstone Gallery, New York NY, USA |
| 2001 |
Form Follows Fiction, Castello di Rivoli, Turin, Italy Azerty, Centre Pompidou, Paris, France About Faces, C & M Arts, New York NY, USA Naked Since 1950, C & M Arts, New York NY, USA The Way I See It, Galerie Jennifer Flay, Paris, France Drawings, Regen Projects, Los Angeles CA, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery I, London, England A Room of Their Own From Arbus to Gober, The Geffen Contemporary at MOCA Museum of Contemporary Art, Los Angeles CA, USA Painting At The Edge Of The World, Walker Art Center, Minneapolis MN, USA Lateral Thinking: Art of the 1990s, MCASD Museum of Contemporary Art San Diego, La Jolla CA, USA New To the Modern: Recent Acquisitions from the Department of Drawings, MoMA Museum of Modern Art, New York NY, USA |
| 2000 |
Kin, Kerlin Gallery, Dublin, Ireland 00, Barbara Gladstone Gallery, New York NY, USA Innuendo, Dee/Glasoe Gallery, New York NY, USA Biennial, Whitney Museum of American Art, New York NY, USA Couples, Cheim & Read, New York NY, USA Art on Paper 2000, Weatherspoon Art Gallery, Greensboro NC, USA, curated by Ron Platt Of the Moment - Contemporary Art from the Permanent Collection, SFMOMA San Francisco Museum of Modern Art, San Francisco CA, USA Drawing on the Figure: Works on Paper of the 1990s from the Manilow Collection, MCA Museum of Contemporary Art Chicago, Chicago IL, USA State of the Art: Recent Gifts and Acquisitions, Walker Art Center, Minneapolis MN, USA |
| 1999 |
Art Lovers, Compton House, Liverpool Biennial, Liverpool, England I’m Not Here: Constructing Identity at the Turn of the Century, SAM The Susquehanna Art Museum, Harrisburg PA, USA Carnegie International 1999/2000, CI:99/00, The Carnegie Museum, Pittsburgh PA, USA The Great Drawing Show: 1550 to 1999, Kohn Turner Gallery, Los Angeles CA, USA Malerei, INIT Kunsthalle, Berlin, Germany The Nude in Contemporary Art, Aldrich Museum of Contemporary Art, Ridgefield CT, USA TroubleSpot: Painting, MUHKA Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium Examining Pictures: exhibiting paintings, Whitechapel Art Gallery, London, England; Museum of Contemporary Art, Chicago IL, USA, curated by Francesco Bonami Etcetera, Spacex Gallery, Exeter, England, curated by Tommaso Corvi-Mora Painters: John Currin and Elizabeth Peyton, Carpenter Center for the Visual Arts, Harvard University, Cambridge MA, USA, curated by Peter Schjeldahl Salome: Images of Women in Contemporary Art, Castle Gallery, The College of New Rochelle, New Rochelle NY, USA, curated by Katherine Gass Positioning, CCS Center for Curatorial Studies Bard, Bard College, Annabelle-on-Hudson NY, USA 7 Women, 7 Years later, Andrea Rosen Gallery, New York NY, USA |
| 1998 |
More Fake, More Real, Yet Ever Closer, Castle Gallery, The College of New Rochelle, New York NY, USA, curated by Robert Evren The Risk of Existence, Phyllis Kind Gallery, New York NY, USA “Young Americans 2; Part Two”, Saatchi Gallery, London, England From Here to Eternity: Painting in 1998, Max Protetch Gallery, New York NY, USA Hungry Ghosts, Douglas Hyde Gallery, Dublin, Ireland Portraits: People, Places and Things, Marianne Boesky Gallery, New York NY, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Aldrich CT, USA Now and Later, Yale University Art Gallery, New Haven CT, USA |
| 1997 |
Heart, Mind, Body, Soul: American Art in the 1990s, Selections from the Permanent Collection, Whitney Museum of American Art, New York NY, USA The Tate Gallery Selects: American Realities - Views from Abroad: European Perspectives on American Art 3, Whitney Museum of American Art, New York NY, USA, curated by Nicolas Serota and Sandy Nairne Painting Project, Basilico Fine Arts and Lehmann Maupin, New York NY, USA Projects #60: Currin, Peyton, Tuymans, MoMA Museum of Modern Art, New York NY, USA, curated by Laura Hoptman Views From Abroad: European Perspectives on American Art 3, American Realities,Whitney Museum of American Art, New York NY, USA Feminine Image, NCMA Nassau County Museum of Art, Roslyn Harbor NY, USA, curated by Donald Kuspit |
| 1996 |
a/drift: Scenes from the Penetrable Culture CCS Center for Curatorial Studies Bard, Bard College, Annabelle-on-Hudson NY, USA, curated by Joshua Decter Figure, Taka Ishii Gallery, Tokyo, Japan Pittura, Castello di Rivoli, Turin, Italy Variations, op. 96: une selection d’oeuvres du Fonds Regional d’Art Contemporain, Poitou-Charentes, Musée des Arts du Cognac, Cognac, France Answered Prayers, CFA Contemporary Fine Arts, Berlin, Germany Sugar Mountain, White Columns, New York NY, USA, curated by Paul Ha and Andrea Scott Face to Face, Victoria Miro Gallery, Cork Street, London, England Controfigura, Studio Guenzani, Milan, Italy Narcissism: Artists Reflect Themselves, California Center for the Arts Museum, Escondido CA, USA (cat.) Screen, Friedrich Petzel, New York NY, USA, curated by Joshua Decter |
| 1995 |
Wild Walls, Stedelijk Museum, Amsterdam, The Netherlands; ICA Institute of Contemporary Arts, London, England (cat.) 25 Americans: Painting in the 90’s, MAM Milwaukee Museum of Art, Milwaukee WI, USA (cat.) Collection, fin XXe, FRAC Fonds Regional d’Art Contemporain Poitou-Charentes, Angouleme, France (cat.) White Columns Benefit, White Columns, New York NY, USA B-Movie, Phoenix Hotel, San Francisco CA, USA, curated by Sarah Morris |
| 1994 |
A series of rotating installations: Week 1: John Currin and Andrea Zittel, Andrea Rosen Gallery, New York NY, USA Exhibited, CCS Center for Curatorial Studies Bard, Bard College, Annabelle-on-Hudson NY, USA Summer Group Show, Donald Young Gallery, Seattle WA, USA Up the Establishment, Benefit sale for Independent Curators Incorporated, curated by Dan Cameron Kathe Burkhart, John Currin, José A. Hernandez Diez, Tony Oursler, Lorna Simpson, Sue Williams, Galleria Galliani, Genoa, Italy Sonnabend Gallery, New York NY, USA Galleria Galliani, Genoa, Italy Don’t Postpone Joy or Collecting Can Be Fun!, Neue Galerie, Graz, Austria; Austrian Cultural Institute, New York NY, USA, curated by Rudi Molacek and Barbara Steffen Intercourse, Mustard, New York NY, USA, curated by Pedro Gomez and Daniel Carello Passing Through, Galerie Walcheturm, Zurich, Switzerland, curated by Ugo Rondinone White Columns Benefit 1994, White Columns, New York NY, USA |
| 1993 |
Medium Messages, Wooster Gardens, New York NY, USA, curated by Vik Muniz Look at the Window, Museum Het Kruithuis, Hertogenbosch, The Netherlands, curated by Jose Lebrero Stals (cat.) One of Us (Since You Stayed Here), Kunsthal Rotterdam, Rotterdam, The Netherlands, curated by Mark Wilson and Cokkie Snoei After the Event, Aperto 93, Venice Biennale, Venice, Italy, curated by Mike Hubert (cat.) Just what is it that makes today's home so different, so appealing?, Galerie Jennifer Flay, Paris, France Project Unite Firminy, Unité D'Habitation Le Corbusier, Firminy, France, curated by Yves Aupetitalot (cat.) Prospect '93: Eine Ausstellung des Frankfurter Kunstvereins im Steinernen Hans und der Schirn, Kunsthalle, Frankfurt am Main, Germany (cat.) SOHO at Duke IV, Duke University Museum of Art (now The Nasher Museum of Art, Durham NC, USA Aperto 93: Emergency /Emergenza, XLV Venice Biennale, 45th International Exhibition of Art, Venice, Italy |
| 1992 |
Figurative Work from the Permanent Collection, Whitney Museum of American Art, New York NY, USA Double Identity, Johnen & Schottle, Cologne, Germany Dead Cat Bounce, Robbin Lockett Gallery, Chicago IL, USA Galerie Rudiger Schottle, Munich, Germany, touring to Galerie Rudiger Schottle, Paris, France Art under 30: FIAR International Prize, New York NY, USA, organized by FIAR Milan New Deal, Bruno Brunnet Fine Arts, Berlin, Germany |
| 1991 |
Malerei, Johnen & Schottle, Cologne, Germany Art Under 30, The FIAR International Prize, Milan, Rome, Italy; Paris, France; London, England; New York NY, USA; Los Angeles CA, USA (cat.) Shared Skin: Sub-Social Identifiers, Dooley Le Cappellaine Gallery, New York NY, USA, organized by Janet Biggs The Good, the Bad and the Ugly: Violence and Knowledge in Recent American Art, Ezra and Cecile Zilkha Gallery, Wesleyan University, Wesleyan MA, USA, curated by Klaus Ottman Gulliver's Travels, Sophia Ungers Galerie, Cologne, Germany 7 Women, Andrea Rosen Gallery, New York NY, USA with Robin Kahn, Andrea Rosen Gallery, New York NY, USA |
| 1990 |
(not so) Simple Pleasures, MIT List Visual Arts Center, Boston MA, USA (cat.) Total Metal, Simon Watson Gallery, New York NY, curated by Richard Phillips (cat.) White Columns Benefit, New York NY, USA Andrea Rosen Gallery, New York NY, USA Program Update White Columns, White Columns, New York NY, USA (cat.) Update:1980-1990, White Columns, New York NY, USA |
| 1989 | Amerikarm, Hallwalls, Buffalo NY, USA, curated by Dan Levine |
Public Collections
|
Art Institute of Chicago, Chicago IL, USA Centre Pompidou, Paris, France Des Moines Art Centre, Des Moines IA, USA Hirshhorn Museum and Sculpture Garden, Washington D.C., USA MCA Museum of Contemporary Art, Los Angeles CA, USA MoMA Museum of Modern Art, New York, NY, USA Tate Collection, London, England Walker Art Centre, Minneapolis MN, USA |