1977 Born Israel
Lives and works in New York (NY)
2003 The Cooper Union, New York (NY)
2004 Bachelor of Design, Bezalel Academy Jerusalem
2007 MFA Visual Arts, Columbia University (NY)

Solo Exhibitions

2017 Uri Aran: Time for an Early Mark, curated by Moritz Wesseler as part of ‘curated by_vienna 2017’, Christine König Galerie, Vienna
2016 Two Things About Suffering, Sadie Coles HQ, London
Mice, Kölnischer Kunstverein, Cologne, Germany
2015 Multi Colored Blue, Gavin Brown’s Enterprise, Rome
Ones
, mother’s tankstation, Dublin
2014 Sensitivo, Kölnischer Kunstverein, Cologne, Germany
Puddles, Peep-Hole, Milan, Italy
Mother’s Tankstation, Dublin
Hat On Hook, Disjecta Contemporary Art Center, Portland (OR), USA
2013 Five Minutes Before, South London Gallery, London
here, here and here, Kunsthalle Zürich, Zurich, Switzerland
2012 Untitled (Ticket Shack), Frieze Projects, Frieze, New York (NY)
by foot, by car, by bus, Gavin Brown’s enterprise, New York (NY)
Untitled (Good & Bad), The High Line, New York (NY)
2011 A To Z (that stops at Q), Art Statements, Art 42 Basel, Basel, Switzerland (with Mother’s Tankstation)
2010 Doctor, Dog, Sandwich, Mother’s Tankstation, Dublin
2008 Geraniums, Rivington Arms, New York (NY)

Group Exhibitions

2017 Satellite TV, Tetsuo's Garage, 8-10 Yasukawa, Nikko, Japan
made on the table, Sadie Coles HQ, London
99 Cents or Less, Museum of Contemporary Art Detroit, Detroit (MI), USA
Off Road, Zeno X Gallery, Antwerp, Belgium
BERLIN SHOW #5: Collectors' Loop, Galeria Plan B, Berlin
2016 Question the Wall Itself, Walker Art Center, Minneapolis (MN), USA
Take Me (I'm Yours), Jewish Museum, New York (NY)
solo: a group show, Nuovo Spazio di Casso, dolomiti contontemporanee, Casso, Italy
finding Ling-Ling’s head: Verhaegen family collection – Part II, cookie butcher, Antwerp, Belgium
FACE TO FACE, Palazzo Fruscione, Salerno, Italy (curated by Ernesto Esposito)
The Mud of Compound Experience, Hong Kong (in conjunction with mother’s tankstation and Leo Xu Projects)
THE PAGAD, Massimo De Carlo, Milan, Italy
Question the Wall Itself, Walker Art Center, Minneapolis (MY), USA
2015

Walter Benjamin: Exilic Archive, Tel Aviv Museum of Art, Israel
Pestilent Unground; Epidemic Openness, STATION, South Yarra, Australia
Chapter 1: Collecting Lines, Drawings from the Ringier Collection, Villa Flora, Winterthur, Switzerland
Chapter 2: Collecting Lines, Drawings from the Ringier Collection, Villa Flora, Winterthur, Switzerland
Possible Collection, Hono lulu, Zürich
A Sentimental Education
, Galerie Andreas Huber, Vienna
Call and Response, Gavin Brown’s enterprise, New York (NY)
2014 Theater Objects: A Stage for Architecture and Art, LUMA Westbau, Zurich, Switzerland
Karma International, Zurich, Switzerland
Rockaway!, curated by MoMA PS1, Fort Tilden and Rockaway Beach, New York (NY)
Liverpool Biennial 2014, Liverpool, UK
Apparition
, Sommer Contemporary Art, Tel Aviv, Israel
Another, Once Again, Many Times More, Martos Gallery, East Marion (NY)
Ambulance Blues, Basilica Hudson, Hudson (NY), USA
Glass Puzzle, Simone Subal Gallery, New York (NY)
…/ Forever Young, Galerie Catherine Bastide, Brussels
Never Enough: Recent Acquisitions of Contemporary Art, Barrel Vault and Hanley, Lamont, Rachofsky, and Stoffel Galleries, Dallas Museum of Art, Dallas (TX), USA
2014 Whitney Biennial, Whitney Museum of American Art, New York (NY) (cat.)
Work Order, Change Order, curated by Daniel Lefcourt, Mitchell-Innes & Nash, New York (NY)
video screening 25, Galleria Zero, Milan, Italy
Listen up!, curated by Diana Campbell Betancourt and Tim Goossens, New Delhi
2013 Trust (A Mi Izquierda), Balice Hertling, Paris
PIZZA TIME!, Marlborough Broome Street, New York (NY)
Empire State
, New York Art Now, Galerie Thaddaeus Ropac, Paris, (curated by Norman Rosenthal and Alex Gartenfeld)
An-Americana, co-organized by the American Academy in Rome and Depart Foundation, American Academy in Rome (curated by Vincenzo de Bellis)
The Encyclopedic Palace, 55th Venice Biennale, Venice, Italy
do it, Socrates Sculpture Park, New York (NY) (curated by Hans Ulrich Obrist, touring exhibition through to December 2018)
Empire State: New York Art Now, Palazzo delle Esposizioni, Rome (curated by Norman Rosenthal and Alex Gartenfeld)
Commercial Break
Anonymous Gallery/ Garage Projects, Mexico City (curated by Neville Wakefield)
The Assistants, David Kordansky Gallery, Los Angeles (CA), USA (curated by Fionn Meade) (cat.)
Ground Control to Major Tom, Cookie Butcher, Verhaegen Collection, Antwerp, Belgium
Rothfeld Collection of Contemporary Israeli Art, Katzen Arts Center American University Museum, Washington (DC)
Desert Plains and Internet Memes, Art:Concept, Paris
Yes I will Yes, Matthew Dipple, American Contemporary, New York (NY)
None of This Was Suppose to Happen, Viafarini, Milan, Italy
2012 Programme video quotidian: Uri Aran, E’cole de Recherche Graphique, Brussels (curated by Eva Fabbris)
You Should’ve Heard Just What I Seen: Selections from the collection of Martin and Rebecca Eisenberg, Riverview School, Cape Cod (MA), USA
THE LOG-O-RITHMIC, GAMeC, Bergamo, Italy
I mean orange, STUDIOLO, Zürich, Switzerland (with Elizabeth Neel) (cat.)
Vers la lune en passant par la plage (To the Moon via the Beach), Amphitheatre of Arles, Provence, France
MARCH, Sadie Coles HQ, London
Beautiful Potential, Mother’s Tankstation, Dublin
Tommy Hartung & Uri Aran, White Flags Projects, St. Louis (MO), USA
2011 Screening Room: Cologne, Kölnischer Kunstverein, Köln, Germany (curated by Regina Barunke)
Heads with Tails, Harris Lieberman, New York (NY) (curated by West Street Gallery)
Commercial Break, Venice Biennale, Venice, Italy (curated by Neville Wakefield)
After images, Jewish Museum of Belgium, Brussels (curated by Fionn Meade)
A Hole Is To Dig, Office Baroque Gallery, Antwerp, Belgium
Partoftheprocess4, Galleria Zero, Milan, Italy
No More Presence 2, with Liam Gillick, The Artist's Institute, New York (NY)
Numerator and Denominator, Herzliya Museum of Contemporary Art, Herzliya, Israel
2010 Painting and Sculpture: To Benefit the Foundation for Contemporary Arts, Lehmann Maupin, New York (NY)
It’s All American, New Jersey Museum of Contemporary Art, Asbury Park (NJ), USA
Wait For Me at the Bottom of the Pool, Matos Gallery – Summer Location, Bridgehampton (NY), USA (organized by Bob Nickas)
The Coke Factory, Ritter/Zamet, London
1848!!! With Liam Gillick, Esther Schipper, Berlin
Greater New York, PS1, New York (NY) (with Tommy Hartung)
Knight’s Move, Sculpture Center, New York (NY) (curated by Fionn Meade)
5 Videos, West Street Gallery, New York (NY)
No More Presence, Gresham’s Ghost, New York (NY) (with Liam Gillick)
Gr0up Sh0w, Taxter & Spengemann, New York (NY)
Manamal, Herzliya Museum of Contemporary Art, Herzliya, Israel
2009 The Living And The Dead, Gavin Brown’s enterprise, New York (NY)
The Kings County Biennial, Kidd Yellin Gallery, Brooklyn (NY), USA
TIME – LIFE 2, Taxter & Spengemann, New York (NY)
Circular File Channel, PERFORMA, New York (NY) (curated by Josh Kline)
PRUESSPRESS 2, Ritter/Zamet, London
The Fuzzy Set, LA><ART, Los Angeles (CA), USA
Odeon, Ritter/Zamet, London
Video, The New Museum, New York (NY) (selected by Benjamin Godsill)
Made in the USA, Philip Deely & Kalika Farmer, Great Barrington (MA), USA
On From Here, Guild & Greyshkul, New York (NY)
2008 Closer Now, Rivington Arms, New York (NY)
Controversy of The Common Experience, SOIL, Seattle (WA), USA
SINGULAR FRIENDS, 41 Wooster, New York (NY)
FRIENDLY, CRG Gallery, New York (NY)
New Work, Mesler & Hug, Los Angeles (CA), USA
YES, AR/Contemporary, Milan, Italy
PRUESSPRESS 1,Rental, New York (NY)
Sunshine, Ritter/Zamet Gallery at Rental, New York (NY)
CRG Open Video Series, CRG Gallery, New York (NY)
On Paper, Moti Hasson Gallery, New York (NY)
2007 Loot from Wars of Nationalist Aggression, Passerby, Gavin Brown’s enterprise, New York (NY) (curated by Darren Bader)
Wu tang/Googolplex show, Passerby, Gavin Brown’s enterprise, New York (NY) (curated by Darren Bader)
Dutch Elm Disease, Passerby, Gavin Brown’s enterprise, New York (NY) (curated by Darren Bader)
Artists' Cinema, Henry Art Gallery, Seattle (WA), USA (curated by Ronnie Bass)
New Misunderstandings: Return of the Same, Moti Hasson Gallery, New York (NY) (with Jeremy Eilers)
Beyond the Pale, Moti Hasson Gallery, New York (NY) (curated by Candice Madey & Tairon Bastien)

Screenings

2017 Situations, 127 Henry Street, New York (NY)
‘There’s a lot of things in life worth living for, isn’t there?’ Films from the Ruben/Bentson Moving Image Collection, BFI Southbank, London
2016 Walker Moving Image Commission, Walker Art Center, Minneapolis (MN), USA
2015 Parallel Formats: My Pleasure, CINEMA 35 - French Institute in Prague, Prague
CINEMA 25, Prague (curated by Isla Leaver-Yap and James Richards)
Harry, Kunstverein Freiburg, Freiburg am Breisgau, Germany 
2013 Optic Nerve 15, Museum of Contemporary Art North Miami, Miami (FL), USA
2012 A Film to be Determined by Uri Aran, White Flag Projects, St. Louis (MO), USA
2011 Screening Room: Cologne, Kölnischer Kunstverein, Köln, Germany (curated by Regina Barunke)
Future Formats, Electronic Arts Intermix, New York (NY)

Public Collections


Israel Museum, Jerusalem
Walker Art Center, Minneapolis (MN), USA