Jonathan Horowitz
1966
Born in New York (NY), USA
B.A. Philosophy, Wesleyan University, Middletown (CT), USA
Solo Exhibitions
2010
Go Vegan!, La Frieda Meats, New York (NY)
2009
FREE STORE , Sadie Coles HQ, London, UK
Apocaylpto Now, Ludwig Museum, Cologne, Germany Jonathan Horowitz: And/Or, P.S. 1 Contemporary Art Center, NY, USA
2008
Obama '08, Gavin Brown's Enterprise, New York (NY), USA
Yvon Lambert, Paris, France
2007
People Like War Movies, Galerie Barbara Weiss, Berlin, Germany
2006
Rome, Sadie Coles HQ, London, UK
2005
The New Communism, Gavin Brown’s Enterprise, New York (NY), USA
Silent Movie, Yvon Lambert Gallery, New York (NY), USA
2004
Galerie Barbara Weiss, Berlin, Germany
2003
Jonathan Horowitz/Silent Movie/MATRIX 151, Wadsworth Atheneum Museum of Art, Hartford (CT), USA
Galerie Yvon Lambert, Paris, France
Surreal Estate, with Rob Pruitt, Gavin Brown’s Enterprise, New York (NY), USA
Buero Friedrich, Berlin, Germany
2002
Go Vegan! Greene Naftali, New York (NY), USA
Pillow Talk, Sadie Coles HQ, London, UK
2001
Time, Life, People: Jonathan Horowitz at Kunsthalle St. Gallen, Kunsthalle St. Gallen, St. Gallen, Switzerland
We the People, China Art Objects, Los Angeles (CA), USA
Galerie Yvon Lambert, Paris, France
In Person, Bard College Center for Curatorial Studies,
Annandale-on-Hudson (NY), USA
2000
The Jonathan Horowitz Show, Greene Naftali Gallery, New York (NY), USA
the Universal calendar / talking without thinking, Van Laere Contemporary Art, Antwerp, Belgium
1999
Project Room, Van Laere Contemporary Art, Antwerp, Belgium
Project Space, Ten in One Gallery, Chicago (IL), USA
1998
Maxell, Greene Naftali Gallery, New York (NY), USA
Bach Two Part Invention #9, Kenny Schachter/Rove, New York (NY), USA
Personal Cinema Program, Millennium, New York (NY), USA
Group Exhibitions
2010
Viaggio in Italia, Palazzo Fabroni, Pistoia, Italy
Christmas in July, Yvon Lambert, New York (NY)
The woods that see and hear, dertien hectare, 's-Hertogenbosch, Netherlands
2009
Edition Bewegte Bilder - Sammlung Rheingold, Museum Ludwig, Colonge, Germany
The Living and the Dead, Gavin Brown's Enterprise, New York (NY), USA
Saints and Sinners, Rose Art Museum, Brandeis University (MA), USA
2008
Sudden White (after London), GSK Conmteporary Season, Royal Academy, London, UK
An Unruly History of the Readymade, curated by Jessica Morgan, La Coleccion Jumex, Mexico
Moral Imagination - Contemporary Art and Climate Change, Kunstmuseum Thurgau, Kartause Ittingen, Switzerland
Rom Report, Badischer Kunstverein, Karlsruhe, Germany Good News for People who Love Bad News, Studio 495, Swiss Institute, Switzerland Italia Italie Italien Italy Wlochy, curated by Gigiotto Del Vecchio, Alessandro Rabottini, Elena Lydia Scipioni, Andrea Viliani, ARCOS Museo d'Arte Contemporanea, Benevento, Italy Other Than Yourself - An Investigation Between Inner and Outer Space, Thyssen - Bornemisza Art Contemporary, Vienna, Thyssen - Bornemisza Art Contemporary, Vienna, Austria
2007
RAW, Museum of Modern Art, New York (NY), USA In The Poem About Love You Don't Write The Word Love, curated by Tanya Leighton, Overgarden Institute of Contemporary Art, Copenhagen, Denmark Lines, Grids, Stains, Words, Museum of Modern Art, New York, (NY), USA New York State of Mind, House of World Cultures, Berlin, Germany The Wonderful Fund: Art for the New Millenium 2000-2005, Pallant House Gallery, Chichester, UK Das Kapital – Blue Chips and Masterpieces, Museum for Moderne Kunst, Frankfurt, Germany Art in America: 300 Years of Innovation, organized by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art, National Art Museum of China, Beijing, China; Shanghai Museum and the Museum of Contemporary Art, Shanghai, China (cat.) Raw. Among the Ruins, curated by Lisette Smits and Alexis Vaillant, Marres Center for Contemporary Art, Maastricht, Netherlands Playback, ARC/Musee d’Art moderne de la Ville de Paris, France The Future of Futurism, GAMeC/Museum of Modern and Contemporary Art, Bergamo, Italy MARTa is silent. Garde le silence, le silence te gardera," MARTa Herford Museum, Herford, Germany New York: State of Mind, curated by Shaheen Merali, House of World Cultures, Berlin, Germany; Queens Museum, New York (NY), USA Love Addiction: Practices in Video Art from ’61 to the Present, curated by Andrea Bruciati, Galleria Comunale d'Arte Contemporanea, Monfalcone, Italy
2006
Defamation of Character, curated by Neville Wakefield, P.S. 1 Contemporary Art Center, New York (NY), USA Repeat Redux, Screening and Performance Series, Whitney Museum of American Art at Altria, New York (NY), USA Figures de l’acteur: Le Paradoxe du comedien, Collection Lambert, Avignon, France (cat.) The Wonderful Fund: Art for the New Millenium 2000 – 2005, Pallant House Gallery, Chichester, UK
The Eighth Square: Gender, Life, and Desire in the Visual Arts Since 1960, Museum Ludwig, Cologne, Germany (curated by Kasper Konig and Frank Wagner) (cat)
Into Me / Out of Me, P.S.1 Contemporary Art Center, Long Island City, New York (NY), USA; Kunstwerk, Berlin, Germany (curated by Klaus Biesenbach)
Down by Law, Whitney Museum of American Art, New York (NY), USA (curated by Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick) (cat)
Modern Times, Museo d’Arte Provincia di Nuoro, Nuoro, Italy (curated by Maria Rosa Sossai) (cat)
Gay Art Now, Paul Kasmin Gallery, New York (NY), USA (curated by Jack Pierson)
Object of Desire / The Kate Moss Show, Museum of Photography, Amsterdam
Survivor, Bortolami Dayan Gallery, New York (NY), USA (curated by David Rimanelli)
Take One, Glassell School of Art, Museum of Fine Arts, Houston (TX), USA (curated by Domenick Ammirati)
The Fact, Abstract, Dorsky Gallery Curatorial Programs, Long Island City, New York (NY), USA (curated by Claire Barliant)
2005
Realit;-)t. 30 Video Works from the Goetz Collection in Munich. From Olaf Breuning to Sam Taylor-Wood, Seedamm Kulturzentrum, Pfaffikon, Switzerland
Jump Cut Nights, SK Stiftung Kultur, Cologne, Germany
Museumsnacht, SK Stiftung Kultur, Cologne, Germany
What’s New Pussycat? Museum fur Modern Kunst, Frankfurt am Main, Germany (cat)
5 ans, Collection Lambert en Avignon, Avignon, France
The Wonderful Fund Collection, La Musée de Marrakech, Morocco (cat)
Log Cabin, Artists Space, New York (NY), USA (curated by Jeffrey Uslip)
Theorema. Une Collection Privee en Italie, la Collection d’Enea Righi, Collection Lambert, Avignon, France
Superstars: From Warhol to Madonna, Kunsthalle Wien and Kunstforum Wien, Vienna, Austria (cat)
2004
100 Artists See God, ICA, London
Genealogies of Glamour: The Future has a Silver Lining, Migros Museum, fur Gegenwartskunst, Zurich, Switzerland
The Ten Commandments, Deutsches Hygiene-Museum, Dresden, Germany (curated by Klaus Biesenbach)
Drunk vs. Stoned, Gavin Brown’s Enterprise at Passerby, New York (NY), USA (organised by The General Store)
A Fripon, Fripon et Demi- A School for Truants, Collection Lambert, Avignon, France
Aus acktuellem Anlass, Johann Konig, Berlin, Germany
Let the Bullshit Run a Marathon, Nicole Klagsbrun, New York (NY), USA (curated by Nate Lowman)
Marilyn, Sean Kelly Gallery, New York (NY), USA
2003
La Nuit Americaine, Yvon Lambert, New York (NY), USA
20th Anniversary Exhibition, Gavin Brown's enterprise, New York (NY), USA
Dust Memories, Swiss Institute, New York (curated by Emmanuel Latreille)
Love, Magazin 4 Bregenzer Kunstverein, Bregenz, Austria
Franco Noero, Turin, Italy
Fast Forward: Media Art Sammlung Goetz, ZKM, Karlsruhe, Germany
Drop Out, China Art Objects Galleries, Los Angeles (CA), USA
First Person, Mercer Union, Toronto, Canada (curated by Kim Simon)
Homeland, The Whitney Independent Study Program, New York (NY), USA
Nation, Kunstverein, Frankfurt, Germany (curated by Rene Zechlin)
Parle a Mes Peres, Collection Lambert at PhotoEspana, Madrid, Spain
2002
Just Love Me: Post-Feminist Positions of the Nineties, Staatliche Kunsthalle Baden-Baden, travelling to Goetz Collection, Munich, Bergen Art Museum, Germany and Fries Museum Leeuwarden, Germany
The Object Sculpture, The Henry Moore Institute, Leeds, UK (selected by Tobias Rehberger, Joelle Tuerlinckx and Keith Wislon, curated by Penelope Curtis) (cat)
Tableaux Vivants, Kunsthalle Wien Austria, Vienna, Austria (curated by Sabine Folie and Michael Glasmeier) (cat)
Non-Places, Frankfurter Kunstverein, Frankfurt-am-Main, Germany (curated by Nicolaus Schafhausen)
Dark Spring, Ursual Blickle Stiftung, Kraichtal-Unterowisheim, Germany (curated by Liam Gillick) (cat)
Zusammenhaenge Herstellen, Kunstverein, Hamburg, Germany (curated by Yilmaz Dziewor) (cat)
Mensaje De Texto, Galeria Helga De Alvear, Madrid, Spain
2001
4Free, BuroFriedrich, Berlin (curated by Waling Boers) (cat)
Metropolis Now, Borusan Art Gallery, Istanbul
Casino, S.M.A.K., Ghent, Belgium (curated by Jeanne Greenberg)
The Americans, Barbican Art Centre, London, UK
Tele(visions, Kunsthalle Wien, Vienna (curated by Joshua Decter) (cat)
Third Annual Altoids Curiously Strong Collection, Los Angeles (CA), USA
Contemporary Exhibitions, Los Angeles (CA), USA
Video Mania, Migros Museum, Zurich, Switzerland
The Choice Between Anonymity and Notoriety, 32nd Rencontres Internationales de la Photographie, Arles, France (curated by Eric Mezil)
Site Co-opted, Andrew Kreps Gallery, New York (NY), USA
Desins, Ecole Regionale des Beaux-Arts, Dunkerque, France
Do You Have Time, Liebman Magnan, New York (NY), USA
Pause, Marc Foxx Gallery, Los Angeles (CA), USA
Fresh: The Altoids Curiosly Strong Collection, 1998-2000, The New Museum, New York (NY), USA
2000
New York Projects, Delfina Project Space, London, UK (curated by Luke Dowd)
Over the Edges, S.M.A.K., Ghent, Belgium (curated by Jan Hoet & Giacinto di Pietrantonio)
Pop Unlimited, International Short Film Festival - Special Program,
Oberhausen, Germany
New Work from New York, Cheekwood Museum of Art, Nashville (TN), USA
Making Tim: Considering time as a material in contemporary film & video, Palm Beach Institute for Contemporary Art, Palm Beach (FL); UCLA Hammer Museum, Los Angeles (CA), USA (curated by Amy Cappellazzo)
Greater New York: New Art in New York Now, P.S. 1/MOMA, New York (NY), USA
Two Friends and So On…,Andrew Kreps Gallery, New York (NY), USA (curatorial project by Jonathan Horowitz & Rob Pruitt)
Achieving Failure: Gym Culture 2000, Thread Waxing Space, NewYork (NY), USA (curated by Bill Arning)
CAN 303s HEAL? Kiasma, Helsinki, Norway (curated by Toby Webster),
Kosmobiologie-12 Artists/12 Zodiac Signs, Bellwether, New York (curated by Nancy Chaikin),
Trailer, Greene Naftali Gallery, New York (NY), USA
Full Serve, presented by mixed greens & Kenny Shachter/Rove, New York (NY), USA
1999
Zeitwenden - The Outlook, Kunstmuseum, Bonn, Germany; Museum Moderner Kunst Stiftung Wien, Vienna, Austria
Regarding Beauty in Performance and Media Arts, 1967-1998; Program III- Icons of Beauty, Hirshhorn Museum and Sculpture Garden, Washington DC; Haus der Kunst, Munich, Germany
Exit, Chisenhale, London, UK (curated by Alison Gingeras)
Interplay, Contemporary Museum of Art, Tucson (AZ), USA (curated by Caitlin Masley)
A Place Called Lovely, Greene Naftali Gallery, New York (NY), USA (curated by Sima Familant)
Persuasion: Tales of Commerce and the Avant-garde, University of Buffalo Art Gallery/Research Center in Art + Culture, Buffalo (NY), USA
The Opening, S.M.A.K., Ghent, Belgium
New York Neither/Nor, Grand Arts, Kansas City (MO), USA (curated by Bill Arning)
Compromising Situations, Galerie Montenay-Giroux, Paris, France (curated by Muriel Colin-Barrand)
Conceptual Art as Neurobiological Praxis, Thread Waxing Space, New York (NY), USA (curated by Warren Neidich)
Free Coke, Greene Naftali Gallery, New York (NY), USA
1998
Invited Exhibition of Visual Art 1998, Limerick City Gallery of Art, Limerick, Ireland
Oriental Nights, Gavin Brown’s Enterprise, New York (NY), USA
Group Show, The Fifth International, New York (NY), USA (curated by Jennifer Bornstein and Chivas Clem)
Biovoid, Museum of Natural History, Lisbon, Portugal
Tune In, Lawing Gallery, Houston (TX), USA
Superfreaks: Post Pop & the New Generation - Part I: Trash, Greene Naftali Gallery, New York (NY), USA
Cambio, Museo Universitario del Chopo, Mexico City and Sandra Gering Gallery, New York (NY), USA (curated by Kenny Schachter)
1997
Bring Your Own Walkman, Achterzaal, Amsterdam (curated by Jack Jaeger)
Thriller, 303 Gallery, New York (NY), USA (curated by Tom Borgese)
Andrew Kreps Gallery, New York (NY), USA
Video Flash, Hohenthal und Bergen Gallery, Cologne, Germany
Screentest, Hotel 17 performance series, 192 Third Avenue, New York (NY), USA
1996
Password: Ferdydurke, Postmasters Gallery, New York (NY), USA
The Strange Power of Cheap Sentiment, White Columns, New York (NY), USA (curated by Bill Arning)
Shit, Baron/Boisante Gallery, New York (NY), USA
Facing the Millennium, Arlington Museum of Art, Arlington (TX), USA (curated by K. Schacter) (cat.)
Sex and Drugs and Explosives, London Artforms Gallery, London, UK (curated by K. Schachter)
1995
Gang Warfare, Independent Art Space, London; McKinney Avenue Contemporary, Dallas (TX), USA; The Consortium, Dijon, France (curated by Michael Corris) (cat.)
Looky Loo, Sculpture Center, New York (NY), USA (cat.) (curated by K. Schachter),
1994
Personal Cinema Program, Millennium, New York (NY), USA
Played, Printed Matter, New York (NY), USA (curated by K. Schachter),
1993
Arts Festival of Atlanta, Atlanta (GA), USA (cat.)
1992
Morality Café, Postmasters Gallery, New York (curated by K. Schachter)
1991
Unlearning, 142 Greene Street, New York,
1989
Document and Dream, Artists Space, New York
Public Collections
Altoids Curiously Strong Collection - New Museum of Contemporary Art, New York (NY), USA
Centre Georges Pompidou, Paris, France
Frankfurt Museum of Modern Art, Frankfurt, Germany
Migros Museum of Contemporary Art, Zurich, Switzerland
Museum of Contemporary Art, San Diego (CA), USA
Museum of Modern Art, New York (NY), USA
S.M.A.K, Ghent, Belgium
Solo Screenings
2005
L'Entrepot, Paris, presented by Ann Bonnin
2000
Personal Cinema Program, Millennium, New York (NY), USA
Curatorial Projects
2006
Two Friends and So On, curated by Jonathan Horowitz & Rob Pruitt,
Andrew Kreps Gallery, New York (NY), USA
2001
Marc Foxx Gallery, Los Angeles (CA), USA
2000
Andrew Kreps Gallery, New York (NY), USA
1996
Howard the Duck, zing magazine, Autumn-Winter