Richard Prince

1949

Born Panama Canal Zone
Lives and works in New York State

 

Selected Solo Exhibitions

2007

Richard Prince, Panama Pavilion, Venice, Italy
Canaries in the Coal Mine, Astrup Fearnley Museet for Moderne Kunst, Oslo

2006

Monica Sprüth Philomene Magers, Cologne, Germany
John McWhinnie @ Glenn Horowitz Bookseller, New York

2005

Sadie Coles HQ, London
Richard Prince, Gladstone Gallery, New York
Check Paintings, Gagosian Gallery, Beverly Hills (CA)

2004

American Dream: Collecting Richard Prince for 27 Years, Rubell Family Collection, Miami (FL)
Richard Prince: Man, Galerie Eva Presenhuber, Zurich, Switzerland
Richard Prince: Women, Regen Projects, Los Angeles (CA)
Richard Prince, Sammlung Goetz, Munich.

2003

Nurse Paintings, Sadie Coles HQ, London
Richard Prince: Publicities, Works from the Ophiuchus Collection, Hydra Workshop, Hydra, Greece
Glen Horowitz Bookseller, Inc., Easthampton, New York
Nurse Paintings, Barbara Gladstone Gallery, New York
Upstate, Sabine Knust, Munich, Germany

2002

Barbara Gladstone Gallery, New York
Patrick Painter, Inc., Santa Monica (CA)

2001

Museum für Gegenwartskunst, Basel, Switzerland and Kunsthalle Zurich, Switzerland, traveling to Kunstmuseum Wolfsburg, Germany (cat.)
Micheline Szwajcer, Antwerp, Belgium
Neue Galerie im Höhmann-haus, Augsburg, Germany
Richard Prince: Publicities, Sadie Coles HQ, London
Regen Projects, Los Angeles (CA)
Skarstedt Fine Art, New York

2000

Richard Prince: Princeville, Partobject Gallery, Weaver Carboro (NC)
Barbara Gladstone Gallery, New York
Richard Prince: Photographs, Paintings, Jablonka Galerie, Cologne, Germany
Richard Prince: 4 x 4, MAK Vienna, Vienna
Richard Prince: Upstate, MAK Center for Art and Architecture, Schindler House, Los Angeles (CA)

1999

Richard Prince, Sadie Coles HQ, London
Richard Prince: Paintings and Works on Paper 1997/98 and Upstate, Sabine Knust, Munich, Germany

1998

Richard Prince, Stills Ltd, Edinburgh
Regen Projects, Los Angeles (CA)
Barbara Gladstone Gallery, New York
Richard Prince: Paintings 1988-92, Skarstedt Fine Art, New York
Psychoarchitecture: Richard Prince, Martin Kippenberger, Anton Kern Gallery, New York

1997

The White Room, Jürgen Becker, Hamburg, Germany
Parco, Tokyo
Richard Prince, Museum Haus Lange/Museum Haus Esters, Krefeld, Germany
Richard Prince, White Cube, London
Cowboys and Cowgirls, Espace d’art Yvonamor Palix, Paris

1996

Richard Prince, Maximilan Verlag-Sabine Knust, Munich, Germany
Haus der Kunst/Süddeutsche Zeitung, Munich, Germany
Richard Prince: New Works, Jablonka Galerie, Cologne, Germany

1995

Richard Prince: Paintings, Barbara Gladstone Gallery, New York
Theoretical Events, Naples, Italy
Regen Projects, Los Angeles (CA)

1994

Kestner Gesellschaft, Hannover, Germany (cat.)
Offshore Gallery, East Hampton (NY)

1993

Richard Prince: Fotos, Schilderijen, Objecten, Museum Boymans-van Beuningen, Rotterdam, The Netherlands
San Francisco Museum of Modern Art, San Francisco (CA)
Kunstverein and Kunsthalle, Dusseldorf, Germany
First House, Stuart Regen Projects, Los Angeles (CA)
Girlfriends, Jablonka Galerie, Cologne, Germany
Galerie Micheline Szwajcer, Antwerp, Belgium

1992

Richard Prince, Whitney Museum of American Art, New York (cat.)
Protest Paintings, Maximilian Verlag/Sabine Knust, Munich, Germany
Beaver College Art Gallery, Glenside (PA)
Works on Paper, Le Case d’Arte, Milan, Italy

1991

Barbara Gladstone Gallery, New York
Galleri Nordanstad - Skarstedt, Stockholm
Galerie Ghislaine Hussenot, Paris
Stuart Regen Gallery, Los Angeles (CA)

1990

Richard Prince: Jokes, Gangs, Hoods, Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne, Germany, (cat./Artist’s Book)
Richard Prince, Galerie Micheline Szwajcer, Antwerp, Belgium
Arthur Roger Gallery, New Orleans (LA)

1989

Spiritual America, IVAM Centre del Carme, Valencia, Spain (cat.)
Richard Prince: Sculpture, Barbara Gladstone Gallery, New York, (joint exhibition
with Jay Gorney Modern Art)
Richard Prince: Paintings, Jay Gorney Modern Art, New York, (joint exhibition
with Barbara Gladstone Gallery)
Barn Gallery, Ogunquit (ME), (brochure)
Daniel Weinberg Gallery, Los Angeles (CA)

1988

Barbara Gladstone Gallery, New York
Centre National d’Art Contemporain de Grenoble (MAGASIN),Grenoble, France, (cat.)
Le Case d’Arte, Milan, Italy
Tell Me Everything, Spectacolor Lightboard installation sponsored by The Public Art Fund, Inc., New York, One Times Square, New York
Galerie Ghislaine Hussenot, Paris
Galerie Rafael Jablonka, Cologne, Germany

1987

Galerie Isabella Kacprzak, Stuttgart, Germany
Daniel Weinberg Gallery, Los Angeles (CA)

1986

International with Monument, New York
Feature Gallery, Chicago (IL)

1985

International with Monument, New York
Richard Kuhlenschmidt Gallery, Los Angeles (CA)

1984

Riverside Studios, London
Feature Gallery, Chicago (IL)
Baskerville + Watson, New York

1983

Le Nouveau Musée, Lyon, France
ICA, London
Richard Kuhlenschmidt Gallery, Los Angeles (CA)
Baskerville + Watson, New York

1982

Metro Pictures, New York

1981

Metro Pictures, New York
Richard Kuhlenschmidt Gallery, Los Angeles (CA)

1980

Artists Space, New York
CEPA Gallery, Buffalo, New York

 

Selected Group Exhibitions

2007

The Other Side, Tony Shafrazi Gallery, New York

2006

Surprise, Surprise, ICA., London
Imposion, Anton Kern Gallery, New York
Dada’s Boys, The Fruitmarket Gallery, Edinburgh
Infinite Painting: Contemporary Painting and Global Realism, Villa Manin
Centre for Contemporary Art, Passariano, Codroipo (Udine), Italy (curated by
by Francesco Bonami and Sarah Cosulich Canarutto)

2005

Superstars: From Warhol to Madonna, Kunsthalle Wien and Kunstforum Wien, Vienna, Austria (cat.)
Drunk vs. Stoned, General Store in association with Gavin Brown’s enterprise, New York
Atlantic & Bukarest, Kunstmuseum Basel, Basel, Switzerland
Faces in the Crowd: Picturing Modern Life from Manet to Today, Whitechapel, London
Photographic Works, Juergen Becker, Hamburg, Germany
Faking Real, LeRoy Neiman Gallery, Columbia University School of the Arts, New York
girls on film, Zwirner & Wirth, New York
100 Artists See God, ICA, London
My Private Heroes, Marta Herford, Herford, Germany

2004

I Hate You – The Falckenberg Collection Meets Louisiana, Louisiana Museum of Modern Art, Denmark
Central Station: La collection Harald Falckenberg, la maison rouge, Paris
The Big Nothing, Institute of Contemporary Art, Philadelphia (PA)
Planet B: The Aesthetics of B Movies in Contemporary Visual Arts, Magazin 4, Boralberger and Bregenzer Kunstverein, Bregenz, Austria
Paintings, Galleri K, Oslo, Norway
Motorcycles and Art, Susquehanna Art Museum, Harrisburg, Pennsylvania
Friedrich Christian: Flick Collection, Hamburg Bahnhof, Museum fur Gegenwart, Berlin
Sculpture: Precarious Realism between Melancholy and the Comical, Kunsthalle Wien, Vienna
Hollywood Blvd, Prescenca Galeria, Porto
Indigestible Correctness I, Participant Inc, New York
The Frank Cohen Collection: A Selection, London
Power, Corruption, and Lies, Ruth Horowitz, New York
The Charged Image: from the Collection of Douglas S. Cramer, Joseloff Gallery, Hartford Art School, University of Hartford, West Hartford (CT)
On the Road: Photography after Kerouac, Whitney Museum, New York
East Village USA, New Museum, New York
Faces in the Crowd: The Modern Figure and Avant-Garde Realism, Whitechapel Art Gallery, London (travelling to Castello di Rivoli Museum d’Arte Contemporanea, Turino)
Modernism, Gagosian Gallery, New York
Persona, IKON Ltd, Kay Richards Contemporary Art, Santa Monica (CA)
The Undiscovered Country, Hammer Museum, Los Angeles (CA)
Garten Eden, Galerie Bärbel Grässlin, Frankfurt
I Am the Walrus, Cheim & Read, New York
Playlist, Palais de Tokyo, Paris
Whitney Biennial, Whitney Museum of American Art, New York
Collage, Bloomberg SPACE, London

2003

La Biennale di Venezia, Delays and Revolutions, Padiglione Italia
The Fourth Sex: The Extreme People of Adolescence, Pitti Imagine, Milano. Unreal Estate Opportunities, PKM Gallery, Seoul
Back in Black, Cohan, Leslie, and Browne, New York
Summer Program, curated by Katy Siegel, Apexart Curatorial Program, New York
Stranger in the Village, Guild Hall, Easthampton
Artist’s Choice, Museum of Modern Art Queens
Only Skin Deep, International Center of Photography, New York
The Last Picture Show, Walker Art Center, Minneapolis
Imperfect Innocence: The Debra and Dennis Scholl Collection, Contemporary Museum, Baltimore, traveling to Palm Beach Institute of Contemporary Art
Everyday Aesthetics: Works from the Astrup Fearnley Collection, Astrup Fearnley Museum, Oslo

2002

Man in the Middle, Sammlung Deutsche Bank, Germany
Chic Clicks: Creativity and Commerce in Contemporary Fashion Photography, the Institute of Contemporary Art, Boston (MA)
watery, domestic, Renaissance Society, Chicago
Public Affairs, Kunsthaus Zurich
Short Stories, Henry Art Gallery, Seattle
To Whom it May Concern, CCAC Wattis Institute for Contemporary Arts, San Francisco
The Photographic Impulse: Highlights from the Joseph and Elaine Monsen Photography Collection, Henry Art Gallery, Seattle
Visions from America: Photographs from the Whitney Museum of American Art, Whitney Museum of American Art, New York
Art Downtown: New York Painting and Sculpture, New York
Copy, Roth Horowitz, New York
New Visions of the West, Nassau County Museum of Art, Roslyn Harbor, New York
Seeing Things: Photographing Objects 1850 - 2001, the Canon Photography Gallery at the Victoria and Albert Museum, London
TRANSFORMER, Air de Paris, curated by Inez van Lamsweerde and Vinoodh Matadin

2001

Customized: Art Inspired by Hot Rods, Low Riders and American Car Culture, ICA, Boston (MA)
Apocalypse. Beauty & Horror in Contemporary Art , Royal Academy of Arts, London
Around 1984: a Look at Art in the Eighties, PS1 Contemporary Art Center, New York Art & Facts, Galeria Franco Noero, Turin, Italy
Drive: power>progress>desire, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Couples, Cheim & Read, New York
Let’s Entertain, Walker Art Center, Minneapolis (MN), travelling to Centre Pompidou, Paris
Summer Reading, Frances Lehman Loeb Art Center, Poughkeepsie, NY
Televisions, Kunsthalle Wien
Art at the Edge of the Law, The Aldrich Museum of Contemporary Art, Ridgefield, CT
Brooklyn Academy of Music Photography Portfolio, Cheim & Reid Gallery, New York
Parkett, Collaborations and Editions since 1984, Museum of Modern Art, New York
Spiritual America, Audiello Fine Art, New York
Settings and Players: Theatrical Ambiguity in American Photography, White Cube, London
Mythic Proportions: Painting in the 1980s, Museum of Contemporary Art, Miami
Galerie Jablonka, Cologne

2000

Au-delà du Spectacle, Centre Pompidou, Paris
Customized: Art Inspired by Hot Rods, Low Riders, and American Car Culture, Institute of Contemporary Art, Boston,
Apocalypse: Beauty & Horror in Contemporary Art, Royal Academy of Arts, London
Around 1984: A Look at Art in the Eighties, PS1 Contemporary Art Center, New York
Art & Facts, Galleria Franco Noero, Torino, Italy
Drive:power>progress>desire, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Couples, Cheim & Read, New York
Let’s Entertain, Walker Art Center, Minneapolis, MN ,travelling to Centre Pompidou,
Paris and Miami Art Museum

1999

Art in America: 2000, Art in Embassies Program, Slovak Republic
The American Century – Part II, The Whitney Museum of American Art, New York
Horse Play, Real Art Ways, Hartford (CT)
Transmute, Museum of Contemporary Art, Chicago (IL)
Plain Air, Barbara Gladstone Gallery, New York
Fame after Photography, Museum of Modern Art, New York
Examining Pictures, Whitechapel Art Gallery, London and The Museum of Contemporary Art, Chicago (IL)

1998

Real Stories, Marianne Boesky Gallery, New York
Cleveland Collects Contemporary Art, The Cleveland Museum of Art, Cleveland (OH) cat.)
Painting: Now and Forever Part I, Matthew Marks and Pat Hearn Gallery, New York
Dispersal of Pop Abstraction, Museum of American Art, Pennsylvania Academy of Fine Arts, Philadelphia (PA)
Die Rache der Veronika, Fotosammlung Lambert, Hamburg, Germany
emotion - Young British and American art from the Goetz collection, Deichtorhallen, Hamburg, Germany (cat.)
American Playhouse: The Theatre of Self-Presentation, The Power Plant, Toronto, Ontario

1997

The Whitney Biennial, Whitney Museum of American Art (cat.)
Birth of the Cool, Deichtorhallen, Hamburg, Germany (cat.)
American painting from Georgia O’Keeffe to Christopher Wool, Kunsthaus, Zürich, Switzerland (cat.)
Someone Else With My Fingerprints, David Zwirner Gallery, New York, travelling to Galerie Hauser & Wirth, Zurich, Switzerland; August Sander Archiv, Cologne, Germany; Kunstverein München, Munich, Germany; Kunsthaus München, Munich, Germany (cat.)
New York on Paper, Baumgartner Galleries, Washington DC

1996

New York Scene, Gotlands Konst Museum, Visby, Sweden
Young Americans: New American Art in the Saatchi Collection,” The Saatchi Gallery, London (cat.)
The American Trip, The Power Plant, Toronto, Ontario (cat.)
Who Do You Think You Are?, Bard College, New York
a/drift: Scenes from the Penetrable Culture, Center for Curatorial Studies, Bard College, Annandale-on-Hudson (NY)
Playpen of Corpus Delirium, Kunsthalle Zürich, Zürich, Switzerland
Gramercy International Art Fair, Los Angeles (CA)
Passions Privée, Musée d’Art Moderne, Paris
Screen, Friedrich Petzel Gallery, New York

1995

Photocollages, Le Consortium, Nouvelles Scenes 95, Dijon, France
Close to Life, 3. Internationale Foto-Triennale, Galerien der Stadt Esslingen am Neckar (cat.)
Alessandra Bonomo, Rome
In A Different Light, University Art Museum, Berkeley (CA) (cat.)
Pittura / Immedia, Neue Galerie am Landesmuseum Joanneum und Künstlerhaus Graz, Austria (cat)
L’effet cinema, Musée du Luxembourg, Paris
Art as Dramatic Comedy, Randolf Street Gallery, Chicago (IL)

1994

Tuning Up, Kunstmuseum Wolfsburg, Wolfsburg, Germany (cat.)
Pictures of the Real World (In Real Time) (organized by Robert Nickas), Paula Cooper Gallery, New York
Das Americas (traveling exhibition), Galeria Luisa Strina, Sao Paolo, Brazil, (cat.)
The Ossuary, Luhring Augustine, New York
Galerie Asbaek, Copenhagen
Cowboys and Jokes - Works from 1980-1988, Per Skarstedt Fine Art, New York

1993

The Language of Art, Kunsthalle Vienna, Vienna
Up in Smoke: Photographs 1991-1992 (curated by Barbara Jakobson and Keith DeLellis) Knoedler & Co., New York
Commodity Image, International Center of Photography, New York
Patrick Painter Editions, Galerie Johnen & Schöttle, Cologne, Germany
Sean Landers, Raymond Pettibon, Richard Prince, Jürgen Becker, Hamburg, Germany
Photoplay: Works from the Chase Manhattan Collection, Center for the Fine Arts, Miami (FL) (cat.)
I Am the Enunciator, Thread Waxing Space, New York
Mettlesome Meddlesome: Selections from the Collection of Robert J. Shiffler, The Contemporary Arts Center, Cincinnati (OH)

1992

c. 1980, Barbara Gladstone Gallery, New York
Documenta IX, Kassel, Germany (cat.)
Allegories of Modernism: Contemporary Drawings, Museum of Modern Art, New York (cat.)
Ars Pro Domo (curated by W. Dickhoff), sponsored by Museum Ludwig, Cologne, Germany, (cat.)
Selected Works from the Early 80’s, Kunstraum Daxer, Munich, Germany (cat.)
Re: Framing Cartoons (curated by Tom Zummer) Wexner Center for the Arts, Columbus (OH)
(cat.)
Quotations- The Second History of Art, The Aldrich Museum of Art, Ridgefield (CT) (cat.)
Hollywood Hollywood (curated by Fred Fehlau), Art Center College of Design, Pasadena (CA)
Knowledge: Aspects of Conceptual Art, University Art Museum, Santa Barbara (CA) (cat.), traveled to Santa Monica Museum of Art and North Carolina Museumof Art, Raleigh (NC)
Theoretically Yours (curated by Collins & Millazo), Chiesa di San Lorenzo, Aosta, Italy (cat.)
Summer Stock, Gerald Peters Gallery, Dallas (TX)
Mees, Klingelhöller, Therrien & Prince, Galerie Micheline Szwajcer, Antwerp, Belgium
Special Collections -The Photographic Order from Pop to Now, International Center of Photography Midtown, New York (cat.)
Childhood Revisited, Rena Bransten Gallery, San Francisco (CA)

1991

American Art of the 80’s (organized by Jerry Saltz), Palazzo delle Albere, Trento, Italy (cat.)
ACT-UP Benefit Art Sale, Paula Cooper Gallery, New York
Metropolis, Walter Gropius Bau, Berlin (cat.)
Night Lines, Central Museum, Utrecht, Netherlands (cat.)
The Words and the Images, Central Museum, Utrecht, Netherlands (cat.)
Power: Its Myths, Icons, and Structures in American Art, 1961-1991, Indianapolis Museum of Art, Indianapolis (IN) (cat.)
Words & Number’s, Museum of Contemporary Art, Wright State University, Dayton (OH) (cat.)
Oeuvres Originales, Fonds Régional d’Art Contemporain des Pays de la Loire, Clisson, France (cat.)
20th Century Collage, Margo Leavin Gallery, Los Angeles (CA)
La Revanche de L’Image, Galerie Pierre Huber, Geneva, Switzerland
Rope, Fernando Alcolea Gallery, Barcelona, Spain
To Wit, Rosa Esman Gallery, New York
Portraits on Paper, Robert Miller Gallery, New York
Pat Hearn Gallery, New York
Stuart Regen Gallery, Los Angeles (CA)
Luhring-Augustine-Hetzler, Santa Monica (CA)

1990

Life Size: A Sense of the Real in Recent Art, The Israel Museum, Jerusalem (cat.)
Word as Image: American Art 1960-1990, Milwaukee Museum of Art, Milwaukee (WI), traveled to Oklahoma City Arts Museum, Oklahoma and Contemporary Art Museum, Houston (TX) (cat.)
Images in Transition: Photographic Representation in the Eighties, National Museum of Modern Art, Kyoto, Japan (cat.)
The Last Decade: American Artists of the 1980’s (curated by Collins and Milazzo), Tony Shafrazi Gallery, New York (cat.)
The Charade of Mastery, Whitney Museum of American Art Downtown at Federal Reserve Plaza (cat.)
Art et Publicité 1890-1990, Centre Georges Pompidou, Paris (cat.)
Paintball, 303 Gallery, New York, and Stuart Regen Gallery, Los Angeles (CA)
The Decade Show: Frameworks of Identity in the 80’s, The New Museum, New York (cat.)
The Age of Information, Andrea Ruggieri Gallery, Washington, DC
Disconnections, Galleri Nordanstad-Skarstedt, Stockholm
The Indomitable Spirit: Photographers and Friends United Against AIDS, International Center of Photography Midtown, New York (cat.), traveled to Los Angeles Municipal Art Gallery, Los Angeles (CA)
The Last Laugh: Irony, Humor, Selfmockery, and Derision (curated by Collins and Milazzo), Massimo Audiello Gallery, New York (brochure)

1989

WittgensteinThe Play of the Unsayable (curated by Joseph Kosuth), Paleis voor Schone Kunsten, Brussels (cat.)
Image World: Art and Media Culture, Whitney Museum of American Art, New York (cat.)
A forest of SIGNS: ART IN THE CRISIS OF REPRESENTATION, The Museum of Contemporary Art, Los Angeles (cat.)
Moskau - Wien - New York, Festival of Vienna, Vienna (cat.)
Prospect Photographie, Frankfurter Kunstverein, Frankfurt am Main, Germany (cat.)
Une Autre Affaire, Festival Nouvelles Scenes ‘89, Dijon, France
Dream Reality (curated by Peter Nagy), The School of Visual Arts Gallery, New York
In Other Words: Wort und Schrift in Bildern der Konzeptuellen Kunst, Museum am Ostwall, Dortmund, Germany (cat.)
D & S Ausstellung, Kunstverein in Hamburg, Hamburg (cat.)
Contemporary Art from New York: The Collection of the Chase Manhattan Bank, Yokohama Museum of Art, Yokohama, Japan (cat.)
The Photography of Invention: American Pictures of the 1980’s, National Museum of American Art, Washington, DC (cat.)
New Acquisitions, New Work, New Directions, International Museum of Photography at George Eastman House, Rochester (NY)
Re-presenting the 80’s, Simon Watson Gallery, New York (cat.)
Suburban Home Life: Tracking the American Dream, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York
Nocturnal Visions in Contemporary Painting, Whitney Museum of American Art at Equitable Center, New York
Bilderstreit, Rheinhalle, Cologne Fair Grounds, Cologne, Germany (cat.)
Prospect ‘89, Frankfurter Kunstverein, Frankfurt am Main, Germany (cat.)
Through a Glass, Darkly, University Galleries, Illinois State University, Normal (IL) (cat.) Photography Now, Victoria and Albert Museum, London (cat.)
Scripta Manent - Verba Volant, Monika Spruth Galerie, Cologne, Germany
Conspicuous Display, Stedman Art Gallery, Rutgers University, Camden (NJ) (brochure)
Horn of Plenty: Sixteen Artists from New York City, Stedelijk Museum, Amsterdam
Arrangements 1, Mai 36 Galerie, Lucerne, Switzerland
Amerikarma, Hallwalls Contemporary Arts Center, Buffalo (IL)

1988

BiNATIONALE: Deutsche/Amerikanische Kunst der 80er Jahre, Städt Kunsthalle, Kunstsammlung Nordrhein-Westfalen, Kunstverein für d. Rheinlande u. Westfalen, Düsseldorf, Germany, traveled to The Institute of Contemporary Art, Museum of Fine Arts, Boston (cat.)
Das Licht von der anderen Seite, PPS. Galerie F.C. Grundlach, Hamburg, Germany and Galleri Contur, Stockholm, Sweden
New Works by Ashley Bickerton, Robert Gober, Peter Halley, Jeff Koons, Richard Prince, Meyer Vaisman, Christopher Wool, Daniel Weinberg Gallery, Los Angeles (CA)
Gangs of Surrogate Entertainers Since McCollum – Robbins, PS. Galerie F.C. Gundlach, Hamburg, Germany
Modes of Address: Language in Art Since 1960, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York
The Object of the Exhibition, Centre National des Arts Plastiques, Paris (cat.)
Reprises de Vues, Halle Sud, Geneva, Switzerland
Lifelike, Lorence-Monk Gallery, New York
Allan McCollum-Richard Prince, Kunsthalle Zürich, Zurich, Switzerland
Hover Culture, Metro Pictures, New York
Nostalgia as Resistance, Clocktower Gallery, New York
A ‘Drawing’ Show, Cable Gallery, New York
Photography on the Edge, The Haggerty Museum of Art, Marquette University, Milwaukee (WI)
Sexual Difference: Both Sides of the Camera, Wallach Art Gallery, Columbia University, New York
Photographic Truth, The Bruce Museum, Greenwich (CT)
Aperto ‘88 (included in an installation by Robert Gober), Venice Bienniale, Venice, Italy

1987

Recent Tendencies in Black and White, Sidney Janis Gallery, New York
Le Case d’Arte, Milan, Italy
Fotografien, Galerie Nächst St. Stephan, Vienna
Romance, Knight Gallery / Spirit Square Arts Center, Charlotte (NC) (cat.)
Photography and Art: Interactions since 1946, Los Angeles County Museum of Art, Los Angeles (CA), traveled to 1987 Biennial Exhibition, Whitney Museum of American Art, New York
True Pictures, John Good Gallery, New York
Prints, Harm Bouckaert Gallery, New York
Der Reine Alltag, Galerie Christoph Dürr, Munich, Germany
Perverted by Language, Hillwood Art Gallery, C.W. Post Campus/Long Island University, New York
The Viewer as Voyeur, Whitney Museum of American Art at Philip Morris, New York
The New Who’s Who, Hoffman Borman Gallery, Los Angeles (CA)

1986

6th Biennial of Sydney, Sydney, Australia (cat.)
Text and Image: The Wording of American Art, Holly Solomon Gallery, New York
The Moral Essays, Castelli Graphics, New York
As Found, Institute of Contemporary Art, Boston (MA)
Post-Pop, Michael Kohn Gallery, Los Angeles (CA)
Products and Promotion, San Francisco Camerawork, California (cat.)
Wien Fluss, Wiener Festwochen, Wiener Secession, Vienna (cat.)
Colin Deland Gallery, New York (with John Dogg)
TV Generations, LACE, Los Angeles (CA)
The Real Big Picture, Queens Museum, New York

1985

1985 Biennial Exhibition, Whitney Museum of American Art, New York (cat.)
303 Gallery, New York (with David Robbins)
The Art of Memory/ The Loss of History, The New Museum of Contemporary Art, New York
Strategies of Appropriation, Center for Contemporary Arts, Santa Fe (NM)

1984

New York: Ailleurs et Autrement, ARC/Musée d’Art Moderne de la Ville de Paris, Paris (cat.)
The Magazine Stand, Washington Project for the Arts, Washington, DC
Pop, Spiritual America, New York
The Heroic Figure, Contemporary Arts Museum, Houston (TX)
Drawings: After Photography, Allen Memorial Art Museum, Oberlin College, Ohio
Jenny Holzer, Barbara Kruger, Richard Prince, Knight Gallery, Spirit Square Arts Center, Charlotte (NC) (cat.)

1983

Language, Drama,Source and Vision, The New Museum of Contemporary Art, New York
Biennale of Sao Paolo, Sao Paolo, Brazil
Science Fiction, John Weber Gallery, New York

1982

Image Scavengers, Institute of Contemporary Art, Philadelphia (cat.)
Face It, The Contemporary Arts Center, Cincinnati (OH)
Art and the Media, The Renaissance Society at the University of Chicago, Chicago (IL)

1981

New Voices 2: Six Photographers Concept/Theater/Fiction, Allen Memorial Art Museum, Oberlin College, Ohio
Erweiterte Fotografie, 5th Wiener Internationale Biennale, Wiener Secession, Vienna
Body Language, Hayden Gallery, Massachusetts Institute of Technology, Cambridge (MA) (cat.)

1980

Ils se disent peintres, ils se disent photographes, ARC/Musée d’Art Moderne de la Ville de Paris, Paris
Metro Pictures, New York

1979

Pictures – Photographs, Castelli Graphics, New York
Imitation of Life, Hartford Art School, University of Hartford, Hartford (CT)