Publications and Projects


Interview and collaboration, Many of Them, Vol. VI, Summer 2021 (forthcoming)

2018 'THE PAINTER: A Visual Essay by Hilary Lloyd', Frieze, no. 192, January-February, pp. 103-109
2017 'Artists' Artists: Hilary Lloyd', Frieze Masters, October 2017
2011 ‘Hilary Lloyd: The Shard’, Arena Homme +, Issue 36, Autumn/Winter
2004 ‘Artist’s Project: Hilary Lloyd, 16 Photographs’, Esopus, Number 2, Spring
2000 Resolute (London: Platform)

Matthew Higgs (ed.), Multiple Choice (London: Cubitt)
Princess Julia, Casco Issues, no. 3, October, Utrecht, Netherlands


Desert Island Discs, artists’ project (London: City Racing/Imprint 93)
Gregor Muir (ed.), Speaking of Sofas... (London: London Electronic Arts)

1994 E1. (London: Imprint 93)
Top Tens (London: Imprint 93)
Untelevision, Issue 3, Unproductions 94, London
1993 Making People Disappear (London: Cubitt)
‘A Haiku Invitational’, Publicsfear, vol. 1, no. 3, New York


Leila Hasham, Chris Rawcliffe (eds.), Mine Searching Yours (London: Forma, 2020) (illus.)

Alona Pardo (ed.), Masculinities: Liberation through Photography (London: Prestel / London: Barbican Art Gallery, 2020) (exh. cat.)


CA Conrad, Nelly Gawellek, Chris Kraus, et al. (eds.), Maskulinitäten (Cologne: Walther Koenig / Bonn: Bonner Kunstverein, 2019) (exh. cat.)

Sabine Breitwieser, Maren Butte, Anna Fricke, et al. (eds.), The Assembled Human, (Berlin: Kerber Verlag / Essen: Museum Folkwang, 2019), p. 313 (illus.) (exh. cat.)

 2018 Karola Kraus (ed.), Optik Schröder II: Works from the Alexander Schröder Collection (Cologne: Walther Koenig / Vienna: Museum Moderner Kunst Stiftung Ludwig Wien, 2018), pp. 116 – 117 (exh. cat.)

Michelle Cotton, Simon Bill, William Chamberlain, et al. (eds.), The Policeman’s Beard is Half Constructed: Art in the Age of Artificial Intelligence, (Bonn: Bonner Kunstverein, 2017), pp. 122 – 123 (exh. cat.)

Laura Lord (ed.), ROOM, (London: Sadie Coles HQ, 2017), pp. 18, 21 – 22 (exh. cat.)

 2016 Gregorio Magnani, Textiles… Once Removed Part Two, Fondazione Antonio Rati, (Como: Fondazione Antonio Rati, 2016), pp. 20 – 21 (exh. cat.)

Søren Grammel, ‘Untitled (Cut-Outs)’, Manual No. 4: Von Bilder. Strategien der Aneignung, (Basel: Museum für Gegenswartkunst, Kunstmuseum Basel), exh. cat. Nicola Lees, Nad Tabo Ti, Over You / You: 31st Biennial of Graphic Arts (Slovenia: International Centre of Graphic Arts, 2015) pp. 96 – 97 (catalogue)

2012 Nikola Dietrich, Scott C. Weaver, Hilary Lloyd, (Basel: Museum für Gegenwartskunst / Berlin: Hatje Cantz)
Søren Grammel, Janice Kerbel, Hilary Lloyd, Silke Otto-Knapp, (Cologne: Koelnischer Kunstverein), exh. cat.
2011 Francesco Bonami, Stefano Collicelli Cagol (eds.), Un'Espressione Geografacia
(Milan: Mousse Publishing)
Michael Newman et al, Hilary Lloyd (New York: Artists Space)
2010 Creamier: Contemporary Art in Culture (London: Phaidon)

Amna Malik, Au Naturel (London: Afterall), pp. 87 – 90, 152 – 153
Lucy Steeds, Seduced by the Enigma (Glasgow: Tramway) (exhibition guide) Nikola Dietrich, Jacob, Fabricius, Dominic Eichler, Little Theatre of Gestures, (Basel: Museum für Gegenwartskust), pp. 109 – 123
Polly Staple, Dispersion (London: ICA), pp. 49 – 61


Søren Grammel, The Symbolic Commissioner (Berlin: Sternberg Press), pp. 100 – 103
Natalie Rudd, Spotlight Series: Catch This 2008: New Works from the Arts Council Collection (London: Arts Council Collection, 2008)


Stuart Comer, ‘Hilary Lloyd’ in Hans Ulrich Obrist, Stéphanie Moisdon (eds.), Lyon Biennale: 00s - The history of a decade that has not yet been named. (Zurich: JRP Ringier, 2007), pp. 85 – 87
Haluk Akakçe, Emily Butler, Bruce Haines, Paul Hammond, La Cámara del Eco, Arte Británico, Art from Britain, Echo Room, (Madrid: Alcacá 31 / British Council), pp. 54 – 55, pp. 154 – 163

2003 Mark Beasley and Colin Ledwith, Electric Earth: Film and Video from Britain (London: British Council), pp. 48 – 49
2002 Happy Outsiders from London and Scotland (Warsaw: Galerii Zacheta), p. 17
Pause it, (Gwangju Biennale), pp. 180 – 181 (illus.)
2001 Jan Verwoert, ‘Hilary Lloyd’, Videonale 9 (Bonn: Bonner Kunstverein), pp. 20 – 25

Marcelo Spinelli, ‘Hilary Lloyd’ in The British Art Show 5 (London: National Touring
Exhibitions) (exhibition catalogue), p. 84 – 85 (illus.)
Virginia Button and Charles Esche, ‘Hilary Lloyd’ in Intelligence: New British Art 2000, (London: Tate Britain), pp. 11, 67 – 69 (illus.)Peter Pakesch (ed.), ABBILD recent portraiture and depiction (Steirischer Herbst) catalogue, pp. 110 – 111


From A to B (and back again), a publication to accompany the exhibition ‘Go Away: Artists and Travel’ (London: Royal College of Art), p. 62
Accelerator, Southampton City Art Gallery, UK (exhibition catalogue), (illus.) Maria Rosa Sossai, ‘Female Identity in the British Video Between 80s and 90s’, Sweetie (Rome: The British School at Rome), exh. cat. pp. 112 – 113, p. 156

1997 Kate Bush, ‘Assuming Positions’, and Gregor Muir, ‘Andy Warhol’s Unfinished Symphony’, Assuming Positions (London: ICA)
1996 Laurence Bossé and Hans-Ulrich Obrist, Life/Live (Paris: Musée d’Art Moderne de la Ville de Paris), pp. 44, 55, 158 – 161
1993 Gareth Jones, Making People Disappear (London: Cubitt) Stuart Morgan, Matter & Fact, (London: Collection Gallery)



Mark Prince, ‘Review: Hilary Lloyd: Car Park’, Art Monthly, No. 433, February 2020, pp. 29-30

Hilary Lloyd, ‘Red and White Painting, 2019’, Yes & No, No. 03:02, Winter 2019-2020, pp. 34-35

Philomena Epps, ‘Critic’s Pick: Hilary Lloyd’, ARTFORUM, December 2019

‘Hilary Lloyd at Sadie Coles HQ’, émergent Magazine, December 2019

‘Hilary Lloyd, Red and White Painting 2019’, Yes & No, No. 03: 02, Winter 2019-2020, pp. 34-5, 104

Julia Stoller, ‘Exhibitions to see’, ALondon, 27 November 2019

Charlotte Jansen, ‘British artist Hilary Lloyd on fusing textile, sound and video in her practice’, Wallpaper*, 25 November 2019

Louisa Buck, ‘Lismore Castle serves up a rich palimpsest of themes for new show’

The Art Newspaper, 05 April 2019

Steve Salter, ‘Jonathan Anderson's Loewe embraces dreamy romance’, Vice, 23 June 2019

Frank Wasser, ‘Contemporary as palimpsest at Lismore Castle’, Burlington Contemporary, 07 June 2019

Mimi Chu, ‘A New Exhibition Coyly Unravels the Grandeur of Lismore Castle’, frieze online, 13 May 2019

Louisa Buck, ‘Lismore Castle serves up a rich palimpsest of themes for new show’, The Art Newspaper, 05 April 2019

Jan Verwoert, ‘Ode to Cicadas: Jan Verwoert on Enthusiasm, Love and Mania’, frieze, No. 200, January / February 2019, p. 26

Todd Lippy, ‘Top Ten’, Artforum, Vol. 57 No. 5, January 2019, p. 63

Donatien Grau (ed.), ‘London Fields (2016), photographs’ Potential Museums, Paradis Magazine, Issue 7, 2018

Hilary Lloyd, ‘THE PAINTER: A Visual Essay by Hilary Lloyd’, frieze, no. 192, January-February 2018, pp. 103 – 109

Lauren Houlton, ‘Hilary Lloyd: Theatre’, Art Monthly, No. 411, November 2017, pp. 33–34

‘Artists’ Artists: Hilary Lloyd’, frieze masters, October 2017

Matthew McLean, ‘Hilary Lloyd: Temple Bar Gallery and Studios, Dublin, Ireland and Dorich House Museum, Kingston upon Thames, UK’, Frieze, No.188, June / July / August 2017, p. 195

‘Hilary Lloyd’, The New Yorker, June 2017

Wendy Vogel, ‘Gallery Crawl: Chelsea’, BOMB, May 2017

2016 Richard Birkett, ‘Interview with Hilary Lloyd,’ SPIKE, autumn
Casey Gregory, ‘Hilary Lloyd at Blaffer Art Museum’, Arts and Culture TX, online, 15 June
Magali Reus, ‘Top Ten’ Artforum, vol. 54, no. 7, March, pp. 165 – 166

Pierre-Nicolas Bounakoff, ‘Hilary Lloyd, “Balfour” Sadie Coles, London’, Frog, Issue 15, Fall/Winter, pp. 76 – 81
Nick Warner, ‘Hilary Lloyd: Sadie Coles HQ, London’, Flash Art, July

2014 Mark Prince, ‘New Realism’, Art Monthly, May
2012 Mark Prince, ‘Painting Space’, frieze d/e, Issue 6, Autumn ‘Highlight: Hilary Lloyd’, Museum Basel Magazine, no. 1, Spring De ja Vu, January

Laura McClean-Ferris, ‘Hilary Lloyd’, The Independent, 05 December, p. 38 Emily Hall, ‘Hilary Lloyd: Artists Space’, Artforum, November, pp. 275 – 276 Jackie Wullschläger, Financial Times, 29 – 30 October, p. 17
Rachel Campbell-Johnston, ‘Urban Wastelands Doing Battle with a Slut’s Bathroom’,
The Times, 21 October
Rob Sharp, ‘Eyes on the Prize’, The Independent, 21 October
Adrian Searle: ‘Review: Shaw’s Miserabilist, Curdled View of England Is the World we Live in’, Guardian, 21 October
Charlotte Higgins, ‘Is it Exciting Fresh Art or the Same Old Thing? At the Baltic, it Might Be Both’, The Guardian, 21 October
Richard Dorment, ‘The Best Turner Prize Contenders for Ages’, The Daily Telegraph, 21 October
Thomas Keane and Maddie Bates, ‘Turner Prize


Opens on the Tyne’, ArtLyst, 21 October
Anita Singh, ‘Turner Prize 2011: Figurative Painting Competes with Park Bin’, The Daily Telegraph, 20 October
Ian Young, ‘Turner Prize Exhibits Go on Show in Gateshead’, BBC online, 20 October Coline Milliard, ‘A “Barometer” for British Art, the


Turner Prize Exhibition Brings the Spotlight to Newcastle’,, 19 October
Chris Tighe, ‘Turner Triumph: Prize Exhibitors Go through the Mill in Gateshead’,
Financial Times, 15 October
Kirsty Bell, ‘Hilary Lloyd: Paying Attention’, Camera Austria, no. 115, September, pp. 11 – 22
Nana Asfour, ‘Review: Hilary Lloyd’, Time Out New York, 20 June
Brett Litman, ‘Roving Eye: Hilary Lloyd Takes on Artists Space’, Art in America, 03 June
Ian Wallace, ‘Hardware: On Recent Work by Hilary Lloyd’,, June Hilary Lloyd, ‘Top Ten’, Artforum, May, p. 124
Martin Herbert, 'Review: Hilary Lloyd', Camera Austria, no.113, March, pp. 83 – 84 Elena Filipovic, ‘All this Happened, More or Less’, VIS A VIS, March, pp. 162 – 169 Lee Triming, ‘Reviews: Hilary Lloyd’, Art in America, March, pp. 163 – 164
Steven Cairns, ‘Hilary Lloyd’,, 25 January


Antonio Scoccimarro, ‘Agenda London / Hilary Lloyd at Raven Row’, Mousse, no. 26, December
JJ Charlesworth, ‘Hilary Lloyd’, Time Out, 17 December
Lorena Muñoz-Alonso, ‘Rosa Barba & Hilary Lloyd: Dance with a Projector’,, 13 December
Rye Holmboe, ‘Hilary Lloyd’,, 08 December
Skye Sherwin, ‘Hilary Lloyd’, The Guardian Guide, 27 November – 03 December, p. 38
Pablo Leon de la Barra, ‘Hilary Lloyd at Raven Row’, Centre for Aesthetic Revolution Blog, 26 November
Coline Milliard, 'Camera Eye, Hilary Lloyd', Modern Painters, November, pp. 42 – 43 Stuart Comer, ‘Film’, Frieze, January–February, pp. 28 – 29


Martin Herbert, ‘Now See This’, ArtReview, Issue 35, p. 31
Anny Shaw and Rob Curran, ‘Tripping the light fantastic’, Art Newspaper (Frieze Art Fair edition), 16 October
Gigiotto del Vecchio, ‘Around Herself…’, Mousse, no. 20, September – October, pp. 59 – 62
Mark Prince, ‘Reel Time’, Art Monthly, no. 325, April, pp. 5 – 8, April Judith Rodenbeck, ‘Studio Visit’, Modern Painters, March, pp. 52 – 57
Gigiotto Del Vecchio, ‘Looking Back: Emerging Artists’, frieze, January – February Polly Staple, Dispersion, ICA, London pp. 49 – 61


Stéphanie Moisdon, ‘Hilary Lloyd’, Qu'est-ce que l'art vidéo aujourd'hui?, pp. 138 – 139
Colin Perry, ‘Hilary Lloyd: Sadie Coles HQ,
Adam E. Mendelsohn, ‘Observing and Contemplating’, Spike Art Quarterly, no. 17, Autumn, p. 102
David Barrett, ‘Reviews: Hilary Lloyd’, Art Monthly, October Gabriel Coxhead, ‘Reviews: Hilary Lloyd’, Time Out, no. 320, p. 68 Adrian Searle, ‘Clocking Off’, The Guardian, 26 February
Bart van der Heide, ‘Art Sheffield 08: Yes, No, Other Options’, Camera Austria, no. 102, June, p. 78
Andrew Hunt, ‘Art Sheffield 08’, frieze, no. 11, January – February


Christiane Meixner, ‘Hilary Lloyd’, Monopol, no. 7
Hans-Jurgen Hafner, ‘Hilary Lloyd: Studio’, Spike, Summer Katrin Bettina Müller, ‘Spuren’, tip Berlin, no. 11


Jan Verwoert, ‘Body Language’, Frieze, issue 102, October, pp. 16-17, pp. 218-223 G, A. ‘Voyeur und Performer”, Go München, September
Rüdiger Heise, ‘Theater des Alltags’, Applaus, September Julia Bähr, ‘Scharfer Blick aufs Alltägliche’, AZ München, July ‘Feiern mit Kunstgenus’, Welt Kompakt, July
Simone Dattenberger, ‘Ballett aus Männern und Autos’, Münchner Merkur, July


Jan Verwoert, ‘TV eye on you’, Afterall, issue 3, p. 47-60 (illus.), pp. 47 – 54
David Bussel, ‘Hilary Lloyd: The Work of Time’, Afterall, Issue 3, pp. 61 – 64


Polly Staple, ‘Precious Time’, Untitled, no. 21, Spring, pp. 7 – 9
John Slyce, ‘Hilary Lloyd’, Flash Art, January – February
Mark Sladen, ‘Hilary Lloyd’, frieze, Issue 50, January – February Maite Lores, ‘Hilary Lloyd’, Contemporary Visual Arts, Issue 26


Alexandra Bradley, ‘Hilary Lloyd’, Art Monthly, no. 231, November Chris Quigley, ‘Filmosophy’,Level, October - November
Julia Thrift, ‘Hilary Lloyd’, Time Out, 20 – 27 October
Duncan McClaren, ‘Hilary Lloyd’, Independent on Sunday, 17 October Niru Ratnam, ‘Hilary Lloyd’, Scene, October
Alex Farquharson, ‘Accelerator’, frieze, July/August
Leontine Coelewij, SMBA N 42 SuperNova (Amsterdam: Stedelijk Museum Bure


John Slyce, ‘Hilary Lloyd, Jemima Stehli, Brian Dawn Chalkley’, Flash Art, May/June
Bridget Virden, ‘F**k Dance, Let's Art’, Time Out, 25 February – 04 March
Matthew Higgs, ‘Hilary Lloyd, Jemima Stehli, Brian Dawn Chalkley: Show 48’, Artists Newsletter, March
Martin Herbert, ‘Hilary Lloyd, Jemima Stehli, Brian Dawn Chalkley’, Time Out, 28 January – 04 February


Ben Judd, ‘Assuming Positions’, Untitled, no. 14, Winter Richard Reynolds, ‘Traffic’, Untitled, no. 14, Winter
Kieran Wyatt, ‘Art Attack!! Club Culture!!’, Muzik, no. 29, October David Burrows, ‘Assuming Positions’, Variant, vol. 2, no. 4, Autumn
John Tomlinson, ‘Hilary Lloyd’, nc magazine, British Summer Setting Issue Imogen O’Rourke, ‘Sod Art, Let's Dance’, The Guardian, 10 July
Jenny Madden, ‘Yes, But Is it Art?’, i-D: The Obsession Issue, no. 167 Mark Morris, ‘Hype’, The Face, no. 6, July
Martin Herbert, ‘Jeremy Deller, Hilary Lloyd, Nicholas Usansky’, Time Out, May Henriette Heezen, ‘Snowflakes Falling on the International Dateline’, Metropolis M, February


Eric Troncy, ‘Hilary Lloyd’, Documents sur l'art, no. 9
Andrew Wilson, ‘Spatialised Time, Unchecked Duration: Film and Video Work by Contemporary British Artists’, Art & Design, no. 7/8
Gregor Muir, ‘Hilary Lloyd’, frieze, January – February


‘The Ruby Kelly Column’, Art Review, November
Nick Wegner, ‘Imprint’, What's On, 26 July


Sarah Kent, ‘Making People Disappear’, Time Out, 14 – 21 April