Monographs
| 2019 | Stefan Hostettler and Paloma Varga Weisz (eds.), Bumped Body (Maastricht: Bonnefantenmuseum and Koenig Books, 2019) |
| 2017 |
Marianna Vecellio (ed.), Root of a Dream (Milan: Mousse Publishing, 2017) Dieter Schwarz, Paloma Varga Weisz (Düsseldorf: Skulpturenhalle; Neuss: Thomas Schütte Stiftung, 2017) |
| 2012 |
Stefanie Kreuzer and Markus Heinzelmann, Maison de Plaisance: Rosemarie Trockel / Paloma Varga Weisz (Nürnberg: Verlag für Moderne Kunst, 2012) |
| 2008 |
Angela Stief, Gilded Age: A Tale of Today (Nuremberg: Verlag Moderne Kunst, 2008) |
| 2005 |
Paloma Varga Weisz: Zeichungen (London: Koenig Books; London: Sadie Coles HQ; Düsseldorf: Konrad Fischer Galerie; New York NY: Gladstone Gallery, 2005) Frieze Art Fair Yearbook 2005 – 06 (London: Frieze Art Fair, 2005) |
| 2004 |
Christophe Ammann, Paloma Varga Weisz (Frankfurt am Main: Revolver, 2004) Guido de Werd, Gallows Field – a public spectacle, 2004 Marcus Steinweg, An Acrobatic Body, 2004 Anna Catharina Gebbers, Advance through Myth - Unleashing the elements, 2004 |
| 1999 | Valeria Liebermann, Paloma Varga Weisz (Xanten: Ackerman Collection, 1999) |
Exhibition Catalogues
| 2020 |
Dimitris Daskalopoulos, DR. Demetris Athanasoulis, Iwona Blazwick, Elina Koutouri, Maria Koutsoumpou, The Palace At 4 A.M: In conversation with the collection of the Archaeological Museum of Mykonos (Athens: NEON, 2020) Adam Budak (ed.), Biennale Gherdeina 7: – a breath? a name? – the ways of worldmaking (Ortisei: Istitut Ladin Micura de Ru, 2020) |
| 2019 | Simon Moretti and Goshka Macuga (eds.), The Enigma of The Hour: 100 Years of Psychoanalytic Thought (London: Koenig Books, 2019) |
| 2017 |
CRANACH. Meister – Marke – Moderne (Dusseldorf / Munich: Museum Kunstpalast, 2017) Simon Moretti and Craig Bennet (eds.), Revolt of the Sage (London: Blain Southern, 2017) Emily Butler and Candy Stobbs (eds), Creating Ourselves: The Self in Art (London: Whitechapel Gallery, 2017) |
| 2016 | Hinter dem Vorhang. Verhüllung und Enthüllung seit der Renaissance (Dusseldorf / Munich: Museum Kunstpalast, 2016) |
| 2015 |
Ceramix. Ceramic art from Gauguin to Schütte (Maastricht / Paris / Sèvres: Bonnefantenmuseum, 2015) Isabelle Malz, The Problem of God (Düsseldorf: Kunst Sammlung Norderhein; Berlin: Kerber Verlag, 2015) |
| 2014 |
Penelope Curtis, Martin Herbert, Lisa Lee, James Lingwood, Ralph Rugoff, The Human Factor: The Figure in Contemporary Sculpture (London: Hayward Publishing, 2014) The Distaff Side (Connecticut CT: The Granary, 2014) |
| 2013 |
Die Bildhauer. Kunstakademie Düsseldorf, 1945 bis heute (Düsseldorf: Kunstsammlung Nordrhein-Westfalen; Berlin: Kerber Verlag, 2013) Bernard-Henri Lévy, Les aventures de la vérité (Paris: Grasset, 2013) |
| 2011 |
A Million Miles from Home. Folkstone Triennal (Folkstone: Folkestone Triennal, 2011) Memories of the Future (Paris: The Olbricht Collection; La Maison Rouge, 2011) |
| 2010 |
Lebenslust und Totentanz, Olbricht Collection (Köln: Walther König, 2010) Ulrike Groos, Larger than life - stranger than fiction, 11. Triennale Kleinplastik Fellbach (Köln: Snoeck, 2010) Markus Heinzelmann and Stefanie Kreuzer, Neues Rheinland: Die postironische Generation (Berlin: Distanz, 2010) The Library of Babel: In and Out of Place (London: Zabludowicz Collection, 2010) |
| 2009 |
Sommer Contemporary Art Ten, 1999-2009 (Tel-Aviv: Sommer Contemporary Art, 2009) Christian Rattemeyer, The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné (New York (NY): MoMA Museum of Modern Art, 2009) |
| 2008 |
Gerald Matt, Interviews Volume 2 (Köln: Walther König, 2008) |
| 2007 |
Hartwig Fischer, Rockers Island Olbricht Collection Museum Folkwang, Essen 5. Mai- 1. Juli 2007 (Essen: Steidl/Folkwang Museum, 2007) |
| 2006 |
Maurizio Cattelan, Of Mice and Men, 4th Berlin Biennale (Berlin: Hatje Cantz, 2006) Kunstkörperlich – Körperkünstlich (Osnabrück: Kunsthalle Dominikanerkirche Osnabrück, 2006) |
| 2005 |
Axel Hein & Wolfgang Schoppmann, Most Wanted: The Olbricht Collection (Köln: Walther König, 2005) Sammlung. Kunst der Gegenwart in K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf (Köln: DuMont, 2005) |
| 2004 |
Jean-Christophe Ammann, 9 Triennale der Kleinplastik (Fellbach: Triennale der Kleinplastik, 2004) Refections, Tongeren, Art and heritage festival (Belgium: Artuatuca Tongeren, 2004) Roland Mönig, Plum Collection (Kleve: Museum Kurhaus Kleve, 2004) Actionbutton, Neuerwebungen zur Sammlung zeitgenössischer 2000-2002 (Bonn: Kunst de Bundesrepublik Deutschland, 2004) Not Afraid (New York (NY): The Rubell Family Collection, 2004) Raumfürraum (Düsseldorf: Kunstverein Düsseldorf / Kunsthalle Düsseldorf, 2004) |
| 2003 |
Actionbutton Deutschland: Neuerwebungen zur Sammlung zeitgenössischer Kunst der Bundesrepublik (Bonn: Kunst-und Ausstellungshalle der Bundesrepublik Deutschland GmbH, 2003) |
Articles, Magazines and Reviews
| 2022 |
Jonathan Griffin, ‘’The Searchers’ Is a Gift to Anyone Determined Enough to Find it’, Frieze, 05 May 2022 Renee Reizmans, ‘A Desert Biennial, Somewhere Between Settlers and Searchers’, HYPERALLERGIC, 18 May 2022 Scarlet Cheng, ‘An outdoor exhibition returns to Joshua Tree, the California desert’s art, boomtown’, The Art Newspaper, 21 April 2022 |
| 2021 |
Sarah Cascone, ‘See the Models for the Next Fourth Plinth Commission, From Nicole Eisenman’s ‘Jewelry Tree’ to a Statue of a Malawian Revolutionary’, artnet news, 24 May 2021 Ben Luke, ‘Powerful acts of defiance including a skull rack that will disappear in the London weather among Fourth Plinth proposals’, The Art Newspaper, 04 May 2021 Mark Brown, ‘Fourth plinth shortlist includes huge rocket casts of 850 trans women’, The Guardian, 24 May 2021 |
| 2020 |
Anna McNay, ‘Just a Small Piece of Wood and a Knife: A Conversation with Paloma Varga Weisz’, Sculpture, 16 November 2020 |
| 2019 | ‘Bonnefanten pakt uit met Paloma Varga Weisz’, Chapeau Magazine, 20 September 2019 |
| 2018 |
‘Paloma Varga Weisz at Sadie Coles’ Contemporary Art Daily, 21 August 2018 Louisa Buck, ‘Complex, troubled and troubling: Paloma Varga Weisz’s hand-carved beasts arrive at Sadie Coles HQ’ The Telegraph, 06 July 2018 ‘Paloma Varga Weisz: Wild Bunch’ ArtLinkArt, June 2018 |
| 2017 |
Bertram Müller, ‘Kunstverkauf hilft Demenz-Forschung’, Rheinische Post, 20-21 May 2017 ‘Beulenmann und Hundepups’, Eiskellerberg TV (eiskellerberg.tv), 27 April 2017 Annette Bosetti, ‘Insel der Glückseligen’, Rheinische Post, 24 April 2017 Helga Bittner, ‘Ausstellungs-Marathon auf der ‘Rakete’’, Rheinische Post, 20 April 2017 Markus Clauer, ‘Geheimnisträgerin’, Die Rheinpfalz, 25 January 2017 ‘Verleihung des Holbach-Preises an Paloma Varga Weisz’, Focus, 20 January 2017 |
| 2016 |
Hans Schneider, ‘Paloma Varga Weisz’s Solow Show at Gerhardsen Gerner, Oslo’, Blouin Art Info, 02 November 2016 Stefan Simon, ‘Märchenhafte Kabinettstücke in den Fürstenberg-Sammlungen’, Südkurier, 19 October 2016 Cornelia Spitz, ‘Ein Blick ins Kabinett der Vielfalt’, Schwarzwälder Bote, 21 September 2016 Helga Meister, ‘Der Kunstpalast ist besser als sein Ruf’, Westdeutsche Zeitung, 15 August 2016 Bianca Pohlmann, ‘31 Künstlerinnen machen mit – Benefiz-Auktion der SkF zugunsten wohnungsloser Frauen’, Kölnische Rundschau, 21 April 2016 |
| 2015 |
Paloma Varga Weisz, DialogueTalk.org, online and audio, February 2015 Vincenzo Latronico, ‘Paloma Varga Weisz: Root of a Dream’, Mousse, no. 51, Winter 2015 Marco Tagliafierro, ‘Critics’ Pick: Paloma Varga Weisz’, Artforum, November 2015 Anne Katrin Fessler, ‘Paloma Varga Weisz: Anonymer Hüttenzauber in der Alpen-Peepshow’, Der Standard, 06 August 2015 Johanna Holfleitner, ‘Almhütte und Ming-Tempel’, Die Presse, 04 August 2015 ‘Unheimlicher Hüttenzauber’, Art Das Kunstmagazin, 31 July 2015 Werner Thuswaldner, ‘Künstlerhaus / Paloma Varga Weisz, Erika Hock’, DrehpunktKultur, 14 July 2015 ‘Die Peep-Show in der Kunstscheune’, Kronenzeitung, 06 July 2015 Seamus Kealy, ‘Paloma Varga Weisz. Glory Hole’, exhibition text, Salzburger Kunstverein, Salzburg, 04 July – 06 September 2015 |
| 2014 |
Jenifer Higgie, ‘My Influences’, frieze, May 2014 Jerry Stafford, ‘Birds’, AnOther Magazine, September 2014 |
| 2012 |
Amy Sherlock, ‘Paloma Varga Weisz’, frieze, May 2012 Karen Rosenberg, ‘Morphing Figures, Mismatched and Disorted’, The New York Times, 30 March 2012 Martin Coomer, ‘Reviews: Paloma Varga Weisz’, Time Out London, 09 February 2012 |
| 2011 |
Luke Healey, ‘Paloma Varga Weisz’, Aestheticamagazine.blogspot.com, 15 December Adrian Searle, ‘Folkestone Triennial 2011 – Review’, The Guardian, 26 June 2011 |
| 2009 |
Morgan Falconer, ‘Paloma Varga Weisz’, Art Review, no. 300, March 2009 |
| 2008 |
Angelika Taschen, ‘Paloma Varga Weisz: Körper-Kunst’, Deutsch Vogue, June 2008 |
| 2007 |
Jackie Wullschlager, ‘Critics’ Choice’, Financial Times, 01 – 02 December 2007 Victoria Camblin, ‘Paloma Varga Weisz’, Qvest Edition, Spring/Summer 2007 |
| 2006 | ‘Paloma Varga Weisz’, art: Das Kunstmagazin, April 2006 |
| 2005 |
David Frankel, ‘Paloma Varga Weisz’, Artforum, December 2005 John Ewing, ‘Paloma Varga Weisz: CHOR’, Modern Painters, November 2005 Roberta Smith, ‘Paloma Varga Weisz: “Chor”’, The New York Times, 23 September 2005 Franco Fanelli, ‘A brief guide to the Venice Biennale’, The Art Newspaper, no. 160, July/August 2005 |
| 2004 |
Helga Meister, ‘Die Christus – Frau’, K - West, April 2004 Heinz-Norbert Jocks, ‘PVW – Museum Kurhaus Kleve’, Kunstforum 170, May/June 2004 |
| 2002 |
Sandra Danicke, ‘Albträume in Lindenholz’, ART, Hamburg, no. 9, 2002 Pernilla Holmes, ‘The story so far and what’s new at the Academy in 2002’, ArtReview, September 2002 Ossian Ward, ‘RA Modern, about the Galleries Show, London’, ArtReview, September 2002 |
| 2001 |
Nicole Büsing & Heiko Klaas, ‘Paloma Varga Weisz’, ARTIST Kunstmagazin, no. 48, 2001 |
| 2000 |
Barbara Hess, ‘Aroma: Konrad Fischer, Dusseldorf’, ArtReview, October 2000 Jahn Wolf, ‘Paloma Varga Weisz’, Artforum, October 2000 Barbara Hess, ‘AROMA, Konrad Fischer Gallery, Düsseldorf’, Flash Art, October 2000 |