John Currin

Alison M. Gingeras (ed.), Men (New York (NY): Rizzoli, 2020)

Jason Bear and Amie Corry (eds.), Reason Gives No Answers (London: Other Criteria Books, 2019), Colour Illus., pp. 84-85, 135

Michael Petry, Nature Morte, (London: Thames & Hudson, 2013)

Bruno di Marino, hard media: la pornografia nelle arti visive, nel cinema e nel web (Milan: Johan & Levi Editore, 2013)

Wells Tower and Angus Cook, John Currin: New Paintings (New York (NY): Rizzoli, 2011)

Michael Spens, Studio International: Yearbook Special, Issue 2007, Volume 206, Number 1029 (New York (NY): The Studio Trust, 2010)

Hans Werner Holzwarth (ed), 100 Contemporary Artists (New York (NY): Taschen, 2009)

Guillermo Solana, Lágrimas de Eros (Madrid: Museo Thyssa Bornemsiza, 2009)

Jens Hoffman, Very Abstract and Hyper Figurative (London: Thomas Dane Gallery, 2007)

Francesca Richer and Matthew Rosenzweig (eds), No. 1: First Works by 362 Artists (London: Thames & Hudson, 2006)

In the darkest hour there may be light: Works from Damien Hirst's Murderme collection (London: Other Criteria/ Serpentine Gallery, 2006) (exh cat.)

Charlotte Mullins, Painting People (London: Thames & Hudson, 2006)

Christiane Lange and Florian Matzner (eds.), Zurück zur Figur: Malerei der Gegenwart (Munich: Prestel, 2006)

Sandy Nairne and Sarah Howgate, The Portrait Now (London: National Portrait Gallery, 2006)

Andrea Bruciati and Alessandra Galasso (eds.) Painting Codes: I Codici della Pittura (Monfalcone: Galleria Comunale d'Arte Contemporanea di Monfalcone, 2006)

Germano Celant and Lisa Dennison (eds.) New York, New York (Milan: Skira, 2006)

Alison M. Gingeras, Dave Eggers, John Currin and Norman Bryson, John Currin: The Complete Works (New York (NY): Rizzoli International Publications, 2006)

Hugh Honour and John Fleming, A World History of Art (7^th ed.) (London: Laurence King Publishing Ltd, 2005)

The Figurative Impulse: Works from the UBS Art Collection (San Juan: Museo de Arte de Puerto Rico, 2005)

Nicholas Baume (ed), Getting Emotional (Boston (MA): Institute of Contemporary Art, 2005)

Gwen Chanzit (ed), In Limbo: An Exhibition of Works from the Denver Art Museum's Fractional and Promised Gift of Contemporary Art from Vicki and Kent Logan, and from the Collection of Vicki and Kent Logan (Denver (CO): University for Denver, 2005)

Uta Grosenick (ed), Art Now: 137 Artists at the Rise of the New Millennium (Cologne: Taschen, 2005)

L. Theodore Prescott (ed), Inside Beauty (Grand Rapids (MI): Eerdmans, 2005)

Joan Roth Fuss and Elizabeth Carpenter (eds.), Bits and Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections (Minneapolis (MN): Walker Art Center, 2005)

Emma Dexter, Vitamin D (London: Phaidon Press, 2005)

Zina Davis and Robert Rosenblum, The Charged Image: From the Collection of Douglas S. Cramer (Hartford (CT): Joseloff Gallery, University of Hartford, 2004)

Disparities and Deformations: Our Grotesque (Santa Fe (NM): SITE Santa Fe, 2004) (exh cat.)

II Nudo: Fra Ideale e Realta (Bologna: Galleria d'Arte Moderna, 2004) (exh cat.)

Projet CôNE Sud (île-de-France Fonds R Prebles' Artforms: An Introduction to the Visual Arts (Upper Saddle River (NJ): Prentice Hall, 2004) (exh cat.)

Jonathan Harris (ed), Art, Money, Parties: New Institutions in the Political Economy of Contemporary Art (Liverpool: Liverpool University Press 2004)

Modern Art 3^rd ed (Upper Saddle River (NJ): Prentice Hale, 2004)

Judith Olch Richards (ed), Inside the Studio: Two decades of Talks with Artists in New York (New York (NY): Independent Curators International, 2004)

Tokyo Zokei University Creative Spiral Festival (Tokyo: Tokyo Zokei University, 2003)

Jeff Fleming, John Currin -Works on Paper (Des Moines (IA): Des Moines Art Center, 2003)

John Currin (Chicago (IL): Museum of Contemporary Art; London: Serpentine Gallery; New York (NY): Whitney Museum of Art; New York (NY): Abrams Books (formerly Harry N. Abrams), 2003) (exh cat.)

Megan Dailey, Curve: The Female Nude Now (New York (NY): Universe Publishing, 2003)

DC: Lily van der Stokker: Small Talk (Cologne: Museum Ludwig and Walther König, 2003) (exh cat.)

Fast Forward: 20 Years of White Rooms (New York (NY): White Columns, 2003) (exh cat.)

Cheryl Brutavan, John Currin Selects (Boston (MA): Museum of Fine Arts, 2003)

Reverie: Works from the Collection of Douglas S. Cramer (Louisville (KY): The Speed Art Museum, 2003)

Supernova: Art of the 1990s from the Logan Collection (San Francisco (CA): San Francisco Museum of Modern Art, 2003)

Trésors Publics: 20 Ans de Création dans les Fonds Régionaux d'Art Contemporian (Paris: Flammarion, 2003)

Jerry Saltz, Seeing Out Loud, (Great Barrington (MA): Figures, 2003)

Robert Rosenblurn, Rochelle Steiner and John Currin, John Currin, (New York (NY): Abrams Books (former Harry N. Abrams), 2003)

Cheryl Brutvan, John Currin: The Artist's Eye (Boston (MA): Museum of Fine Arts, 2003)

John Currin, John Currin (Tokyo: Taka Ishii Gallery, 2002)

Sadie Coles, John Currin and Rachel Feinstein, The Honeymooners (Hydra: Hydra Workshop, 2002) (exh cat.)

Alison Gingeras, Dear Painter (Paris: Pompidou Centre, 2002)

Laura Hoptman, Drawing Now: Eight Propositions (New York (NY): Museum of  Modern Art, 2002)

Uta Grosenick and Burkhard Halle (eds.), Art Now: 137 Artists at the Rise of the New Millennium (Cologne: Taschen, 2002)

Michael Tolkin, Gregory Crewdson, American Standard: (Para) Normality and Everyday Life (New York (NY): Barbara Gladstone Gallery, 2002)

Alison M Gingeras, Dear Painter, Paint Me: Painting the Figure since Late Picabia (Paris: Musée National d'Art Moderne Centre Georges Pompidou; Vienna: Kunsthalle Wien, 2002; Frankfurt: Schirn Kunsthalle, 2002)

Hugh Davies and Toby Kamps, Lateral Thinking: Art of the 1990s (La Jolla (CA): Museum of Contemporary Art San Diego, 2002)

Valerie Breuvart (ed), Vitamin P: New Perspectives in Painting (New York (NY): Phaidon, 2002)

Paul Frederic, Azerty: Un Abécédaire autour des Collections du FRAC Limousin (Paris: Éditions du Centre Georges Pompidou, 2001)

Naked since 1950 (New York (NY): C and M Arts, 2001)

Painting at the Edge of the World (Minneapolis (MN): Walker Art Centre, 2001) (exh cat.)

American Visionaries: Selections from the Whitney Museum of American Art (New York (NY): Whitney Museum of American Art, 2001) (exh cat.)

Drawing on the Figure: Works on Paper of the 1990's from the Manilow Collection (Chicago (IL): Museum of Contemporary Art, 2000) (exh cat.)

Whitney Biennial: 200 Biennial Exhibition (New York (NY): Whitney Museum of American Art, 2000) (exh cat.)

00: Drawings 2000 (New York (NY): Barbara Gladstone Gallery, 2000) (exh cat.)

Matthew Collings, This is Modern Art (New York (NY): Watson- Guptill, 2000)

Burkhard Riemschneider and Uta Grosenick (eds.), Art at the Turn of the Millennium (Cologne: Taschen, 1999)

The Nude in Contemporary Art (Ridgefield (CT): Aldrich Museum of Contemporary Art, 1999) (exh cat.)

Examining Pictures: exhibiting paintings (London: Whitechapel Art Gallery, 1999) (exh cat.)

Marica Forte, artLovers, TRACEY (Liverpool: The Liverpool Biennial of Contemporary Art, 1999)

Madeleine Grynsztejn, David Frankel, Carnegie International 1999/2000: 2 vols (Pittsburgh (PA): Carnegie Museum of Art, 1999)

I'm Not Here: Constructing Identity at the Turn of the Century (Harrisburg (PA): The Susquehanna Art Museum, 1999) (exh cat.)

Salome: Images of Women in Contemporary Art (New Rochelle (NY): Castle Gallery, The College of New Rochelle, 1999) (exh cat)

TroubleSpot: Painting (Antwerp: New International Cultural Center and Museum van Hedendaagse Kunst Antwerpen, 1999) (exh cat.)

Lisa Liebmann and Brooks Adams, Young Americans 2: New American Art at the Saatchi Gallery (London: Saatchi Gallery, 1998)

Giannino Malossi (ed), The Style Engine (New York (NY): The Monacelli Press, 1998)

More Fake, More Real, Yet Ever Closer (New Rochdale (NY): Castle Gallery, 1998)     (exh cat.)

Caoimhin MacGiolla Leith and John Hutchinson, Hungry Ghosts (Dublin: Douglas Hyde Gallery, 1998)

Now and Later (New Haven (CT): Yale University Art Gallery, 1998) (exh cat.)

Brooke Adams, Young Americans 2: New American Art at the Saatchi Gallery (London: The Saatchi Gallery, 1998)

Pop Surrealism (Aldrich (CT): Aldrich Museum of Contemporary Art, 1998) (exh cat.)

Matthew Collings, It Hurts: New York Art from Warhol to Now (London: 21 Publishing, 1998)

Laura Hoptman, 'Projects 60: John Currin, Elizabeth Peyton, Luc Tuymans' (New York (NY): Museum of Modern Art, 1997)

The Tate Gallery Selects: American Realities - Views from Abroad: European Perspectives on American Art 3 (New York (NY): The Whitney Museum of American Art, 1997)

Painting Project (New York (NY): Basilico Fine Arts and Lehmann Maupin, 1997) (exh cat.)

Adrift (Annandale-on-Hudson (NY): Bard Publications Office, 1997)

Feminine Image (Roslyn Harbor (NY): Nassau County Museum of Art, 1997) (exh cat.)

Views from Abroad: European Perspectives on American Art 3, American Realities (New York (NY): Whitney Museum of American Art, 1997) (exh cat.)

Roxana Marcoci, Diana Murphy and Eve Sinaiko (eds.), New Art (New York (NY): Abrams Books (former Harry N. Abrams), 1997)

Francesco Bonami (ed), Echoes: Contemporary Art at the Age of Endless Conclusions (New York (NY): The Monacelli Press Inc, 1996)

a/drift: Scenes from the Penetrable Culture (Annandale-on-Hudson (NY): Bard College Center for Curatorial Studies,1996) (exh cat.)

Narcissism: Artists Reflect Themselves (Escondido (CA): California Center for the Arts Museum, 1996) (exh cat.)

Pittura (Rivara: Castello di Rivara, 1996) (exh cat.)

Keith Seward, Frederic Paul, John Currin: Works 1989-1995 (Limousin: F.R.A.C, 1996)

Keith Seward, Boomerang (Limousin: Fonds Regional d'Art Contemporain, 1995)

Wild Walls (Amsterdam: Stedelijk Museum, 1995) (exh cat.)

25 Americans: Painting in the 90's (Milwaukee (WI): Milwaukee Museum of Art, 1995) (exh cat.)

Collection, fin XXe (Angouleme: Fonds Regional d'Art Contemporain Poitou-Charentes, 1995) (exh cat.)

Dont Postpone Joy or Collecting Can Be Fun! (Graz: Nue Galerie am Landesmuseum Joanneum,1994) (exh cat.)

Kathe Burkhart, John Currin, José A. Hernandez Diez, Tony Oursler, Lorna Simpson, Sue Williams (Genova: Galleria Galliani, 1994) (exh cat.) 

Critical Distance (Antwerp: Ado Gallery, 1993) (exh cat.)

Project Unité Firminy (Firminy: Unité D'Habitation Le Corbusier, 1993) (exh cat.)

Prospect '93: Eine Ausstellung des Frankfurter Kunstvereins im Steinernen Hans und der Schirn (Frankfurt am Main: Kunsthalle, 1993) (exh cat.)

Aperto '93: Emergency/Emergengenza (Milan: Giancarlo Politi Editore, 1993) (exh cat.)

SOHO at Duke IV: In Search of Self (Durham (NC): Duke University Museum of Art, 1993) (exh cat.)

Look at the Window (Hertogenbosch: Museum Het Kruithuis, 1993) (exh cat.)

Donald O Odita and Dan Cameron, Art Under 30: The Fiar International Prize, Milano, Roma, Paris, London, New York, Los Angeles (Milano: Organizing Committee FIAR, 1991)

Malerei (Cologne: Johnene und Schottle, 1991) (exh cat.)

Therese Lichtenstein, Shared Skin: Sub- Social Identifiers (New York (NY): Janet Biggs, 1991)

Dana Friis Hansen, (not so) Simple Pleasures (Boston (MA): MIT List Visual Arts Center, 1990)

Total Metal (New York (NY): Simon Watson Gallery, 1990) (exh cat.)

Update: 1989-1990 (New York (NY): White Columns, 1990) (exh cat.)

Program Update White Columns (New York (NY): White Columns, 1990) (exh cat.)

Robert Leonard, ‘John Currin’, VAULT, Sex Issue, No. 38, May-July 2022, pp. 58-63

Emily Dinsdale, ‘John Currin captures the desolate mood of porn as classical art’, DAZED, 30 September 2021

Natasha Stagg, ‘John Currin: Monuments to Lust’, Gagosian Quarterly, Fall 2021

Francesca Gavin, ‘Frame Academy’ How to Spend It, Financial Times, Spring Arts Special, 27 February 2021, pp. 32 -33

Phong H. Bui, ‘In Conversation: John Currin with Phong H. Bui’, The Brooklyn Rail, September 2021

Jerry Saltz, ‘John Currin is the Caligula of Painting’, Vulture, 12 November 2021

Allese Thomson, ‘Mask 4 Masc’, Garage Magazine, Issue 18, 17 May 2020

Frances Colpitt, ‘John Currin: My Life as a Man’, artillery, 07 January 2020

James Tarmy, ‘Currin, Feinstein Talk Future of Art and Culture’, Bloomberg TV, 07 November 2019

Michael Pearce, ‘A John Currin Thanksgiving’, Mutual Art, 04 November 2020

Darryl Ratcliff, ‘Can a white male painter create feminist work? John Currin has long tackled #MeToo themes’, The Dallas Morning News, 07 November 2019

Richard Patterson, ‘John Currin’s “My Life as a Man”’, Glasstire, 21 December 2019

Claire Selvin, ‘John Currin Talks ‘Othello,’ ‘Existential Inauthenticity,’ and Contemporary Art: ‘I Think Most Things Are Ugly and Stupid’’, Artnews, 23 October 2019

Emma Specter, ‘Mirror Images’, GARAGE, No. 17, October 2019, pp. 44-45

Alison Gingeras, ‘John Currin Men’, Gagosian Quarterly, Fall 2019, pp. 50-56

Julia Felsenthal, ‘With a New Show at Dallas Contemporary, John Currin Considers His Life as a Man’, Vogue, 17 September 2019

Adriane Quinlan, ‘Artist’s Questionnaire: For His First Museum Show in 15 Years, John Currin Turns His Gaze to Men’, The New York Times Style Magazine, 13 September 2019

Catherine D. Anspon, ‘Artist Known For Voluptuous Women Turns His Sights on Men — a New Type of John Currin Show’, Paper City., 3 September 2019

Marc Jacobs, ‘JOHN CURRIN TELLS MARC JACOBS WHAT PAINTING MEN HAS TAUGHT HIM ABOUT HIMSELF’, Interview, 04 September 2019

Rachel Tashjianm ‘John Currin, Painting's Male Provocateur, Turns His Brush To Men’, GQ, 3 September 2019

Emma Specter, ‘How John Currin's Freaky-Ass Paintings Helped Me See Myself’, GARAGE, 21 June 2019

Hans Ulrich Obrist, ‘John Currin: Classical Painting for Obscene Canvas’, Numéro, 26 March 2019

Image of the Day: John Currin, Crystal’s Friend, 2011’, Elephant, 16 January 2019

Louise Benson, 'Great Big Boobs: The Joyrful Vulgarity of John Currin', Elephant, 27 May 2018

Brett Littman, 'Drawing is a First Date', Gagosian, Fall 2017

Sarah Cascone, 'John Currin Painted Jennifer Lawrence for the Cover of Vogue's September Issue', Artnet News, 09 August 2017

Hugo Hess, 'John Currin', Widewalls, 30 March 2017

Bill Powers, 'John Currin Talks X-Ray Vision and X-Rated Art (and Sits for a Photo By Richard Prince', GQ Style, 20 March 2017

Catherine Wood, 'John Currin', Kaleidescope, Spring 2017

Adrian Searle, 'John Currin Review - Meta-Painter Dances on the Knife Edge of Taste', The Guardian, 25 November 2016

Mary Gray, ''Art + Culture', John Currin in Florence, An interview with the American artist', The Florentine, 13 June 2016

Francesca Marini, 'John Currin Paintings', Gagosian, September-October 2016

Martin Knas, 'Five Facts About John Currin', IDOL Magazine, 22 February 2016

Shelia Heti, 'John Currin on the Fun, Beautiful Things', Momus, 24 June

Andrew Berardini, 'Art about Fucking', Mousse, no. 48, April - May 2015, cover,

pp. 74 - 85

Tracy Jeanne Rosenthal, 'John Currin', Art in America, vol. 103, no. 5, May 2015, p. 166

Derek Blasberg, 'John Currin Q&A', NOW, 19 February 2015

Catherine Wood, John Currin 'Four Painters Four Perspectives: John Currin in Conversation with Catherine Wood', Kaleidoscope, Issue 17, Winter 2012 / 2013, p.34 - 51   

Alli Sharma, 'Garageland Reviews: Figuring It Out with Some Incongruous Nudes', Garageland Magazine, 06 July 2012

'News: John Currin', Because Magazine, 01 July 2012

Robert Pincus-Witten, 'John Currin: Andrea Rosen Gallery' (Review), Artforum, October 2009, p. 234

Cecily Brown, 'Painting Epiphany: Happy Days Are Where Again?' Flash Art, vol. XLI, no. 261, July-September 2008 (reprint from Flash Art, no. 200, May- June, 1998)

Sarah Kent, 'John Currin: The art of porn', Art World, June/July 2008

Ben Lewis, 'Review: John Currin', Monopol No.6, 2008

Mark Rappolt, 'Special Focus: Review Marathon, London', ArtReview, July - August 2008

Helen Sumpter, 'Press the Flesh', Time Out London, 17 - 23 April 2008, p.55

'Critics Choice: Galleries, John Currin', Time Out London, 17 - 23 April 2008, p.62

'Critics Choice, John Currin', Evening Standard, 8 April

Sian Pattenden, 'Sex? Who cares! We're British', The Guardian, theblogart&architecture, 3 April 2008

'Critics Choice', Time Out, April 2008

David Usborne, 'The filth and the fury', The Independent, 16 March

Ben Lewis, 'Sex with nothing new to say', Evening Standard, 3 April 2008

Waldemar Januszczak, 'Art: John Currin', The Sunday Times Culture, 13 April 2008, p.16-17

Jackie Wullschlager, 'Don't Miss John Currin', The Financial Times

http://www.wurzeltod.c h/?p=515, 'JOHN CURRIN AT SADIE COLES HQ IN LONDON'

Eva Kartcher, 'Der Seher: John Currin', Vogue Deutsch, June 2008, p.184-187

Mark Rappolt, 'Once More with Feeling: John Currin', ArtReview, April 2008, p. 50-59

Ben Lewis, 'Review: John Currin', Monopol, Nr.6, June 2008

Jennifer Higgie, 'John Currin', Frieze, March 2007

Peter Schjeldahl, New Classic, The New Yorker, 4December 2006

Sarah Kent, 'Death Becomes Him', Time Out, 22 - 29 November 2006

Sarah Lucas & John Currin, 'Women', Wrong Times, October 2006

Eric Troncy, 'Currin Affairs', Numéro Homme, Autumn - Winter 2006

Morgan Falconer, 'Painting People: The State of the Art', ArtReview, October 2006

'Seeing the Light' The Guardian Weekend Supplement, 20 May 2006

Gabriel Coxhead, 'Crossing the Line', FT Magazine, 25/26 March 2006

David Rimanelli, 'The Nude Stripped Bare', Tate Etc, issue 5, Autumn 2005

Giancarlo Politi, 'John Currin: An Interview by the Readers of Flash Art', Flash Art International, July - September 2005

Pierre Doze, 'La Toile Triomphe', Citizen K International, Summer 2005

Jerry Saltz, 'Super Babylon', Modern Painters, December - January 2004

Aleid Ford, 'Fishing in the Renaissance', Italy, November 2004

'Power 100', ArtReview, November 2004

Marc Spiegler, 'The illusion of youth', Art and Auction, June 2004

Bruce Wolmer, 'Editor's notebook', Art and Auction, June 2004

Ana Finel Honigman, 'The good, the bad and the ugly', ArtReview, Volume LIV July/August 2004

Karen Wright, 'Enablers All', Modern Painters, Summer 2004

Arty Nelson, 'Hunters and Gatherers', www.laweekly.com, 28 May- 3 June 2004

Raphael Rubinstein, 'A Painter in Midcurrent', Art In America, June/July 2004

Sarah S. King, 'SITE Sanat Fe', Art in America, June/July 2004

Roger Bevan, 'Contemporary art smashes the $100 million barrier', The Art Newspaper, No. 148 June 2004

Jeffrey Kastner, 'Deviation Standard', Artforum International, May 2004

David Joselit, 'Apocalypse Not', Artforum International, May 2004

Colin Gleadell, 'Fair gains all round', ArtReview, Volume LIV, May 2004

'Working Mothers' and 'Reeling It In', Art and Auction, May 2004

Martin Herbert, 'No sex please', Contemporary, Issue 59, 2004

Marcus Verhagen, 'Bad Skin', Contemporary, Issue 59, 2004

Adrian Dannatt, 'Has Adam Sandler sold his John Currin?', The Art Newspaper, No. 146, April 2004

Wolfgang Tilmans, 'Page 3 Stunnas', G2, The Guardian, Monday 19 April 2004

Eva Karcher, 'Zuruck Zum Salon', Deutsch Vogue, April 2004

Polly Devlin, 'The Generation Game, Vogue, April 2004

'London Sales Preview', Art and Auction, February 2004

Nicholas Wapshott, 'They've got views under your skin', The Times, 7 January 2004

Lucy Watson, 'Art of the year: John Currin at the Serpentine, London', GQ, January 2004

Linda Nochlin, 'New tricks for an old dog: the return of painting', Contemporary, No. 58, 2003

Brian Muller, '212121 Painting, from Postconceptualism to Recontextualism', Contemporary, No. 58, 2003

Simon Wallis, 'John Currin, New York', The Burlington Magazine, December 2003

Charlie Finch, 'Defending John Currin', artnet.com, 10 November 2003

Jemima Montagu, 'In view: John Currin, Serpentine Gallery', Modern Painters, Winter 2003

William Packer, 'The Critics: John Currin, Serpentine Gallery', The Financial Times, 11 September 2003

Jessica Berens, 'We Are Not a Muse' The Observer Magazine (London), August 2003

Martin Gayford, 'Critics Choice: Opening this week, John Currin at the Serpentine Gallery', The Sunday Telegraph, 7 September 2003

Andrew Lambirth, 'Slick and Distasteful: John Currin', The Spectator, 20 September 2003

Charles Darwent, 'It's a brilliant kind of death knell', Independent on Sunday, 21 September 2003

Emmanuel Cooper, 'Unsettling portraits', Tribune, 17 October 2003

'Exhibition of the Week: John Currin', The Week, 4 October 2003

'It'll go gold', i-D Magazine, October 2003

Alex Holroyd, 'A disconcerting combination', The Morning Star, 30 September 2003

Catharine O'Shea, 'John Currin / Serpentine Gallery', What's On, 24 September 2003

Victoria Pedersen, 'Flirting with the Masters', Art + Auction, November 2003

Michael Kimmelman, 'From good to awful and back again: John Currin', International Herald Tribune, 27 November 2003

Eliza Williams, 'London: Serpentine - John Currin / London: Sadie Coles HQ - John Currin', Contemporary, Issue 57, 2003

Tim Griffin, 'Drawing Now', Art Forum, January 2003

Alan G Artner, 'The Twists, Turns of John Currin', Chicago Tribune - Tempo Section, 8 May 2003

Julia Caniglia, '80s again', Artforum, March 2003

Thomas Connors, 'Keeping it Currin', Frontdesk, May 2003

Holland Cotter, 'Where Small Shows Offer Big Ideas', The New York Times, 15 August 2003

Margaret Hawkins, 'Fantasy Fuels Artistic Fire', Chicago Sun-Times, 11 May 2003

Joseph Hooper, 'Brushing up', Elle, May 2003

Andrew Long, 'John Currin Grows Up', Departures, May-June 2003

David Rimanelli, 'Museum of Contemporary Art, Chicago', Artforum, September 2003

Lisa Vincetti, 'Stealing Beauty', Shelter, Spring 2003

Alexi Worth, 'Preview: John Currin, MCA Chicago', Artforum, May 2003

'John Currin, MCA, Chicago', The Art Newspaper, No. 136, May 2003

'John Currin', Canadian Art, Spring 2003

Jessica Berens, 'We are not amuse', The Observer Magazine, 31 August 2003

Murray Healey, 'John Currin', Pop, Perfect, No. 7, Autumn-Winter 2003

Christa D'Souza, 'A head for figures', The Telegraph Magazine, 30 August 2003

Jarvis Cocker, 'They're not grotesque-they're are beautiful', The Guardian - G2, 3 September 2003

Adrian Searle, 'John Currin', The Guardian, 10 September 2003

Fisun Gϋner, 'Satire or a bit of sauce?' Metro, 12 September 2003

Richard Dorment, 'Perfectly pointless lives', The Daily Telegraph, 10 September 2003

Andrew Renton, 'In love with beauty', Evening Standard, 9 September 2003

Martin Coomer, 'Hidden depths', Time Out, 24 Sept.-1 October 2003

Rachel Campbell-Johnston, 'Of coarse, he's being ironic…', The Times - T2, 17 September 2003

Laura Cumming, 'They're not just Pretty Faces', The Observer Review, 14 September 2003

Germano Celant, 'John Currin and Rachel Feinstein (interview), Interview Magazine, vol 33, October 2003

Mary Voelz Chandler, 'Aspen Exhibit a Testament to Currin's Technique' Rocky Mountain News (Denver), 17July 2003

Go Figure: John Currin Provokes Art World by Painting Female Form' Rocky Mountain News (Denver), 17July 2003

Robert Cumming, 'John Currin', ArtReview, November 2003

Louisa Buck, 'Exhibition Diary: John Currin, Serpentine Gallery', The World of Interiors, September 2003

'Who's Talking: Jarvis Cocker with John Currin', Vogue, May 2003

Peter Schjeldahl, 'Irresistible: John Currin at the Whitney', The New Yorker, 15 December 2003

Roberta Smith, 'Rising artist moves to big-league dealer', International Herald Tribune, 27-28 December 2003

Mark Gisbourne, 'John Currin: monograph', Contemporary, issue 53/54 2003

Marcel Andino Velez, 'Strasznie tadnie i okropnie drogo: John Currin', Prze Kroj, No.49, 2003

Matthew Collings, 'Diary: John Currin', Modern Painters, winter 2003

Nicky Haslam, 'Arty Animals: The private view at John Currin's show', ES Magazine, 19 September 2003

Sotiris Kyriacou, 'New York: Whitney Museum', Contemporary, issue 57, 2003

'Power Shower', Art Review, November 2003

Maxine Kopsa, 'Wish you were here', Metropolis M, No. 5, 2003

Louisa Buck, 'London Diary: Amanda Sharp bares all for John Currin', The Art Newspaper, No. 140, October 2003

Dafydd Jones, 'Party: John Currin', Art Review, October 2003

Jessica Lack, 'Exhibitions: John Currin', The Guardian, G2, 29 September 2003

'Art: Critics' Choice', Time Out, 24 September - 1 October 2003

Jessica Lack, 'Exhibitions: John Currin', The Guardian, G2, 15 September 2003

Louisa Buck, 'John Currin: Sadie Coles HQ', The Art Newspaper, September, No. 139, 2003

Sadie Coles and Andrew Hale, 'Details Art: This Month: London', GQ, October

The Arts Newspaper, No. 133, February 2003

Melissa Gronlund, 'Drawing Now: Eight Propositions', Contemporary, No. 47/48, 2003

Brooks Adams, 'Picabia, The New Paradigm, 2003

Hephzibah Anderson, 'Art' The Exciting standard (London), August 2003

Julia Caniglia, 'Grand Master Flash' Travel and Leisure, vol 33, May 2003

Parkett, No 65 - Keith Seward, 'Currin's Nudes'; Mark van der Walle, 'Against Nature'; Sibylle Sibylle Berg, 'Viele bunte Bilder, darauf:/Lots of Colourful pictures in Them:.'

David Frankel, 'John Currin', Artforum, March 2002

Michael Craig-Martin, 'details, close-ups and surfaces', Modern Painters, Spring 2002, Vol.15

Jeffrey Deitch, Flash Art, December - January 2002

David Pagel, 'Humor on Currin's Palette Imparts Power to His Work', Los Angeles Times, 28 June 2002

David A. Greene, 'Taking on the Masters', Modern Painters, Autumn 2002

'Cher peintre peins-moi', Modern Painters, Autumn 2002

Kate Bush, 'Cher Peintre, Lieber Maler, Dear Painter', Artforum, October 2002

Alison M. Gingeras, 'John Currin: The Backdoor Man', Flash Art, Vol. XXXIV, No. 226, October 2002

Howard Halle, 'Papering the House', Time Out, New York, 7-14 November 2002

A.M. Homes, 'Currin Affairs', Vanity Fair, September 2002

Daniel Kunitz, 'Drawings that Provoke Exasperation and Admiration', The New York Sun, 7 November 2002

Peter Schjeldahl, 'The Drawing Board', The New Yorker, 4 November 2002

Roberta Smith, 'Retreat from the Wild Shores of Abstraction', The New York Times, 18 October 2002

Natasha Edwards, 'Cher Peintre, Lieber Maler, Dear Painter' Art Forum, October 2002

David Frankel, 'Reviews: John Currin' Artforum, March 2002

Jerry Saltz, 'Good on Paper', The Village Voice, 30 October - 5 November 2002

Harriet Zinnes, 'John Currin', NY Arts, February 2002

A.M. Homes, 'Currin Affairs', Vanity Fair, Issue 505, September 2002

David Rimanelli, 'Entries', Artforum, 2002

Robert Storr, 'John Currin', Artpress, June 2002

'John Currin', Art in America: 2002 Annual Guide, 2002

'Are Brush and Pigment Passé?, Tate, September - October 2002

'Curating Painting-A Panel Discussion with Peter Pakesch, Douglas Fogle, and Lauri Firstenberg', Flash Art, November - December 2002

Flash Art, January - February 2002

Suzanne Muchnic, 'John Currin: Regen Projects' Artnews, October 2002

Keith Seward, 'Currin's Nudes/Currins Akte' Parkett no.65, 2002

Mark Van de Walle, 'Against Nature/Gegeb die Natur' Parkett, no.65, 2002

John Currin, 'Passages:  Awkward Sage', Artforum, Summer 2001

Mark Sladen, 'Young Americans', Blue Print, November 2001

Katy Siegel, Artforum, No.10, Summer 2001

Ludovico Pratesi, Il Venerdi di Repubblica, 12 October 2001

Rocco Moliterni, La Stampa, 14 October 2001

Franco Fanelli, Vernissage, November 2001

Holland Cotter, 'The Gift of Art Ready to Be Opened' The New York Times, 21 December 2001

Mia Fineman, 'Married to Each Other to Art and to Art History', The New York Times, 28 October 2001

Howard Halle, 'The Irony Chef' Time Out New York, 29 November 2001

David Lefkowitz' Edgy: Painitg at the Edge of the World at Walker Art Center' New Art Examiner, vol 29, September - October 2001

Christopher Bollen, 'Innuendo', Time Out (New York), 29 June - 6 July 200

David Bonetti, 'Trendy Currents at SFMOMA', San Francisco Examiner, 7 July 2000

Katie Clifford, 'John Currin', Artnews, January 2000

Alan E.H. Emery, 'The Consultation in Art', Journal of the Royal College of Physicians of London, January - February 2000, Vol. 34, No. 1

Dan Garnier, '1530-1999 A Giant Stop for Civilization…Cranach/John Currin', ARTnewroom.com, 2 March 2000

Jennifer Higgie, 'John Currin', Frieze, September - October 2000, issue.54

Michael Kimmelman, 'A New Whitney Team Makes Its Biennial Pitch', The New York Times, 24 March 2000

David Kirby, 'Beauty and the Bimbo', ARTnews, May 2000

Edward Leffingwell, 'John Currin', Art in America, February 2000

Matthew Licht, aka Reny Fleur, 'Art 'n' Shit: Painting Floppers for the Pleasure of It', Juggs, May 2000

Robert Rosenblum, 'John Currin', Bomb, Spring 2000

Ingrid Sischy, 'Gotta Paint,' Vanity Fair, February 2000

Kunie Sugiura, 'Very New Art: Very New York', Tools, 2000

'The Information', Esquire, March 2000

'Innuendo', The New Yorker, 2000

Patricia Ellis, 'Spotlight: John Currin', Flash Art, October 2000, No. 214

Peter Rostovsky, 'History Lesson: John Currin; Andrea Rosen, New York', zingmagazine, issue 12, Spring/Summer 2000

Ayuka Mizoguchi, 'John Currin: Sadie Coles HQ', London Zok, June 2000

Samantha Ellis, Evening Standard, Friday, 9 June 2000

Sue Hubbard, 'John Currin: Sadie Coles', The Independent on Sunday, 4 June 2000

Jessica Lack, 'Bodies of Work', The Guide, 6-12 May 2000

Martin Herbert, 'John Currin: Sadie Coles HQ', Time Out, 24-31 May 2000

Brooks Adams, 'The Risk of Existence', Artforum, February 199

Bill Arning, 'John Currin', Time Out (New York), 2-9 December 1999

Bill Arning, 'Body Politics', Time Out (New York), 8-15 July 1999

Cornelia H. Butler, 'Warped', Amy Adler, (catalogue essay for exhibition of work by Amy Adler at Museum of Contemporary Art, Los Angeles (CA)), 1999

Ello Cappuccio, 'Tutti Figli di Duchamp', Tema Celeste. October - December 1999

Douglas P. Clement, 'Uncensored: In Ridgefield: The Nude From Classic to Risque,' The Fairfield County Times, July 1999

Teresa Concepcion, 'Artist John Currin Gives Advice to Students', The Heart Beat (Sacred Heart Preparatory School) February 1999

Adrian Dannatt, 'Our Choice of New York contemporary and modern galleries', The Art Newspaper, November 1999

John Goodrich, 'John Currin', Review, 15 November 1999

Michelle Grabner, 'Examining Pictures: Exhibiting Paintings', Frieze, Issue 49, 1999, p.108-9

Tim Griffin, 'Pretty Vacant', Spin, December 1999

Shannon Hicks, 'Aldrich Exhibit Exposes Attitudes About the Nude in Art', The Newtown Bee, 23 July 1999

Phoebe Hoban, 'The Mod Squad', New York, 11 January 1999

Michael Kimmelman, 'John Currin', The New York Times, 12 November 1999

Christopher Knight, 'Young Artist Hobnobs With the Old Masters', Los Angeles Times, 15 February 1999

Michael Lavine, 'iconograph', raygun, January 1999

Frank Merkling, 'Summer's Heat Inspires Aldrich Show: A Celebration of Nudes', The News-Times, 2 July 1999

Mario Naves, 'A Postmodern Rockwell Endorsed by Juggs Magazine', The New York Observer, 26 November 1999

Demetrio Paparoni, 'Il non ritorno all'ordine' (John Currin, Richard Phillips and Sean Landers with Demetrio Paparoni), Tema Celeste, October - December 1999

Jerry Saltz, 'A Group Show in Connecticut Gets a G Rating', The Village Voice, 24 August 1999, Vol. XLIV, No.33

Jerry Saltz, 'The Redemption of a Breast Man: Sanctify My Love', The Village Voice, 17-23 November 1999

Naomi Sanders, 'John Currin at Regen Projects', Art Issues, Summer 1999

Peter Schjeldahl, 'The Elegant Scavenger', The New Yorker, 22 February & 1 March 1999

Barry Schwabsky, 'John Currin at Regen Projects', Artforum, May 1999

Roberta Smith, 'In Connecticut, the Scars of War, the Works of Peace', The New York Times, 30 July 1999

Roberta Smith, 'Safe Among the Seamless Shadows in Pittsburgh', The New York Times, 1999

Terry Sullivan, 'Our Bodies, Our Selves', Photo District News, September 1999

Mauricio Velazquez de Leon, 'Tiempos dificiles para el desnudo', Cultura, 27 July 1999

Rosa Venus, 'An Artist in his Studio: John Currin', Flaunt, April 1999

Carol Vogel, 'Choosing a Palette of Biennial Artists', The New York Times, 8 December 1999

William Zimmer, 'The Body, Ever the Subject, Never Out of Style', The New York Times, 8 August 1999

William Zimmer, '7 Artists Integrate Color and Rudeness', The New York Times, 10 January 1999

The Wilton Villager, 3 June 1999

Reproduction of LAug.hing Nude and The Go-See, Harper's, November 1999

'John Currin', The New Yorker, 22 November 1999

'Out of Town', The New Yorker, 23 & 30 August 1999

'Metropolitan', Vogue, August 1999

Reproductions of two paintings, Zoo, Issue3, October 1999

Barry Schwabsky, 'John Currin: Andrea Rosen Gallery, New York', The Nordic Art Review, No. 1, Vol. 2, 1999

Richard Dorment, 'A brush with young America', The Daily Telegraph, 26 August 1998

Zena Farel, 'All the Young Guns', Indiaweekly, 17 September 1998

Marisa Fox, 'High-Art/Low-Lifes', World Art, Issue 19, 1998

Merlin James, 'New York Recent Painting', Burlington Magazine, January 1998

Martin Gayford, 'The art game', The Spectator, 12 September 1998

Taka Kawachi, 'John Currin', Bijutsu Techo, November 1998

Michael Kimmelman, 'In Connecticut, Where Caravaggio First Landed', The New York Times, 17 July 1998

Matthew Licht aka Reny Fleur, 'A Classy Show by One of America's Greatest Artists', Juggs, May 1998

Rosanna Negrotti, 'States of Mind', What's On, 7 October 1998

William Packer, 'The Pointlessness of Irony', Financial Times, 15 September 1998

Adrian Searle, 'The infants Liam and Noel on the sofa…is this what passes for the new American Dream?', The Guardian, 8 September 1998

Stuart Shave, 'in safe hands', i-D., October 1998

Alison Smith, 'Bras and Stripes', The Face, September 1998

David Usborn, 'Painted Ladies', The Independent Magazine, 12 September 1998

'Art: Young Americans 2 Part II', Metro, 5-11 September 1998

Dylan Jones, 'Wimpy Bard', The Sunday Times Magazine, 29 March 1998

Jane Burton, 'Mad in the USA', The Daily Express, 5 September 1998

Cecily Brown, 'Painting Epiphany: Happy Days Are Where Again?' Flash Art, no. 200, May- June1998

Roger Bevan, 'The Man and his money', The Art Newspaper, September 1997

Roger Bevan, 'London Diary', The Art Newspaper, January 1997

Katharine L. Bradley, 'In the Galleries', Art & Auction, October 1997

Holland Cotter, 'Fervidly Drafting the Self and Sex', The New York Times, 10 October 1997

Anne Doran, 'Projects 60: John Currin, Elizabeth Peyton, Luc Tuymans', Time Out (New York), 21-8 August 1997

Simon Grant, 'Exhibitions: John Currin', The Guardian: The Guide, 19-25 April 1997

David Greene, 'Project Painting', Frieze, November - December 1997

Howard Halle, 'Thanks for the Mammaries', Time Out (New York), 30 October - 6 November 1997

Martin Herbert, 'John Currin: Sadie Coles HQ', Time Out (London), 30 April - 7 May 1997

Hester Lacey, 'A legend in her own gallery', The Independent, 27 April 1997

Victoria Pedersen, 'Gallery Go 'Round: True American Eccentrics', Paper, November 1997

David Rimanelli, 'Top Ten x 12: The Year in Review', Artforum, December 1997

Peter Schjeldahl, 'The Daub Also Rises', The Village Voice, 29 July 1997

Peter Schjeldahl, 'Project Painting', The Village Voice, 30 September 1997

Roberta Smith, 'John Currin at Andrea Rosen Gallery', The New York Times, 7 & 21 November 1997

Roberta Smith, 'Realism reconsidered from three angles', The New York Times, 1 August 1997

Mark Van der Walle, 'Contract with a Coldhearted Muse', Parkett, No. 50/51, 1997

Slavoj Zizek, 'The Lesbian Session', lacanian ink, 1997

Barry Schwabsky, 'Picturehood is Powerful', Art in America, December 1997

Art in Review: Realism Reconsidered from Three Angles: 'Projects-John Currin

'John Currin at Andrea Rosen Gallery' The New York Times', November 1997

Bucks Aylesbury, 'Exhibition of the Week', The Week, 17 January 1996

Louisa Buck, 'Bare facts: John Currin's nudes get back to basics', GQ, January 1996

Martin Coomer, 'Air and grace', Time Out (London), 17-24 January 1996

Maia Damianovic, 'Le peinture au risque du dilemme', artpress, March 1996

James Hall, 'That's why the lady has a beard', The Guardian, 2 January 1996

Waldemar Januszczak, 'Goya of the Golden Girls', The Sunday Times, 21 January 1996

Susan Kandel, 'Posturing in a Most Unusual Fashion', The Los Angeles Times, 20 June 1996

McEwen, 'Keep those mighty metaphors simple', Sunday Telegraph, 4 February 1996

Stuart Morgan, 'A Can of Worms', Frieze, Issue 27, March/April 1996

Rosanna Negrotti, 'John Currin at the ICA', What's on in London?, 24 January 1996

William Packer, 'A study in naked nostalgia', Financial Times, 3 February 1996

Peter Schjeldahl, 'Screenery', The Village Voice, 7-13 February 1996

Barry Schwabsky, 'Picturehood is Powerful', Art in America, December 1996

Roberta Smith, 'Sugar Mountain' at White Columns', The New York Times, 26 April 1996

Kunie Sugiura, 'New York', B.T. Magazine, February 1996

Linda Talbot, 'Patron saint confounded', Hampstead & Highgate, 19 January 1996

John Russell Taylor, 'Around the Galleries', The Times, 6 February 1996

Olivier Zahm, 'John John', Omnibus, No. 15, January 1996

'John Currin at ICA', Design Week, 12 January 1996

Waldemar Januszezak 'Goya of the Golden Girls' The Sunday Times, January 1996

'ICA', Time Out (London), 24 January 1996

James Auer, 'Art museum exhibit embraces pluralism', Milwaukee Journal/Sentinel, 10 September 1995

Steve Beard, 'Arena Recommends', Arena, Winter 1995

Maiten Bouisset, 'La collection comme art de vivre/the Collection as Way of Life', artpress, No. 206, October 1995

Greg Burkman, 'John Currin at the Donald Young Gallery - Titties and Kitsch', The Stranger, Vol. 4, No. 25, 22-28 March 1995

Philip Dagen, 'Des jeunes artstes d'une radicale nouveaute defient les avant-gardes', Le Monde, 26 August 1995

Jim Demetre, 'John Currin at Donald Young Gallery', Reflex, Vol. 9, No. 4, May 1995

Nathan Guequierre, 'Slavishly Hip, Strangely Satisfying: Painting in the 90's stresses content over form', Shepherd Express, 12 October 1995

Regina Hackett, 'Currin celebrates bad taste', Seattle Post-Intelligencer, 15 March 1995

James Hall, 'John Currin at ICA', The Guardian, 9 December 1995

Jean-Yves Jouannais, 'John Currin at Frac Limousin', Art Press, No. 206, October 1995

Luk Lambrecht, 'John Currin', De Morgen, 14 September 1995

Elizabeth Lebovici, 'Currin en Limousin', Liberacion, 29 July 1995

Robert Mahoney, 'John Currin at Andrea Rosen Gallery', Time Out (New York), 1-8 November 1995

Celia McGee, 'Portraiture Is Back, But, My It's Changed', The New York Times, 1 January 1995

Celia McGee, 'The Resurgence of Portraiture', The International Herald Tribune, 1 January 1995

Ron Moore, 'Sequence of exhibitions by city and country artists', Leicester Mercury, December 1995

Adrian Searle, 'Try to figure it out', The Independent, 12 December 1995

Keith Seward, 'The Weirdest of the Weird', Flash Art, No. 185, Nov/December 1995

Roberta Smith, 'Art in Review: Currin's ambiguities - John Currin at Andrea Rosen Gallery', The New York Times, 17 November 1995

Lucy Wilner, 'Spring Thaw in the Big Apple', Reflex, Vol. 9, No. 4, May 1995

Bulletin (ICA Magazine), December/January 1995

'Goings on Around Town', The New Yorker, 13 November 1995

'100 Jaar Stedelijk', Uitkrant, cover, No. 2, October 1995

The Stranger (Seattle), March 1995

Joshua Decter, 'Stupidity as Density: American Idiot Culture', Flash Art, October 1994

Joshua Decter, 'John Currin at Andrea Rosen Gallery', Artforum International, May 1994

Jo Dustin, 'Critical Distance, Ado Gallery, Antwerpen', L'Annuel de l'Art, 1994

David Humphrey, 'New York Fax: John Currin at Andrea Rosen Gallery', Art Issues, May/June 1994

Jose Lebrero Stals, 'John Currin at Ado', Flash Art, January/February 1994

Jonathan Napack, 'That Outsiderish Mood: That Insider's Move to Christie's', The New York Observer, 14 February 1994

Patrick Pacheco, 'America's Top 100 Collectors', Art and Antiques, March 1994

Helena Papadopoulos, 'John Currin', Arti, November/December 1994

Jerry Saltz, 'A Year in the Life: Tropic of Painting', Art in America, October 1994

Celia McGee, 'The Resurgence of Portraiture' The International Herald Tribune

Helena Papadopoulos, 'John Currin' Arti (Athens), November- December 1994

Barbara Steffen, 'Don't postpone joy or collecting can be fun', Austria Kultur, May/June 1994

'Ikone oder Fleisch und Blut', art, January 1994

'John Currin at Andrea Rosen Gallery', The New Yorker, 14 February 1994

Eric Amouroux, 'Art Dealers - Anvers 93', Galeries Magazine, Summer 1994

Eric Bracke, 'Grote vis in kleine vijer: New Yorkse schilder John Currin in ADO Gallery', Der Morgen, 17 August 1994

Gabi Czoppan, 'Aufsteiger des Jahres: Rangliste der 100 Besten', Focus, No. 27, 5 July 1994

Edith Doove, 'John Currin at Ado Gallery, Antwerp', Metropolis M, No. 5, October 1994

Minnie Gastel, 'Apocalypse now?', Donna, July/August 1994

Kathryn Hixson, 'Trouble in Paradise', New Art Examiner, October 1994

Ken Johnson, 'John Currin at Andrea Rosen', Art in America, January 1994

Luk Lambrecht, 'De kwade geur van de figuratieve schilderkunst', De Witte Raaf, No. 46, November 1994

Luk Lambrecht, 'Kijk eens door het raam', De Morgen, 17 September 1994

Maria Giulia Minetti, 'In primo piano la biennale di venezia e l'arte riparte dai punto cardinali', L'Uomo Vogue, June 1994

Robert Jan. Muller, 'John Currin at Ado Gallery', Metropolis, No. 5, 1994

Daniela Salvioni, 'Flash Art News: Aperto -A Stroll Through the Emergency', Flash Art, October 1994

José Lebrero Stals, 'Frankfurt - Prospect '93', Flash Art, May 1994

José Lebrero Stals, 'Reviews: John Currin, Ado' Flash Art, January - February 1994

Eric Troncey, 'Naakt en kneedbaar', Metropolis M (cover), June 1994

Ludo Weitzer, 'The Accidental Tourist', Flash Art, October 1994

Gilda Williams, 'John Currin', Flash Art, 10 June 1994

Olivier Zahm, 'John Currin', Purple Prose, Fall 1994

'America's Top One Hundred Collectors', Art and Antiques, March 1994

'Flash Art News: Antwerp - Critical Distance', Flash Art, May 1994

'Flash Art News: 'S-Hertogenbosch - Look at the Window', Flash Art, Summer 1994

'Just what is it that makes today's home so different, so appealing? at Galerie Jennifer Flay', Purple Prose, No.3, 1994

'Project Unite', Purple Prose, No. 3, 1994

'7 Dagen', Weekend Knack, 8 September 1994

Holland Cotter, 'John Currin' The New York Times', February n1994

Jo Dustin, 'Critical Distance, Ado Gallery, Antwerpen' L'Annuel de l'Art

'John Currin' The New Yorker,1994

'Cherchez la femme PEINTRE! - A Parkett Inquiry', Parkett, No.37, 1993

Ken Johnson, 'John Currin at Andrea Rosen', Art in America, January 1993

Yves Aupetitallot, 'Une Èté, Trois Expositions', 1993

Francesco Bonami, 'U.S. Pain: New American Figuration', Flash Art, May/June 1992

Peter Borgstrom, 'Den vite mannens konst har fatt konkurrens', Dagens Nyheter, 22 November 1992

Brian D'Amato, 'Spotlight: John Currin', Flash Art, Summer 1992

Gretchen Faust, 'Shared Skin: Sub-Social Identifiers', Arts Magazine, January 1992

Stefan Germer & Isabelle Graw, 'Galerierundgang', Texte zur Kunst

Elizabeth Hess, 'Difficult Pleasures', The Village Voice, 21 April 1992

Kim Levin, 'Art In Brief', The Village Voice, 21 April 1992

Rainer Metzger, 'Malerei: Painting as a Matter of Subject', Flash Art, January/February 1992

Victoria Pedersen, 'Gallery Go 'Round', Paper Magazine - 'Best Of' Guide, April 1992

Jose Lebrero Stals, 'Double Identity: Johenen & Schottle, Cologne', Flash Art, October 1992

'New York In Brief', Flash Art, Summer 1992

'Goings On About Town', The New Yorker, 13 April 1992

The Paris Review, illus., Winter 1992, No. 125

Joshua Dec.ter, '7 Women', New York In Review, May 1991

Robert Mahoney, New York In Review, April 1991

Gianfranco Ravasi, 'Piccoli artisti (under 30) crescono', Corriere della Sera, December 1991

'Review of 7 Women', Flash Art, May/June 1991

'John Currin/Robin Kahn', The New Yorker, February 1991

Tom Grabowsky, 'Trusting to Sight', Bay Windows, January 1991

'Seven Women at Andrea Rosen', Flash Art, vol.24, no 158, May- June 1991

Joanne Silver, 'There's More than Meets the Eye to 'Simple Pleasures', The Boston Herald, January 1991

Joshua Decter, New York in Review, April 1990

Christine Temin, '(not) All on the Surface', The Boston Globe, 16 December 1990

John Zinsser, 'Losses in Translation', Arts Magazine, October 1990

Alexandra Anderson, 'The Next Generation', Smart, September/October 1989