Laura Owens

2024

(To Be Published) The Phillip G. Schrager Collection (Omaha (NE): Joslyn Art Museum, 2024) 

The Gourmand, The Gourmand’s Lemon: A Collection of Stories and Recipes (London: Taschen, 2024) 

2023

Mark Godfrey and Tin Pang, Sarah Sze: Paintings (London: Phaidon Press, 2023) 

Cory Arcangel, Karen Archey, Diedrich Diederichsen, Brigitte Franzen, and Rirkrit Tiravanija, Michel Majerus 2022 (Berlin: DCV Books, 2023) 

Mark Godfrey (ed.), Making Their Mark: Art By Women in the Shah Garg Collection (New York (NY): Gregory R. Miller & Co, 2023) 

Alison Hearst (ed.), I’ll Be Your Mirror: Art and the Digital Screen (Fort Worth (TX): Modern Art Museum of Fort Worth; New York (NY): DelMonico Press, 2023) (exh. cat.) 

Larry Gagosian and Gary Garrels, To Bend the Ear of the Outer World: Conversations on Contemporary Abstract Painting (London: Gagosian, 2023) (exh. cat.) 

Colección Jumex: Everything Gets Lighter (Mexico City: Museo Jumex, 2023) (exh. cat.)

Nicholas Cullinan, Paraventi: Folding Screens from the 17th to 21st Centuries (Milan: Fondazione Prada, 2023) (exh. cat.) 

Beatriz Garcia-Velasco (ed.), Capturing the Moment: A Journey Through Painting & Photography (London: Tate Publishing, 2023)

2022

Alison M. Gingeras (ed.), Great Women Painters (London: Phaidon, 2022) 

Iwoba Blazwick and Grace Storey (eds.), The Travel Bureau: Paulina Olowska selects from the Christen Sveaas Art Foundation (London: The Whitechapel Gallery, 2022) 

Achim Borchardt-Hume, Gloria Groom, Caitlin Haskell, and Natalia Sidlina (eds.), Cezanne (New Haven (CT): Yale University Press; Chicago (IL): The Art Institute of Chicago, 2022) (exh. cat.)

Anna Polke Foundation, Productive Image Interference: Sigmar Polke and Current Perspectives (Berlin: Distanz Verlag, 2021)

Margaret Burchenal (ed.), The Company of Artists (Boston: Isabella Stewart Gardner Museum, 2019)

Katherine Dennis, M.E. Sparks and Daina Augaitis, Ben Reeves: floating among phantoms (Vancouver: Art Gallery at Evergreen, 2018) 

Cecilia Alemani and Massimiliano (ed.), The Trick Brain (Milan: Skira / Aishti Foundation, 2018) 

Eva Respini (ed.), Art in the Age of the Internet, 1989 to Today (Boston (NY): Yale / ICA, 2018) 

Marcia Reed and Glenn Phillips, Artists and Their Books/ Books and Their Artists’ (Los Angeles (CA): The Getty Research Institute, 2018) 

Karen Wilkin, The Joy of Colour (New York (NY): Mnuchin Gallery, 2018) (exh. cat.)

Klaus Biesenbach and Peter Eleey (eds.), .com/cn, (Long Island City (NY): MoMA PS1; Hong Kong: K11 Art Foundation, 2017)

Katherine Brinson and Susan Thompson (eds), The Hugo Boss Prize 2016 (New York (NY): The Solomon R. Guggenheim Foundation, 2016) 

Fine Young Cannibals (New York (NY): Friedrich Petzel Gallery, 2016)

Art Works: Deutsche Bank Collection, Group Head Office (Frankfurt: Deutsche Bank AG, 2011)

Christian Rattemeyer, The Judith Rothschild Foundation Contemporary Drawings Collection, Catalogue Raisonné (New York (NY): The Museum of Modern Art, 2009)

Jörg Heiser, All of a Sudden: Things That Matter in Contemporary Art (Berlin: Sternberg Press, 2008) 

Beatrix Ruf, Blasted Allegories: Works from the Ringier Collection (Zürich: JRP Ringier, 2008)

Jens Hoffman, Very Abstract and Hyper Figurative (London: Thomas Dane Gallery, 2007) 

Dr. Ariane Grigoteit, Visuel Affinities. Deutsche Guggenheim 1997-2007. New Acquisitions (Frankfurt: Sammlung Deutsche Bank Collection, Deutsche Bank Art, 2007)

John Hutchinson, Alabama Chrome (Dublin: The Douglas Hyde Gallery, 2006) 

Dr. Ariane Grigoteit, All the Best: The Deutsche Bank Collection & Zaha Hadid (Frankfurt: Deutsche Bank Art, 2006) 

Hiroyuki Nakanishi, Essential Painting, (Osaka: The National Museum of Art, 2006)

John Hutchinson and Tal R, Huts (Dublin: The Douglas Hyde Gallery, 2005) 

Max Hollein and Martina Weinhart (ed.), Ideal Worlds: New Romanticism in Contemporary Art (Ostfildern: Hatje Cantz; Frankfurt: Schirn Kunsthalle, 2005) 

Chris Kraus, Jan Tumlir & Jane McFadden, LA Artland, (London: Black Dog Publishing, 2005)

Hugh Honour and John Fleming, A World History of Art (7th ed.) (London: Laurence King Publishing Ltd, 2005) 

25 Deutsche Bank Collection (Berlin: Deutsche Guggenheim, 2005)

Contemporary Painting (Maine (ME): Colby College Museum of Art, 2004)

Painting on the Move (Basel: Kunsthalle Basel, 2002) 

Laura Hoptman, Drawing Now: Eight Propositions (New York (NY): Museum of Modern Art, 2002) 

Margaret Weatherford (ed.), CAVEPAINTING: Peter Doig, Chris Ofili, & Laura Owens (Los Angeles (CA): Santa Monica Museum of Art, 2002) 

Terry Myers, Vitamin P (London: Phaidon Press, 2002) 

Anke Kempkes, Art Now (Cologne: Taschen, 2002) 

Rainald Schumacher, The Mystery of Painting (Hamburg: Kunstverlag Ingvild Goetz GmbH, 2002)

Carel Balth, Lens and Paper – the Beauty of Intimacy (The Hague: Gemeentemuseum, 2001) 

Anne Hawley, Jennifer R. Gross, and Russell Ferguson, Laura Owens: New Work at the Isabella Stewart Gardner Museum (Boston (NY): Charta, 2001) 

Uta Grosenick, Women Artists in the 20th and 21st Century (Cologne: Taschen, 2001) 

Kirsty Bell, It’s Just Painting, In the Mystery of Painting (Munich: Sammlung Goetz, 2001)

Madeleine Grynsztejn, Carnegie International (Pittsburg (CA): Carnegie Museum of Art,1999/2000) 

Susan Morgan and Henry Noltie, New Work by Laura Owens (1999) and John Hutton Balfour’s Botanical Teaching Diagrams (1840-1879) (Edinburgh: Inverleith House, Royal Botanic Garden, 2000) 

Adam Brooks, ‘Raw Mineral Jaggedness: A Clyfford Still Legacy’ in Clyfford Still Paintings 1944-1960 (New Haven (CT): Yale University Press, 2000) 

Cruz Amanda, Fresh Cream (London: Phaidon Press, 2000)

Terry R. Myers, Standing Still and Walking in Los Angeles (Beverly Hills (CA): Gagosian Gallery, 1999) 

Francesco Bonami and Judith Nesbitt, Examining Pictures (London: Whitechapel Art Gallery, 1999) 

Frances Stark, Nach-Bild (Basel: Kunsthalle Basel, 1999)

Brook Adams and Lisa Leibman, Young Americans 2 (London: Saatchi Gallery, 1998)

Project Painting (New York (NY): Basilico Fine Arts; Lehmann Maupin,1997) 

Sharon Lockhart, Laura Owens & Frances Stark (Santa Monica (CA): Blum & Poe, 1997)

2019

Laura Owens and Asha Schechter, AI DARPA (Los Angeles (CA): Apogee Graphics, 2019)

2015

Suzanne Hudon, Laura Owens, David Korty, David Korty: Blue Shelves (London; Sadie Coles HW; Los Angeles (LA): Night Gallery, 2015) 

Laura Owens, Untitled (Los Angeles (CA): Ooga Booga, 2015/2017) 

Laura Owens, Untitled Zine (24¢) (Los Angeles (CA): Ooga Booga, 2015/2017) 

Laura Owens, Untitled Zine (Air Battles Rages Over Los Angeles) (Los Angeles (CA): Ooga Booga, 2015/2017) 

Laura Owens, Untitled Zine (Bill) (Los Angeles (CA): Ooga Booga, 2015/2017) 

Laura Owens, Untitled Zine (Face) (Los Angeles (CA): Ooga Booga, 2015/2017) 

Laura Owens, Untitled Zine (FDR Calls It ‘Survival’ War) (Los Angeles (CA): Ooga Booga, 2015/2017)

Laura Owens, Untitled Zine, (Get a Philco.) (Los Angeles (CA): Ooga Booga, 2015/2017) 

Laura Owens, Untitled Zine, (Hey! What) (Los Angeles (CA): Ooga Booga, 2015/2017) 

Laura Owens, Untitled Zine, (Homes Sought for Animals) (Los Angeles (CA): Ooga Booga, 2015/2017) 

Laura Owens, Untitled Zine (Los Angeles Times Sport) (Los Angeles (CA): Ooga Booga, 2015/2017) 

Laura Owens, Untitled Zine (Thirteen Explains Defeat!) (Los Angeles (CA): Ooga Booga, 2015/2017)

2011

Laura Owens, Fruit and Nuts (Los Angeles (CA): Ooga Booga, 2011)

2006

Laura Owens, Untitled, Laura Owens (Zurich: Nieves, 2006) 

1999

David Pagel, Colour Fields: Now and Then (Houston (TX): Artpix 2, 1999)