Diego Marcon’s (b. 1985, Busto Arsizio) practice primarily focuses on moving image, centred on the investigation of cinematic archetypes in a process combining theoretical and structural approaches to filmmaking, with the sentimental attitudes of popular movie genres. His works – spanning film, video and installation – often utilise a looped structure to articulate an emotional display that flirts with the pathetic aspects of popular entertainment; and simultaneously draws attention to the media itself. Throughout Marcon’s work, empathy and vulnerability are deployed with intentional ambiguity, such that the instrumental use of their forms and figures constitute a blurred morality. This ambiguity is viewed by Marcon first and foremost as a political weapon of defiance.
