Monographs and Solo Exhibition Catalogues

2019                                                                                          

Elisabeth Hodermarsky, Andre Lepecki, Gifford Pinchot, Molly Nesbit, Arthur Middleon, Jannifer Raab, John Rember, Matthew Barney, Redoubt. (London: Yale University Press, 2019)

2014

Okwui Enwezor, Homi K. Bhabha, Matthew Barney: River of Fundament (New York: Skira Rizzoli, 2014)

2013

Isabelle Dervaux, Roni Horn, Klauss Kertes, Adam Phillips, Matthew Barney: Subliming Vessel: The Drawings of Matthew Barney (Paris: Bilbiotheque Nationale de France; New York: Skira Rizzoli, 2013)

Hans Ulrich Obrist, Matthew Barney: The Conversation Series: Volume 27 (Cologne: Bucchandlung Walther Koenig, 2013)

2012   Nicola Dusi and Cosetta G Saba, Matthew Barney: Polimorfismo Multimodalita Neobarocco, (Milan: Silvana Editoriale, 2012)
2011 Matthew Barney: DJED (New York: Playbill; Gladstone Gallery, 2011)
2010

Neville Wakefield, Isabel Friedli (ed.), Matthew Barney: Prayer Sheet with the Wound and the Nail (Basel: Schaulager Laurenz Foundation, 2010)

Angus Cook, Matthew Barney, Elizabeth Peyton: Blood of Two, 16 June 2009 (Athens: DESTE Foundation for Contemporary Art, 2010)

2009

Alberta Barbera, Olga Gambari, Guido Curto, Matthew Barney: Contemporary Mythologies (Torino: Fondazione Merz; Hopefulmonster Editore, 2009)

2008

Neville Wakefield, Matthew Barney: DRAWING RESTRAINT Volume 5 (Cologne: Bucchandlung Walther Koenig, 2008)

2007

Nancy Spector and Mark Taylor, Matthew Barney & Joseph Beuys: All in the Present Must Be Transformed (Bilbao: Guggenheim Museum Publications, 2007)

Matthew Barney Barney and Jerry Kelly, Matthew Barney: DRAWING RESTRAINT Volume 4 (New York: JMc & GHB Editions, 2007)

Brandon Stosuy and Domenika Szope, Matthew Barney: Sammlung Goetz (Munich: Sammlung Goetz, 2007)

2006

Hans Ulrich Obrist, Matthew Barney: DRAWING RESTRAINT Volume 1 (Cologne: Bucchandlung Walther Koenig, 2006)

Itsuku Hasegawa, Matthew Barney: DRAWING RESTRAINT Volume 2 (Tokyo: Uplink Co., 2006)

Matthew Barney: DRAWING RESTRAINT Volume 3 (Seoul: Leeum, Samsung Museum of Art, 2006)

2003

Matthew Barney: The Cremaster Cycle (Oslo: Astrup Fearnley Museet fur Moderne Kunst, 2003)

2002

Nancy Spector and Neville Wakefield, Mathew Barney: The Cremaster Cycle (New York: Harry N. Abrams (now Abrams Books); Bilbao: Guggenheim Museum Publications, 2002)

Mathew Barney/ The Cremaster Cycle (Dublin: Meeting House Square; Temple Bar, 2002)  

Edward Weisberger, Matthew Barney: CREMASTER 3 (Bilbao: Guggenheim Museum Publications, 2002)

1999

Richard Flood and Matthew Barney, Matthew Barney: CREMASTER 2 (Minneapolis MN: Walker Art Center, 1999)

1997

Matthew Barney and Tony Morgan, Matthew Barney: CREMASTER 5 (Frankfurt: Portikus; New York: Barbara Gladstone Gallery (now: Gladstone Gallery), 1997)

Matthew Barney, Tony Morgan, Lalena Fisher, Matthew Barney: CREMASTER 1 (Wien: Kunsthalle Wien; Basel: Museum für Gegenwartskunst Basel, 1997)

1996

Klaus Kertess, Mattthew Barney: DRAWING RESTRAINT Volume 7 (Ostfildern: Hatje Cantz Verlag, 1996)

Neville Wakefield and Richard Flood, Matthew Barney: Pace Car for the Hubris Pill (Rotterdam: Museum Boymans-van Beuningen, 1996)

1995

 Matthew Barney, Matthew Barney: CREMASTER 4 (Paris: Fondation Cartier, Paris; New York: Barbara Gladstone Gallery (now: Gladstone Gallery), 1995)

Klaus Kertess, Matthew Barney: DRAWING RESTRAINT (Ostfildern: Hatje Cantz Verlag, 1995)

1991 Matthew Barney, Matthew Barney: New Work (San Francisco CA: SFMOMA San Francisco Museum of Modern Art, 1991)

 

Selected Group Exhibition Catalogues

2019                                                  

Rachel Thomas and Yuko Hasegawa, Desire A Revision from the 20th Century to the Digital Age (Dublin: Irish Museum of Modern Art, 2019)

2011

Michael Petry, The Art of Not Making (London: Thames & Hudson, 2011)

2010 

Michael Spens, Studio International: Yearbook Special, Issue 2007, Vol. 206, No. 1029 (New York: The Studio Trust, 2010)

2009

Charlotte Bonham-Carter and David Hodge, The Contemporary Art Book (London: Goodman, 2009)

Gunna B. Kyaran (et al.), Not all is Visible, (Oslo: Astrup Fearnley Museet fur Moderne Kunst, 2007)

Maria De Corral and John R. Lane, Fast Forward: Contemporary Collections for the Dallas Museum of Art (London: Yale University Press, 2007)

Jason Schmidt (ed.), Artists II (Paris: Edition 7L, 2007)

2006

Esquiador en el fondo de un pozo (Ecatepec de Morelos: La Fondacion Jumex, 2006)

Henry Rogers and Aaron Williamson (eds.), Art Becomes You (Birmingham: Article Press, 2006)

Francesca Richer and Matthew Rosenzweig, No. 1: First Works by 362 Artists (New York: DAP Distributed Art Publishing, 2006)

The Eighth Square: Gender, Life and Desire in the Arts since 1960 (Ostfildern: Hatje Cantz Verlag, 2006)

Doug Aitken, Broken Screen: 26 Conversations with Doug Aitken (New York: DAP Distributed Art Publishing, 2006)

Laurie Schneider Adams, Exploring the Humanities: Creativity and Culture in the West Vol. 2 (Upper Saddle River NJ: Pearson Prentice Hall, 2006)

Dark Places (Santa Monica CA: Santa Monica Museum of Art, 2006)

2005 

Demetrio Paparoni, L’arte contemporanea e il suo metodo (Venice: Grafica Veneta S.p.A di Trebaseleghe, 2005)

Margaret Marsh, Michelle Watts, Craig Malyon (eds.), Art 2: Practise (New York: Oxford University Press, 2005) p. 257

Art Now Vol. 2 (New York: Taschen, 2005)

Les Grand Spectacles: 120 Jahre Kunst und Massenkulture (Salzburg: Museum der Moderne Salzburg, 2005)

L’art du Xxe Siecle: De l’art Moderne a l’art Contemporian 1939- 2002 (Paris: Citadelles and Mazenod, 2005)

Alyce Mahon, Eroticism & art (New York: Oxford University Press, 2005)

Christoph Grunenberg and Jonathan Harris (eds.), Summer of Love (London: Liverpool University Press, 2005) Uberschonheit: About Beauty (Berlin: Haus der Kulturen der Welt, 2005)

Francesco Bonam (ed.), Bidibidobidiboo: Works from the Collezione Sandretto Re Rebaudengo (Milan: Skira Editore S.p.A, 2005)

2004 

Il Bello e le Bestie: Metamorfosi Artifici e ibridi dal Mito all’Immaginario Scientifico (Trento: MARTA Museo di Arte Moderne e Contemporanea di Trento e Rovereto; Milan: Skira Ginevra, 2005)

Fondation Cartier pour l’art contemporain (Paris: Cariter Foundation, 2004)

Jeffrey Deitch (ed.), Monument to No: The Dakis Joannou Collection (Athens: DESTE Foundation for Contemporary Art, 2004)

Mark Coetzee, Not Afraid: Rubell Family Collection (New York: Phaidon Press, 2004)

Ursula Sinnereich, ‘Uber die poetische Hydraulik des Wagenhebers oder wie Matthew Barney’, Alois M. Miller (ed.), Kurt 1: Jahrbuch Der Hochschule Fa1/4r (Basel: Birkhäuser Verlag, 2004)

Luca Beatrice, L’arte in testa. Storia di un’ossessione de Picasso ai giorni nostri (Isernia: MACI, Museo Arte Contemporanea Isernia, 2004)

Rotterdam 33rd International Film Festival (Rotterdam: Rotterdam Internaitonal Film Festival, 2004)

2003 

Heinz Peter Schwerfel, Kinoundkunst: Eine Liebesgeschichte (Cologne: Dumont, 2003)

Saul Anton, Black Box Illuminated (Lund: Propexus, 2003), pp. 9-24

Fast Forward: Media Art Sammlung Goetz (Munich: Kunstverlag Ingvild Goetz, 2003)

Subjective Realities (New York: The Refco Group, 2003) Helen Molesworth, Image Stream (Columbus OH: Wexner Center for the Arts, 2003)

Himmel & Helvete: Amerikansk og tysk samtidsfotografi (New York: Labyrinth Press Company; Jevnaker: Kistefos Museum, 2003)

Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections (New York: The Solomon R. Guggenheim Foundation, 2003)

Ein / Blicke in Privat / Sammlungen. Zeitgenössische / Fotografie (Essen: Museum Folkwang Essen, 2003)

Rainald Schumacher and Matthias Winzen, Just Love Me: Post\Feminist Positions of the 1990s from the Goetz Collection (Cologne: Bucchandlung Walther Koenig, 2003)

Linda Weintraub, In the Making: Creative Options for Contemporary Art (New York: DAP Distributed Art Publishing, 2003)

2002 

Edward Lucie-Smith, Art Tomorrow (Paris: Editions Pierre Terrail, 2002)

‘Interview between Matthew Barney and Thyrza Nichols’, HAUTNAH (Munich: Goodeve, 2002)

Susan Sollins, Thelma Golden, Lynn Herbert, Robert Storr, Katy Siegel, Art:21, Art for the Twenty First Century (New York: Harry N. Abrams (now Abrams Books), 2002)

2001 

Voila, le Monde dans la Tete (Paris: Musée d’Artt de la Ville de Paris, 2001)

Wendy Steiner, The Trouble with Beauty (London: William Heinemann, 2001)

Ten Photographers (Oslo: Galleri K, 2001)

American Art from the Goetz Collection (Prague: Galerie Rudlofinium, 2001)

Burkhard Riemschneider and Uta Grosenick, ART NOW (New York: Taschen, 2001)

Wolfgand Schoppman, Die Samlung Olbricht Teil 2, Firtst View (Bremen: Neues Museum Weserburg, Bremen; Essen: Samllung Olbrecht, 2001)

Caoimhin Mac Giolla Léith and Annie Fletcher, The Glen Dimplex Artists Award Exhibition 2001 (Dublin: Irish Museum of Modern Art, 2001)

Deborah Wye and Susan Tallman, Parkett, Colaborations and Editions since 1984 (New York: Parkett, 2001)

2000 

Art at Work: Forty Years of the JP Morgan Chase Collection (New York: The Chase Manhattan Corporation, 2000)

Saul Anton, Fiction or Other Accounts of Photography (Montreal: Dazibao, 2000)

Invisible London (London: Elipses, 2000)

Bice Curiger and Christoph Henrich, Hyper Mental (Zurich: Kunsthaus Zurich, 2000)

Kirk Varnedoe, Paola Antonelli, Joshua Siegel, Art At MoMA Since 1980 (New York: MoMA The Museum of Modern Art, 2000)

Tracey Warr and Amaelia Jones, The Artists Body (London: Phaidon Press, 2000)

Robert Storr, Modern Art Despite Modernism (New York: MoMA The Museum of Modern Art, 2000)

Voilà, le monde dans la tête (Paris: Musée d’art moderne de la ville de Paris, June – October 2000)

1997 

Solomon R, ‘Rrose is a Rrose is a Rrose’, Gender Performance In Photography (New York: Solomon R Guggenheim Museum, 1997)

Faustrecht der Freiheit (Gera: Kunstsammlung Gera; Bremen: Neues Museum Weserburg, 1997)

Altered states: American Art in the 90's (St Louis MO: Forum for Contemporary Art, 1997), p.24

1995

The Masculine Masquerade (Cambridge MS: MIT List Visual Arts Center, January – March 1995), colour illus. pp. 102-103

1994 

Acting Out (The Body In Video: Then and Now) (London: The Royal College of Art, 1994), colour illus. (front cover)

1993 

Witte de With - Cahier #1 (Rotterdam: Witte de With, Rotterdam, October 1993), colour illus.

Aperto '93 Emergency, XLV Biennale de Venezia (Milan: Giancarlo Politi Editore, May 1993), colour illus., pp. 236-7

1992 

Documenta IX: Kassel Vol. 2 (Stuttgart: Edition Cantz; New York: Harry N. Abrams (now: Abrams Books), 1992), pp. 32-35 Documenta IX: Kassel Vol. 1 (Stuttgart: Edition Cantz; New York: Harry N. Abrams (now: Abrams Books), 1992), p. 115

 

General Art Books

2009  

Hans Werner Holzwarth (ed.), ‘100’, Contemporary Artists (New York: Taschen, 2009)

2006

Steven Higgins, Still Moving The Film and Media Collections of the Museum of Modern Art (New York: MoMA The Museum of Modern Art, 2006)

2004 

Margot Lovejoy, Digital Currents: Art in the Electronic Age (New York: Routledge, 2004)

Suzanne Anker and Dorothy Nelkin, The Molecular Gaze: Art in The Genetic Age (New York: Cold Spring Harbor Laboratory Press, 2004)

Video 25 Jahre Videoästhetik (Dusseldorf: Hatje Cantz, 2004)

2003

Fabiola Naldi, I'll Be Your Mirror. Travestimenti fotografici (Rome: Castelvecchi, 2003)

Karin Andersen and Roberto Marchesini, Animal Appeal: Uno Studio sul Teriomorfismo (Bologna: Hybris, 2003)

Thomas Boutoux (ed.), Hans Ulrich Obrist Interviews: Volume 1 (Milan: Edizioni Charta, 2003)

Michael Onfray and Adam Biro, Archéologie du Présent: Manifesto pour une esthétique cynique (Paris: Biro Editeur, 2003)

2002

Klaus Kertess, Photography Transformed: The Metropolitan Bank & Trust Collection (New York: Harry N. Abrams (now Abrams Books), 2002)

Karen J.Sparks, ‘Redefining Art’, Encyclopedia Britannica: 2002-03 Year in Review (Encyclopedia Britannica, 2002)

Hugh Honour and John Fleming, A World History of Art (London: Laurence King Publishing, 2002)

2001

Mark Getlein, Living with Art (New York: McGraw-Hill Education, 2001)

1998 

H. H. Arnason and Marla F. Prather, History of Modern Art (New York: Harry N. Abrams (now Abrams Books), 1998)

1997 

Solomon R, Gender Performance In Photography (New York: Solomon R Guggenheim Museum, 1997)

1996 

The 20th Century Art Book (London: Phaidon Press, 1996) Wolfgang Kemp (ed.), Zeitgenössische Kunst und ihre Betrachter (Cologne: Oktagon Verlag, 1996)

 

Articles 

 

2021                                                                                                                       

Adrian Searle, 'Matthew Barney: Redoubt review- intriguing brew of sharpshooters, bears and strange goings on in the forest', The Guardian, 21 Friday 2021

Rachel Campbell-Johnston, 'Matthew Barney: Redoubt review - artist's film will make you see things anew', The Times, 17 May 2021

Ben Luke, 'Matthew Barney Redoubt at Hayward Gallery Review: You need to be there', Evening Standard, 17 May 2021
Alastair Sooke, ''They represent a kind of evil': Artist Matthew Barney on four years of filming wolves', The Telegraph, 16 May 2021
Laura Cumming, 'Matthew Barney: Redoubt; Igshaan Adams: Kicking Dust Review', The Guardian, 16 May 2021
Jeppe Ugelvig, 'One work: Matthew Barney's, Drawing Restraint 2-6 (1987-89)', Spike Magazine, Sports, No.67, Spring 2021, pp.32-35
Chris Waywell, 'I haven't been to an art gallery in ages: these are five shows I can't wait to see', Time Out, 30 April 2021
Mark Westall, 'Matthew Barney: Redoubt', FAD Magazine, 19 April 2021
Francesca Gavin, 'Frame Academy', How to Spend It, Financial Times, Spring Arts Special, 27 February 2021, pp. 32 -33
Rachel Corbett, 'After Trump's Inauguration, Matthew Barney Installed a Giant Clock Counting Down His Days in Office. Now It's Finally Going Dark', Artnet News, 19 January 2021
'New year arts: Observer critics pick the culture to get us through to spring', The Observer, 03 January 2021
'An Artist's Trump Countdown Clock Goes Dark, and Other News', Surface, 20 January 2021
Pierre Huyghe, 'Matthew Barney in conversation with Pierre Huyghe', MARFA, issue #14, January 2021, pp. 254-268

2020 Neville Wakefield, 'Redoubt: Matthew Barney', Kaleidoscope, Issue #37, Autumn/Winter 2020

Mark Westall, 'Matthew Barney: Redoubt', FAD Magazine, 16 November 2020
Barbara London, Skye Sherwin, Oliver Basciano, 'From Warhol to Steve McQueen: a history of video art in 30 works', The Guardian, 17 October 2020
Lise Hosein, 'The divide between art and sports can be vast, but sometimes art and sports have been friends', CBC, 23 September 2020
'Roni Horn and Matthew Barney in Conversation', Hauser & Wirth, 14 May 2020
Travis Diehl, 'Diana Get Your Gun', X-TRA, 19 March 2020
Deborah Vankin, 'Frieze Week L.A. 2020: Your guide to talks, screenings, performances and parties', Los Angeles Times, 06 February 2020
Shana Nys Dambrot, 'Matthew Barney's Redoubt: As Much An Experience As A Film', LA Weekly, 27 January 2020
Robert Abele, 'Review: Matthew Barney takes to nature to ask his big questions in 'Redoubt'', Los Angeles Times, 23 January 2020

2019

Andy Battaglia, 'ARTnews Monday', ARTnews Today, 04 November 2019 [daily newsletter]

David D'Arcy, 'In Redoubt, Matthew Barney retells an ancient myth in a survivalist American landscape', The Art Newspaper, 01 November 2019

Pat Brown, 'Review: Redoubt Beautifully Stares at the Boundary Between Nature and Myth', Slant Magazine, 01 November 2019

Peter Debruge, 'Film Review: Matthew Barney's 'Redoubt'', Variety, 30 October 2019
Dustin Chang, 'Review: In REDOUBT, Artist Matthew Barney Continues His Modern Day Myth-Making', Screen Anarchy, 29 October 2019
Glenn Kenny, ''Redoubt' Review: Diana the Huntress Manifests in Idaho', The New York Times, 29 October 2019
Pamela Franks, 'An Interview with Matthew Barney', Yale University Art Gallery Magazine, Spring 2019
Carrie Zhou, 'Redoubt at the YUAG', Yale Daily News, 11 April 2019
Jason Farago, 'A Lighter Matthew Barney Goes Back to School, and Back Home', The New York Times, 21 March 2019
Pem McNerney, 'When the Pack Chases the Hunter, Cheered on by the Huntsmen', Zip06, 20 March 2019
Murray Whyte, 'With 'Redoubt', a cosmic reset button for Matthew Barney', The Boston Globe, 14 March 2019
Freya Savla, 'Matthew Barney's "Redoubt" on view in YUAG', Yale Daily News, 28 March 2019
Brianna Wu, 'Doubting Redoubt', The Yale Herald, 08 March 2019
llan Schwartzman, 'Transfromative Sculpture; The Visionary Work of Matthew Barney', Art Agency Partners, 07 March 2019
Pac Pobric, 'Matthew Barney's First New Show in Years Suggests a Shocking Twist for the Iconoclastic Artist: He's Becoming Conventional', Artnet, 04 March 2019
'Matthew Barney Tells a Complex Narrative with an Idaho Wolf Hunt and a Copper Tree in 'Redoubt at Yale', Artfix Daily, 04 March 2019
Mike Cummings, 'Artist Matthew Barney's latest work enriched by Yale experience', YaleNews, 01 March 2019
Catherine Taft, 'Survivor Syndrome: Catherine Taft on Matthew Barney's New Work', ArtForum, March 2019, pp. 194-203
Taylor Dafoe, 'Matthew Barney's New Film Stars an NRA Rifle Champ as a Mythological Huntress in Idaho's Sawtooth Mountains', Artnet, 19 February 2019

2018 Felicia Feaster, 'Art Review: Atlanta Drag Queens the Subject of Thoughtful "Reveal" Show', AJC, 16 October 2018 [Extract]

Susannah Breslin, 'Port Rules the World in the Provocative New Art Installation', Forbes, 07 August 2018

2017

'Art Industry News: Björk to Headline in Moscow Biennial (and Matthew Barney, Too) + More Must Read Stories', ArtNet News, 23 August 2017
Maya Gurantz, '" Carl Broke Something": On Carl Andre, Ana Mendieta, and the Cult of the Male Genius', Los Angeles Review of Books, 10 July 2017 [Extract]
Josh Chiaverina, 'No Joke: Josh Fadem Takes Comedy to the Extreme at Long Island City Space REMAINS', ArtNews, 12 July 2017

Laura Smith, '"The Body Extended: Sculpture & Prosthetics" & "Streams of Warm Impermanence"', Frieze, no. 184, January - February 2017, pp. 142-143

2016 Alex Kitnick, 'Review: Matthew Barney, Gladstone Gallery', Artforum International, December 2016, p.254

Thyrza Nichols Goodeve, 'Matthew Barney's "Facility of DECLINE", Gladstone Gallery, New York', Art Agenda, 14 October 2016
Stephanie Rafanelli, 'Call Of The Wild', ES Magazine, 07 October 2016, pp. 18-24
Sue Wang, 'CAFA Lecture I Matthew Barney Symposium: "Insight into the Era of the Monster of Catabolic Civilization", CAFA Art Info, 30 September
Rain Embuscado, 'Kanye West Compares Matthew Barney to Jesus', ArtNet News, 27 June 2016

2015 Sara Pepitone, 'Barney's Rubble: Sculpture and Films from Matthew Barney at Los Angeles' MOCA', Observer Culture, 21 September 2015

Jordan Hoffman, Alex Needham, 'Matthew Barney's Cremaster Cycle: Nine Hours of "Challenging" Art on Film', The Guardian, 14 July 2015
Anthony Byrt, 'Matthew Barney', Artforum, vol. 53, no. 9, May 2015
Ashley Crawford, 'Matthew Barney's River of Fundament,' The Saturday Paper, 14 February 2015
Elizabeth Fortescue, 'Matthew Barney: Exploding the Myths', The Art Newspaper, no. 264, vol. XXIV, January 2015 p. 52 - 53
Lucy Rees, 'Matthew Barney: MONA / Berriedale (Tasmania), Flash Art, vol. 48, no. 300, January - February 2015, pp. 100 - 101
John Buffalo Mailer, 'Modern Myth,' Wallpaper, January 2015

2014

Ross Simonini, 'Both and Neither: On Matthew Barney, Debbie Harry and the Uncanny,' Artand, December 2014, pp. 78 - 89
Eddy Frankel, 'Matthew Barney: Crown Zinc', Time Out, 05 November 2014
Toby Skeggs, 'Wagner had a Word for it: Gesamtkunstwerk. Matthew Barney's Epic Film 'River of Fundament' Makes Its Swiss Debut at Art Basel, The Art Newspaper, 18 June 2014
Adrian Searle, 'Matthew Barney: "My work is not for everyone,"' The Guardian, 16 June 2014
Joshua Reiman, 'The Drama of Proportion: A Conversation with Matthew Barney', Sculpture, May 2014, pp. 30 - 37
Ross Simonini, 'Black Water: Combustion and Digestion in Matthew Barney's Latest Work', frieze, May 2014, pp. 29 - 30
Keven Greenberg, 'Matthew Barney', PIN-UP Magazine, Summer 2014, pp.129 - 133
David Ebony, 'Matthew Barney: New York- Brooklyn Academy of Music', Art in America, May 2014, pp. 169 - 170
'These Weary Territories: A Conversation between Matthew Barney and Okwui Enwezor', Modern Painters, April 2014, pp. 64 - 73
'Matthew Barney and Gaspar Noé', Bomb, Spring 2014, pp. 37 - 43
'Whitechapel Gallery and ENO Collaborate With Matthew Barney in New Exhibition', Art.lyst, 29 March 2014

Nicola Ricciardi, 'Matthew Barney & Jonathan Bepler "River of Fundament (2014)"', The Brooklyn Rail, 04 March 2014
Alfred Hickling, 'River of Fundament review - Matthew Barney's magnum opus is calculated to divide opinion', The Guardian, 03 March 2014
D. Creahan, 'New York - The World Premiere of Matthew Barney and Jonathan Bepler's River of Fundament at BA', Art Observed, 02 March 2014
Ross Scarano, "Sh*t Talking: A Conversation About Artist Matthew Barney's Epic Film 'River of Fundament,'" Complex Art + Design, 18 February 2014
Andy Battaglia, 'River of Fundament', Paris Review, 12 February 2014
Linda Yablonsky, 'Art Matters | Sexy Beast', T Magazine, 07 February 2014
Susan Cheng, 'Matthew Barney Will Make His Debut at the Brooklyn Academy of Music With Another Stunning Film', Complex, 04 February 2014
Matt Pieknik, 'Crude Thoughts & Fierce Forces: Matthew Barney's "River of Fundament"', The American Reader, 2014

2013

'Mathew Barney', Modern Painters, October 2013, p. 107
Dan Duray, 'Barney and Friends: My Day as an Extra on the New Matthew Barney Movie', New York Observer, 09 September 2013
Joseph Akel, 'Subliming Vessel: The Drawings of Matthew Barney', Art Review, September 2013, p. 158
Brooke Chroman, 'A Conversation With Matthew Barney', The Travel Almanac, Autumn 2013, p. 44 - 53
Museum, through September 2nd," Art Observed, 13 August 2013
M. Bushman, "'Subliming Vessel: The Drawings of Mathew Barney' at Morgan Library &
Britany Salsburg, 'Mathew Barney: the Morgan Library & Museum', Artforum, August 2013
Ann McCoy, 'Subliming Vessel: The Drawings of Matthew Barney', The Brooklyn Rail, 15 July 2013
Thyrza Nichols Goodeve, 'The Library For Non-Amnesiacs: A Possible Reading of Matthew Barney's Drawings', The Brooklyn Rail, 15 July 2013
Hermione Hoby, "Matthew Barney Interview: 'It's what's outside the frame that's scary,'" The Telegraph, 13 July 2013
Elena Tavecchia, 'Subliming Vessel: The Drawings of Matthew Barney', Mousse, issue 39, Summer 2013, pp. 188 - 190
Maika Pollack, "'Subliming Vessel: The Drawings of Mathew Barney' at the Morgan Library & Museum," Gallerist NY, 18 June 2013
Lance Esplund, 'Barney Incest, Messy Remnant; Met's Boxer: Lance Esplund', Bloomberg.com, 15 June 2013
Thomas Micchelli, 'Bridge to Nowhere: Matthew Barney's Drawings', Hyperallergic.com, 15 June 2013
Edward M Epstein, 'Mythology, Mortality, Mailer, and Vaseline: Matthew Barney at the Morgan', Artcritical, 12 June 2013

Priscilla Frank, 'Matthew Barney's New York Summer: Avant-Garde Art Darling Talks New Projects', The Huffington Post, 24 May 2013

Holland Cotter, 'Fixations of a Fabulist, Hermetic and Mystical,' The New York Times, 09 May 2013
Coline Milliard, 'From Death to Death and Other Small Tales', Modern Painters, Vol. XXV No. 3, March 2013, p. 95
Carol Vogel, 'Matthew Barney Heads to the Morgan Library', The New York Times, 01 March 2013
Mitch Cope and Gina Reichert. 'Lance Mountain and Matthew Barney', Juxtapoz, February 2013, pp. 38 - 47
Kelsey Campbell-Dollaghan, 'Matthew Barney Creates A Skateboard That Doubles as a Pencil', Fast Company, February 2013
'Updated: Matthew Barney, The Cremaster and the Markers of an Invisible Masculinity', Seattle Post Intelligencer, February 2013

2012 Museum Says Doomsday is not Here, Matthew Barney's Norman Mailer Barge, and More', Artinfo.com, 29 October 2012

Andy Battaglia, 'An Artist's River Journey Into a Writer's World', The Wall Street Journal, 27 October 2012, p. A22
Liz Smith, 'My 'Ancient Evenings' with Norman Mailer', Chicago Tribune, 07 September 2012
'Cotter, Holland, "Here's Looking at You, Conceptualism," New York Times, 06 September 2012
Simon Romero, 'A Keeper of a Vast Garden of Art in the Hills of Brazil', The New York Times, 09 March 2012

2011 Jeffrey Kastner, 'Matthew Barney: Gladstone Gallery', Artforum, December 2012, p. 250.

'Matthew Barney, DJED, Ancient Evenings, Detroit, and a 1967 Chrysler Crown Imperial', Juxtapoz, 24 October 2011
Kate Prengel 'Junkyard of the Future', CityArts, 12 October 2011
Tamara Warren, 'DJED: Matthew Barney x The Remains Of A 1967 Chrysler Imperial', Forbes, 05 October 2011
James Gaddy, 'For New Sculpture, Matthew Barney Dredges Up A Drowned 1967 Chrysler', Fast Co. Design, October 2011
Linda Yablonsky, 'Artifacts: Matthew Barney', New York Times Style Magazine, 26 September 2011
Jerry Saltz, 'Imported From Detroit', New York Magazine, 23 September 2011
Will Heinrich, 'Richard Serra's Junction/Cycle at Gagosian Gallery and Matthew 'Barney's DJED at Gladstone Gallery', New York Observer, 20 September 2011
Julie Belcove, 'Forged in Myth', Financial Times, 03 - 04 September 2011
Fabiana Fierotti, 'Matthew Barney and Piombo', Italian Vogue, 16 June 2011
Tess Thackara, 'Drawing Restraint 17', Art Practical, 30 April 2011

2010

'Khu & The Gang', Interview Magazine, December 2010
Joshua Mack, 'Matthew Barney + Jonathon Bepler', Art Review, #46, December 2010

Jenny Schlenzka, 'Matthew Barney', Monopol, November 2010, p. 108
Vince Carducci, 'Matthew Barney's Heart of Darkness', Brooklyn Rail, 02 October 2010, p.30.
Quinn Latimer, 'Matthew Barney', Frieze. September 2010, Issue 133, p.138-9.
Rose, Zak and Barney, Matthew, 'Khu', 032c, 19th Issue Berlin, Summer 2010
Keith Uhlich, 'The Cremaster Cycle', Time Out New York, 28 July 2010, Issue 764, p. 76
Lindemann, Adam, 'The Grand Tourist', The New York Observer, 12 July 2010, p. 42
Brett Littman, 'Executive Director Brett Littman on Matthew Barney's Prayer Sheet with the Wound and the Nail at Schaulager', The Drawing Center, 06 July 2010
'Barney shared over the ocean', The Art Newspaper, July/August 2010, p. 18 James Nicholas, 'Insight: Matthew Barney', Art in America, June/July 2010, p. 30
David Velasco, 'Matthew Barney: Prayer Sheet with the Wound and the Nail', Artforum, May 2010, p. 147
'Ancient Evenings, Ancient Rituals', ArtSlant, 14 February 2010
Anthony Byrt, 'Matthew Barney', Artforum, February 2010

2009

David Velasco, 'Matthew Barney and Elizabeth Peyton: Deste Foundation Project Space', Artforum, November 2009
Chris Wiley, 'No Man's Land', KALEIDOSCOPE, Issue 03, September - October 2009
Chris Bors, 'Matthew Barney and Elizabeth Peyton', Art Review, September 2009, p. 137

2008 Francesco Bonami, 'Matthew Barney: The Artist as a Young Athlete', Flash Art, vol. XLI, no. 261, July - September 2008 (reprint from Flash Art, vol. XXV, no. 162, January/February 2008)

'Top 100: Mathew Barney, no. 58', Monopol, no.7-8, 2008, p. 58
Christopher Knight, 'Matthew Barney's 'Ren'', LA Times, 20 May 2008
Maggie Rosen, 'The Art of Solipsism', Hong Kong Tatler, April 2008

2007 Hans Ulrich Orbist, 'Matthew Barney's stunning British debut', Art World, October/November 2007, p. 20

Richard Pinsent, 'Gallery News', Pluk, Spring/Summer 2007
'American Evolution', The Financial Times, 08 June 2007
Jody Shields, 'Matthew Barney', L'uomo Vogue, May/June 2007
Jess Holl, 'Generally Speaking: with a new book, Matthew Barney', Black Book, April/May 2007, p. 148
Jerry Saltz, 'Matthew Barney, the Bull, and the Chrysler', New York Magazine, 17 April 2007
David Ebony, 'Report from Lisbon: Sailing into the 21st Century', Art in America, April 2007, pp. 52-57
Francesca Martin, 'Serpentine gets ready for Matthew Barney and his Vaseline extravaganza', The Guardian, 28 March 2007, p. 27
Bill Powers, 'He Shall Perform', New York Post, 25 March 2007, p. 49
Sophia Kishkovsky, 'Moscow biennale pokes fun at consumers and politicians', International Herald Tribune, 10-11 March 2007
Peter Plagens, 'Contemporary Art, Uncovered', Art in America, February 2007, pp. 45-51
Mike Rogers, 'Matthew Barney's Drawing Restraint', artUS, February 2007, pp. 20-23
Amrei Hofstatter, 'Matthew Barney', Bello 022, February 2007, pp. 41-46

Brandon Stosuy, 'An Interview with Matthew Barney', The Believer, 01 January 2007, pp. 51-64 Katrin Wittneven, 'Entlarvend: Matthew Barney und Joseph Beuys im Deutschen Guggenheim Berlin', Monopol, January 2007, p. 116
Alena Williams & Stefan Heidenreich, 'Broadcast yourself!', Monopol, January 2007, pp. 34-37 Chia-Ling Lee, 'The Cremaster Cycle by Matthew Barney', Fantasy, Vol. 1, 2007, pp. 54-56
Stephane Zawadzki, 'The Cinema Otherwise', Canal Studio, no.8, 2007, p. 20

2006

Jeannette Catsoulis, 'An Artist Shows His Process by Way of a Film Within a Film', The New York Times, 20 December 2006
Jorg Albig, 'Into Me/Out of Me', Texte Zur Kunst, December 2006, pp. 173-175
Tom Morton, 'Destricted' Round Table', Frieze, November/December 2006, p. 53
Jeffrey Ryan, 'Matthew Barney', Frieze, November/December 2006
Art Review, 'The Power 100: 90 Matthew Barney', November 2006, p. 132
Adam Mendelsohn, 'Dark Star', The London Magazine, October/November 2006, p. 30
Chris Cobb, 'Review - Matthew Barney: SF MoMA', Flash Art, October 2006, p. 118
Joyce Korotkin, 'Matthew Barney', Tema Celeste, September/October 2006, p. 77
David Joselit, 'Matthew Barney: San Francisco Museum of Modern Art', ARTFORUM, September 2006, p. 365
Kevin Maher, 'The Old In Out: Destricted', Art Review, September 2006, p. 99
'A Dialogue on Blood & Iron: Matthew Barney and Arthur C. Danto on Joseph Beuys', Modern Painters, September 2006, p. 62
'Bazaar', Art Review, Issue 02, August 2006, p. 29
Christopher Miles, 'Proving himself a master of multiplicity', Los Angeles Times, 31 July 2006 Calendarlive.com, 31 July 2006
David Littlejohn, 'Immersed in the Goo: The Surreal World of Matthew Barney', The Wall Street Journal Online, 27 July 2006
Shiriagari Kotobuki, 'Matthew Barney Drawing Restraint 9', ArtIt, Spring/Summer 2006, p. 26-27
Linda Yablonsky, 'A Satyr Wrapped In an Enigma', Artnews, June 2006
Neva Chonin, 'Barney, Bjork, and Blubber', SFGate, 21 May 2006
Aric Chen, 'Five 'Don't Miss' Exhibitions This Summer', The New York Times, 07 May 2006
Mia Fineman, 'Looks Brilliant on Paper. But Who, Exactly, Is Going to Make It?', The New York Times, 07 May 2006
Jerry Saltz, 'Leviathan: Drawing Restraint 9 is a story that takes place nowhere but that touches on everything', The Village Voice, 05 May 2006
Peter Schjeldahl, 'Post-Barney', The New Yorker, 01 May 2006, p. 26
'Der Bilder Sturmer', German Elle, May 2006, p 24-30
Neville Wakefield, 'Drawing Restraint 9; Matthew Barney' Art Review, May 2006
Chris Lee, 'Master of all he surveys' Art Review, May 2006
Amy Taubin, 'Backdoor Man: On Larry Clark and Destricted', Artforum, May 2006, p. 67
Julie L.Belcove, 'Barney's Voyage', W Magazine, May 2006, p. 190-199
Eva Karcher, 'Der Klang der Perlenfischerinnen beim Auftauchen', Monopol, April/May 2006, p. 58-68

'Bjork & Matthew Barney Saga Drawing Restraint 9' Art Actuel, April/May 2006
Bob Strauss, 'Bjork, Please use more 'restraint', LA Daily News, 21 April 2006
David Cohen, 'A Control Freak's Prodigious Passion', The New York Sun, 13 April 2006
Linda Yablonsky, 'Whale Meat, Plastic, Erotic Nerve Create Barney's Cinematic Art', Bloomberg.com, 11 April 2006
Randy Kennedy, 'The Bjork-Barney Enigma Machine', The New York Times, 09 April 2006
Ben Davis, 'The Unbearable Lightness of Barney', artnet.com, April 2006
Alex Zafiris, 'Slime Time', Paper, April 2006, p. 34
Jeff Craig, 'DRAWING RESTRAINT 9', 60 Sixty Second Preview, April 2006
Jean-Pierre Frimbois and Aude de Bourbon, 'Bjork & Matthew Barney: Saga Drawing Restraint 9', Art Actuel, March - April 2006, Issue #43, p. 74-77.
Campbell Robertson, 'Boldface', The New York Times, 30 March 2006, B2
Bridget L.Goodbody, 'Sea change', Timeout New York, 30 March - 05 April 2006, p. 64
David Fear, Reviews: Drawing Restraint 9, Timeout New York, 29 March 2006
Jan Stuart, 'Tea for 2 may not be your cup', Newsday, 29 March 2006
Vincent Musetto, 'It's not your typical whaling trip', New York Post, 29 March 2006
Stephen Holden, 'Adrift in Japanese Waters with Whales and a Wedding', The New York Times, 29 March 2006, E5
Ed Halter, 'Barney's Rubble', The Village Voice, 28 March 2006
Eugene Hernandez, 'A Natural Love Story: Matthew Barney Talks About 'Drawing Restraint 9'' indieWIRE, 27 March 2006
Karen Rosenberg, 'Influences: Matthew Barney', New York Magazine, 27 March 2006
Danielle O'Steen, 'Matthew Barney and Wife Bjork Make Feature-Length Film',
ArtInfo, 16 March 2006
Ed Gonzalez, 'Drawing Restraint 9', Slantmagazine.com, February 2006
Gregg Goldstein, 'IFC Films nabs experimental 'Restraint'', Reuters, 17 January 2006
Antonella Crippa, 'Patrizia Sandretto Re Rebaudengo', Contemporary 21, issue 80, 2006, p. 114
Glen Helfland, 'The Occidental Tourist: Matthew Barney in Foreign Territory', Res, vol. 9, NO. 3 2006
Shonquis Moreno, 'Cult Classic', Pol Oxygen, Issue 18, 2006, p. 30-38
Oliver Koerner von Gustorf, 'All in the Present Must Be Transformed: Nancy Spector on Matthew Barney and Joseph Beuys at the Deutsche Guggenheim', Special Print, Issue No. 1, 2006, pp. 22- 23.

2005 'Ten Years of the Hugo Boss Prize' Guggenheim Magazine, (New York (NY)), Winter 2005, p. 18-21

Luke Crissell, 'New Bjork', New York Magazine, 28 November 2005, p.121-2
'Guggenheim International Gala', New York Magazine, 21 November 2005, p. 20
Neville Wakefield, 'For the Sceptic', I-D, November 2005, p. 124- 135
Bill Cunningham, 'A Royal Night', The New York Times, 13 November 2005

Christopher Mason, 'Ephemeral Art, Eternal Maintenance', New York Times, 10 November 2005
'Tokion's Hereos', Tokion, November/December 2005, p. 44
Ken Miller, 'Bjork', Tokion, November/December 2005, p.54-57
David D'Arcy, 'Matthew Barney confounds the critics', The Art Newspaper, 05 October 2005
Leslie Felperin, 'Drawing Restraint 9', Variety, 03-09 October 2005, p. 56
Stephen Sarrazin, 'Jack London dans le ventre de la baleine', Turbulences video,
October 2005, p. 8-12
Midori Matsui, 'Matthew Barney', Flash Art, October 2005, p. 123
'Matthew Barney', Tema Celeste, September/October 2005, p. 110
'Art Shows That Made Big Waves', TimeOut NY, 29 September 2005, p. 32
Michael Althen, 'Tausend Tonnen Walpett', F.A.Z., 05 September 2005, p. 33
Leslie Felperin, 'Drawing Restraint 9', Variety, 01 September 2005
Jeremy Heilman, 'Drawing Restraint 9', Moviemartyr, September 2005
Geoffrey Macnab, 'Drawing Restraint 9', Screen International, September 2005
Marie Darrieussecq, 'Bjork & Barney' Beaux Arts, September 2005, p. 44-49.
YuKo Hasegawa, 'Matthew Barney: Drawing Restraint 1-9', High Fashion, August 2005, p. 88-95
Tomo Suzuki, 'Where is Drawing Restraint heading?' ArtIt, Summer/Fall 2005, p. 10-15
Chikashi Kasai, 'Matthew Barney's Crazy Fantasy', Studio Voice, August 2005, p. 28-61
Banno Yuriko, 'Matthew Barney', Switch, August 2005, p. 18-69, cover
'Cremaster: Matthew Barney', Art Actuel, July - August 2005
David D'Arcy, 'Roth and Other Riches', Modern Painters, July/August 2005, p. 43
W. Robinson, 'Matthew Barney's Drawing Restraint 9 Premieres', Artnet News, 28 July 2005
Marcus Field, 'The Iceberg Cometh' Modern Painters, June 2005, p. 40
Elaine Louie, 'How it Sparkled in the Skyline', New York Times, 26 May 2005, p. F8-F9
Francesco Bonami, 'The Legacy of the Myth Maker', Tate Etc., London, Spring 2005, p. 75-6, illus.
'Blitzlichter', Monopol, February/March 2005, p. 74
Helen Kirwan-Taylor, 'Living off the Wall', ArtReview, International Edition, V3N2, 2005
p. 63
Studiovoice multi-media mix magazine (Japanese), cover, 2005, p. 13, p. 28-61

2004

Camila Belchior, 'Metamorfose', Vogue Brazil, December 2004, p.140
'Release' 032c, 6th issue, Berlin, Winter 2004, p. 68-80
'Matthew Barney vs. Jeff Koons' Black Book. October/November 2004, No. 35, p. 82-87
De Lama Lâmina. Domus, 870, May 2004
'1000 Words: Matthew Barney talks about DE LAMA LÂMINA' Artforum, May 2004, p. 190-191
Liz Braun, 'Sex Unappeal', Toronto Sun, 23 April 2004, p. E11
Liam Lacey, 'The Cremaster Cycle', Globe and Mail. 23 April 2004, p. R3
J. Kelly Nestruck, 'Barney's Rubble', National Post (Canada), Friday 23 April 2004, p. PM5
Cameron Bailey, 'Cremaster's Cream', NOW, 22-28 April 2004

Fernanda Ezabella, 'Bienal descarta trator de Matthew Barney; tenta trazer video', Yahoo Notícias Brasil and UOL Diversão & Arte, 22 April 2004
Fernanda Ezabella, 'ENTREVISTA - Matthew Barney se rende à magia do Candomblé', Yahoo Notícias Brasil, 22 April 2004
Jason Anderson, 'Cremastery for the beginner', Eye Weekly, 22 April 2004
Sarah Milroy, 'The Art of the male mystique' Globe and Mail. 21 April 2004
Demetrio Paparoni, 'Così barocco, così perverso'Panorama', 01 April 2004, p. 214-216
P Goddard, 'Master of his freaky domain', Toronto Star, April 2004
Helen Stoilas, 'Contemporary art leads museum acquisitions in 2003', The Art Newspaper, No. 146, April 2004, p. 22-26
Hasegawa Yuko, 'Interview with Matthew Barney', R. issue 03/2004, March 2004, p. 22-35
Richard Woodward, 'Home Team Advantage', The New York Times, 15 February 2004
'Matthew Barney', Tokion: Creativity Now, No. 39, January/February 2004, p. 70-73
'Numéro Scope: Les 30 Artistes Vivants les Plus Importants au Monde', Beaux Arts Magazine, No. 236, January 2004
'Cremaster 3, 2003' WA: World Architecture, issue 166, 2004, p. 56-59

2003

MAINICHI Daily News, 19 December 2003
Matthew Barney, 'Release', 032c magazine, December 2003, p. 68-80
Mark Cousins, 'The White Stuff', Sight and Sound., December 2003
Halldór Björn Runólfsson, 'Matthew Barney: The Living Art Museum', FlashArt,
November/December 2003
Allen Anderson, 'Escape Artistry and Entrapment', Art Papers, November/December 2003
Ian White, 'Roll Up!', ArtReview, December/January 2003
Jeff Gibson, 'SMITHSON! SMITHSON! SMITHSON!' Visit, no. 6 Winter/Spring 2003
David Pagel, 'Old haunts rethought, reinstalle: A timidly haunted house', Los Angeles Times, 31 October 2003
John Monaghan, 'Cremaster Review', Detroit Free Press, 29 October 2003
Christopher French, 'Matthew Barney: Cremaster 3' Glass Tire, October 2003
Kåre Bulie. 'Kroppsspråk', DN Magasinet, 06 - 07 September 2003 (Norway)
Chris Schnoor, 'Back in Boise', Artweek, September 2003
Susan Boettger, 'Artistic Rivalry: An Ongoing Story or So Past-Century?' NYFA Quarterly, Fall 2003
Chris Schnoor, 'The Unauthorized Biography', Ohio Arts Quarterly, Fall 2003
Troy Schulze, 'Big Balls', Houston Press, 28 August 2003
Patricia Johnson, 'Dream Weaver', Houston Chronicle, 24 August 2003
Greg Allen, 'When Fans of Pricey Video Art Can Get it Free', The New York Times, 17 August 2003
Katerina Gregos, 'Dakis Joannou Collection, Athens', ARCO: Contemporary Art, Number 29, Autumn 2003, p.38-41
Current Biography, Vol. 64, No. 8. August 2003, p. 7-13
Betsy Ennis, 'Barney Show Hits the Mark', Guggenheim Magazine, Summer 2003, p 5-9

Chris Schnoor, 'Matthew Barney Comes Home', Boise Weekly, 23-29 July 2003, p.15-18
Dana Oland, 'Matthew Barney 'Cremaster', The Ohio Statesman, 18 July 2003
Dana Oland, 'Matthew Barney Comes Home', The Ohio Statesman, 17 July 2003
David Finkelstein, 'Review of Cremaster 3', Filmthreat.com, 02 July 2003
'Cremaster a Blockbuster', Art in American, Issue 7, July 2003, p. 112
Lauren O'Neal, 'Denatured Beauty: Matthew Barney's Cremaster Cycle', Art New England, June/July 2003
Owen Gleiberman, 'The Cremaster Cycle: A Sculptor turns director with a surreal film series Matthew Barney' Palm Pictures News, 13 June 2003
Roz Chast, 'The Back Page: The Cremaster Cycle', The New York Times, 02 June 2003
Berenice Reynaud, 'Sundance Film Festival 2003 - The Independent Body', Senses of
Cinema, 02 June 2003
Gian Emilio Mazzoleni, 'Matthew Barney', Carnet, June 2003
Stephen Garrett, 'Cremaster', IFCRant Magazine, May/June 2003
'Matthew Barney', Tokion, May /June 2003
Jonathon Rosenbaum, 'Cremaster: Capsule', The Chicago Reader Guide to Movies, 30 May 2003
Wesley Morris, 'Completed film Cycle is the odyssey of a mind', Boston Globe Online,
30 May 2003
Ted Shen, 'Cremaster 2: Capsule', The Chicago Reader Guide to Movies', 30 May 2003
Fred Camper, 'Cremaster 3: Capsule', The Chicago Reader guide to Movies, 30 May 2003
Michael Workman, 'Eye Exam', New City Chicago, 30 May 2003
Christine Temin, 'Cremaster feasts on imagery, architecture', The Boston Globe Online, 30 May 2003
Peter Keough, 'Pop Art', The Boston Phoenix Online, 29 May 2003
Robert Elder, 'Movie Review: Cremaster cycle', The Chicago Tribune, 29 May 2003
Bill Stamets, 'Spectacle, not plot, defines Cremaster Cycle', The Chicago Sun Times, 23 May 2003
Patrick McGavin, 'Bold, beautiful Cremaster 3 Conjures mesmerizing world' The Chicago Tribune, 23 May 2003
'Matthew Barney versus Donkey Kong', Game Girl Advance Online, 23 May 2003, p 1-11
Ray Pride, 'Review Cremaster 3', Chicago Reader, 23 May 2003
Doug Harvey, 'Review of Cremaster 1-2 and 4-5' LA Weekly', 22-29 May 2003
Steven Winn, 'Hot Artist Barney exists in a 'Zone' all his own', San Francisco Chronicle,
22 May 2003
Andy Klein, 'A Long, Strange Trip', The San Francisco Weekly, 21 May 2003
Chuck Stephens, 'Thigh High Art', The Guardian, 21 May 2003
Doug Harvey, 'Willful Perversity' LA Weekly', 16-22 May 2003
Bob Strauss, 'Cremaster 3': arty, edgy, repetitive, silly, draining', LA Daily News, 16 May 2003
Charles Britton, 'Cremaster 3' for surrealism lovers only', Daily Breeze, 16 May 2003
Scott Foundas, 'Self-Portraiture Meets Mythology: Matthew Barney Talks About His Cremaster Cycle'', IndieWire, 15 May 2003
Christopher Knight, 'Creation Commotion', The New York Times, 11 May 2003

Peter Ritter, 'Body of Evidence', City Pages Online, 07 May 2003

Rob Nelson, 'Cremaster 2', City Pages, 07 May 2003
Christopher Reynolds, 'An Artist's bold statements of ambiguity', The Los Angeles Times, Wednesday 07 May 2003
Christopher Knight, 'An Artists' bold statements of ambiguity', Calendar Live Online, 07 May 2003
John Habich, 'Matthew Barney's Whole Sensational Cremaster Film Series comes to town', Star Tribune, 04 May 2003
'Matthew Barney, The Cremaster Cycle', Pioneer Press, 04 May 2003 John Habich, 'Crash of Symbols', Star Tribune, 04 May 2003
Allison Baumgartner, 'Cremaster of the Universe', Surface No. 40, May 2003
Tim Griffin, 'Matthew Barney: The Cremaster Cycle', Artforum, May 2003, p. 162 Roberta Smith, 'Matthew Barney: The Cremaster Cycle', Artforum, May 2003, p. 161
'Matthew Barney: The Cremaster Cycle', Walker Art Center May 2003 Calendar, May 2003
Tim Griffin, 'Creature Feature', Time Out NY, 24 April - 01 May 2003
BijutsuTecho, Vol.55, No.833, May 2003
Daniel Baird, 'Matthew Barney: The Cremaster Cycle', The Brooklyn Rail, April/May 2003
'Matthew Barney', ING Hair Magazine, Page 86, Issue 6, Spring 2003
Jeanne Darst, 'A Little Like Everest, Only Greasy and Illegal', The New York Times,
Spring 2003
Brian Brooks, 'iPOP on the Scene at the party for Matthew Barney's Cremaster Cycle', Indiewire.com, 28 April 2003
Sara Bonisteel, 'Art-House Flicks', The New York Resident, 28 April 2003
Frank Scheck, 'Cremaster 3', Palm Pictures Online, 25 April 2003
Charles Britton, Daily Breeze Review, 25 April 2003
Jeff Craig, 'Cremaster 3', 60 Second Preview, 23 April 2003
Deborah Solomon, 'Seeking a Cure for Art Anxiety', The New York Times, 23 April 2003
Deborah Schoeneman, 'Invisible Woman', New York, 21 April 2003
Deborah Schoeneman, 'Scene', New York Magazine, 21 April 2003
David Rooney, 'Forum Slots 'Cremaster' Series' Variety.com', 21 April 2003
Variety Staff, 'Artsy Crowd on 'Cycle' Ride', Variety.com, 16 April 2003
Wendy Mitchell, 'Gen Art and 'Cremaster' Parties', Indiewire.com, 11 April 2003
Jeremy Heilman, 'Cremaster 2, 1999', Movie martyr.com, 10 April 2003
Jeremy Heilman, 'Cremaster 2', Movie Martyr.com, 07 April 2003
Brian Brooks, 'Cremaster Muscles Its Way To Box Office Successes Amid Many Openers', Indiewire.com, 02 April 2003
'On With the Show', ArtReview, April 2003 'Hugo Boss' ArtReview, April 2003 'The Cremaster Cycle' ArtReview, April 2003 David Rimanelli, 'Time Capsules: 1986-1990', ARTFORUM, April 2003
BijutsuTecho, Vol. 55, No.832, April 2003
Lawrence Chua, 'Hideous Kinky', Black Book, March/April 2003

Armond White, 'Double X: Bryan Singer's complex comic book', The New York Press, Volume 16, Issue 18, 30 March 2003

Peter Schjeldahl, 'The Art World', The New Yorker, 24 March 2003 John Rockwell, 'Man vs. 'Cremaster': the 10-hour Test', New York Times, 23 March 2003
Edward J Sozanski, 'Fertile brew in film cycle at Guggenheim', Philadelphia Enquirer, 23 March 2003
William Fong, 'Eye Spy', Miami Sun Post, 20 March 2003
J Hoberman, 'Cults of Personality', Village Voice, 12-18 March 2003
Howard Haller, 'Dead Man Walking', The New Yorker, 06-13 March 2003
Mark Stevens, 'Master of His Domain', New York Magazine, 10 March 2003
Dana Oland, 'Matthew Barney', The Ohio Statesman, 09 March 2003
Marlowe Fawcett, 'Sex, Life and Video Games', The Economist, 08 March 2003
'Guggenheim Art Oozes Petroleum Jelly', The New York Times, 05 March 2003
Jerry Saltz, 'Swept Away', Village Voice, 26 February - 04 March 2003
Sarah Milroy, 'Come into His Parlor', Globe Review, 04 March 2003
Whitney Mcnally, 'Life Imitates Art', Details, March 2003
Shari Roman, 'Matthew Barney', Surface Magazine, March 2003
BijutsuTecho, Vol.55, No. 831, March 2003
Michael Wilson, 'Caves of New York', ArtForum, February 2003
Steven Henry Madoff, 'Bewildering, Bewitching, Above All Strange', The New York Times, Sunday 16 February 2003
BijutsuTecho, Vol. 55, No. 830, February 2003
Michael Kimmelman, 'Free to Play and be Gooey', New York Times, 21 February 2003
ROADSHOW, February 2003
'Matthew Barney', Flash Art, January/February 2003
Steven Kinzer, 'Deep in the Heart of Modernity' The New York Times', Wednesday 29 January 2003
Calvin Tomkins, 'His Body, Himself', The New Yorker', 27 January 2003
Lily Oei, 'Blackwell's Palm Pix up Cremaster', Daily Variety, 14 January 2003
Review. 'Barney hands 'Cremaster 3' to Palm', The Hollywood Reporter, 13 January 2003
Mike Goodridge, 'Palm buys North America and UK rights to entire Cremaster Cycle', Screendaily.com, 13 January 2003
Brian Brooks, 'Palm Acquires Matthew Barney's 'Cremaster Cycle: Company Will Release Cremaster 3 This Spring', Indie Wire, 13 January 2003
Peter Ritter, 'Cremaster 3', City Pages, 08 January 2003
'Cremaster 3', Pioneer Press, 05 January 2003
Stephen Holden, 'Cremaster 3', Star Tribute, 03 January 2003
BijutsuTecho, Vol. 55, No.829, January 2003
TOMOTOMO, January 2003
Erwan Vincent, 'Le Marché S'Emballe', BeauxArts, January 2003
SEDA, January 2003

Javier Hernando, 'Spaces for Art and Photography. Appropriation and Updating of a Traditional Pictorial Genre', EXIT 9, 2003
Trevor Groth, 'Cremaster III', Sundance Film Festival 2003
Arthur Danto, 'The Anatomy Lesson', Books and the Arts 2003
Allison Baumgartner, 'Cremaster of the Universe', Surplus 2003
Erin Torneo, 'Barneyland', Soma Magazine 2003
Anthony Kaufman, 'Sundance On The Edge', Indiewire, 2003, p. 2
Barney's Cremaster 4', Statens Museum for Kunst, Journal Vol. 6, 2003, p. 139-155
Christain Viveros-Faune, 'Art: Post Boredom' New York Press', Volume 16, 2003, Issue 14
'Cremaster 3', ING hair magazine, issue 6, 2003, p. 84
Charmaine Picard. 'The Eternal Return: Mathew barney Zone of Potential', Art Nexus, No. 49, 2003, Volume 2
Christina Rogers, 'The Chrysler Building's strange role in Cremaster 3', Architectural Record, Volume 7, 2003, p. 65
Gil Blank and Louise Ner, 'How can the artist isolate those ideas?', (discussion), Influence, Issue 01, 2003, p.19-23

2002 The Asahi Shimbun, 01 December 2002

'Matthew Barney: Delirious Dreamer', UTNE, December 2002
BijutsuTecho. Vol.54, No. 822, December 2002
X-Knowledge Home, Vol. 11, December 2002
Tokai Walker, 26 November 2002
The Kochi Shimbun, 20 November 2002
Stephaine Stadel, Auf- und Abstract, Kunstjahr, Time Out, 06 -13 November 2002
Philippe Dagen, 'Le Big Bang de Matthew Barney', Le Monde 2, November 2002
BijutsuTecho, Vol.54, No. 821, November 2002
Leaf, November 2002
L Magazine, November 2002
Sukhdev Sandhu, 'Very weird - and totally wonderful', The Daily Telegraph, 31 October 2002
The Kochi Shimbun, 28 October 2002
Richard Cork, 'Appetizingly Destructive', The Times, 28 October 2002
Jonathan Romney, 'You've Not Seen Anything Like It (Unless You've Seen 1, 2, 4, 5)',
The Independent, 27 October 2002
Lynn MacRitchie, 'Manly Mysteries Of A Golden Boy', Financial Times, 25 October 2002
Andrew Renton, 'A Series of Remarkable Films Made by Artists is Redefining the
Genre', Evening Standard, 22 October 2002
Sebastian Smee, The Daily Telegraph, 19 October 2002
Jonathan Jones, 'The Myth Maker', The Guardian, 16 October 2002
Michel Guerrin, 'Matthew Barney: Le Corps de L''imaginaire', Le Monde, 13-14 October 2002
Philippe Dagen, 'L'art Total de Matthew Barney', Le Monde, 13-14 October 2002
Jean-Michel Frodon, 'Sur Grand Ecran, de Grandes Oevres Non Cinematographics', Le Monde, 13-14 October 2002

'Exposition: 'Matthew Barney, Artists Total, Investit Le Musee D'art Moderne'', Le Monde, 13-14 October 2002
Weekly Pia (Kansai), 07 October 2002
CUT, October 2002
SPUR, October 2002
Jalouse, No.54, October 2002
Bien, September/October 2002
Louis Templado, 'Puzzling Journey Through Space, Time, and the Male Anatomy', The Asahi Shimbun Kunst Bulletin, October 2002
Fabrice Bousteau, 'Matthew Barney: Sculpteur D'outre Monde', Beaux Arts, October 2002
David Rimanelli, 'Matthew Barney, Artiste and Superstar', Paris Vogue, October 2002
Carlo McCormick, 'Dazzled & Confused', Paper, October 2002
Pernilla Holmes, 'Can Contemporary Art Cut it?', Art Review, October 2002
Annette Tietenburg, 'Bodies of Evidence', Form, September/October 2002
HEADLINE TODAY, 25 September 2002
Weekly Pia (Kansai), 24 September 2002
PADO, 24 September 2002
THE DAILY YOMIURI, 20 September 2002
Patrick Z.McGavin, 'Cremaster 3 offers a stunning concept', Chicago Tribune,
13 September 2002
THE KYOTO SHIMBUN NEWS, 12 September 2002
Weekly Pia, 09 September 2002
The Kobe Shimbun, 07 September 2002
MAINICHI Daily News, 06 September 2002
SPA!, 3 September 2002
MAINICHI Daily News, 02 September 2002
Denis Gielen, 'Le Cycle Cremaster', DITS, September 2002
Tomo Suzuki, 'The Cremaster Film Cycle', So-En, September 2002
Toshio Shimizu, Cut, September 2002
Toshio Shimizu, 'Ultimate Mathew Barney', Vogue Japan, September 2002
Daniel Birnbaum, 'Master of Ceremony', Artforum, September 2002
'Sub-Culture is Super-Culture: SUBCULTURE', Hanatsubaki, Shiseido, September 2002
Tokyo BROS, September 2002
Htwi, September 2002
Vogue Nippon, September 2002
RyukoTsushin, No.471, September 2002
Hanatsubaki, September 2002
PLUS ING, Autumn 2002
Vladimir Bulat, 'Barney: pariuri fortate' Balkon', Autumn 2002
Martha Schwendener, 'From Art to Film and Back', Art Index, Fall 2002
The Asahi Shimbu, 27 August 2002

FIGARO Japon, 20 August 2002
Casa BRUTUS, Vol 29. Issue 8, 01 August 2002
Metropolis, 16 August 2002
Weekly Pia, 05 August 2002
DAZED & CONFUSED JAPAN, August 2002
High Fashion, August 2002
Studio Voice, August 2002
Bijutsu Techo, Vol. 54, issue 804, August 2002
X-knowledge Home, August 2002
S0-EN, August 2002
Bijutsu Techo. Vol. 54, issue 803, July 2002
Stephen Vincent, 'The Producers', Art & Auction, June 2002
'Barocka Orgier sa att man Storknar', Dagens Nyheter, June 2002
Frank Frangenberg, 'Barney's Cremaster-Zyklus', Kolner Stadt-Anzeiger, June 2002
Matthiais Weif, 'Schwitzende Vaseline', Westphalischer Anzeiger, June 2002
Holger Liebs, 'Manns Genug', Suddeutsche Zeitung, June 2002
Daniel Kothenschulte, 'Wagner Aus Vaseline', Frankfurter Rundschau, June 2002
Roberta De Righi, 'Kopfuber in die Unsterblichkeit', Munchner Abendzeitung, June 2002
Amine Haase, 'Der Entfesselte Satyr', Kolner Stadt-Anzeiger, June 2002
'Muskelspiel des Lebens', Suddeutsche Zeitung, June 2002
Ulf Poschardt, 'Wegbereiter der Evolution', Welt am Sonntag, June 2002
Sabine Blebmann, 'Groteske Filmskulpturen', Ticket, June 2002
Thomas Linden, 'Wo ein Maurer Morbides treibt', Kolnische Rundschau, June 2002
'Spektakularer Irrsinn', Ausstellungen des Monats, June 2002
'Ausstellungen', GQ (Gentelman's Quarterly), June 2002
Tom Holert, 'Schottenrock Aus Menschenfleischer', Stadtrevue, June 2002
'The Cremaster Cycle', Kultur News, June 2002
Roland Grob, 'Albtraum-Produzent, Narziss und sterbender Schwan', Mannheimer Morgen, June 2002
Sigrid Nebelung, 'Bodykult und Horrotrip', Handelsblatt, June 2002
Peter Von Kummel, 'Die Verruckte Suchmaschine', Suddeutsche Zeitung, June 2002
Dritter Proektteil, 'Puppenspieler Libet Mutationen', Saarbrucker Zeitung, June 2002
Marion Leske, 'Eros und Ekel', Kunstzeitung, #70, June 2002
Karin Schulze, 'Der Kunstler als Action-Held', Financial Times Deutschland, June 2002
Stefanie Stadel, 'Das Auf Ab Im Hodenmuskel-Spiel', Die Rheinpflaz, June 2002
Jurgen Schon, 'Bizarre Visionen', Aachener Nachrichten, June 2002
Ingeborg Wiensowski, 'Klettern im Aufzugschacht', Kultur SPIEGEL, June 2002
Marion Leske, 'Kraftakt im Museum Ludwig: Matthew Barney's Kunst so viel Aufmerksamkeit erregt', DIE WELT, June 2002
Ed Halter, 'Going To Extreme', Village Voice, 21 May 2002
Tim Griffin, 'Cremaster 3', Time Out New York, 16-23 May 2002

John Anderson, 'Welcome to the Chrysler: Going Up!', Newsday, 15 May 2002
Nathan Lee, 'The Apotheosis of the 'Art Film'', The New York Sun, 15 May 2002
Elizabeth Weltzman, 'Double Vision', Daily News, 15 May 2002
Megan Turner, 'Cremaster-full', New York Post, 15 May 2002
Scott Foundas, 'Cremaster 3', Variety.com, 15 May 2002
Blake Gopnik, 'The Anti-Modern Film: Stopping at Nothing', Washington Post, 14 May 2002
Rebecca Mead, 'Opening Night, An Art-House Epic', The New Yorker, 13 May 2002
Peter Plagens, 'Films Extreme Art House', Newsweek, 13 May 2002
Ed Gonzalez, 'Cremaster 3', Slant Magazine, 13 May 2002
'Cremaster 3', Newyorkmetro.com, 13 May 2002
Dave Kehr, ''Cremaster' Is a Wrap', NY Times, Friday, 10 May 2002
Megan Turner, 'Visually Stunning Oddity', NYPost, 01 May 2002
Neville Wakefield, 'The Passenger', Frieze, Issue 67, May 2002
'Mit Horror in die Hochsaison', Der Spiegel, May 2002
Jordan Mejias, 'Kletterpartie in den Weltuntergang', Feuilleton, May 2002
'Ludwig', Stern extra, May 2002
'Der Korper-Mythen-Inszenator', Dbmobil, May 2002
Stephen Holden, 'Racing Dead Horses. Dental Torture. The Usual', The New York
Times, May 2002
David Rimanelli, 'Matthew Barney: The CREMASTER Cycle at Museum Ludwig, Cologne', Artforum, May 2002, p.64-65
Ute Von Thon, 'Der Alptraum-Fabrikant', Art das Kunstmagazin, May 2002, p.62-71
'Narziss am Abgrund', Focus, May 2002
Peter Richter, 'Hoden runter!', Frankfurter Allgemeine Sonntagszeitung, May 2002
'Barocke Exzesse oder der Ennui des Informations Zeitalters?', Apart, May 2002
'Matthew Barney: The Cremaster Cycle', Flash Art, March-April 2002
Shari Roman, 'The Genius of the System', Filmmaker, Vol. 10, #3, Spring 2002
Chunichi Shimbun, 09 March 2002
The Asahi Shimbun, 09 March 2002
Verena Lueken, 'Kartenhaus', Frankfurter Allgemeine Zeitung, February 2002
'Cremaster 3', The Rake, 01 January 2002
Madelynn Amalfitano, 'Matthew Barney', SOMA, December /January 2002, Vol.15.10, p.16
Anke Manigold, 'Deutschland-Premiere Fur Einen Super-star aus New York', Kunst-
Kultur Magazin, 2002
Maria Gadegaard, 'Gender Displacement: A queer-theoretical reading of Matthew Barney's "Cremaster 4", Journal, 2002
Daniel Birnbaum, 'Master of Ceremony', Art Forum, September 2002, p. 181
Uta Grosenick and Burkhard Riemschneider, 'Art Now: 137 Artists at the Rise of the
New Millennium', The Art Newspaper, 2002
David Frankel, 'Engine', 2wice, Vol. 5 No. 2, p.38-45, 2000
Tokyo Walker, No. 18, 2002

Chiba Walker, No. 18, 2002
Yokohama Walker, No. 18, 2002
Chou Chou, No. 19, 2002
'Tickets fur Film-Epos', Kolner Stadtanzeiger, 2002
'Matthew Barney: The Cremaster Cycle', Kollefornia nr. 63, 2002

2001

Jonathan Keats, 'Shelf Life', Art&Auction, December 2001, p. 115
Jan-Willem Poels, 'Master, Let Me Enter', Frame, November - December 2001, p.78-85<