| 1988 | Born in New York NY, USA |
| 2011 | BFA Cooper Union |
| Lives and works in New York NY, USA |
Solo Exhibitions
| 2025 |
Metal Madonna, Longlati Foundation, Shanghai, China |
| 2024 |
La Morosa Española, Sadie Coles HQ, Davies Street, London |
| 2023 |
He Bombs, Reena Spaulings, New York NY, USA |
| 2022 |
NDE, Sadie Coles HQ, Kingly Street, London, England |
| 2019 |
Aldler Beatty, New York NY, USA |
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The Downer, Berlin, Germany |
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Buddha Bless This Show, Croy Nielsen, Vienna, Austria |
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| 2018 |
Works 2015 – 2018, Kunsthalle Lingen, Lingen, Germany |
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The Controller, Statements Art Basel (w. Croy Nielsen), Basel, Switzerland |
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Concorde, The Play, Grüner Salon, Volksbühne, Berlin, Germany |
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| 2017 |
Concorde, UKS/Kunstnernes Hus, Oslo, Norway |
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Precious Provincials, Kunstverein Hamburg, Hamburg, Germany |
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| 2016 |
Paris Internationale, Paris (w. Croy Nielsen), France |
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Georgia Gardner Gray, Acud macht Neu, Berlin, Germany |
Group Exhibitions
| 2023 |
Under Machine Thing, Francis Irv, New York NY, USA |
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Before Tomorrow, Astrup Fearnley Museum, Oslo, Norway |
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| 2022 |
Omelette Papier, Capitain Petzel, Berlin, Germany |
| 2021 |
WHAT DO YOU SEE, YOU PEOPLE, GAZING AT ME, Sadie Coles HQ, London, England |
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Grand Ménage, Clearing, Paris, France |
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Lose Enden, Kunsthalle, Bern, Switzerland |
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| 2020 |
World Gallery World presents World Bacteria World by Horacio Alcolea Crespo and Georgia Gardner Gray, Croy Nielsen, Vienna |
| 2019 | Dicke Luft, Galerie Bernhard, Zürich, Switzerland |
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Pigeon Feather Stick, a play by Georgia Gardner Gray, Ludlow 38, New York NY, USA |
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Mercury, Tallinn Art Hall, Tallinn, Estonia |
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Disappearing Berlin, by Schinkel Pavillon, Berlin, Germany |
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| 2018 |
All’estero & Dr. K.’s Badereise nach Riva: Version B, Croy Nielsen, Vienna |
| HERE HERE – DAS ICH UND ALLES ANDERE, Braunsfelder Family Collection, Cologne, Germany | |
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The Hard Facts of Tragedy in April, Lomex Gallery, New York NY, USA |
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| 2017 |
CONDO, Bodega, New York NY, USA |
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Monday is a day between Tuesday and Sunday, Tanya Leighton Gallery, Berlin, Germany |
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| 2015 |
New Theater: Selected Plays, Whitney Museum of American Art, New York NY, USA |
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The People’s Biennial, curated by Bradley Kronz, New York NY, USA |
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DD Mood, play written and directed, The New Theater, Berlin, Germany |
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The Pipe at the Gates of Dawn, curated by Grayson Revoir, Jan Kaps Gallery, Cologne, Germany |
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Gun Making Seminar, outdoor sculpture performance in cooperation with Meister Schule, Gillmeier Rech, Berlin, Germany |
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| 2013 |
Evil Freaks II, NADA, Hudson, New York NY, USA |
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Public Sculpture, The Hand, Brooklyn NY, USA |
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Mobile Device, Bodega, Philadelphia NY, USA |
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Apartment Show, Chrystie St., New York NY, USA |
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National Relaxation Day, Peter Cooper Park, New York NY, USA |
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| 2011 |
Moon Roof, Senior Thesis Exhibition, Cooper Union, New York NY, USA |
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Art Barter, NP Contemporary Art Center, New York NY, USA |
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Arcadian Night, Berkshires, New York NY, USA |
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| 2010 |
I, Ms. Grandpa, Outdoor sculpture Exhibition (w. Jory Rabinovitz), Peter Cooper Park, New York NY, USA |
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The Iron Curtain (w. Skye Chamberlain and Ryan Chin), The Great Hall Gallery, Cooper Union, New York NY, USA |
Public Collections
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Kunstsammlung der Stadt Lingen, Lingen, Germany Astrup Fearnley Museum of Modern Art, Oslo, Norway |
Awards
| 2018 | Lingen Art Prize |