Catalogues and Books
| 2013 |
Darian Leader, Don Brown: Yoko I-XXXIII (London: Other Criteria, 2013) Palais D'Iena, UNLIMITED BODIES (Paris: Corlet a Conde-sur-Noireau, 2012) |
| 2010 |
Michael Webb, Jim Olson: Houses (New York: Monacelli Press, 2010) |
| 2009 |
Christian Rattemeyer, The Judith Rothschild Foundation Contemporary Drawings Collection, Catalogue Raisonné (New York: The Museum of Modern Art, 2009) Catherine Lambert, In Between the Lines; Recent British Drawings (London: Trinity Contemporary, 2009) |
| 2008 |
David Bailey, Sterling Stuff II (London: Pangolin, 2008) |
| 2007 |
Richard D. Segal and Monica M. Segal, Contemporary Realism: The Seavest Collection (Portland (OR): Collectors Press, 2007) |
| 2006 |
Anne Zweibaum, Art’Fab * L’art * La Femme * L’Europe (Paris: Terrail, 2006) Kitty Scott, In the darkest hour there may be light: Works from Damien Hirst’s murderme collection (London: Serpentine Gallery, 2006) Sandy Nairne and Sarah Howgate, The Portrait Now (London: National Portrait Gallery, 2006) |
| 2005 |
Sara Harrison, Yoko,Sadie Coles HQ (London: Koenig Books, 2005) Tom Flynn, Body Language (Chalford: Pangolin Gallery, 2005) |
| 2003 |
David Ebony, Jane Harris, Curve: The Female Nude Now (New York: Universe Publishing, 2003) |
| 2002 |
Stephen Feeke, Second Skin (Leeds: Henry Moore Institute, 2002) Alison Wilding RA(ed.) Royal Academy Illustrated 2002 (London: Royal Academy of Arts, 2002) John Hutchinson, Home (Dublin: Douglas Hyde Gallery, 2002) |
| 2000 | Anne Wauters and Jean-Marc Huitorel, Invitation to the City (Brussels: Brussel Centre, 2000) |
| 1998 |
Janet Oresmann, Interactive (London: Amerada Hess, 1998) Adam McEwen, Don (London: Jerwood Space, 1998) Stephen Hepworth & Richard Kirwan Feeringbury VIII Cultivated (Colchester: Firstsite, 1998) |
| 1997 |
The Hydra Collection, Package Holiday – works from the Ophiuchus Collection (London: SadieColes HQ, 1997) Thomas Seelig, Public Relations: Neue Britische Fotografie (Ulm: Stadthaus Ulm, 1997) |
| 1996 |
Jill Sheridan, Nicholas de Ville & Stephen Foster, Small Truths (Southampton: John Hansard Gallery, 1996) Exposure: The Caldic Collection (Rotterdam: The Caldic Collection, 1996) Mario Codgonato, Artisti Britannici a Roma (Rome: Galleria dell’Oca, 1996) |
Articles
| 2021 |
Louisa Buck, ‘Pop goes pastoral: Sarah Lucas and friends take over rural theatre with multi-layered group show of female imagery’, The Art Newspaper, 14 September 2021 Louisa Buck, ‘Fertile artistry in England’s green and pleasant lands’, The Art Newspaper, 03 September 2021 Alice Fischer, ‘Home is where the art is: Suffolk’s creatives throw open their doors’ The Observer Art, The Guardian, 12 September 2021 |
| 2019 |
‘Don Brown’, Gilded Birds, 20 May 2019 |
| 2014 |
Jerry Stafford, ‘Birds’, Another Magazine, October 2014 |
| 2008 |
‘Don Brown par Pierre Even’, Frog, No. 6, January/June 2008, p. 133 |
| 2007 |
Pablo LaFuente, ‘Don Brown’s Love’, Purple Fashion Magazine, Summer 2007 |
| 2006 |
Eric Troncy, ‘La Vénus de Brown’, Numéro, November 2006 Sabine Limat, ‘L’Appel de Londres’ & ‘Londres Cool de Source’, Liberation Styles, October 2006 Sally Storey, ‘Lady with the Lamps’, The Guardian Weekend, August 2006 |
| 2004 | Sally O’Reilly, ‘Don Brown’, Time Out (London), 19 - 26 May 2004 |
| 2002 |
Martin Coomer, ‘Summer Exhibition: Royal Academy’, Time Out (London), 19 - 26 June 2002 John McEwen, ‘Summer Exhibition 2002’, The Sunday Telegraph, 16 June 2002 Barry Schwabsky, ‘Summer shows I: open season’, Art in America, October 2002 |
| 2001 |
‘Don Brown’, i-D, The Inspiration Issue, No. 206, February 2001 Martin Herbert, ‘Don Brown’, Time Out (London), 27 September 2001 |
| 1999 |
Paolo Cecchetto, ‘Don Brown’, Juliet Art Magazine, No. 93, 1999 Rosanna Negrotti, ‘Don Brown/dumbpop: Jerwood Gallery’, What’s On, 6 - 13 January 1999 |
| 1998 |
Dawn Fulcher, ‘Review’, Contemporary Visual Arts, Issue 21 1998 ‘Don Brown Sculptor’,The Sunday Times Magazine, 24 May 1998 Tim Hilton, ‘Painted into a corner-but a perfectly pleasant one’, Index, October 1998 ‘Spaces: Jerwood Gallery’, Sculpture, Summer 1998 Karlheinz Schmid, ‘Die neue Anonymität’, Kunstzeitung, No. 18, February 1998 |
| 1997 |
Autumn 1997 Art Broadsheet (b/w poster), Habitat, London 1997 David Barrett, ‘Don Brown’, Art Monthly, October 1997 Sarah Kent, ‘Don Brown’, Time Out (London), 30 September 1997 Celia Lyttleton, ‘Don Brown’, Tatler, September 1997 Godfrey Worsdale, ‘Small Truths’, Art Monthly, March 1997 |
| 1996 | Mark Durden, ‘Don Brown and Stephen Murphy’, Creative Camera, April / May 1996 |