Catalogues and Books


Julia Kelly, Jon Wood, Contemporary Sculpture - Artists Writings and Interviews (Berlin: Hatje Cantaz Verlag GmbH, 2019), b&w illus., pp. 94-100

Amy Corry and Jason Beard (eds.), Reason Gives No Answers (exh. cat.) (London: Other Criteria Books, 2019), colour illus., pp. 20-23, 121, 123, 126-127, back cover

Charlotte Mullins, A Little Feminist History of Art (London: Tate Publishing, 2019) colour illus., pp. 14-15, 96-97, back cover

Erlend G. Hoyersten, Pernille Taagaard Dinesen, Daniel Slater, Lise Skyte Jakobsen and Kjeld Fredens, Object of Wonder – from Pedestal to Interaction (Aarhus: ARoS Aarhus Kunstmuseum, 2019), colour illus., pp. 101,141 

Louisa Lee, 'Sarah Lucas', Rebecca Morrill et. al. (eds.), Great Women Artists, (London/New York: Phaidon Press Limited, 2019), colour illus., p. 250

René Lüchinger, ‘II. Vier Köpfe und ein ausbruch’, Ringen um Ringier: über die kunst der digitalisierung in einem schweizer medienkonzern, (Göttingen: Steidl, 2019), illu. IX

Caroline Collier, 'YBAs and Beyond', Objects of Wonder: British Sculptre from the Tate Collection 1950s-Present, (exh. cat.) (Berin: PalaisPopulaire, 2019), colour illus., pp. 101-119

Cristina Garrido, ‘Andrea Rossetti’, The (Invisible) Art of Documenting Art (Madrid: Caniche Editorial, 2019), p. 140, 149 

Erlend G. Hoyersten (ed.), Art and Porn (Aarhus: ARoS Aarhus Kunstmuseum, 2019), pp. 126-127

Mathieu Cenac, Pierre-Edouard Couton and Lea Lamy (eds.), La Source (Paris: David Desrimais Editeur, 2019), colour illus., pp.42, 176-179, 182-193, 198-205


Katerina Panterlides, SARTORIAL: The Art of Looking Like an Artist (London: Laurence King Publishing, 2018), colour illus., pp. 86-87, back cover

Massimilaino Gioni and Margot Norton (eds.), Au Naturel (London/New York: Phaidon Press Limited, 2018)

Jonathan Jones, 'Memo from Turner', Sensations: The Story of British Art from Hogarth to Banksy (London: Laurence King Publishing, 2018), p. 341

Emily Yih-Wen Lin, Fangling Tseng, Nita Lo, Yuan-Shuen Chang, Sofia Chen, Lyn-Lee Ren, Meigen Chu and Tsyng-you Kuo (eds.), Nude: Mastrpieces from Tate (Kaohsiung City: Kaohsiung Museum of Fine Arts, 2018), pp.182-187, 202-203 


Karen Gron (ed.), Eat Me, exh. cat. (Kolding: Traphold, 2017), pp. 130-131

Leigh Robb, Versus Rodin: bodies across space and time (Adeaide: Art Gallery of South Australia), pp. 196-204

Marta Herford, Die innere Haut - Kunst und Scham: The Inner Skin - Art and Shame (exh. cat.) (Bonn: Druckverlag Kettler, 2017)

Jonathan Anderson, Andrew Bonacina (eds.), Disobedient Bodies: JW Anderson at The HepworthWakefield (exh. cat.) (London/Wakefield: InOtherWords/The Hepworth Wakefield, 2017), colour illus., pp. 3, 6-7


Sophie Orlando, 'Artistic Tactics and New Internationalism', British Black Art: Debates on Western Art History (Paris: Dis Voir, 2016), pp. 65-93

Bruce Boucher, 'A Memoir and a Monument', Thomas Pongsathorn (ed.), Sir John Soane's Museum, Annual Review 2015 / 16 (London: Cultureshock Media, 2016), PP. 68-75

 2015 Sarah Lucas, Julian Simmons, I SCREAM DADDIO, British Council, Venice Biennale
Deborah Aaronson, Body of Art (London: Phaidon Press Limited, 2015)
 2014 Thomas Howells, Leanne Hayman (eds.), Experimental Eating (London: Black Dog Publishing, 2014) 
2013 Sarah Lucas, Jeanette Pacher, Julian Simmons, András Pálffy, Sarah Lucas, Julian Simmons: NOB, Sadie Coles HQ, London, Secession, Vienna
BRITISH BRITISH POLISH POLISH: Art from Europe's Edges in the Long '90s and Today, exh. cat. (Warsaw: Centre of Contemporary Art Ujazdowski Zamek / British Council, 2013)
Various authors, Situation Absolute Beach Man Rubble, exh. cat. (London: Whitechapel Gallery 2013)
Manuela Ribadeneira, Sarah Lucas Drawing Room Confessions Issue 8, Mousse Publishing, Milano, Italy
Julian Simmons, TITTIPUSSIDAD (London: Sadie Coles HQ, 2013)
Quinn Latimer, Sarah Lucas: Describe this Distance (Milan: Mousse Publishing, 2013)
Sarah Lucas, Angus Cook, Angus Fairhurst, Sarah Lucas: After 2005 Before 2012.
Walther Konig, Cologne, Germany
Massimiliano Gioni, Natalie Bell (eds.), Il Palazzo Enciclopedico (The Encyclopedic Palace) – 55th International Art Exhibition (Milan: Skira, 2013)
Dreams of Reason: Highlights of the Sandretto Re Rebaudengo Collection, exh. cat. (Torun: Centre of Contemporary Art, Torun / Sandretto Re Rebaudengo Collection, 2013)
Joanna Mykowska, In the Heart of the Country, exh. cat. (Warsaw: Museum of Modern Art, 2013)
Daniel Baumann, Dan Byers, Tina Kukielski, 2013 Carnegie International, exh. cat. (Pittsburgh: Carnegie Museum of Art, 2013)
The Weak Sex—How Art Pictures the New Male, exh. cat. (Bern: Kunstmuseum Bern, 2013)
Clarissa Dalrymple, Group Exhibition, exh. cat. (St-Jorisstraat: Xavier Hufkens, 2013) Massimiliano Gioni, Gary Carrion-Murayari, Jenny Moore, Margot Norton (eds.), NYC 1993: Experimental Jet Set, Trash and No Star, exh. cat. (New York: Museum of Modern Art, 2013)
Anna Moszynska, World of Art: Sculpture Now (London: Thames and Hudson, 2013)
2012 After 2005, Before 2012, Sadie Coles HQ, London, Koenig, Cologne, Germany
Lisa Le Feuvre, Deborah Orr, Anne Wagner, Gilda Williams, Ordinary Things, exh. cat. Henry Moore Institute, Leeds
Jeremy Cooper, Growing Up: The Young British Artists at 50, Prestel, London
2011 Michelle Cotton (ed.), Camulodunum, exh. cat. (Colchester: Firstsite, 2011)
Brigitte Borchhardt-Birbaumer, Hans-Peter Wipplinger, LUCAS, BOSCH, GELATIN, exh. cat., (Krems: Kunsthalle Krems / Verlag Der Buchhandlung Walther Koenig, 2011)
Women Make Sculpture (London: Pangolin, 2011)
El Arte de Comer, Fundacio Caixa Catalunya, Tarragona Manresa, Barcelona, Spain
2010 Michael Spens, Studio International: Yearbook Special, Issue 2007, Volume 206,
Number 1029, The Studio Trust, New York (NY), USA
Achim Borchardt-Hume, Keeping it Real: An Exhibition in Four Acts from the D. Daskalopoulos Collection, Whitechapel Gallery, London
British Art Show 7: In the Days of the Comet, Hayward Gallery, London
Crucible, Pangolin Editions, Chalford, UK
The New Décor, Hayward Gallery, London
Jane Alison (ed.), The Surreal House: Architecture of Desire, Yale University Press, London
Stephen Chambers (ed.), The Royal Academy Illustrated 2010, Royal Academy of Arts, London
Martin Myrone (ed.), Rude Britannia, Tate, London Michael Craig-Martin, Art, Galerie Haas & Fuchs, Berlin
Gill Saunders, Walls Are Talking: Wallpaper, Art and Culture, Whitworth Art Gallery / KWS Publishers, Manchester, UK / Chicago (IL), USA
2009 Araki Natsumi, The Kaleidoscopic Eye: Thyssen-Bornemisza Art Contemporary Collection, Mori Art Museum, Tokyo
Charlotte Bonham-Carter and David Hodge, The Contemporary Art Book, Goodman, London
Christian Rattemeyer, The Judith Rothschild Foundation Contemporary Drawings Collection, Catalogue Raisonné, The Museum of Modern Art, New York (NY) Chris Harrald and Fletcher Watkins, The Cigarette Book, Quartet, London
Amna Malik, Sarah Lucas, Au Naturel, Afterall
Sommer Contemporary Art Ten, 1999-2009, Sommer Contemporary Art, Tel-Aviv Hans Werner Holzwarth ed., 100 Contemporary Artists, Taschen
David Lamas and Anna Dezeuze, Subversive Spaces: Surrealism and Contemporary Art, The Whitworth Art Gallery, Manchester, UK
Sarah Lucas, Oliveri Garbay, The Mug (artist publication with Olivier Garbay), Other Criteria, London
2008 Gabriele Knapstein, “I can’t just slice off an ear every day”: Deconstructing the Myth of the Artist (cat.), Hamburger Bahnhof Museum für Gegenwart, Berlin
Cranford Collection 01, Cranford Collection, Guernsey
Mary-Kay Lombino, Excerpt: Selections from the Jeanne Greenberg Rohatyn Collection, The Frances Lehman Loeb Art Center, Poughskeepie (NY), USA
Jörg Heiser, ‘Sarah Lucas: Kebabs and Corny Puns’, All of a Sudden: Things That Matter in Contemporary Art, Sternberg Press, Berlin
Beate Söntegen, ‘Oh Boy it’s a Girl’, Female Trouble, Die Kamera als Spiegel und Bühne weiblicher Inszenierungen (cat.), Hatje Cantz, Ostfildern, Germany Francesco Bonami, Arte Contemporanea, Volume Sei. Duemila, La Biblioteca di Repubblica-l’Espresso, Electa, Milan, Italy
Francesco Bonami (ed.), God & Goods: Spirituality and Mass Confusion, Villa Manin Centro d’Arte Contemporanea, Udine, Italy
Silke Hohmann, Stations: 100 Meisterwerke Zeitgenössischer Kunst, Dumont Buchverlag, Cologne, Germany
Tiddy Rowan, London: a guide to modern + contemporary ART in the city, Quadrille, London
Beatrix Ruf, Blasted Allegories: Works from the Ringier Collection, JRP Ringier, Zurich, Switzerland
2007 Francesco Bonami (ed.), Michele Robecchi, Supercontemporary: Sarah Lucas, Electa, Milan, Italy
Emily Butler, Aftershock: Contemporary British Art 1990-2006, The British Council, London
Gabriele Schor, Held Together With Water: Art from the Sammlung Verbund, Hatje Cantz, Ostfildern, Germany
Franz West (cur.), Soufflé, eine Massenausstellung, Kunstraum Innsbruck, Austria
2006 In the darkest hour there may be light: Works from Damien Hirst’s murderme collection, Serpentine Gallery / Other Criteria, London
S Brent Plate, Blasphemy Art That Offends, Black Dog Publishing, London David Hopkins, Dada’s Boys, The Fruitmarket Gallery, Edinburgh
Body Face Soul: The Female Image from the 16thto the 21stCentury, Leopold Museum, Vienna
Luigi Settembrini, Claudia Gian Ferrari & Francesca Sorace, Il diavolo del focolare: The Devil of Hearth and Home, La Triennale di Milano, Milan, Italy
Adam Lindeman, Collecting Contemporary, Taschen, Cologne, Germany
2005 Shaun O’L. Higgins, Colleen Striegel, Press Gallery, New Media Ventures, Spokane (WA), USA
Empreinte Moi, Galerie Emmanuel Perrotin, Paris
LAT, Odapark, Venray, The Netherlands
Alyce Mahon, Eroticism & Art, Oxford University Press, Oxford, UK
Sculpture, Galerie Elisabeth & Klaus Thoman, Innsbruck, Austria
Yilmaz Dziewior & Beatrix Ruf (eds.), Sarah Lucas: Exhibitions and Catalogue Raisonné 1989 – 2005, Hatje Cantz Verlag, Ruit, Osfildern / Tate Publishing, London Visionaire 46: Uncensored by Mario Testino, Visionaire Publishing, New York (NY), USA
Breaking the Mould: 20thCentury British Sculpture from Tate, Norwich Castle and
Tate Publishing, Norfolk, UK
Sarah Lucas and Olivier Garbay, God is Dad, Sadie Coles HQ and Koenig Books, London
Body: New art from the UK, Vancouver Art Gallery and the British Council, Vancouver, Canada
Y[oung] B[ritish] A[rtists] Criss-Crossed, Kaare Bernsten Galleri, Oslo, Norway
God is Dad, Barbara Gladstone Gallery, New York (NY), USA
Shaun O’L.Higgins & Colleen Striegel, Press Gallery: The Newspaper in Modern Art, New Media Ventures, Inc., p.142-143
2004 Central Station: la collection Harold Falckenberg, la maison rouge et Fage editions, Paris
Florian Illies, Silke Immenga, Werke Aus Der Sammlung Boros, Museum für Neue Kunst, Karlsruhe, Germany
Charlotte Cotton, The Photograph as Contemporary Art, Thames and Hudson, London
The Place To Be, Crac Alsace, Alsace, France
Briony Fer, The Infinite Line, Yale University Press, New Haven and London
Skulptur. Prekarer Realismus zwischen Melancholie und Komik, Kunstalle Wien, Vienna, Austria
Stripped Bare: The Body Revealed in Contemporary Art, Merrell Publishers, London
Gifted, University of the Arts, The Arts Gallery, London
In-A-Gadda-Da-Vida, Tate Publishing, Tate Britain, London
Just Love Me. Post-Feminist Art of the 1990’s from the Goetz Collection, Bergen Art Museum, Bergen, Norway
Sexes: images- pratiques et pensées contemporaines, Collection dirigée par Fabrice Bousteau, beaux arts magazine: livres
Antje Majewski et al., Atomkrieg, Lukas and Sternberg, New York (NY), USA Brandon Taylor, Collage: The Making of Modern Art, Thames and Hudson, London
2003 Roken in de kunst, Kunsthal Rotterdam, Rotterdam, The Netherlands / Ludion, Amsterdam
A Bigger Splash: Uma Seleção de Arte Britânica da Coleção da Tate 1960-2003 / A Bigger Splash: A Selection of British Art from Tate Collection 1960-2003, Connects, São Paulo, Brazil
Bad Behaviour from the Arts Council Collection, Hayward Gallery Publishing, London
BIDA 2003 – Bienal Internacional del Deporte en el Arte, Salamanca, Spain
La Biennale di Venezia 50thInternational Art Exhibition “Dreams and conflicts: The Dictatorship of the Viewer”, Giardini della Biennale – Arsenale, Venice
2002 Face Off: A Portrait of the Artist, Kettle’s Yard, Cambridge
Bice Curiger, Kunst Expansiv – Zwischen Gegenkultur und Museum, Lindinger + Schmid Verlag GdbR, Regensburg, Germany
Gill Saunders, Wallpaper in Interior Decoration, V&A Publications, London
Tim Marlow on Tate Modern, Spafax Publishing, London Matthew Collings, Sarah Lucas, Tate Publishing, London Burkhardt Riemschneider, Art Now, Taschen, Cologne, Germany
Stefan Schmidt-Wulffen, Perfektimperfekt, Modo, Freiburg, Germany
Virginia Button, The Rowan Collection – Contemporary British and Irish Art, Irish Museum of Modern Art, Dublin
Stephen Feeke, Second Skin, Henry Moore Institute, Leeds, UK Louisa Buck, Art Work of the Month, Arts Tate, London, February
Alice Dewey (ed.), New – Recent Acquisitions of Contemporary British Art, National Galleries of Scotland, Edinburgh
No World Without You – Reflections of Identity in New British Art, Herzliya Museum of Art, Tel Aviv, Israel
PoT: The Liverpool Biennial of Contemporary Art – The Independent
Die Wohltat der Kunst: Post\Feministiche Positionen der neunziger Jahre aus der Sammlung Goetz, Walther König, Cologne, Germany
Comer o no Comer o las relaciones del arte con la comida en el siglo XX, Centro de Arte Salamanca, Salamanca, Spain
Archivio Alfonso Pons, Koldo Kitxelena Kulturunea
Chris Townsend, Rapture: Art’s Seduction by Fashion since 1970, Thames and Hudson, Barbican Centre Art Galleries, London
2001 Dr Thomas Kellein, The Surreal Woman: Femaleness and the Uncanny in Surrealism, Kunsthalle Bielefeld, Bielefeld, Germany
Louisa Buck, The Colony Room Club - 2001 A Space Oddity, The Colony Room Club and A22 Projects, London
Nechama Gottlib and Andrew Renton, British Artists in Israel, Hertzliya Museum of Art, Tel Aviv, Israel
Lewis Biggs and Fang-wei Chang, Field Day Sculpture from Britain, Taipei Fine Arts Museum and British Council, Taiwan
Martin Maloney, I am a Camera, Saatchi Gallery / Booth Clibborn Editions, London Peter Friese, Ohne Zögern – Without Hesitation: views of the Olbricht Collection, Neues Museum Weserburg, Bremen, Germany
Dr Gerhard Finckh, Freestyle: Werke aus der Sammlung Boros, Museum Morsbroich, Leverkusen, Germany
Paul Schimmel, Public Offerings, Museum of Contemporary Art, Los Angeles (CA), USA / Thames and Hudson, London
Fiona Carson and Claire Pajaczkowska, Feminist Visual Culture, Edinburgh University Press, Edinburgh
Matthew Higgs, City Racing 1988-1998: a partial account, I.C.A., London
Francesco Bonami, Uniform: Order and Disorder, Stazione Leopolda, Florence, Italy Rachel Lowther, Aline Duriaud, James Dawson-Hollis, Death Race 2000, video catalogue, Thread Waxing Space, New York (NY)
Sarah Kent, ‘YBA Woman’, Thames & Hudson World of Art: 45thBirthday Issue
Uta Grosenick, Women Artists in the 20thand 21stCentury, Taschen, Cologne, Germany
Breaking the Mould: 20thCentury British Sculpture from Tate, A Tate Partnership
Exhibition, Museum & Art Gallery, Norwich Castle, Norwich, UK
Angela Lampe, Die unheimliche Frau. Weiblichkeit im Surrealismus, Kunsthalle Bielefeld, Heidelberg, Germany
2000 Virginia Button, Charles Esche, Intelligence: New British Art, Tate, London
Victoria Combalia and Angus Cook, Sarah Lucas – Self Portraits and More Sex,
Tecla Sala, Barcelona, Spain
Eva Meyer-Hermann, The Oldest Possible Memory, Sammlung Hauser und Wirth, St Gallen, Switzerland
Bice Curiger, Hypermental, Kunsthaus Zurich, Zurich, Switzerland Bice Curiger (ed.) Cream 2, Phaidon Books, London
Puerile 69: Angus Fairhurst, Michael Landy, Sarah Lucas, Gillian Wearing, Richard Shone, The Living Art Museum, Reykjavik
Norman Rosenthal, Sex and the British, Thaddeaus Ropac Galerie, Salzburg, Austria David Ross, Nicholas Serota, Ida Giannelli, Giorgio Verzotti, and Jonathan Watkins, Quotidiana: Immagini della viat di ogni giorno nell’arte del xx secolo/The Continuity of the Everyday in 20thCentury Art, Castello di Rivoli, Turin, Italy / Charta, Milan, Italy Helena Cabello and Ana Carceller, Zona F, Espai d’Art Contemporani de Castello,
Castello, Spain
Julian Stallabrass, High Art Life, Verso Books, London
Matthew Higgs, Pippa Coles and Jacqui Poncelet, The British Art Show 5, Hayward Gallery Touring Exhibitions, London
Psycho, Art and Anatomy, Anne Faggianato, London
1999 Art at the Turn of the Millennium, Taschen, Cologne, Germany Matthew Collings, This Is Modern Art, Weidenfeld & Nicholson, London
Michel van der Mast, Me Myself I, Contemporary Self Images, Hagues Historisch Museum, The Hague, The Netherlands
The Anagrammatical Body, Neu Galerie am Landesmuseum Joanneum, Graz, Austria
1998 REAL LIVE: New British Art, Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan Self Portraits - A Collection, Caldic Collection, Rotterdam, The Netherlands Photography As Concept-4 Internationale Foto-Triennale Esslingen, Galerien der Stadt Esslingen Villa Merkel, Esslingen, Germany
Caoimhin Mac Giolla Leith, Hungry Ghosts, Douglas Hyde Gallery, Dublin
Contemporary British Art, National Museum of Contemporary Art, Korea
Gregor Muir ‘Sarah Lucas’ in New Art From Britain, Kunstraum Innsbruck, Innsbruck, Austria
Elizabeth Janus (ed.), Die Rache der Veronika: Fotosammlung Lambert, Scalo, Zurich, Switzerland / Deichtorhallen Hamburg, Hamburg, Germany
Zdenek Felix (ed.) Emotion: Young British and American Art from the Goetz Collection, Deichtorhallen Hamburg, Hamburg, Germany
Jerry Saltz (ed.), An Ideal Syllabus: Artists, Critics and Curators Choose the Books We Need to Read, Frieze, London
1997 Johnnie Shand Kydd, Spitfire: Young British Artists, Thames and Hudson, London Brigitte Kolle (ed.), Sarah Lucas, Portikus, Frankfurt-am-Main, Germany
Yilmaz Dwiezior (ed.), Car Park, Museum Ludwig, Cologne, Germany
Package Holiday – works from the Ophiuchus Collection, Sadie Coles HQ, London
Gilda Williams, Strange Days, Claudia Gian Ferrari Arte Contemporanea, Milan, Italy Matthew Collings, Blimey!: From Bohemia to Britpop: The London Artworld from Francis Bacon to Damien Hirst, 21, London
Artists form the UK, with an interview by Ingvild Goetz, Sammlung Goetz, Munich, Germany
Louisa Buck, Moving Targets: A User’s Guide to British Art Now, Tate Gallery Publishing, London
Norman Rosenthal & Simonetta Fracquelli (eds.) Sensation, Royal Academy of Art, London
Kate Bush and Gregor Muir (eds.), Assuming Positions, ICA, London
1996 Karel Schampers (ed.), Sarah Lucas, contributions by Jan van Adrichem, ‘Things That Have To Come About’ & Angus Fairhurst, ‘Concrete Dreams’, Museum Boymans-van Beuningen, Rotterdam, The Netherlands
Richard Flood (ed.), Brilliant! New Art from London, contributions by Neville Wakefield, ‘Pretty Vacancy’, Stuart Morgan, ‘Briller A Tawdry Flickwort!’, Richard Flood, ‘The Levellers’, Douglas Fogle, ‘Bad Science’. Includes excerpt from an interview with Sarah Lucas by Marco Spinelli, Walker Art Centre, Minneapolis (MI), USA
Godfrey Worsdale (ed.), Co-operators, includes ‘Lucas & Emin’ artists’ statement, Southampton City Art Gallery, Southampton, England
From Figure to Object: A Century of Sculptors’ Drawings, Frith Street Gallery & Karsten Schubert Gallery, London
Hans Ulrich Obrist (ed.), Live/Life, text by Gregor Muir, ARC Musee de la Ville de Paris, Paris
1995 Carl Freedman (ed.), Minky Manky, includes an interview with the artist, South London Gallery, London
Corpus Delicti: London in the 1990’s, Kunstforeningen, Copenhagen Masculin/Feminine, text by Marie-Laure Bernadac, Musée National d’Art Moderne, Centre Pompidou, Paris
1994 Sarah Kent, ‘Sarah Lucas’, Shark Infested Waters: The Saatchi Collection of British Art in the 90’s, Zwemmers, London
Chris Dercon (ed.). Cahier 2, includes articles about the exhibition Watt and a transcript of a group discussion with the artists, Witte de With, Rotterdam, The Netherlands /: Richter Verlag, Dusseldorf, Germany
Football Karaoke (curated by Georg Herold), catalogue in the form of a limited edition box containing a multiple by each artist, Portikus, Frankfurt-am-Main, Germany
1993 Robert Evren, Sarah Lucas, Steven Pippin: projects 44, Museum of Modern Art, New York (NY)
1990 Liam Gillick & Andrew Renton (eds.), Technique Anglais: Current trends in British Art, Thames & Hudson/One Off Press, London

Articles, Magazines and Reviews


Caroline Elbaor, 'Sarah Lucas is Taking over Berlin this Easter Weekend with Eggy Happenings', Artnet News, 13 April 2017

Louisa Buck, 'Wonderfully Idiosyncratic: JW Anderson's Disobedient Bodies at Hepworth Wakefield', The Telegraph, 24 March 2017


Sarah Lucas and Olu Odukoya, 'Sarah Lucas: Liberty, Curated by Olu Odukoya', Modern Matter, No. 11, December 2016 [pull-out feature]

Diane Solway, 'The Escape Artist', W Magazine, August 2016, pp. 108-111

Gianluigi Colin, ‘La Calze di Sarah’, La Lettura (Corriere della Serra), no. 227, 03 April, cover, p. 47
Cristiana Campanini, ‘Bellezza al Bagno: Una Bad Girl “British” ai Bagni Pubblici’, La Repubblica, 06 April, pp. 1, 15
Natalie Rigg, ‘Power in Woman: Sarah Lucas and the Female Gaze’, AnOther, 06 April
Alessandra Mammi, ‘Bad Girl Sarah’, D Magazine, La Repubblica, 02 April, pp. 80 – 82
Chiara Gatti, ‘E Sarah Lucas Mette in Scena il suo Psychothriller’, La Repubblica, 30 March, p.47
Alexander Hawkins,’“I’m Totally on the Side of Accident in Art”: Sarah Lucas, Playful and Plain-speaking’, It’s Nice That, blog, 29 March
Louisa Buck, ‘The Buck Stopped Here: Sarah Lucas’ Powerful Women Light up John Soane’s Yellow Drawing Room’, The Art Newspaper, 24 March
Martin Coomer, ‘Time Out Meets Sarah Lucas’, Time Out London, 22 – 28 March 2016, pp. 86 – 87
Jessica Klingelfuss, ‘'Power in Woman': Sarah Lucas' Female Figures Arrive at London's Soane Museum’, Wallpaper*, 16 March

 2015 Lynn Barber, ‘The Future’s Yellow’, Sunday Times Magazine, 10 May, pp. 32 – 37
Sarah Crompton, ‘Sarah Lucas Q & A’, The Observer, 10 May
Charlotte Higgins, ‘Sarah Lucas: “I Have Several Penises, Actually”’, The Guardian, 06 May
Alastair Sooke, ‘Walls of Custard Cut the Mustard’, The Daily Telegraph, 06 May, p. 31
Charlotte Higgins, ‘Lucas at the Venice Biennale: A Streak of Naughtiness, Set in a Custard-Yellow Sea’, The Guardian, 06 May, p. 3
Adrian Searle, ‘Bawdy Moments Frozen in Time’, The Guardian, 06 May, p. 3
Karen Wright, ‘Flesh in Venice’, The Independent, 06 May, pp. 46 – 47
Will Gompertz, ‘Review: Sarah Lucas at the Venice Biennale’, BBC News, 06 May
Marcus Field, ‘Smoking Show with Extra Sauce’, London Evening Standard, 06 May, p. 34
Louisa Buck, ‘Sweet Smell of Success for Sarah Lucas at the British Pavilion’, The Art Newspaper, 05 May
Phil Miller, ‘Artist Sarah Lucas Unveils Show Inspired by Maradona in Venice’, The Herald, 05 May
Skye Sherwin, ‘Sarah Lucas, British Pavilion: The Provocative British Artist Still on Top at the Venice Biennale, W Magazine, 05 May
Richard Riley, ‘Why Sarah Lucas for the British Pavilion in Venice’, British Council, 05 May
Caroline Roux, ‘British Pavilion: Sarah Lucas’, The Financial Times, 01 May
Louisa Buck, ‘Sarah Lucas: Full English’, The Art Newspaper: Venice Biennale Guide 2015, May, pp. 3, 25 – 26
Sarah Hall, ‘A Natural Elegance’, frieze, no. 171, May, pp. 164 – 171
Julian Simmons, ‘Getting Plastered’, FT Weekend Magazine, 25 – 26 April, pp. 22 – 25
Jan Dalley, ‘Openings: Nothing to Rock the Gondola’, FT Weekend, 25 – 26 April, 2015
Ken Johnson, ‘All Back in the Skull Together’, New York Times, 09 April
2014 Marta Gnyp, ‘Tittipussyity’, Zoo Magazine, no. 44, June, pp. 196 – 208
Matthew Evans, O32c, Summer 2014, p.269
Nick Compton, ‘Block Solid’, Wallpaper Magazine, May 2014
Aimee Farrell, Milan Design Week: The 10 Pieces to Take Home, Vogue, 14th April Rosie Neve, ‘Sarah Lucas Furniture’, Another Magazine, April 09 2014
Jo Applin, Artforum, February 2014, p.223-224
Jonathan Jones ‘Fancy a breeze-block sofa? Sarah Lucas unveils her first foray into furniture’, The Guardian, Tuesday 8th of April
David Nicholls, ‘Salone del Mobile highlights’, Telegraph, April 2014
Skye Sherwin, ‘Bad Girl Artist Sarah Lucas Offers a Chair’, W Magzine, 08thApril
Ken Johnson, ‘Sarah Lucas: “Nud Nob”’, The New York Times, 20 March 2014
Neil Young, ‘About Sarah: Rotterdam Review’, The Hollywood Reporter, 24 February Kate Sutton, ‘Critics’ Picks: Sarah Lucas’, Artforum online, March 2014
Teddy Jamieson, ‘The life and times of Sarah Lucas’, The Herald, 02 February 2014 Mark Prince, ‘Sarah Lucas’, Art in America, February 2014
Jo Applin, Artforum, February 2014, p.223-224
2013 Will Stokes, ‘Sarah Lucas: Situation Absolute Beach Man Rubble’, Saatchi Magazine, Winter 2013
Dan Fox, ‘Then & Now’, Frieze, No. 159, November – December 2013, p.100-106 Gregorio Magnani, ‘TheSuffolk Community’, Anew Mgazine, Fall / Winter 2013, Issue
# 2 Iwona Balzwick, ‘Portrait of an Artist: Sarah Lucas’, Vanity Fair, 01 November, p. 337
‘The Hot List’, Time Out Magazine, 15 October
Waldemar Januszczak, ‘Feminine Mystique’, The Sunday Times Culture Magzine, 13 0ctober, p. 16-17
Zoe Pilger, The Independent, 10 October, p.38
Ben Luke, ‘Classical, Lude & Loaded with Atttitude’, The Art Newspaper, October Adrian Searle, ‘Sarah Lucas at the White Chapel: More than the Sum of her Parts’, The Guardian, Monday 30THSeptember
Alastair Sooke, ‘A Brilliant Caper’, the Telegraph Magazine, 07 September Jonathan Jones, ‘Sarah Lucas is a far better sculptor than Moore or Hepworth Ever Were’, Guardian Online, 01 July
‘Situation’, POP Magazine, Issue 28, Spring Summer 2013
Marcus Field, ‘Art Review: Venice Biennale’,The Independent 01 June 2013 Skye Sherwin, ‘Do It: The art of command’, The Guardian, 24 May 2013 Alistair Sooke, ‘Venice Biennale 2013’, The Daily Telgraph 30 May 2013 ‘Exhibitons in Brief’, Art + Auction, April 2013, p. 134
J.J. Charlesworth, Art Review, Issue 65, January – February, p. 69 - 73
2012 ‘Dad is God (Kooks)’, Arnea Homme +, A / W 2012, Issue 38
J.J Charlesworth, ‘Sarah Lucas – Rose Bush’, ArtReview, Issue # 62, October, p. 116-117
Gabriela Jauregui, Frieze, September, no. 149, p. 191
Gilda Williams, Artforum, Summer 12, Issue 50, p.328 A Rich Artists Guilt’, The Week, August 2012
Jessica Bradbury, ‘SITUATION ROSE BUSH’, POP, August
Adrian Searle, ‘Dirty Pretty Things’, (G2) The Guardian, 19thJuly 2012, p. 18 Mariuccia Casadio, ‘Liminal – Choices’, Vogue Italia, July, N. 743
Nicholas Cullinan, ‘What do you want in your face?’, Mousse, 32, February
Ben Luke, ‘Reviews: Sarah Lucas, Situation’, Evening Standard, 20 February 2012 2011 William Corwin, ‘In Conversation with Sarah Lucas’, The Brooklyn Rail, September, p.17
Jan Dalley, ‘YBA’s Come Out to Play’, Financial Times Magazine, June 4th, p. 19 Aida Edemariam, ‘The Saturday Interview: The YBA we All Forgot’, The Guardian, Saturday 28 May
Laura Barnett, ‘Polly Morgan, Sarah Lucas and the rise of the female sculptor’, The Guardian, 22 May
2010 Jackie Wullschlager, ‘Caviar and Chewing Gum’, Financial Times, 30-31 October Adrian Searle, ‘British Art Show 7: have I got spews for you’,, 25 October
‘British Art Show 7 opens in Nottingham’, BBC Arts & Culture, 22 October Chris Bors, ‘Critics’ Picks: Sarah Lucas’,, 18 August Nicholas Cullinan, ‘Just Where do you Draw the Line?’, Mousse, 24, July
Cristina Ruiz and Javier Pes, ‘Still a “Sensation”?’, The Art Newspaper: Art Basel daily edition, June
2009 Daniel Baumann, ‘Portrait, Sarah Lucas: Rejection and attraction’, Spike, 22, December
Tracey Emin, ‘Shop girls’, The Times Magazine, 26 September Dan Fox, ‘Sarah Lucas’, Frieze, March
Hermione Eyre, ‘How We Met: Olivier Garbay and Sarah Lucas’, The Independent, 15 February
2008 Adrian Searle, ‘Empty-headed horror’, The Guardian, 28 October Fisun Güner, ‘Art Review: Sarah Lucas: Penetralia’, Metro, 24 October
Rebecca Geldard, ‘Reviews: Sarah Lucas’, Time Out London, 23-29 October Ben Hoyle, ‘the bulletin’, The Times, 15 October
Deborah Orr, ‘Sarah Lucas: Britart’s Original Bad Girl Speaks Out’, The Independent, 8 October
Marchk Irving, ‘Sarah and the peer ride out’, The Times, August 26
John Slyce, ‘Sensation’, Flash Art, July – September, no. 261 (reprint of original article in Flash Art , no. 197, 1997)
‘Making of: Sarah Lucas, Two Fried Eggs and a Kebab, 1992’, Monopol, No. 9 Richard Cork, ‘From mantelpiece to manor house’, Financial Times, 12-13 July ‘Perceval is drawing attention at the Manor’, Bucks Herald, 9 July
‘Sarah Lucas’, The New Yorker, 14 January
ArtReview International, January
Daddy N° 5, March
Das Making-of der Meisterwerke (The Making-of), Monopol, No.9, June
2007 Audrey Jaynes, ‘Horsing Around’,, 19 November
‘Calendar: Sculpture, Horse and Carriage’, The New York Sun, Tuesday 13 November
Carol Vogel, ‘Inside Art: No Carriage Rides, Please’, The New York Times, Friday 10 September
Paolo Virno, ‘Jokes and Innovative Action: For a Logic of Change’,
Waldemar Januszczak, ‘Tomorrow’s Old Masters’, Sunday Times Magazine, 1 April ‘306250 Franken- Sarah Lucas: Nobby’, Bazartmagazin, Friday 15 June
Clifford Coonan, ‘Tracey’s Bed is Re-made in China’, The Independent, 20 March
2006 ‘Not Santa’s Stocking Surely’, The Times, 9 December
Alice Fordham, ‘Have a Saucy Christmas’, The Times, 9 December Sarah Lee, ‘Christmas Listings’, The Guardian, 9 December
Charlie Bibby, ‘Tight Spot: Christmas lit up by Lucas’, Financial Times, 9 December ‘The Tate’s Christmas Sauce’. The Daily Mail, 9 December
Tom Teodorzuk, ‘The Art of (Un)dressing Tate’s Tree’, The Evening Standard, 8 December
Fiona Macdonald, ‘Rebels with a Cause’, Metro, 27 November
Laura Cumming, ‘Mr Hirst Went Shopping…’, The Observer Review, 3 December Sarah Kent, ‘Death Becomes Him’, Time Out, 22–29 November
Jason Burke, ‘Paris Loses its Heart to Modern Art’, The Observer, 29 October Sarah Lucas & John Currin, ‘Women’, Wrong Times, October
Rosanna Greenstreet, ‘Sarah Lucas’ Q & A’, The Guardian, 7 October, 2006 Vanessa Thorpe, ‘Lorry Drivers Pin Ups add a Touch of Steamy Menace to Art in the Park’, The Observer, 8 October
‘In the Frame’, The Art Newspaper, June
‘Art Now Volume 2’, Lufthansa Magazine, March
Morgan Falconer, ‘Sarah Lucas’, The Burlington Magazine, February
‘Sarah Lucas: Hand to Mouth’, interview with Massimiliano Gioni, ArtPress, March Matthew Collings, ‘More on Painting’, Modern Painters, February
2005 Rachel Cooke, ‘My My, Miami’, The Observer, 11 December
‘Selected by the stars’, The Art Newspaper: Art Basel / Miami Beach, 4 December ‘Five Best Shows Around the Country’, The Independent, 26 November
Jonathan Jones, ‘Sarah Lucas’, Guardian, 15 November ‘Young British Artist’, your move, 11–24 November ‘Exhibitions Pick of the Week’ Guardian Guide, 5 November ‘What’s On’, The Art Newspaper, November
Camilla Long, ’24-hour arty people, Tatler, November
Charlotte Cripps, ‘Living in a material world’, Independent, 31 October ‘Five Best Exhibitions’, Independent, 31 October
‘Sarah Lucas Exhibition Opens at Tate Liverpool’,, 31 October ’10 Hot things to do Now’, Grazia, 31 October
‘Pick of the Week’, Guardian Guide, 29 October
Philip Key, ‘Cooking up a storm of controversy in the arts’, Daily Post, 28 October Helen Duff, ‘Sarah Lucas’, Metro, 28 October
‘Lucas at the Tate’ The Chronicle, 28 October
Peter Chapman, ‘Sarah Lucas’, The Independent, 22–28 October Mark Irving, ‘If this table could talk’, The Knowledge, 22 October ‘Top Five Galleries’, The Times, 22 October
Nick Hackworth, ‘Why did the chicken cross the table? To get into the sculpture exhibition’, The Evening Standard, 21 October
Raul Zamudio, ‘Sarah Lucas’, Flash Art, May/June
‘GOD IS DAD: A special issue by Sarah Lucas’, G2, The Guardian, 17 October Gordon Burn, ‘I sometimes wonder how long I’ve got’ The Guardian, 17 October ‘Sarah Lucas’, The Times, 1–7 October
‘Sarah Lucas’, Anstoss, Special Ediiton: Fussball: Kunst Rundlederwelten, October - December
John Miller, ‘Sarah Lucas: Kunstverein Hamburg’, Artforum, October Ana Doninguez Siemens, ‘Mira mi cuerpo’, Chic, October
‘Serious Joker’, Loaded Fashion, Autumn/Winter ‘Sarah Lucas’, Beyzok Konak, August
A C Grayling, ‘An Uncooked Perspective on Sex’, Tate Etc., Autumn Gerhard Mack, ‘Woe sie auftaucht, geht’s zur Sache’, Art, July
Dominique von Burg, ‘Das Gefesselte Poulet Fasziniert’, Zürichsee-Zeitungen, 7 June
‘Geniales Bad Girl’, Annabelle, 6 June
‘L’artiste Sarah Lucas, Sexe et Trash’, Tribune de Genève, 28–29 May Niklaus Oberholzer, ‘So Drastisch hat Kunst selten Provoziert’, Neue Luzerner Zeitung, 28 May
‘Sarah Lucas: Vom Übermass an Anspielungen’ St. Gallen Tageblatt, 22 April ‘Amüsierkunst, Kunshalle Zürich: Sarah Lucas’, Bazkulturmagazin, 18 April
Karl Wüst, ‘Alltagskunst der Gröberen Art’, Aargauer Zeitung; Berner Rundschau; Grenchner Tagblatt; Solothurner Zeitung, 14 April
Karl Wüst, ‘Gebrauchter Unterhosen und Spiegeleier als Metaphern für Männliche Gewalt’, Die Südostschweiz, 11 April
Thierry Frochaux, ‘Symbole’, P.S. 7, April
Karl Wüst, ‘Kunst gegen Männergewalt’, Zürcher Oberländer, 6 April
Sascha Renner, ‘Arrangements de “Rein und Raus”’, Tages Anzeiger, 6 April ‘Männliche Redewendungen und Weibliche Kunst-Spiegelei’, SonntagsZeitung, 5 April
Urs Steiner, ‘Das Einsame Spiel der Liebe’, Neue Zürcher Zeitung, 5 April Annelise Zwez, ‘Sie Schockiert und Trifft den Nerv’, Bieler Tagblatt, 5 April
Karl Wüst, ‘Gegen Männliche Gewalt’, Der Landbote, 2 April ‘Mit Nonchalance’ Züritipp, 31 March
Noam M. Elcott, ‘Sarah Lucas, ‘God is Dad’, Time Out New York, 3–9 March Daniel Kletke, ‘God is Dad’, Artnet Magazine, February
Roberta Smith, ‘Sarah Lucas’, Art in Review, February
‘Srontata, volgare e crudele, Sarah Lucas dalla Gladstone’, Arte, February Manual Bonik, ‘Sarah Lucas’, journal Antoss 03 Rundlederwelten, No. 3, October- December, p.128-129
2004 Linda Yablonsky, ‘What’s so Funny about Contemporary Art’, ARTnews, September Dafydd Jones, ‘In-A-Gadda-Da-Vida’, ArtReview, Volume LIV, April
Andrew Renton, ‘There is life after Hoxton’, Evening Standard, 6 January
Laura Cumming, ‘Family Favourites: The Fourth Plinth’, The Observer, 18 January Helen Sumpter, ‘Dead Bird Show’, Time Out, 30 December – 7 January
Martin Herbert, ‘The Fourth Plinth’, Time Out, 30 December - 7 January ‘Art 35 Basel’, Swiss Magazine, June
Juergen Teller, ‘On Sarah Lucas’s The Man who sold the World’, Tate Etc, issue 1, Summer
Melissa Gronlund, ‘Tate Britain: In-A-Gadda-Da-Vida’, Contemporary, no. 63 Rosalind Furness, ‘In-A-Gadda-Da-Vida’, Modern Painters, Summer
Jonathan Brown and Genevieve Roberts, ‘Hirst statue survives but toll of other artists’ work grows’, The Independent, 28 May
Jack Malvern and Saen O’Neill, ‘Britart’s finest bear brunt of £20m warehouse fire’,
The Times, 27 May
Jack Malvern and Helen Nugent, ‘Britart masterpieces feared lost in blaze’, The Times, 26 May
Mark Beasley, ‘In-A-Gadda-Da-Vida’, Frieze, Issue 84
Colin Gleadell, ‘Fair gains all round’, ArtReview, Volume LIV, May Ralf Schluter, ‘Unschuld verloren’, Art das Kunstmagazin, No. 5, May Lucian Harris, ‘Che noia la Yba’, Vernissage, No. 49, May
David Ebony, ‘In-A-Gadda-Da-Vida at Tate Britain’, Art in America, May Morgan Falconer, ‘In-A-Gadda-Da-Vida’, Art Monthly, No. 275, April Daisy Garnett, ‘Team Spirit in Vogue’, Vogue, April
‘Le Mostre, Inghilterra’, Arte, April ‘Cruci-fiction?’ Time Out, 7-14 April
Critics’ Choice, ‘In-A-Gadda-Da-Vida’, Time Out, 31 March - 7 April Critics’ Choice, ‘In-A-Gadda-Da-Vida’, Time Out, 24-31 March Richard Dorment, ‘In the garden of horrors’, The Telegraph, 3 March
Nigel Reynolds, ‘A six-legged calf in paradise’, The Telegraph, 3 March
Terry Kirby, ‘A six-legged calf and a Christ made of cigarettes. Damien’s back and this time he’s brought his friends.’ The Independent, 3 March
Dalya Alberge, ‘Full frontal view of Eden in Tate’s latest art shocker’, The Times, 3 March
Tom Rosenthal, ‘Sexing up their Eden project’, The Times, 3 March Adrian Searle, ‘Trouble in Paradise’, The Guardian, 2 February
Luke Leitch, ‘Young British artists regroup for “Garden of Eden” extravaganza’,
Evening Standard, 2 March
Sarah Kent, ‘The Eden Project’, Time Out, 25 February - 3 March
Martin Gayford, ‘Would you Adam and Eve it?’, Telegraph Magazine, 28 February Brian Sewell, ‘Smut with a touch of grandeur’, Evening Standard, 5 March Charlotte Mullins, ‘A way-out Garden of Eden’, Financial Times, 5 March
Laura Cumming, ‘Oh do look, a calf with six legs’, The Observer, 7 March Waldemarc Januszczak, ‘The rot of ages’, The Sunday Times, 7 March Tom Lubbock, ‘Unoriginal sins’, The Independent, 9 March
Sarah Kent, ‘Sex, death, banana’, Time Out, 10-17 March
Charles Darwent, ‘All about Eve (another raw deal?)’, The Independent on Sunday, 17 March
Lavinia Murray, ‘In-A-Gadda-Da-Vida’, Flux, Issue 41, March
Karen Wright, ‘Gallery: In-A-Gadda-Da-Vida’, Modern Painters, Spring Critics Choice Art, ‘In-A-Gadda-Da-Vida’, Time Out, 10-17 March
Richard Dyer, ‘Angus Fairhurst, Damien Hirst, Sarah Lucas: In-A-Gadda-Da-Vida’, Contemporary, no. 61 March
Louisa Buck, ‘Meagre meal for Tate Britain’s fish population’, The Art Newspaper, No. 146, April
Louisa Buck, ‘Contemporary, Shows this year’, The Art Newspaper, The Year Ahead 2004, January
Joanna Mytkowska, ‘Autoportret z sadzonymi jajami’, Wysokie Obcasy, Nr 7 (255) Walentynki, Poland
2003 Brian Muller, ‘212121 Painting, from Postconceptualism to Recontextualism’, Contemporary, No. 58
‘The Saatchi Gallery’, Time Out Supplement, October Helen Sumpter, ‘All Bar Three’, ArtReview, March
Helen Sumpter, ‘Temple of Bacchus’, Modern Painters, Summer
Holly Walsh, ‘Sarah Lucas, Colin Lowe and Roddy Thomson’, Frieze, No. 76 June - August
Jessica Lack, ‘The Temple of Bacchus’, The Guide, 22-28 March
Susie Steiner, ‘Living with a young master: Meat Sarah Lucas’, The Guardian, 21 June
2002 Louisa Buck, ‘Artwork of the Month’, Tate@ BBC website, 27 February
Christie’s Education London, March/April
Louisa Buck, ‘London diary’, The Art Newspaper, No. 124, April
Michael Craig-Martin, ‘details, close-ups and surfaces’, Modern Painters, Vol.15, Spring
Matthew Collings, ‘The Mad and the God’, Modern Painters, Vol. 15, Spring
ELLE (Japan), No. 213, July
Carrie O’Grady, ‘What to see and do at Hay’, The Guardian, 1 June JJ Charlesworth, ‘The Root of the Evil’, Modern Painters, Summer
Angelique Chrisafis, ‘Boyd and Geldof join Haymakers’, The Guardian, 1 June
Contemporary, Special Issue 2002, June - August
Richard Cork, ‘Rude Awakening’, The Times, 23 November 2001 John Simmons, ‘All the Rage, & (Ampersand)’, March/April
Pryle Behrman, CVA, Issue 32
Tim Marlow in conversation with Sarah Lucas at Tate Modern, Tate Magazine, March Rowan Moore, Evening Standard, 23 January
Oliver Bennet, ‘Naughty But Nice’, The Independent Magazine, 30 June Fisun Guner, ‘Sarah Lucas: Cake’, Metro Life, 5 July
Robert Rigney, ‘Confessions of an ‘Art Freak’, Artnews, March
J. Goulder & A. Moore, ‘The Contemporary Art Market’, London
Paulina Kolczynska, ‘The First Quarter ‘The Armory’ Retrospective’, Tema Celeste, May-June
Maev Kennedy, ‘Sarah’s spread, Lucas and the art of cake making’, The Guardian, 6 July
‘Bunny Girls Get Stuffed’, Mouth to Mouth, Beastly Issue
Suzanne Muchnic, ‘Ascent of the Early Risers, Los Angeles Times, 1 April
‘MOCA Examines Points of Emergence of Today’s Significant Artists’, Antiques & the Arts, 30 March
Christopher Miles, ‘MOCA Takes Stock of the ‘90s’, Art & Auction, 1 April David Pagel, ‘Before Their Art Was Famous’, Los Angeles Times, 4 April Jack Briggs,, 9 April
January Tumil, ‘Public Offerings’, Artforum, January Irit Krygier, ‘Hello 21stCentury’,
Suvan Geer, ‘Viewpoint’, Artweek, July
Ralph Rugoff, ‘Right time, right place, wrong art’, Financial Times, 11 May Victoria Marchtin, ‘Memo from LA’, Artweek, June
Clayton Cambell, ‘Review’, dart Interntional, Fall
Karl Erickson, ‘The Free Spot’, In These Times, 20 August
Kenneth Baker, ‘Rounding off the Nineties’, The Art Newspaper, May Doug Harvey, ‘P.O.’d’, LA Weekly, 11-17 May
‘Review’, Artforum, February
Alexander Nguyen, Daily TroJanuary, 2 April Kenneth Baker, San Francisco Chronicle, 3 April
Nigel Reynolds, ‘Yes, we can see a blur but who’s in the pictures?’, The Daily Telegraph, 6 September
Fiachra Gibbons, ‘Gallery suffers blurred vision’, The Guardian, 6 September Daily Mail Reporter, Daily Mail, 6 September
Nico Israel, ‘Public Offerings’, Artforum, XL, No. 1, September
Greg Hilty, ‘A Thousand Words: Michael Clark; Talks about Before And After: The Fall, Artforum, October
Louisa Buck, ‘Mover and Shaker’, Vogue (UK), November Chris Mugan, Going Out, Evening Standard, 24 October Keith Watson, ‘It’s out on a limb’, Metro Life, 23 October
Adrian Searle, ‘The Rhythm Method’, The Guardian 24 October
Luke Jennings, ‘The nation’s saving grace’, Evening Standard, 25 October Mark Werner, ‘Alien Invasion’, ArtReview, November
Damien Hirst, ‘Hirst on Sarah Lucas’, G2 The Guardian, 8 October Marcus Field, ‘Sarah Lucas’, The Independent on Sunday, 4 November Matthew Collins, ‘Introspection’, Modern Painters, Winter
Sophie Berredi, ‘Generation Sensation; young british artists’, Connaissance des Arts,December
2000 Helen Hague, The Independent on Sunday, 17 December Review of the Year, Part 2, Time Out, 20 December
Ken Johnson, The New York Times, 22 December
Art et Homosexualité’ Beaux Arts magazine, No.198, November
Activitats Culturals, October-December
Juan Carlos Rego, ‘Provocacion Animal’ El Pais, 20 October Claire Bishop, art-text, No. 70, August-October
Andrea Padua, Aqui, 6-12 October
Ines Martinez Ribas, El Periodico-Divendres, 6 October Elena Vozmediano, Ell Cultural, 6 October
Rosario Fontana, El Periodico, 8 October Olga Spiegel, La Vanguardia, 9 October Montse Frisach, Avvi, 9 October
Angela Molina, Diari ABC, 10 October Ramon De Espana, El Pais, 12 October
Susana Frouchtmann, La Cronica, 12 October Gloria Ayuso, El Far, 13 October
El Mercat, 18- 24 October
Elle, Una Autentica Bad Girl, No. 169, September Richard Shone, The Burlington Magazine, September
‘Female Visions,’ du, Die Zeitschrift der Kultur, No.707, June Elizabeth Lebovici, ‘Sarah Lucas,’ tetu[,]madame, No.1
Stephanie Douet, ‘Sarah Lucas, Beyond the Pleasure Principle,’ Make, issue 88, June - August
James Hall, Tate, Summer
The Art Newspaper, July/August Michael Glover, Independent, 11 July
Sarah Kent, ‘Brains of Britain, ‘Intelligence: New British Art at Tate Britain, Time Out, 12-19 July
Matthew Collings, ‘Dimocracy,’ Modern Painters
Linda Nochlin, ‘The Naked and the Dread,’ Tate Magazine (Tate Modern special), No.21
‘Oevre Fumeuse’, Numero, No.13, May
Karen Wright ‘Gallery’, Modern Painters, Spring
Chloe Kinsman (interview) ‘It’s a good time to be a woman’, Tate Magazine, (from ‘Front Row’, Radio 4) Spring
The Guardian, 15 June
Helen Sumpter ‘The Last Word’ ES Magazine, 15 June Anna Purslglove, Evening Standard, 9 June
‘Il dolce naufragio’ Vernissage, May Karen Wright, Modern Painters, Spring James Hall, ‘Sarah Lucas’ Artforum, May
Martin Coomer, ‘Clash of the Galleries’, Time Out, 3-10 May
Tom Lubbock, ‘Nothing acts faster than anodyne,’ The Independent, 25 April Richard Cork, ‘Space, the final art frontier,’ The Times, 19 April
Mark Currah, Time Out, 29 March - 5 April
Richard Cork ‘Britart-now that the thrill has gone’, The Times, 12 April Paul Clark, ‘Beyond the pleasure principle,’ Evening Standard, 10 April ‘Totem e Tabu’, Il Giornale Dell’Arte, April
‘The Fag Show’, Stop! Magazine, April ‘News, Mental Health Practice, April
Adrian Searle, ‘Do these pictures make you think of sex?’, The Guardian, 28 March ‘Freud gets fleshed Out’, Lynn MacRitchie, Financial Times, 24 March
David Gleeson, ‘Sarah Lucas at the Freud Museum’,, 24 March Helen Smithson, ‘Id and miss in home of Freud’, Ham & High, 24 March
Charles Darwent, ‘No Smoking’, The New Statesman, 20 March
Evening Standard - Hot Tickets, 10-16 March
Laura Cumming, ‘Einstein on the beach’, The Observer, 19 March Phil Hogan, The Observer Magazine, 12 March
Sarah Kent, ‘Fag Hag’, Time Out, 8-15 March
Dominic Eichler, Sarah Lucas, CFA Berlin, Frieze, March/April
Infection Manifesto, No.3, March
‘Sarah Lucas’, Eikoku News Digest, March
Louisa Buck, ‘Sarah Lucas lights up and gets Freudian’, The Art Newspaper, No.101, March
Chris Leadbeater, ‘Lucas’ new line in smokin’ art’, London Guide, (web)
The Groucho Club newsletter, Spring
Habitat Art Club magazine, Spring
Jonathan Jones, ‘A bit of a drag’, The Guardian, 25 February
Simon Grant, ‘The fag end of obsession’, Evening Standard, 24 February Colin Gleadell, ‘Contemporary Market’, Daily Telegraph, 21 February
Duncan Mclaren, ‘The Fag Show’, Independent on Sunday, 20 February Charles Darwent, ‘ArtReview’, Metro Life, 18 February
‘Smokers’ corner’, Londoner’s Diary, Evening Standard, 17 February Jonathan Jones, ‘Sarah Lucas’, The Guardian, 16 February Samantha Ellis, ‘Going Out’, Evening Standard, 16 February
Simon Grant, ‘The Big Smoke’, The Guide, The Guardian, 12 February Helen Sumpter, Evening Standard - Hot Tickets, 11-17 February
‘What’s On’, Space, The Guardian, 10 February Louisa Buck, ‘Ciggie Stardust’, Esquire, February Karel Cisar, ‘Sadie Coles HQ,’ Umlec, February ‘Lust oder lustig’, Kunstzeitung, no.41, January
Lynn Barber, ‘Drag Queen’, The Observer Magazine, 30 January Richard Cork, Tatler
Dominic Eichler, Frieze, March/April
1999 Anthony Thorncroft, ‘An art fair for the next generation’, Financial Times, 17 November
Lucy Powell, ‘I don’t know much about politics…’, The Guardian, 4 November Lorna V, ‘Sell Out’, London design special, Time Out (London), 22-29 September Peter Schjeldahl, ‘Those Nasty Bits,’ The New Yorker
1998 Susanne Moore, ‘You Show Me Yours’, Independent on Saturday Magazine, 11 April ‘London Art’, Barfout! Magazine (Tokyo) , February
Saori Takeda, ‘Women in Art’, Asahi Shimbun (Tokyo) 15 April
Carol Kino, ‘Talkin’ bout bad girls’, Time Out New York, 10 September Juan Vicenta Aliaga, ‘Angus Fairhurst/Sarah Lucas’, Artforum, September
Sarah Kent, ‘People of the Nineties’, Time Out, 30thAnniversary Issue, October
Robert Maloney, ‘smoking and drinking’, Magazine (New York), 18 September Michael Kimmelman, ‘Sarah Lucas-The Old In Out’, The New York Times, 25 September
Kim Levin, ‘No Cigar?’, The Village Voice, 6 October
Dylan Jones, ‘Strop Art’, Sunday Times Magazine, 8 November
Mark Sanders, ‘No Sex Please We’re British’, Dazed and Confused Magazine, October
Yuko Takano, ‘It’s because she is a Londoner’, Cut, Issue 81, October
1997 Noemi Smolik, ‘Der Reiz des zarten Gruselns’ (Berlin), 7 January.
Brigitte Werneburg, ‘Schnee fur morgan’, Die Tageszietung (Berlin), 4-5 January Nicola Kunn, ‘Verzweiflung als letzter Kick’, Der Tagesspiegel, 12 January
Carl Freedman, ‘Have you got a fag, mate?’, Paletten, 1/97
Katja Blomberg, ‘Unter Decemberk aber siingen die Kessel’, Frankfurter Allgemeine Zeitung, 23 April
Adrian Searle, ‘Bring Down the Dwarfs’, The Guardian, 6 May Martin Coomer, ‘Grime Passionel’, Time Out, 14 May
William Feaver, The Observer, 18 May
Mel Gooding, ‘The Art of Noise’, The Independent Magazine, 24 May Ian Hunt, ‘Sarah Lucas’, Art Monthly, No.207, June
John Slyce, ‘Sensation’, Flash Art, no. 197
Waldemar Janusczak, ‘Maybe it’s because she’s a Londoner’, The Sunday Times Michael Dee, ‘Soisk Lucas I grabbarnas varld’, Goetebors-Posten, 12 June Gregor Muir, ‘Warning: Sarah Lucas’s Art May Seriously Damage Your Health’, Dazed and Confused, July
Dalya Alberge, ‘Convenience art will pull in the crowds’, The Times, 8 July ‘ICA is plumbing new depths’, Evening Standard, 8 July
‘Down the pan’, Evening Standard, 9 July
William Feaver, ‘Frankly this page is going down the pan’, The Observer, 20 July
Adrian Searle, ‘Is this the cutting edge?’, The Guardian, 22 July
Noemi Smolik, ‘Glasbruch, schon wie Edeistein, Tagespiegel (Berlin), 29 July
Dr. Katja Blombert, ‘Wo um alles in der Welt steht Auto?’, Frankfurter Allgemeine, Zeitung, 25 July
Hans Pietsch, ‘Brit Art’, Das Kunstmagazin, July
Sarah Lucas, ‘Be Here Now: The Experts Speak’, NME, 30 August
Neal Brown, ‘Sarah Lucas: St John’s Lofts and Sadie Coles HQ’, Frieze, September/October
Matthew Collings, ‘The New Establishment’, Independent on Sunday, 31 August Sarah Lucas, Sarah Kent, ‘Sensation Guide’, Time Out, 10-17 September Waldemar Januszczak, ‘Facing the Scary Art of Our Time’ The Sunday Times, 21 September
William Feaver, ‘Myra, Myra on the wall…’, The Observer, 16 September
Richard Dorment, ‘Sensation? What Sensation?’, The Daily Telegraph, 17 September Adrian Searle, ‘Feeling frenzy’, The Guardian, 16 September
Richard Cork, ‘The Establishment Clubbed’, The Times, 16 September Helen Sumpter, ‘Naughty but nice’, The Big Issue, 8-14 September Joanna Pitman, ‘Art Breaker’, The Times Magazine, 13 September
Sarah Lucas and Tracey Emin, &am