Catalogues and Books
| 2019 |
Julia Kelly, Jon Wood, Contemporary Sculpture - Artists Writings and Interviews (Berlin: Hatje Cantaz Verlag GmbH, 2019), b&w illus., pp. 94-100 Amy Corry and Jason Beard (eds.), Reason Gives No Answers (exh. cat.) (London: Other Criteria Books, 2019), colour illus., pp. 20-23, 121, 123, 126-127, back cover Charlotte Mullins, A Little Feminist History of Art (London: Tate Publishing, 2019) colour illus., pp. 14-15, 96-97, back cover Erlend G. Hoyersten, Pernille Taagaard Dinesen, Daniel Slater, Lise Skyte Jakobsen and Kjeld Fredens, Object of Wonder – from Pedestal to Interaction (Aarhus: ARoS Aarhus Kunstmuseum, 2019), colour illus., pp. 101,141 Louisa Lee, 'Sarah Lucas', Rebecca Morrill et. al. (eds.), Great Women Artists, (London/New York: Phaidon Press Limited, 2019), colour illus., p. 250 René Lüchinger, ‘II. Vier Köpfe und ein ausbruch’, Ringen um Ringier: über die kunst der digitalisierung in einem schweizer medienkonzern, (Göttingen: Steidl, 2019), illu. IX Caroline Collier, 'YBAs and Beyond', Objects of Wonder: British Sculptre from the Tate Collection 1950s-Present, (exh. cat.) (Berin: PalaisPopulaire, 2019), colour illus., pp. 101-119 Cristina Garrido, ‘Andrea Rossetti’, The (Invisible) Art of Documenting Art (Madrid: Caniche Editorial, 2019), p. 140, 149 Erlend G. Hoyersten (ed.), Art and Porn (Aarhus: ARoS Aarhus Kunstmuseum, 2019), pp. 126-127 Mathieu Cenac, Pierre-Edouard Couton and Lea Lamy (eds.), La Source (Paris: David Desrimais Editeur, 2019), colour illus., pp.42, 176-179, 182-193, 198-205 |
| 2018 |
Katerina Panterlides, SARTORIAL: The Art of Looking Like an Artist (London: Laurence King Publishing, 2018), colour illus., pp. 86-87, back cover Massimilaino Gioni and Margot Norton (eds.), Au Naturel (London/New York: Phaidon Press Limited, 2018) Jonathan Jones, 'Memo from Turner', Sensations: The Story of British Art from Hogarth to Banksy (London: Laurence King Publishing, 2018), p. 341 Emily Yih-Wen Lin, Fangling Tseng, Nita Lo, Yuan-Shuen Chang, Sofia Chen, Lyn-Lee Ren, Meigen Chu and Tsyng-you Kuo (eds.), Nude: Mastrpieces from Tate (Kaohsiung City: Kaohsiung Museum of Fine Arts, 2018), pp.182-187, 202-203 |
| 2017 |
Karen Gron (ed.), Eat Me, exh. cat. (Kolding: Traphold, 2017), pp. 130-131 Leigh Robb, Versus Rodin: bodies across space and time (Adeaide: Art Gallery of South Australia), pp. 196-204 Marta Herford, Die innere Haut - Kunst und Scham: The Inner Skin - Art and Shame (exh. cat.) (Bonn: Druckverlag Kettler, 2017) Jonathan Anderson, Andrew Bonacina (eds.), Disobedient Bodies: JW Anderson at The HepworthWakefield (exh. cat.) (London/Wakefield: InOtherWords/The Hepworth Wakefield, 2017), colour illus., pp. 3, 6-7 |
| 2016 |
Sophie Orlando, 'Artistic Tactics and New Internationalism', British Black Art: Debates on Western Art History (Paris: Dis Voir, 2016), pp. 65-93 Bruce Boucher, 'A Memoir and a Monument', Thomas Pongsathorn (ed.), Sir John Soane's Museum, Annual Review 2015 / 16 (London: Cultureshock Media, 2016), PP. 68-75 |
| 2015 | Sarah Lucas, Julian Simmons, I SCREAM DADDIO, British Council, Venice Biennale Deborah Aaronson, Body of Art (London: Phaidon Press Limited, 2015) |
| 2014 | Thomas Howells, Leanne Hayman (eds.), Experimental Eating (London: Black Dog Publishing, 2014) |
| 2013 | Sarah Lucas, Jeanette Pacher, Julian Simmons, András Pálffy, Sarah Lucas, Julian Simmons: NOB, Sadie Coles HQ, London, Secession, Vienna BRITISH BRITISH POLISH POLISH: Art from Europe's Edges in the Long '90s and Today, exh. cat. (Warsaw: Centre of Contemporary Art Ujazdowski Zamek / British Council, 2013) Various authors, Situation Absolute Beach Man Rubble, exh. cat. (London: Whitechapel Gallery 2013) Manuela Ribadeneira, Sarah Lucas Drawing Room Confessions Issue 8, Mousse Publishing, Milano, Italy Julian Simmons, TITTIPUSSIDAD (London: Sadie Coles HQ, 2013) Quinn Latimer, Sarah Lucas: Describe this Distance (Milan: Mousse Publishing, 2013) Sarah Lucas, Angus Cook, Angus Fairhurst, Sarah Lucas: After 2005 Before 2012. Walther Konig, Cologne, Germany Massimiliano Gioni, Natalie Bell (eds.), Il Palazzo Enciclopedico (The Encyclopedic Palace) – 55th International Art Exhibition (Milan: Skira, 2013) Dreams of Reason: Highlights of the Sandretto Re Rebaudengo Collection, exh. cat. (Torun: Centre of Contemporary Art, Torun / Sandretto Re Rebaudengo Collection, 2013) Joanna Mykowska, In the Heart of the Country, exh. cat. (Warsaw: Museum of Modern Art, 2013) Daniel Baumann, Dan Byers, Tina Kukielski, 2013 Carnegie International, exh. cat. (Pittsburgh: Carnegie Museum of Art, 2013) The Weak Sex—How Art Pictures the New Male, exh. cat. (Bern: Kunstmuseum Bern, 2013) Clarissa Dalrymple, Group Exhibition, exh. cat. (St-Jorisstraat: Xavier Hufkens, 2013) Massimiliano Gioni, Gary Carrion-Murayari, Jenny Moore, Margot Norton (eds.), NYC 1993: Experimental Jet Set, Trash and No Star, exh. cat. (New York: Museum of Modern Art, 2013) Anna Moszynska, World of Art: Sculpture Now (London: Thames and Hudson, 2013) |
| 2012 | After 2005, Before 2012, Sadie Coles HQ, London, Koenig, Cologne, Germany Lisa Le Feuvre, Deborah Orr, Anne Wagner, Gilda Williams, Ordinary Things, exh. cat. Henry Moore Institute, Leeds Jeremy Cooper, Growing Up: The Young British Artists at 50, Prestel, London |
| 2011 | Michelle Cotton (ed.), Camulodunum, exh. cat. (Colchester: Firstsite, 2011) Brigitte Borchhardt-Birbaumer, Hans-Peter Wipplinger, LUCAS, BOSCH, GELATIN, exh. cat., (Krems: Kunsthalle Krems / Verlag Der Buchhandlung Walther Koenig, 2011) Women Make Sculpture (London: Pangolin, 2011) El Arte de Comer, Fundacio Caixa Catalunya, Tarragona Manresa, Barcelona, Spain |
| 2010 | Michael Spens, Studio International: Yearbook Special, Issue 2007, Volume 206, Number 1029, The Studio Trust, New York (NY), USA Achim Borchardt-Hume, Keeping it Real: An Exhibition in Four Acts from the D. Daskalopoulos Collection, Whitechapel Gallery, London British Art Show 7: In the Days of the Comet, Hayward Gallery, London Crucible, Pangolin Editions, Chalford, UK The New Décor, Hayward Gallery, London Jane Alison (ed.), The Surreal House: Architecture of Desire, Yale University Press, London Stephen Chambers (ed.), The Royal Academy Illustrated 2010, Royal Academy of Arts, London Martin Myrone (ed.), Rude Britannia, Tate, London Michael Craig-Martin, Art, Galerie Haas & Fuchs, Berlin Gill Saunders, Walls Are Talking: Wallpaper, Art and Culture, Whitworth Art Gallery / KWS Publishers, Manchester, UK / Chicago (IL), USA |
| 2009 | Araki Natsumi, The Kaleidoscopic Eye: Thyssen-Bornemisza Art Contemporary Collection, Mori Art Museum, Tokyo Charlotte Bonham-Carter and David Hodge, The Contemporary Art Book, Goodman, London Christian Rattemeyer, The Judith Rothschild Foundation Contemporary Drawings Collection, Catalogue Raisonné, The Museum of Modern Art, New York (NY) Chris Harrald and Fletcher Watkins, The Cigarette Book, Quartet, London Amna Malik, Sarah Lucas, Au Naturel, Afterall Sommer Contemporary Art Ten, 1999-2009, Sommer Contemporary Art, Tel-Aviv Hans Werner Holzwarth ed., 100 Contemporary Artists, Taschen David Lamas and Anna Dezeuze, Subversive Spaces: Surrealism and Contemporary Art, The Whitworth Art Gallery, Manchester, UK Sarah Lucas, Oliveri Garbay, The Mug (artist publication with Olivier Garbay), Other Criteria, London |
| 2008 | Gabriele Knapstein, “I can’t just slice off an ear every day”: Deconstructing the Myth of the Artist (cat.), Hamburger Bahnhof Museum für Gegenwart, Berlin Cranford Collection 01, Cranford Collection, Guernsey Mary-Kay Lombino, Excerpt: Selections from the Jeanne Greenberg Rohatyn Collection, The Frances Lehman Loeb Art Center, Poughskeepie (NY), USA Jörg Heiser, ‘Sarah Lucas: Kebabs and Corny Puns’, All of a Sudden: Things That Matter in Contemporary Art, Sternberg Press, Berlin Beate Söntegen, ‘Oh Boy it’s a Girl’, Female Trouble, Die Kamera als Spiegel und Bühne weiblicher Inszenierungen (cat.), Hatje Cantz, Ostfildern, Germany Francesco Bonami, Arte Contemporanea, Volume Sei. Duemila, La Biblioteca di Repubblica-l’Espresso, Electa, Milan, Italy Francesco Bonami (ed.), God & Goods: Spirituality and Mass Confusion, Villa Manin Centro d’Arte Contemporanea, Udine, Italy Silke Hohmann, Stations: 100 Meisterwerke Zeitgenössischer Kunst, Dumont Buchverlag, Cologne, Germany Tiddy Rowan, London: a guide to modern + contemporary ART in the city, Quadrille, London Beatrix Ruf, Blasted Allegories: Works from the Ringier Collection, JRP Ringier, Zurich, Switzerland |
| 2007 | Francesco Bonami (ed.), Michele Robecchi, Supercontemporary: Sarah Lucas, Electa, Milan, Italy Emily Butler, Aftershock: Contemporary British Art 1990-2006, The British Council, London Gabriele Schor, Held Together With Water: Art from the Sammlung Verbund, Hatje Cantz, Ostfildern, Germany Franz West (cur.), Soufflé, eine Massenausstellung, Kunstraum Innsbruck, Austria |
| 2006 | In the darkest hour there may be light: Works from Damien Hirst’s murderme collection, Serpentine Gallery / Other Criteria, London S Brent Plate, Blasphemy Art That Offends, Black Dog Publishing, London David Hopkins, Dada’s Boys, The Fruitmarket Gallery, Edinburgh Body Face Soul: The Female Image from the 16thto the 21stCentury, Leopold Museum, Vienna Luigi Settembrini, Claudia Gian Ferrari & Francesca Sorace, Il diavolo del focolare: The Devil of Hearth and Home, La Triennale di Milano, Milan, Italy Adam Lindeman, Collecting Contemporary, Taschen, Cologne, Germany |
| 2005 | Shaun O’L. Higgins, Colleen Striegel, Press Gallery, New Media Ventures, Spokane (WA), USA Empreinte Moi, Galerie Emmanuel Perrotin, Paris LAT, Odapark, Venray, The Netherlands Alyce Mahon, Eroticism & Art, Oxford University Press, Oxford, UK Sculpture, Galerie Elisabeth & Klaus Thoman, Innsbruck, Austria Yilmaz Dziewior & Beatrix Ruf (eds.), Sarah Lucas: Exhibitions and Catalogue Raisonné 1989 – 2005, Hatje Cantz Verlag, Ruit, Osfildern / Tate Publishing, London Visionaire 46: Uncensored by Mario Testino, Visionaire Publishing, New York (NY), USA Breaking the Mould: 20thCentury British Sculpture from Tate, Norwich Castle and Tate Publishing, Norfolk, UK Sarah Lucas and Olivier Garbay, God is Dad, Sadie Coles HQ and Koenig Books, London Body: New art from the UK, Vancouver Art Gallery and the British Council, Vancouver, Canada Y[oung] B[ritish] A[rtists] Criss-Crossed, Kaare Bernsten Galleri, Oslo, Norway God is Dad, Barbara Gladstone Gallery, New York (NY), USA Shaun O’L.Higgins & Colleen Striegel, Press Gallery: The Newspaper in Modern Art, New Media Ventures, Inc., p.142-143 |
| 2004 | Central Station: la collection Harold Falckenberg, la maison rouge et Fage editions, Paris Florian Illies, Silke Immenga, Werke Aus Der Sammlung Boros, Museum für Neue Kunst, Karlsruhe, Germany Charlotte Cotton, The Photograph as Contemporary Art, Thames and Hudson, London The Place To Be, Crac Alsace, Alsace, France Briony Fer, The Infinite Line, Yale University Press, New Haven and London Skulptur. Prekarer Realismus zwischen Melancholie und Komik, Kunstalle Wien, Vienna, Austria Stripped Bare: The Body Revealed in Contemporary Art, Merrell Publishers, London Gifted, University of the Arts, The Arts Gallery, London In-A-Gadda-Da-Vida, Tate Publishing, Tate Britain, London Just Love Me. Post-Feminist Art of the 1990’s from the Goetz Collection, Bergen Art Museum, Bergen, Norway Sexes: images- pratiques et pensées contemporaines, Collection dirigée par Fabrice Bousteau, beaux arts magazine: livres Antje Majewski et al., Atomkrieg, Lukas and Sternberg, New York (NY), USA Brandon Taylor, Collage: The Making of Modern Art, Thames and Hudson, London |
| 2003 | Roken in de kunst, Kunsthal Rotterdam, Rotterdam, The Netherlands / Ludion, Amsterdam A Bigger Splash: Uma Seleção de Arte Britânica da Coleção da Tate 1960-2003 / A Bigger Splash: A Selection of British Art from Tate Collection 1960-2003, Connects, São Paulo, Brazil Bad Behaviour from the Arts Council Collection, Hayward Gallery Publishing, London BIDA 2003 – Bienal Internacional del Deporte en el Arte, Salamanca, Spain La Biennale di Venezia 50thInternational Art Exhibition “Dreams and conflicts: The Dictatorship of the Viewer”, Giardini della Biennale – Arsenale, Venice |
| 2002 | Face Off: A Portrait of the Artist, Kettle’s Yard, Cambridge Bice Curiger, Kunst Expansiv – Zwischen Gegenkultur und Museum, Lindinger + Schmid Verlag GdbR, Regensburg, Germany Gill Saunders, Wallpaper in Interior Decoration, V&A Publications, London Tim Marlow on Tate Modern, Spafax Publishing, London Matthew Collings, Sarah Lucas, Tate Publishing, London Burkhardt Riemschneider, Art Now, Taschen, Cologne, Germany Stefan Schmidt-Wulffen, Perfektimperfekt, Modo, Freiburg, Germany Virginia Button, The Rowan Collection – Contemporary British and Irish Art, Irish Museum of Modern Art, Dublin Stephen Feeke, Second Skin, Henry Moore Institute, Leeds, UK Louisa Buck, Art Work of the Month, Arts Tate, London, February Alice Dewey (ed.), New – Recent Acquisitions of Contemporary British Art, National Galleries of Scotland, Edinburgh No World Without You – Reflections of Identity in New British Art, Herzliya Museum of Art, Tel Aviv, Israel PoT: The Liverpool Biennial of Contemporary Art – The Independent Die Wohltat der Kunst: Post\Feministiche Positionen der neunziger Jahre aus der Sammlung Goetz, Walther König, Cologne, Germany Comer o no Comer o las relaciones del arte con la comida en el siglo XX, Centro de Arte Salamanca, Salamanca, Spain Archivio Alfonso Pons, Koldo Kitxelena Kulturunea Chris Townsend, Rapture: Art’s Seduction by Fashion since 1970, Thames and Hudson, Barbican Centre Art Galleries, London |
| 2001 | Dr Thomas Kellein, The Surreal Woman: Femaleness and the Uncanny in Surrealism, Kunsthalle Bielefeld, Bielefeld, Germany Louisa Buck, The Colony Room Club - 2001 A Space Oddity, The Colony Room Club and A22 Projects, London Nechama Gottlib and Andrew Renton, British Artists in Israel, Hertzliya Museum of Art, Tel Aviv, Israel Lewis Biggs and Fang-wei Chang, Field Day Sculpture from Britain, Taipei Fine Arts Museum and British Council, Taiwan Martin Maloney, I am a Camera, Saatchi Gallery / Booth Clibborn Editions, London Peter Friese, Ohne Zögern – Without Hesitation: views of the Olbricht Collection, Neues Museum Weserburg, Bremen, Germany Dr Gerhard Finckh, Freestyle: Werke aus der Sammlung Boros, Museum Morsbroich, Leverkusen, Germany Paul Schimmel, Public Offerings, Museum of Contemporary Art, Los Angeles (CA), USA / Thames and Hudson, London Fiona Carson and Claire Pajaczkowska, Feminist Visual Culture, Edinburgh University Press, Edinburgh Matthew Higgs, City Racing 1988-1998: a partial account, I.C.A., London Francesco Bonami, Uniform: Order and Disorder, Stazione Leopolda, Florence, Italy Rachel Lowther, Aline Duriaud, James Dawson-Hollis, Death Race 2000, video catalogue, Thread Waxing Space, New York (NY) Sarah Kent, ‘YBA Woman’, Thames & Hudson World of Art: 45thBirthday Issue Uta Grosenick, Women Artists in the 20thand 21stCentury, Taschen, Cologne, Germany Breaking the Mould: 20thCentury British Sculpture from Tate, A Tate Partnership Exhibition, Museum & Art Gallery, Norwich Castle, Norwich, UK Angela Lampe, Die unheimliche Frau. Weiblichkeit im Surrealismus, Kunsthalle Bielefeld, Heidelberg, Germany |
| 2000 | Virginia Button, Charles Esche, Intelligence: New British Art, Tate, London Victoria Combalia and Angus Cook, Sarah Lucas – Self Portraits and More Sex, Tecla Sala, Barcelona, Spain Eva Meyer-Hermann, The Oldest Possible Memory, Sammlung Hauser und Wirth, St Gallen, Switzerland Bice Curiger, Hypermental, Kunsthaus Zurich, Zurich, Switzerland Bice Curiger (ed.) Cream 2, Phaidon Books, London Puerile 69: Angus Fairhurst, Michael Landy, Sarah Lucas, Gillian Wearing, Richard Shone, The Living Art Museum, Reykjavik Norman Rosenthal, Sex and the British, Thaddeaus Ropac Galerie, Salzburg, Austria David Ross, Nicholas Serota, Ida Giannelli, Giorgio Verzotti, and Jonathan Watkins, Quotidiana: Immagini della viat di ogni giorno nell’arte del xx secolo/The Continuity of the Everyday in 20thCentury Art, Castello di Rivoli, Turin, Italy / Charta, Milan, Italy Helena Cabello and Ana Carceller, Zona F, Espai d’Art Contemporani de Castello, Castello, Spain Julian Stallabrass, High Art Life, Verso Books, London Matthew Higgs, Pippa Coles and Jacqui Poncelet, The British Art Show 5, Hayward Gallery Touring Exhibitions, London Psycho, Art and Anatomy, Anne Faggianato, London |
| 1999 | Art at the Turn of the Millennium, Taschen, Cologne, Germany Matthew Collings, This Is Modern Art, Weidenfeld & Nicholson, London Michel van der Mast, Me Myself I, Contemporary Self Images, Hagues Historisch Museum, The Hague, The Netherlands The Anagrammatical Body, Neu Galerie am Landesmuseum Joanneum, Graz, Austria |
| 1998 | REAL LIVE: New British Art, Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan Self Portraits - A Collection, Caldic Collection, Rotterdam, The Netherlands Photography As Concept-4 Internationale Foto-Triennale Esslingen, Galerien der Stadt Esslingen Villa Merkel, Esslingen, Germany Caoimhin Mac Giolla Leith, Hungry Ghosts, Douglas Hyde Gallery, Dublin Contemporary British Art, National Museum of Contemporary Art, Korea Gregor Muir ‘Sarah Lucas’ in New Art From Britain, Kunstraum Innsbruck, Innsbruck, Austria Elizabeth Janus (ed.), Die Rache der Veronika: Fotosammlung Lambert, Scalo, Zurich, Switzerland / Deichtorhallen Hamburg, Hamburg, Germany Zdenek Felix (ed.) Emotion: Young British and American Art from the Goetz Collection, Deichtorhallen Hamburg, Hamburg, Germany Jerry Saltz (ed.), An Ideal Syllabus: Artists, Critics and Curators Choose the Books We Need to Read, Frieze, London |
| 1997 | Johnnie Shand Kydd, Spitfire: Young British Artists, Thames and Hudson, London Brigitte Kolle (ed.), Sarah Lucas, Portikus, Frankfurt-am-Main, Germany Yilmaz Dwiezior (ed.), Car Park, Museum Ludwig, Cologne, Germany Package Holiday – works from the Ophiuchus Collection, Sadie Coles HQ, London Gilda Williams, Strange Days, Claudia Gian Ferrari Arte Contemporanea, Milan, Italy Matthew Collings, Blimey!: From Bohemia to Britpop: The London Artworld from Francis Bacon to Damien Hirst, 21, London Artists form the UK, with an interview by Ingvild Goetz, Sammlung Goetz, Munich, Germany Louisa Buck, Moving Targets: A User’s Guide to British Art Now, Tate Gallery Publishing, London Norman Rosenthal & Simonetta Fracquelli (eds.) Sensation, Royal Academy of Art, London Kate Bush and Gregor Muir (eds.), Assuming Positions, ICA, London |
| 1996 | Karel Schampers (ed.), Sarah Lucas, contributions by Jan van Adrichem, ‘Things That Have To Come About’ & Angus Fairhurst, ‘Concrete Dreams’, Museum Boymans-van Beuningen, Rotterdam, The Netherlands Richard Flood (ed.), Brilliant! New Art from London, contributions by Neville Wakefield, ‘Pretty Vacancy’, Stuart Morgan, ‘Briller A Tawdry Flickwort!’, Richard Flood, ‘The Levellers’, Douglas Fogle, ‘Bad Science’. Includes excerpt from an interview with Sarah Lucas by Marco Spinelli, Walker Art Centre, Minneapolis (MI), USA Godfrey Worsdale (ed.), Co-operators, includes ‘Lucas & Emin’ artists’ statement, Southampton City Art Gallery, Southampton, England From Figure to Object: A Century of Sculptors’ Drawings, Frith Street Gallery & Karsten Schubert Gallery, London Hans Ulrich Obrist (ed.), Live/Life, text by Gregor Muir, ARC Musee de la Ville de Paris, Paris |
| 1995 | Carl Freedman (ed.), Minky Manky, includes an interview with the artist, South London Gallery, London Corpus Delicti: London in the 1990’s, Kunstforeningen, Copenhagen Masculin/Feminine, text by Marie-Laure Bernadac, Musée National d’Art Moderne, Centre Pompidou, Paris |
| 1994 | Sarah Kent, ‘Sarah Lucas’, Shark Infested Waters: The Saatchi Collection of British Art in the 90’s, Zwemmers, London Chris Dercon (ed.). Cahier 2, includes articles about the exhibition Watt and a transcript of a group discussion with the artists, Witte de With, Rotterdam, The Netherlands /: Richter Verlag, Dusseldorf, Germany Football Karaoke (curated by Georg Herold), catalogue in the form of a limited edition box containing a multiple by each artist, Portikus, Frankfurt-am-Main, Germany |
| 1993 | Robert Evren, Sarah Lucas, Steven Pippin: projects 44, Museum of Modern Art, New York (NY) |
| 1990 | Liam Gillick & Andrew Renton (eds.), Technique Anglais: Current trends in British Art, Thames & Hudson/One Off Press, London |
Articles, Magazines and Reviews
| 2017 |
Caroline Elbaor, 'Sarah Lucas is Taking over Berlin this Easter Weekend with Eggy Happenings', Artnet News, 13 April 2017 Louisa Buck, 'Wonderfully Idiosyncratic: JW Anderson's Disobedient Bodies at Hepworth Wakefield', The Telegraph, 24 March 2017 |
| 2016 |
Sarah Lucas and Olu Odukoya, 'Sarah Lucas: Liberty, Curated by Olu Odukoya', Modern Matter, No. 11, December 2016 [pull-out feature] Diane Solway, 'The Escape Artist', W Magazine, August 2016, pp. 108-111 Gianluigi Colin, ‘La Calze di Sarah’, La Lettura (Corriere della Serra), no. 227, 03 April, cover, p. 47 |
| 2015 | Lynn Barber, ‘The Future’s Yellow’, Sunday Times Magazine, 10 May, pp. 32 – 37 Sarah Crompton, ‘Sarah Lucas Q & A’, The Observer, 10 May Charlotte Higgins, ‘Sarah Lucas: “I Have Several Penises, Actually”’, The Guardian, 06 May Alastair Sooke, ‘Walls of Custard Cut the Mustard’, The Daily Telegraph, 06 May, p. 31 Charlotte Higgins, ‘Lucas at the Venice Biennale: A Streak of Naughtiness, Set in a Custard-Yellow Sea’, The Guardian, 06 May, p. 3 Adrian Searle, ‘Bawdy Moments Frozen in Time’, The Guardian, 06 May, p. 3 Karen Wright, ‘Flesh in Venice’, The Independent, 06 May, pp. 46 – 47 Will Gompertz, ‘Review: Sarah Lucas at the Venice Biennale’, BBC News, 06 May Marcus Field, ‘Smoking Show with Extra Sauce’, London Evening Standard, 06 May, p. 34 Louisa Buck, ‘Sweet Smell of Success for Sarah Lucas at the British Pavilion’, The Art Newspaper, 05 May Phil Miller, ‘Artist Sarah Lucas Unveils Show Inspired by Maradona in Venice’, The Herald, 05 May Skye Sherwin, ‘Sarah Lucas, British Pavilion: The Provocative British Artist Still on Top at the Venice Biennale, W Magazine, 05 May Richard Riley, ‘Why Sarah Lucas for the British Pavilion in Venice’, British Council, 05 May Caroline Roux, ‘British Pavilion: Sarah Lucas’, The Financial Times, 01 May Louisa Buck, ‘Sarah Lucas: Full English’, The Art Newspaper: Venice Biennale Guide 2015, May, pp. 3, 25 – 26 Sarah Hall, ‘A Natural Elegance’, frieze, no. 171, May, pp. 164 – 171 Julian Simmons, ‘Getting Plastered’, FT Weekend Magazine, 25 – 26 April, pp. 22 – 25 Jan Dalley, ‘Openings: Nothing to Rock the Gondola’, FT Weekend, 25 – 26 April, 2015 Ken Johnson, ‘All Back in the Skull Together’, New York Times, 09 April |
| 2014 | Marta Gnyp, ‘Tittipussyity’, Zoo Magazine, no. 44, June, pp. 196 – 208 Matthew Evans, O32c, Summer 2014, p.269 Nick Compton, ‘Block Solid’, Wallpaper Magazine, May 2014 Aimee Farrell, Milan Design Week: The 10 Pieces to Take Home, Vogue, 14th April Rosie Neve, ‘Sarah Lucas Furniture’, Another Magazine, April 09 2014 Jo Applin, Artforum, February 2014, p.223-224 Jonathan Jones ‘Fancy a breeze-block sofa? Sarah Lucas unveils her first foray into furniture’, The Guardian, Tuesday 8th of April David Nicholls, ‘Salone del Mobile highlights’, Telegraph, April 2014 Skye Sherwin, ‘Bad Girl Artist Sarah Lucas Offers a Chair’, W Magzine, 08thApril Ken Johnson, ‘Sarah Lucas: “Nud Nob”’, The New York Times, 20 March 2014 Neil Young, ‘About Sarah: Rotterdam Review’, The Hollywood Reporter, 24 February Kate Sutton, ‘Critics’ Picks: Sarah Lucas’, Artforum online, March 2014 Teddy Jamieson, ‘The life and times of Sarah Lucas’, The Herald, 02 February 2014 Mark Prince, ‘Sarah Lucas’, Art in America, February 2014 Jo Applin, Artforum, February 2014, p.223-224 |
| 2013 | Will Stokes, ‘Sarah Lucas: Situation Absolute Beach Man Rubble’, Saatchi Magazine, Winter 2013 Dan Fox, ‘Then & Now’, Frieze, No. 159, November – December 2013, p.100-106 Gregorio Magnani, ‘TheSuffolk Community’, Anew Mgazine, Fall / Winter 2013, Issue # 2 Iwona Balzwick, ‘Portrait of an Artist: Sarah Lucas’, Vanity Fair, 01 November, p. 337 ‘The Hot List’, Time Out Magazine, 15 October Waldemar Januszczak, ‘Feminine Mystique’, The Sunday Times Culture Magzine, 13 0ctober, p. 16-17 Zoe Pilger, The Independent, 10 October, p.38 Ben Luke, ‘Classical, Lude & Loaded with Atttitude’, The Art Newspaper, October Adrian Searle, ‘Sarah Lucas at the White Chapel: More than the Sum of her Parts’, The Guardian, Monday 30THSeptember Alastair Sooke, ‘A Brilliant Caper’, the Telegraph Magazine, 07 September Jonathan Jones, ‘Sarah Lucas is a far better sculptor than Moore or Hepworth Ever Were’, Guardian Online, 01 July ‘Situation’, POP Magazine, Issue 28, Spring Summer 2013 Marcus Field, ‘Art Review: Venice Biennale’,The Independent 01 June 2013 Skye Sherwin, ‘Do It: The art of command’, The Guardian, 24 May 2013 Alistair Sooke, ‘Venice Biennale 2013’, The Daily Telgraph 30 May 2013 ‘Exhibitons in Brief’, Art + Auction, April 2013, p. 134 J.J. Charlesworth, Art Review, Issue 65, January – February, p. 69 - 73 |
| 2012 | ‘Dad is God (Kooks)’, Arnea Homme +, A / W 2012, Issue 38 J.J Charlesworth, ‘Sarah Lucas – Rose Bush’, ArtReview, Issue # 62, October, p. 116-117 Gabriela Jauregui, Frieze, September, no. 149, p. 191 Gilda Williams, Artforum, Summer 12, Issue 50, p.328 A Rich Artists Guilt’, The Week, August 2012 Jessica Bradbury, ‘SITUATION ROSE BUSH’, POP, August Adrian Searle, ‘Dirty Pretty Things’, (G2) The Guardian, 19thJuly 2012, p. 18 Mariuccia Casadio, ‘Liminal – Choices’, Vogue Italia, July, N. 743 Nicholas Cullinan, ‘What do you want in your face?’, Mousse, 32, February Ben Luke, ‘Reviews: Sarah Lucas, Situation’, Evening Standard, 20 February 2012 2011 William Corwin, ‘In Conversation with Sarah Lucas’, The Brooklyn Rail, September, p.17 Jan Dalley, ‘YBA’s Come Out to Play’, Financial Times Magazine, June 4th, p. 19 Aida Edemariam, ‘The Saturday Interview: The YBA we All Forgot’, The Guardian, Saturday 28 May Laura Barnett, ‘Polly Morgan, Sarah Lucas and the rise of the female sculptor’, The Guardian, 22 May |
| 2010 | Jackie Wullschlager, ‘Caviar and Chewing Gum’, Financial Times, 30-31 October Adrian Searle, ‘British Art Show 7: have I got spews for you’, guardian.co.uk, 25 October ‘British Art Show 7 opens in Nottingham’, BBC Arts & Culture, 22 October Chris Bors, ‘Critics’ Picks: Sarah Lucas’, Artforum.com, 18 August Nicholas Cullinan, ‘Just Where do you Draw the Line?’, Mousse, 24, July Cristina Ruiz and Javier Pes, ‘Still a “Sensation”?’, The Art Newspaper: Art Basel daily edition, June |
| 2009 | Daniel Baumann, ‘Portrait, Sarah Lucas: Rejection and attraction’, Spike, 22, December Tracey Emin, ‘Shop girls’, The Times Magazine, 26 September Dan Fox, ‘Sarah Lucas’, Frieze, March Hermione Eyre, ‘How We Met: Olivier Garbay and Sarah Lucas’, The Independent, 15 February |
| 2008 | Adrian Searle, ‘Empty-headed horror’, The Guardian, 28 October Fisun Güner, ‘Art Review: Sarah Lucas: Penetralia’, Metro, 24 October Rebecca Geldard, ‘Reviews: Sarah Lucas’, Time Out London, 23-29 October Ben Hoyle, ‘the bulletin’, The Times, 15 October Deborah Orr, ‘Sarah Lucas: Britart’s Original Bad Girl Speaks Out’, The Independent, 8 October Marchk Irving, ‘Sarah and the peer ride out’, The Times, August 26 John Slyce, ‘Sensation’, Flash Art, July – September, no. 261 (reprint of original article in Flash Art , no. 197, 1997) ‘Making of: Sarah Lucas, Two Fried Eggs and a Kebab, 1992’, Monopol, No. 9 Richard Cork, ‘From mantelpiece to manor house’, Financial Times, 12-13 July ‘Perceval is drawing attention at the Manor’, Bucks Herald, 9 July ‘Sarah Lucas’, The New Yorker, 14 January ArtReview International, January Daddy N° 5, March Das Making-of der Meisterwerke (The Making-of), Monopol, No.9, June |
| 2007 | Audrey Jaynes, ‘Horsing Around’, www.archpaper.com/news/2007_1116.htm, 19 November ‘Calendar: Sculpture, Horse and Carriage’, The New York Sun, Tuesday 13 November Carol Vogel, ‘Inside Art: No Carriage Rides, Please’, The New York Times, Friday 10 September Paolo Virno, ‘Jokes and Innovative Action: For a Logic of Change’, Waldemar Januszczak, ‘Tomorrow’s Old Masters’, Sunday Times Magazine, 1 April ‘306250 Franken- Sarah Lucas: Nobby’, Bazartmagazin, Friday 15 June Clifford Coonan, ‘Tracey’s Bed is Re-made in China’, The Independent, 20 March |
| 2006 | ‘Not Santa’s Stocking Surely’, The Times, 9 December Alice Fordham, ‘Have a Saucy Christmas’, The Times, 9 December Sarah Lee, ‘Christmas Listings’, The Guardian, 9 December Charlie Bibby, ‘Tight Spot: Christmas lit up by Lucas’, Financial Times, 9 December ‘The Tate’s Christmas Sauce’. The Daily Mail, 9 December Tom Teodorzuk, ‘The Art of (Un)dressing Tate’s Tree’, The Evening Standard, 8 December Fiona Macdonald, ‘Rebels with a Cause’, Metro, 27 November Laura Cumming, ‘Mr Hirst Went Shopping…’, The Observer Review, 3 December Sarah Kent, ‘Death Becomes Him’, Time Out, 22–29 November Jason Burke, ‘Paris Loses its Heart to Modern Art’, The Observer, 29 October Sarah Lucas & John Currin, ‘Women’, Wrong Times, October Rosanna Greenstreet, ‘Sarah Lucas’ Q & A’, The Guardian, 7 October, 2006 Vanessa Thorpe, ‘Lorry Drivers Pin Ups add a Touch of Steamy Menace to Art in the Park’, The Observer, 8 October ‘In the Frame’, The Art Newspaper, June ‘Art Now Volume 2’, Lufthansa Magazine, March Morgan Falconer, ‘Sarah Lucas’, The Burlington Magazine, February ‘Sarah Lucas: Hand to Mouth’, interview with Massimiliano Gioni, ArtPress, March Matthew Collings, ‘More on Painting’, Modern Painters, February |
| 2005 | Rachel Cooke, ‘My My, Miami’, The Observer, 11 December ‘Selected by the stars’, The Art Newspaper: Art Basel / Miami Beach, 4 December ‘Five Best Shows Around the Country’, The Independent, 26 November Jonathan Jones, ‘Sarah Lucas’, Guardian, 15 November ‘Young British Artist’, your move, 11–24 November ‘Exhibitions Pick of the Week’ Guardian Guide, 5 November ‘What’s On’, The Art Newspaper, November Camilla Long, ’24-hour arty people, Tatler, November Charlotte Cripps, ‘Living in a material world’, Independent, 31 October ‘Five Best Exhibitions’, Independent, 31 October ‘Sarah Lucas Exhibition Opens at Tate Liverpool’, Artdaily.com, 31 October ’10 Hot things to do Now’, Grazia, 31 October ‘Pick of the Week’, Guardian Guide, 29 October Philip Key, ‘Cooking up a storm of controversy in the arts’, Daily Post, 28 October Helen Duff, ‘Sarah Lucas’, Metro, 28 October ‘Lucas at the Tate’ The Chronicle, 28 October Peter Chapman, ‘Sarah Lucas’, The Independent, 22–28 October Mark Irving, ‘If this table could talk’, The Knowledge, 22 October ‘Top Five Galleries’, The Times, 22 October Nick Hackworth, ‘Why did the chicken cross the table? To get into the sculpture exhibition’, The Evening Standard, 21 October Raul Zamudio, ‘Sarah Lucas’, Flash Art, May/June ‘GOD IS DAD: A special issue by Sarah Lucas’, G2, The Guardian, 17 October Gordon Burn, ‘I sometimes wonder how long I’ve got’ The Guardian, 17 October ‘Sarah Lucas’, The Times, 1–7 October ‘Sarah Lucas’, Anstoss, Special Ediiton: Fussball: Kunst Rundlederwelten, October - December John Miller, ‘Sarah Lucas: Kunstverein Hamburg’, Artforum, October Ana Doninguez Siemens, ‘Mira mi cuerpo’, Chic, October ‘Serious Joker’, Loaded Fashion, Autumn/Winter ‘Sarah Lucas’, Beyzok Konak, August A C Grayling, ‘An Uncooked Perspective on Sex’, Tate Etc., Autumn Gerhard Mack, ‘Woe sie auftaucht, geht’s zur Sache’, Art, July Dominique von Burg, ‘Das Gefesselte Poulet Fasziniert’, Zürichsee-Zeitungen, 7 June ‘Geniales Bad Girl’, Annabelle, 6 June ‘L’artiste Sarah Lucas, Sexe et Trash’, Tribune de Genève, 28–29 May Niklaus Oberholzer, ‘So Drastisch hat Kunst selten Provoziert’, Neue Luzerner Zeitung, 28 May ‘Sarah Lucas: Vom Übermass an Anspielungen’ St. Gallen Tageblatt, 22 April ‘Amüsierkunst, Kunshalle Zürich: Sarah Lucas’, Bazkulturmagazin, 18 April Karl Wüst, ‘Alltagskunst der Gröberen Art’, Aargauer Zeitung; Berner Rundschau; Grenchner Tagblatt; Solothurner Zeitung, 14 April Karl Wüst, ‘Gebrauchter Unterhosen und Spiegeleier als Metaphern für Männliche Gewalt’, Die Südostschweiz, 11 April Thierry Frochaux, ‘Symbole’, P.S. 7, April Karl Wüst, ‘Kunst gegen Männergewalt’, Zürcher Oberländer, 6 April Sascha Renner, ‘Arrangements de “Rein und Raus”’, Tages Anzeiger, 6 April ‘Männliche Redewendungen und Weibliche Kunst-Spiegelei’, SonntagsZeitung, 5 April Urs Steiner, ‘Das Einsame Spiel der Liebe’, Neue Zürcher Zeitung, 5 April Annelise Zwez, ‘Sie Schockiert und Trifft den Nerv’, Bieler Tagblatt, 5 April Karl Wüst, ‘Gegen Männliche Gewalt’, Der Landbote, 2 April ‘Mit Nonchalance’ Züritipp, 31 March Noam M. Elcott, ‘Sarah Lucas, ‘God is Dad’, Time Out New York, 3–9 March Daniel Kletke, ‘God is Dad’, Artnet Magazine, February Roberta Smith, ‘Sarah Lucas’, Art in Review, February ‘Srontata, volgare e crudele, Sarah Lucas dalla Gladstone’, Arte, February Manual Bonik, ‘Sarah Lucas’, journal Antoss 03 Rundlederwelten, No. 3, October- December, p.128-129 |
| 2004 | Linda Yablonsky, ‘What’s so Funny about Contemporary Art’, ARTnews, September Dafydd Jones, ‘In-A-Gadda-Da-Vida’, ArtReview, Volume LIV, April Andrew Renton, ‘There is life after Hoxton’, Evening Standard, 6 January Laura Cumming, ‘Family Favourites: The Fourth Plinth’, The Observer, 18 January Helen Sumpter, ‘Dead Bird Show’, Time Out, 30 December – 7 January Martin Herbert, ‘The Fourth Plinth’, Time Out, 30 December - 7 January ‘Art 35 Basel’, Swiss Magazine, June Juergen Teller, ‘On Sarah Lucas’s The Man who sold the World’, Tate Etc, issue 1, Summer Melissa Gronlund, ‘Tate Britain: In-A-Gadda-Da-Vida’, Contemporary, no. 63 Rosalind Furness, ‘In-A-Gadda-Da-Vida’, Modern Painters, Summer Jonathan Brown and Genevieve Roberts, ‘Hirst statue survives but toll of other artists’ work grows’, The Independent, 28 May Jack Malvern and Saen O’Neill, ‘Britart’s finest bear brunt of £20m warehouse fire’, The Times, 27 May Jack Malvern and Helen Nugent, ‘Britart masterpieces feared lost in blaze’, The Times, 26 May Mark Beasley, ‘In-A-Gadda-Da-Vida’, Frieze, Issue 84 Colin Gleadell, ‘Fair gains all round’, ArtReview, Volume LIV, May Ralf Schluter, ‘Unschuld verloren’, Art das Kunstmagazin, No. 5, May Lucian Harris, ‘Che noia la Yba’, Vernissage, No. 49, May David Ebony, ‘In-A-Gadda-Da-Vida at Tate Britain’, Art in America, May Morgan Falconer, ‘In-A-Gadda-Da-Vida’, Art Monthly, No. 275, April Daisy Garnett, ‘Team Spirit in Vogue’, Vogue, April ‘Le Mostre, Inghilterra’, Arte, April ‘Cruci-fiction?’ Time Out, 7-14 April Critics’ Choice, ‘In-A-Gadda-Da-Vida’, Time Out, 31 March - 7 April Critics’ Choice, ‘In-A-Gadda-Da-Vida’, Time Out, 24-31 March Richard Dorment, ‘In the garden of horrors’, The Telegraph, 3 March Nigel Reynolds, ‘A six-legged calf in paradise’, The Telegraph, 3 March Terry Kirby, ‘A six-legged calf and a Christ made of cigarettes. Damien’s back and this time he’s brought his friends.’ The Independent, 3 March Dalya Alberge, ‘Full frontal view of Eden in Tate’s latest art shocker’, The Times, 3 March Tom Rosenthal, ‘Sexing up their Eden project’, The Times, 3 March Adrian Searle, ‘Trouble in Paradise’, The Guardian, 2 February Luke Leitch, ‘Young British artists regroup for “Garden of Eden” extravaganza’, Evening Standard, 2 March Sarah Kent, ‘The Eden Project’, Time Out, 25 February - 3 March Martin Gayford, ‘Would you Adam and Eve it?’, Telegraph Magazine, 28 February Brian Sewell, ‘Smut with a touch of grandeur’, Evening Standard, 5 March Charlotte Mullins, ‘A way-out Garden of Eden’, Financial Times, 5 March Laura Cumming, ‘Oh do look, a calf with six legs’, The Observer, 7 March Waldemarc Januszczak, ‘The rot of ages’, The Sunday Times, 7 March Tom Lubbock, ‘Unoriginal sins’, The Independent, 9 March Sarah Kent, ‘Sex, death, banana’, Time Out, 10-17 March Charles Darwent, ‘All about Eve (another raw deal?)’, The Independent on Sunday, 17 March Lavinia Murray, ‘In-A-Gadda-Da-Vida’, Flux, Issue 41, March Karen Wright, ‘Gallery: In-A-Gadda-Da-Vida’, Modern Painters, Spring Critics Choice Art, ‘In-A-Gadda-Da-Vida’, Time Out, 10-17 March Richard Dyer, ‘Angus Fairhurst, Damien Hirst, Sarah Lucas: In-A-Gadda-Da-Vida’, Contemporary, no. 61 March Louisa Buck, ‘Meagre meal for Tate Britain’s fish population’, The Art Newspaper, No. 146, April Louisa Buck, ‘Contemporary, Shows this year’, The Art Newspaper, The Year Ahead 2004, January Joanna Mytkowska, ‘Autoportret z sadzonymi jajami’, Wysokie Obcasy, Nr 7 (255) Walentynki, Poland |
| 2003 | Brian Muller, ‘212121 Painting, from Postconceptualism to Recontextualism’, Contemporary, No. 58 ‘The Saatchi Gallery’, Time Out Supplement, October Helen Sumpter, ‘All Bar Three’, ArtReview, March Helen Sumpter, ‘Temple of Bacchus’, Modern Painters, Summer Holly Walsh, ‘Sarah Lucas, Colin Lowe and Roddy Thomson’, Frieze, No. 76 June - August Jessica Lack, ‘The Temple of Bacchus’, The Guide, 22-28 March Susie Steiner, ‘Living with a young master: Meat Sarah Lucas’, The Guardian, 21 June |
| 2002 | Louisa Buck, ‘Artwork of the Month’, Tate@ BBC website, 27 February Christie’s Education London, March/April Louisa Buck, ‘London diary’, The Art Newspaper, No. 124, April Michael Craig-Martin, ‘details, close-ups and surfaces’, Modern Painters, Vol.15, Spring Matthew Collings, ‘The Mad and the God’, Modern Painters, Vol. 15, Spring ELLE (Japan), No. 213, July Carrie O’Grady, ‘What to see and do at Hay’, The Guardian, 1 June JJ Charlesworth, ‘The Root of the Evil’, Modern Painters, Summer Angelique Chrisafis, ‘Boyd and Geldof join Haymakers’, The Guardian, 1 June Contemporary, Special Issue 2002, June - August Richard Cork, ‘Rude Awakening’, The Times, 23 November 2001 John Simmons, ‘All the Rage, & (Ampersand)’, March/April Pryle Behrman, CVA, Issue 32 Tim Marlow in conversation with Sarah Lucas at Tate Modern, Tate Magazine, March Rowan Moore, Evening Standard, 23 January Oliver Bennet, ‘Naughty But Nice’, The Independent Magazine, 30 June Fisun Guner, ‘Sarah Lucas: Cake’, Metro Life, 5 July Robert Rigney, ‘Confessions of an ‘Art Freak’, Artnews, March J. Goulder & A. Moore, ‘The Contemporary Art Market’, London Paulina Kolczynska, ‘The First Quarter ‘The Armory’ Retrospective’, Tema Celeste, May-June Maev Kennedy, ‘Sarah’s spread, Lucas and the art of cake making’, The Guardian, 6 July ‘Bunny Girls Get Stuffed’, Mouth to Mouth, Beastly Issue Suzanne Muchnic, ‘Ascent of the Early Risers, Los Angeles Times, 1 April ‘MOCA Examines Points of Emergence of Today’s Significant Artists’, Antiques & the Arts, 30 March Christopher Miles, ‘MOCA Takes Stock of the ‘90s’, Art & Auction, 1 April David Pagel, ‘Before Their Art Was Famous’, Los Angeles Times, 4 April Jack Briggs, LADowntownNews.com, 9 April January Tumil, ‘Public Offerings’, Artforum, January Irit Krygier, ‘Hello 21stCentury’, artnet.com Suvan Geer, ‘Viewpoint’, Artweek, July Ralph Rugoff, ‘Right time, right place, wrong art’, Financial Times, 11 May Victoria Marchtin, ‘Memo from LA’, Artweek, June Clayton Cambell, ‘Review’, dart Interntional, Fall Karl Erickson, ‘The Free Spot’, In These Times, 20 August Kenneth Baker, ‘Rounding off the Nineties’, The Art Newspaper, May Doug Harvey, ‘P.O.’d’, LA Weekly, 11-17 May ‘Review’, Artforum, February Alexander Nguyen, Daily TroJanuary, 2 April Kenneth Baker, San Francisco Chronicle, 3 April Nigel Reynolds, ‘Yes, we can see a blur but who’s in the pictures?’, The Daily Telegraph, 6 September Fiachra Gibbons, ‘Gallery suffers blurred vision’, The Guardian, 6 September Daily Mail Reporter, Daily Mail, 6 September Nico Israel, ‘Public Offerings’, Artforum, XL, No. 1, September Greg Hilty, ‘A Thousand Words: Michael Clark; Talks about Before And After: The Fall, Artforum, October Louisa Buck, ‘Mover and Shaker’, Vogue (UK), November Chris Mugan, Going Out, Evening Standard, 24 October Keith Watson, ‘It’s out on a limb’, Metro Life, 23 October Adrian Searle, ‘The Rhythm Method’, The Guardian 24 October Luke Jennings, ‘The nation’s saving grace’, Evening Standard, 25 October Mark Werner, ‘Alien Invasion’, ArtReview, November Damien Hirst, ‘Hirst on Sarah Lucas’, G2 The Guardian, 8 October Marcus Field, ‘Sarah Lucas’, The Independent on Sunday, 4 November Matthew Collins, ‘Introspection’, Modern Painters, Winter Sophie Berredi, ‘Generation Sensation; young british artists’, Connaissance des Arts,December |
| 2000 | Helen Hague, The Independent on Sunday, 17 December Review of the Year, Part 2, Time Out, 20 December Ken Johnson, The New York Times, 22 December Art et Homosexualité’ Beaux Arts magazine, No.198, November Activitats Culturals, October-December Juan Carlos Rego, ‘Provocacion Animal’ El Pais, 20 October Claire Bishop, art-text, No. 70, August-October Andrea Padua, Aqui, 6-12 October Ines Martinez Ribas, El Periodico-Divendres, 6 October Elena Vozmediano, Ell Cultural, 6 October Rosario Fontana, El Periodico, 8 October Olga Spiegel, La Vanguardia, 9 October Montse Frisach, Avvi, 9 October Angela Molina, Diari ABC, 10 October Ramon De Espana, El Pais, 12 October Susana Frouchtmann, La Cronica, 12 October Gloria Ayuso, El Far, 13 October El Mercat, 18- 24 October Elle, Una Autentica Bad Girl, No. 169, September Richard Shone, The Burlington Magazine, September ‘Female Visions,’ du, Die Zeitschrift der Kultur, No.707, June Elizabeth Lebovici, ‘Sarah Lucas,’ tetu[,]madame, No.1 Stephanie Douet, ‘Sarah Lucas, Beyond the Pleasure Principle,’ Make, issue 88, June - August James Hall, Tate, Summer The Art Newspaper, July/August Michael Glover, Independent, 11 July Sarah Kent, ‘Brains of Britain, ‘Intelligence: New British Art at Tate Britain, Time Out, 12-19 July Matthew Collings, ‘Dimocracy,’ Modern Painters Linda Nochlin, ‘The Naked and the Dread,’ Tate Magazine (Tate Modern special), No.21 ‘Oevre Fumeuse’, Numero, No.13, May Karen Wright ‘Gallery’, Modern Painters, Spring Chloe Kinsman (interview) ‘It’s a good time to be a woman’, Tate Magazine, (from ‘Front Row’, Radio 4) Spring The Guardian, 15 June Helen Sumpter ‘The Last Word’ ES Magazine, 15 June Anna Purslglove, Evening Standard, 9 June ‘Il dolce naufragio’ Vernissage, May Karen Wright, Modern Painters, Spring James Hall, ‘Sarah Lucas’ Artforum, May Martin Coomer, ‘Clash of the Galleries’, Time Out, 3-10 May Tom Lubbock, ‘Nothing acts faster than anodyne,’ The Independent, 25 April Richard Cork, ‘Space, the final art frontier,’ The Times, 19 April Mark Currah, Time Out, 29 March - 5 April Richard Cork ‘Britart-now that the thrill has gone’, The Times, 12 April Paul Clark, ‘Beyond the pleasure principle,’ Evening Standard, 10 April ‘Totem e Tabu’, Il Giornale Dell’Arte, April ‘The Fag Show’, Stop! Magazine, April ‘News’, Mental Health Practice, April Adrian Searle, ‘Do these pictures make you think of sex?’, The Guardian, 28 March ‘Freud gets fleshed Out’, Lynn MacRitchie, Financial Times, 24 March David Gleeson, ‘Sarah Lucas at the Freud Museum’, Londonart.co.uk, 24 March Helen Smithson, ‘Id and miss in home of Freud’, Ham & High, 24 March Charles Darwent, ‘No Smoking’, The New Statesman, 20 March Evening Standard - Hot Tickets, 10-16 March Laura Cumming, ‘Einstein on the beach’, The Observer, 19 March Phil Hogan, The Observer Magazine, 12 March Sarah Kent, ‘Fag Hag’, Time Out, 8-15 March Dominic Eichler, Sarah Lucas, CFA Berlin, Frieze, March/April Infection Manifesto, No.3, March ‘Sarah Lucas’, Eikoku News Digest, March Louisa Buck, ‘Sarah Lucas lights up and gets Freudian’, The Art Newspaper, No.101, March Chris Leadbeater, ‘Lucas’ new line in smokin’ art’, London Guide, (web) The Groucho Club newsletter, Spring Habitat Art Club magazine, Spring Jonathan Jones, ‘A bit of a drag’, The Guardian, 25 February Simon Grant, ‘The fag end of obsession’, Evening Standard, 24 February Colin Gleadell, ‘Contemporary Market’, Daily Telegraph, 21 February Duncan Mclaren, ‘The Fag Show’, Independent on Sunday, 20 February Charles Darwent, ‘ArtReview’, Metro Life, 18 February ‘Smokers’ corner’, Londoner’s Diary, Evening Standard, 17 February Jonathan Jones, ‘Sarah Lucas’, The Guardian, 16 February Samantha Ellis, ‘Going Out’, Evening Standard, 16 February Simon Grant, ‘The Big Smoke’, The Guide, The Guardian, 12 February Helen Sumpter, Evening Standard - Hot Tickets, 11-17 February ‘What’s On’, Space, The Guardian, 10 February Louisa Buck, ‘Ciggie Stardust’, Esquire, February Karel Cisar, ‘Sadie Coles HQ,’ Umlec, February ‘Lust oder lustig’, Kunstzeitung, no.41, January Lynn Barber, ‘Drag Queen’, The Observer Magazine, 30 January Richard Cork, Tatler Dominic Eichler, Frieze, March/April |
| 1999 | Anthony Thorncroft, ‘An art fair for the next generation’, Financial Times, 17 November Lucy Powell, ‘I don’t know much about politics…’, The Guardian, 4 November Lorna V, ‘Sell Out’, London design special, Time Out (London), 22-29 September Peter Schjeldahl, ‘Those Nasty Bits,’ The New Yorker |
| 1998 | Susanne Moore, ‘You Show Me Yours’, Independent on Saturday Magazine, 11 April ‘London Art’, Barfout! Magazine (Tokyo) , February Saori Takeda, ‘Women in Art’, Asahi Shimbun (Tokyo) 15 April Carol Kino, ‘Talkin’ bout bad girls’, Time Out New York, 10 September Juan Vicenta Aliaga, ‘Angus Fairhurst/Sarah Lucas’, Artforum, September Sarah Kent, ‘People of the Nineties’, Time Out, 30thAnniversary Issue, October Robert Maloney, ‘smoking and drinking’, Magazine (New York), 18 September Michael Kimmelman, ‘Sarah Lucas-The Old In Out’, The New York Times, 25 September Kim Levin, ‘No Cigar?’, The Village Voice, 6 October Dylan Jones, ‘Strop Art’, Sunday Times Magazine, 8 November Mark Sanders, ‘No Sex Please We’re British’, Dazed and Confused Magazine, October Yuko Takano, ‘It’s because she is a Londoner’, Cut, Issue 81, October |
| 1997 | Noemi Smolik, ‘Der Reiz des zarten Gruselns’ (Berlin), 7 January. Brigitte Werneburg, ‘Schnee fur morgan’, Die Tageszietung (Berlin), 4-5 January Nicola Kunn, ‘Verzweiflung als letzter Kick’, Der Tagesspiegel, 12 January Carl Freedman, ‘Have you got a fag, mate?’, Paletten, 1/97 Katja Blomberg, ‘Unter Decemberk aber siingen die Kessel’, Frankfurter Allgemeine Zeitung, 23 April Adrian Searle, ‘Bring Down the Dwarfs’, The Guardian, 6 May Martin Coomer, ‘Grime Passionel’, Time Out, 14 May William Feaver, The Observer, 18 May Mel Gooding, ‘The Art of Noise’, The Independent Magazine, 24 May Ian Hunt, ‘Sarah Lucas’, Art Monthly, No.207, June John Slyce, ‘Sensation’, Flash Art, no. 197 Waldemar Janusczak, ‘Maybe it’s because she’s a Londoner’, The Sunday Times Michael Dee, ‘Soisk Lucas I grabbarnas varld’, Goetebors-Posten, 12 June Gregor Muir, ‘Warning: Sarah Lucas’s Art May Seriously Damage Your Health’, Dazed and Confused, July Dalya Alberge, ‘Convenience art will pull in the crowds’, The Times, 8 July ‘ICA is plumbing new depths’, Evening Standard, 8 July ‘Down the pan’, Evening Standard, 9 July William Feaver, ‘Frankly this page is going down the pan’, The Observer, 20 July Adrian Searle, ‘Is this the cutting edge?’, The Guardian, 22 July Noemi Smolik, ‘Glasbruch, schon wie Edeistein, Tagespiegel (Berlin), 29 July Dr. Katja Blombert, ‘Wo um alles in der Welt steht Auto?’, Frankfurter Allgemeine, Zeitung, 25 July Hans Pietsch, ‘Brit Art’, Das Kunstmagazin, July Sarah Lucas, ‘Be Here Now: The Experts Speak’, NME, 30 August Neal Brown, ‘Sarah Lucas: St John’s Lofts and Sadie Coles HQ’, Frieze, September/October Matthew Collings, ‘The New Establishment’, Independent on Sunday, 31 August Sarah Lucas, Sarah Kent, ‘Sensation Guide’, Time Out, 10-17 September Waldemar Januszczak, ‘Facing the Scary Art of Our Time’ The Sunday Times, 21 September William Feaver, ‘Myra, Myra on the wall…’, The Observer, 16 September Richard Dorment, ‘Sensation? What Sensation?’, The Daily Telegraph, 17 September Adrian Searle, ‘Feeling frenzy’, The Guardian, 16 September Richard Cork, ‘The Establishment Clubbed’, The Times, 16 September Helen Sumpter, ‘Naughty but nice’, The Big Issue, 8-14 September Joanna Pitman, ‘Art Breaker’, The Times Magazine, 13 September Sarah Lucas and Tracey Emin, &am |