Richard Prince

Richard Prince: Same Man (Humblebaek: Louisiana Museum of Modern Art, 2022) (exh. cat.)

Richard Prince: New Paintings (New York (NY): Fulton Ryder, 2022)

Richard Prince: Hoods: 1988-2013 (New York (NY): Fulton Ryder, 2022)

Richard Prince: Just My Luck (New York (NY): Nahmad Contemporary, 2022)

Richard Prince: Gangs (New York (NY): Gladstone Gallery, 2021) (exh. cat.)

Richard Prince: Family Tweets (New York (NY): Fulton Ryder, 2021) (exh. cat.)

Richard Prince: Cartoon Jokes (New York (NY): Nahmad Contemporary, 2021) (exh. cat.)

Robert M. Rubin, Richard Prince: Cowboy (Munich: Prestel, 2020)

Richard Prince: Respect, (New York (NY): Fulton Ryder, 2020)

Richard Prince: Ripple Paintings (New York (NY): Gladstone Gallery, 2019) (exh. cat.)

Rachel Kushner, Richard Prince: High Times (New York (NY): Gagosian, 2018) (exh. cat.)

Richard Prince: Free Love (London: Sadie Coles HQ, 2018) (exh. cat.)

Richard Prince: 136 Nurses (New York (NY): Karma, 2017

Richard Prince: Super Group (Berlin: Galerie Max Hetzler; Paris: Holzwarth, 2017)

Richard Prince: New Cowboys (New York (NY): Karma, 2017)

Richard Prince: New Portraits (Los Angeles / New York / Tokyo: Blum & Poe, 2016) (exh. cat.)

Richard Prince: Cowboy (New York (NY): Gladstone Gallery 2016) (exh. cat.)

Richard Prince and Roe Ethridge, Special Guest (New York (NY): Karma, 2015)

Richard Prince: Fashion (New York (NY): Nahmad Contemporary, 2015) (exh. cat.)

Richard Prince: The Figures (New York (NY): Luxembourg + Co., 2015)(exh. cat.)

Richard Prince: Monochromatic Jokes (New York (NY): Nahmad Contemporary, 2014)

Richard Prince: New Portraits (New York (NY): Gagosian, 2014) (exh. cat.)

Yilmaz Dziewio (ed.), Richard Prince: It´s a free concert (Bregenz: Kunsthaus Bregenz, 2014) (exh. cat.)

Richard Prince: Protest Paintings (New York (NY): Skarstedt, 2014)

Don Delillo, The Word for Snow (New York (NY): Karma/Glenn Horowitz, 2014, photographs by Richard Prince

Richard Prince, Kaliflower (New York (NY): Fulton Ryder, 2014)

Jeff Rian, Richard Prince: New Figures (Paris: Almine Rech Editions, 2014) (exh. cat.)

Richard Prince: Untitled (Band) (Milan: Le Case d'Arte, 2014) (exh. cat.)

Richard Prince: Magic Castle (Dijon: Les Presses Du Reel, 2013) (exh. cat.)

Richard Prince: John Duke (New York (NY): Fulton Ryder, 2013)

Richard Prince: Cowboys (Los Angeles (CA): Gagosian, 2013)

Richard Prince: White Paintings (New York (NY): Skarstedt Gallery, 2012) (exh. cat.)

Richard Prince: 14 Paintings (New York (NY): 303 Gallery, 2012) (exh. cat.)

Jose Lebrero Stals and Richard Prince, Prince/Picasso (Malaga: Museo Picasso Malaga, 2012) (exh. cat.)   

John Mcwhinnie and Richard Prince, The Fug (Brussels: Almine Rech Gallery Editions, 2011) (exh. cat.)

Richard Prince: Covering Pollack (New York (NY): Fulton Ryder, 2011)

Kristine McKenna (ed.), Richard Prince: Collected Writings (New York (NY/ Los Angeles (CA): Foggy Notion Books, 2011)

Robert Rubin (ed.), Richard Prince: American Prayer (New York (NY): Rizzoli/Gagosian, 2011)

Richard Prince: De Kooning (New York (NY): Gagosian, 2011) (exh. cat.)

Jeanne Greenberg Rohatyn, T-Shirt Paintings: Hippie Punk (Geneva: JRP|Ringier, 2011) (exh. cat.)

Kristine McKenna (ed.), She: Works By Wallace Berman & Richard Prince (Los Angeles (CA): Michael Kohn Gallery, 2009) (exh. cat.)

Richard Prince: Bettie Kline (New York (NY): Gagosian, 2009) (exh. cat.)

Andisheh Avini (ed.), Richard Prince (New York (NY): Gagosian, 2009) (exh. cat.)

Kathryn Rattee, Melissa Larner and Sam Phillips (ed.), Richard Prince, America Goes to War… Swimming in the Afternoon (London: Serpentine Gallery, Koenig Books, 2008) (exh. cat.)

Richard Prince, 3rd Place: A Children's Colouring Book (London: Serpentine Gallery, Koenig Books, 2008) (exh. cat.)

Gunnar B. Kvaran and Hanne Beate Ueland (eds.), Richard Prince: Canaries In The Coal Mine (Oslo: Astrup Museum of Modern Art, 2006) (exh. cat.)

Lynn Valley: Richard Prince (Vancouver (BC): Presentation House Gallery; Toronto (ON): Bywater Bros. Editions, 2006)

Richard Prince: Naked Nurses (New York (NY): JMc & GHB Editions, 2006)

Michael Newman, Richard Prince: Untitled (Couple) (London: Afterall Books, 2006)

Lorraine Wild (ed.), Richard Prince: Hippy Drawings (London: Sadie Coles HQ, 2005) (exh. cat.)

Richard Prince: Second House (New York (NY): Gladstone Gallery, 2005) (exh. cat.)

Richard Prince: Check Paintings (Los Angeles (LA): Gagosian, 2005) (exh. cat.)

Richard Prince (Munich: Sammlung Goetz, 2004) (exh. cat.)

Richard Prince: Women (Ostfildern: Hatje Cantz Verlag, 2004) (exh. cat.)

Richard Prince: Man (Zürich: JRP | Ringier Kunstverlag AG, 2004) (exh. cat.)

Mark Coetzee, American Dream: Collecting Richard Prince for 27 Years (Miami (FL): Rubell Family Collection, 2004) (exh. cat.)

Richard Prince: American English (London: Sadie Coles HQ; Cologne: Walther Koenig, 2003) (exh. cat.)

Richard Prince and John McWhinnie, Good Life (East Hampton (NY): Glen Horowitz Booksellers, 2003) (artist book)

Richard Prince, Tama Janowitz and Harriet Quick, Richard Prince: Publicities Publicities / Hydra Workshop 2003 (London: Sadie Coles HQ, 2003)

Richard Prince, Rosetta Brooks, Jeff Rian, Luc Sante, Sheila Nicolls, Richard Prince (New York (NY): Phaidon, 2003)

Richard Prince: Nurse Paintings (New York (NY): Barbara Gladstone Gallery, 2003) (exh. cat.)

Richard Prince: It's A Free Concert from Now On (New York (NY): Barbara Gladstone Gallery, 2002) (exh. cat.)

Bernard Mendes Bürgi (ed.), Richard Prince: Paintings, Richard Prince Photographs (Basel: Hatje Cantz and Museum für Gegenwartskunst; Zurich: Kunsthalle Zurich; Wolfsburg: Kunstmuseum Wolfsburg, 2022)

Glenn O'Brien, Human Nature (dub version) (Los Angeles (CA): Grey Bull Press, 2001)

Richard Prince: Early Photographs 1977-1979 (New York (NY): Skarstedt Gallery, 2001) (exh. cat.)

Richard Prince and Taka Kawachi (eds.), 4 x 4 (Kyoto: Korinsha Press and Co., 1997)

Richard Prince: Adult Comedy Action Drama (New York (NY): Scalo Publishers, 1995) (artist's book)

Richard Prince: Girlfriends (Rotterdam: Boymans-van Beuningen, 1993) (exh. cat.)

Lisa Phillips (ed.), Richard Prince (New York (NY): Whitney Museum of American Art and Harry N. Abrams, 1992) (exh. cat.)

Richard Prince: Jokes, Gangs, Hoods (Cologne: Galerie Rafael Jablonka and Galerie Gisela Capitain, 1990) (artist's book)

Richard Prince: Spiritual America (Artist's book/cat.) IVAM, Valencia, Spain and Aperture Books, New York (NY)

Richard Prince: Inside World (New York (NY): Kent Fine Art and Thea Westreich, 1988) (artist book/exh. cat.)

Richard Prince (New York (NY): Barbara Gladstone Gallery, 1988) (artist book)

Richard Prince (Grenoble: Magasin - Centre national d'art contemporain, 1988)

Richard Prince: Why I Go to the Movies Alone (New York (NY): Tanam Press, 1983), short stories by the artist

Kate Linker, Richard Prince (Villeurbanne: Le Nouveau Musée, 1983)

'What's In My Library' (supplement to the journal), the journal, 2008

'Bomb Dream Enameled', Bald Ego (New York (NY): Bald Ego Publishing, 2006)

Untitled text, Artists (Paris: Edition 7L, 2006)

'Bird Talk', Purple Fashion, Autumn/Winter 2005

Introduction, Pam: An American Icon (Munich: Shirmer / Mosel, 2005)

'Guns and Poses', Artforum, October 2004

'On Bruce Nauman', Frieze, October 2004

'Up, up and away', Art Review, Volume LIV, July/August 2004

'World of Video', Artforum International, March 2003

'In My Movie', Artforum, October 2003

'Bringing It All Back Home', Art in America, Vol. 76, September 1988

'The Perfect Tense', Blasted Allegories (New York (NY): New Museum of Contemporary Art, 1987)

'The Perfect Joke', Wien Fluss (Vienna: Wiener Festwochen, 1986) (exh. cat.)

'The Velvet Beach', The 6th Biennale of Sydney, 1986

'Jokes', Top Stories (New York (NY): #23-24, 1986)

'The Bela Lugosi Law', Wild History (New York (NY): Tanam Press, 1985)

'Anyone Who Is Anyone', Parkett, No. 6, 1985

'Citizen Sundown', T.V. Guides, 1985

'Why I Go to the Movies Alone' (New York (NY): Tanam Press, 1983)         

'The Thomas Crown Affair', Wedge, No. 2, Autumn 1983

'The Velvet Well', Effects, No. 1, Summer 1983

Excerpts from 'Why I Go To the Movies Alone', L.I.C.A. Journal, Autumn 1983

'Overdetermination', Effects (New York), No. 2, Autumn/Winter 1983

'The Erotic Politicians', Just Another Asshole, No. 6, 1983

War Pictures (New York (NY): Artists Space, 1980)

Menthol Pictures (New York (NY): CEPA, 1980)

'Primary Transfers', Real Life Magazine, March 1980

'Author's Note', White Walls, No. 2, Chicago, Winter/Spring 1979

'From None', The Paris Review, Autumn 1978

'Eleven Conversations', Tracks Magazine, Vol. 2, No. 3, Autumn 1976

Yuval Etgar, 'Getting Rid of Collage: Richard Prince on the Invention of Rephotography', The Ends of Collage, (Luxembourg & Dayan, London: 2017), pp.14-23

Lucy Flint and Nikki Bruno Clapper, Creating the New Century - Contemporary Art from the Dicke Collection (Dayton (OH): The Dayton Art Institute, 2011)

Jack Bankowsky, Annabellle Gorgen, Catherine Wood, Daniel Koep, Scott Rothkopf, Nicholas Cullinan and Allison M. Gingeras, Poplife (London: Tate Publishing, 2010)

Cranford Collection 01 (Guernsey: Cranford Collection, 2008)

Mary-Kay Lombino, Excerpt: Selections from the Jeanne Greenberg Rohatyn Collection (Poughskeepie (NY): The Frances Lehman Loeb Art Center, 2008)

Francesco Bonami, Arte Contemporanea, Volume 6. Duemila (Milan: La Biblioteca di Repubblica- l'Espresso / Electa, 2008)

Francesco Bonami (ed.), God & Goods: Spirituality and Mass Confusion (Codroipo: Villa Manin Centro d'Arte Contemporanea, 2008)

Silke Hohmann, Stations: 100 Meisterwerke Zeitgenössischer Kunst (Cologne: Dumont Buchverlag, 2008)

Franz West, Soufflé, eine Massenausstellung (Innsbruck: Kunstraum, 2007)

In the darkest hour there may be light: Works from Damien Hirst's murderme collection (London: Serpentine Gallery/Other Criteria, 2006)

David Hopkins, Dada's Boys (Edinburgh: The Fruitmarket Gallery, 2006)

Superstars: From Warhol to Madonna (Vienna: Kunsthalle Wien; BA-CA Kunstforum and Hatje Cantz, 2005)

Francesco Bonami (ed.): Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo (Milan: Skira Editore S.p.A, 2005)

Nir Hod, Forever: Tel Aviv Museum of Art (Tel Aviv: Tel Aviv Museum of Art, 2005)

Visionaire 46: Uncensored by Mario Testino (New York (NY): Visionaire Publishing, 2005)

My Private Heroes (Herford: Marta Herford, 2005) 

Jeffrey Deitch (ed.), Monument to Now, the Dakis Joannou Collection (Athens: Deste Collection of Art, 2004)

Central Station: la collection Harold Falckenberg (Paris: la maison rouge et Fage editions, 2004)

100 Artists See God (New York (NY): Independent Curators International, 2004)

Skulptur. Prekarer Realismus zwischen Melancholie und Komik (Vienna: Kunstalle Wien, 2004)

Playlist (Paris: Palais de Tokyo, 2004)

Mark Coetzee, Not Afraid.: Rubell Family Collection (New York (NY): Phaidon Press, 2004)

Likeness:  Portraits of Artists by Other Artists (San Francisco (CA): CCA Wattis Institute for Contemporary Arts, 2004)

2004 Whitney Biennial (New York (NY): Whitney Museum of American Art, Harry N. Abrams, Inc., 2004)

Friedrich Christian Flick Collection (Hamburg: Hamburger Bahnhof, 2004)

Michael Juul Holm, I Hate You - The Falckenberg Collection Meets Louisiana (Humblæk: Louisiana Museum of Modern Art, 2004)

Laurence Dreyfus, Central Station: La collection Harald Falckenberg (Lyon: Fage Editions, 2004)

Journey to Now: John Kaldor Art Projects and Collection (Adelaide: Art Gallery of South Australia, 2003)

Douglas Fogle, The Last Picture Show: Artists Using Photography 1960-1982 (New York (NY): New York Distributed Art Publishers, 2003)

Only Skin Deep: Changing Visions of the American Self (New York (NY): Harry N. Abrams, Inc., 2003)

Ferdinand Protzman, Landscape:  Photographs of Times and Place (Washington (DC): National Geographic Society, 2003)

Francesco Bonami and Raf Simons (ed.), The Fourth Sex: Adolescent Extremes (Milan: Edizioni Charta, 2003)

Subjective Realities (New York (NY); Chicago (IL): The Refco Group, Ltd., 2003)

Himmel & Helvete: Amerikanskog tysk samtidsfotografi. Kistefos Museet (Oslo: Labyrinth Press, 2003)

Ariane Grigotei and Friedhelm Hütte (eds.), Man in the Middle (Berlin: Sammlung Deutsche Bank, 2002)

Philip Ursprung (ed.), Herzog & De Meuron, Natural History (Baden: Lars Müller Publishers, 2002)

Chic Clicks (Boston (MA): Institute of Contemporary Art, 2002)

Klaus Kertess, Photography Transformed: The Metropolitan Bank & Trust Collection (New York (NY): Harry N. Abrams Inc, 2002)

Burkhard Riemschneider and Uta Grosenick, Art Now (Cologne: Taschen, 2001)

Gabrielle Mackert, Joshua Dector, Robert Riley and Justin Hoffman, Televisions (Vienna: Kunsthalle Wien, 2001)

Burkhard Riemschneider and Uta Grosenick, ART NOW (Cologne: Taschen, 2001)

Harry Philbruck, Lawrence Russ, Art at the Edge of the Law (Ridgefield (CT): The Aldrich Museum of Contemporary Art, 2001)

Deborah Wye and Susan Tallman, Parkett, Colaborations and Editions since 1984 (Zurich; New York (NY): Parkett Publishers, 2001)

Nicola Leonardi and Agora Editrice, L'altra Metá dello Sguardo (Rome: Cinema Studio, 2001)

Abigail Solomon-Godeau, Jan Zita Grover, Kobena Mercer, Deborah Bright and Carol Squiers, Over Exposed: Essays on Contemporary Photography (Kyoto: Tankosha Publishing Co, 2001) (Japanese Translation)

Louise Neri and Ilaria Bonacossa, Settings and Players, Theatrical Ambiguity in American Photography (London: White Cube, 2001)

Bice Curiger and Christoph Henrich, Hyper Mental (Zurich: Kunsthaus Zurich, 2000)

Carl Spielvogel, Works on Paper 2000, Residence of the American Ambassador to the Slovak Republic, 2000

Kirk Varnedoe, Paola Antonelli, Joshua Siegel, Art at MoMA since 1980 (New York (NY): Museum of Modern Art, 2000)

Art at Work: Forty Years of the JP Morgan Chase Collection (New York (NY): The Chase Manhattan Corporation, 2000)

Brenda Jo Bright (ed.), Customized: Art Inspired by Hot Rods, Low Riders and American Car Culture (Boston (MA): The Institute of Contemporary Art, 2000)

Apocalypse, Beauty and Horror in Contemporary Art (essay by Nathan Kernan) (London: Royal Academy of Arts, 2000)

American Playhouse. The Theater of Self-Presentation (essays by Philip Monk) (Toronto (ON): The Power Plant, Contemporary Art Gallery at Harbourfront Center, 1998)
Walter F. Ingo, Art of the 20^th Century (Cologne: Taschen Verlag, 1998)

Peter Weibel, Pittura / Immedia, Malerei in den 90er Jahren (Graz: Neue Galerie am Landesmuseum Joanneum und Künstlerhaus Graz, 1995)

Gija van Tuyl and Uta Grosenick, Tuning Up (Wolfsburg: Kunstmuseum Wolfsburg, 1994)

Frans Kotterer, Unholy Alliance/NYC 1994 (Rotterdam: Museum Boymans-van Beuningen, 1994)

Chris Bruce and Andt Grundberg, After Art:Selections from the Monsen Collection (Seattle (WA): Henry Art Gallery, 1994)

Franklin Hill Perrell, Image Makers (Roslyn (NY): Nassau County Museum of Art, 1993)

Marcia Tucker, Jan Riley and Elaine A. King, Mettlesome Meddlesome. Selection from the collection of Robert J. Shiffler (Cincinnati (OH): The Contemporary Arts Center, 1993)

Marjory Jacobson, Art for Work (Boston (MA): Harvard Business School Press, 1993)

Claude Gintz, Art et Publicité (Paris: Centre Georges Pompidou, 1990)

Andy Grundberg, The Crisis of the Real (New York (NY): Aperture Books, 1990)

New Art (New York (NY): Harry N. Abrams, Inc., 1990)

Ann Goldstein, Mary Jane Jacob and Catherine Gudis (eds.), A Forest of Signs: Art in the Crisis of Representation (Los Angeles (CA): MoCA Museum of Contemporary Art, 1989)

Mark Haworth-Booth, Photography Now (London: Dirk Nishen Publishing/V&A Museum, 1989)

Marvin Heiferman, Gary Indiana, Joseph Masheck, Brian Wallis ,et al., Re-Presenting the '80s (New York (NY): Simon Watson, 1989)

John G. Hanhardt, Marvin Heiferman, and Lisa Phillips, Image World. Art and Media Culture (New York (NY): Whitney Museum of American Art, 1989)

Nelson Brissac Peixoto, America Imagens (Sao Paulo: Companhia das Letras, 1989)

Thomas Crow, David Ross, and Elisabeth Sussman, et al., American Art of the Late 80s, The BiNATIONAL, German Art of the late 80s (Boston (MA): The Institute of Contemporary Art and Museum of Fine Arts/ DuMont Buchverlag USA, 1988)

Frederic Jameson, Alice Jardine, David Joselit, Eric Michaud, Abigail Solomon-Godeau, Elisabeth Sussman, Utopia Post Utopia: Configurations of Nature and Culture in Recent Sculpture and Photography (Boston (MA): ICA Institute of Contemporary Art, 1988)

William Olander, Holzer, Kruger, Prince (Charlotte (NC): Knight Gallery/Spirit Square Art Center, 1984)

Seven Exhibitions to See in London Now', Artlogic, March 2023

Matthew Holman, 'Richard Prince: The Master of Appropriation Who Wants to Feel Like He Can Do Anything He Wants', The Art Newspaper, 12 January 2023

Holland Cotter, 'A Show of Quiet Dissidence', The New York Times, 08 December 2022

Natalie Hughes, 'When Fashion Meets Art: The Most Iconic Collaborations of All Time', Harper's Bazaar, 17 October 2022

Travis Diehl, 'The Best Shows to See in New York During Frieze Week 2022', Frieze, 20 May 2022

Mark Westall, 'RICHARD PRINCE TAKES OVER @GAGOSIANSHOP LONDON', FAD Magazine, 13 May 2022

Tom McGlynn, 'Richard Prince: Hoods', The Brooklyn Rail, May 2022

Atorina Saliba, 'Richard Prince: An Artist You Will Love to Hate', The Collector, 08 January 2022

Jack Castle, '11 Things to Know About Richard Prince', Christies, 26 October 2021

Katie White, 'Marcel Duchamp Wasn't the Only Artist with an Alter Ego. Here Are 6 of the Greatest Art Aliases of All Time', Artnet, 17 May 2021

'Richard Prince: Social media and copyright', Mancunion, 20 March 2021

Tina Sotiriadi, 'Richard Prince', Art Newspaper Greece, November - December Issue, p. 18

Jake Silbert, 'Nahmad Contemporary Highlights Appropriative History With "Richard Prince: Cartoon Jokes", Hypebeast, 15 November 2020

Philippa Snow, 'Richard Prince Showed Me the Impossible Contradictions of Female Sexuality', Elephant, 23 June 2020

Joanne Shurvell, 'London's Major Commercial Galleries Reopen This Week', Forbes, 15 June 2020

Luc Sante,'Cowboy', Gagosian Quarterly, Summer 2020, pp. 54 - 61

Alexandre Stipanovich, 'Hippies, Katz, and Dogg: Richard Prince's Good Revolution',

KALEIDOSCOPE 36, Spring/Summer 2020.

Randy Kennedy, 'Richard Prince: This Ain't No Retrospective, It's a Rodeo', The New York Times, 02 April 2020

Sarah Cascone, 'In LA for Frieze Week? Here Is Our Guide to 33 Inspiring Gallery Shows to See Beyond the Fairs', ArtNet News, 10 February 2020

Gabrielle Leung, 'Richard Prince's Instagram Portraits Take Over Gagosian LA', HYPEBEAST, 09 February 2020

Derek Blasberg, '#katemossbyrichardprince: Art for the Social Media Age', W Magazine, 31 October 2019

Calvin Hughes, 'Artist Richard Prince Is Launching a Cannabis Line Called 'Katz + Dogg'', Civilized, 11 June 2019

Nadja Sayej, 'How the Hell Did Richard Prince Come to Design a Weed Brand?', Garage, 10 June 2019

Taylor Dafoe, 'High Art? Richard Prince Has Launched His Own Strain of Marijuana-and Treated a Few Lucky Gallery Goers to a Taste', Artnet, 03 June 2019

'Richard Prince', Muse, Issue 52, Spring/Summer 2019, pp. 92-107

Thomas Fuller, 'Richard Prince and the New Meaning of High Art', The New York Times, 31 May 2019

Mariana Fernandez, 'Six Artists Scrutinized the Gaps and Hidden Gems of the Guggenheim's Collection. Here's What They Found', The Observer, 28 May 2019

Brian Droitcour, 'Richard Prince. Gagosian', Art in America, February 2019, pp. 81-82

'14 Globetrotting Art Aficionados Tell Us About the Most Memorable Show They Saw in 2018', Artnet News, 17 December 2018

John Yau, 'Richard Prince's Dorky White Anger', Hyperallergic, 8 December 2018

Roberta Smith, 'Richard Prince's New, Late Style IS One of His Best', The New York Times, 29 November 2018         

Jerry Saltz, 'How Does the Art World Live with Itself?', Vulture, 18 October 2018

Laura Gilbert, 'Richard Prince Defends Reuse of Others' Photographs', The Art Newspaper, 10 October 2018

'"Robert Grosvenor | Richard Prince" at Galerie Max Hetzler, Paris', Blouin ArtInfo, 25 April 2018

Alina Cohen, 'Who Actually Shot Richard Prince's Iconic Cowboys?' Artsy, 2 March 2018

Stephen Westfall, 'Slow Painting', Art in America, February 2018

Kate Brown, 'Richard Prince, Rockstar? The Artist Indulges His Inner Musician with Trippy New Album Cover Paintings', Artnet, 28 September 2017

Rain Embuscado, 'You Won't Believe Richard Prince's Latest Marijuana Latest Project', Artnet News, 11 July 2016

David Hershkovits, 'Prince & The Revolution', The Village Voice, 27 June 2017

Aris Kourkoumelis, 'You Are Looking at Something That Never Occurred', This is Tomorrow, 12 June 2017

Emily Steer, 'You Are Looking at Something That Never Occurred', Elephant, 06 April 2017

Zoe Paskett, 'You Are Looking at Something That Never Occurred', etcetera, 04 April 2017

Jeff Rian, 'Richard Prince', Purple Magazine, 2017

Travis Diehl, 'High Art: How the Creative World is Helping Legal Weed Rebrand Itself', The Guardian, 08 December 2016

Paul Carey-Kent, 'Fantasies of Prince Crumb: Paul's ART STUFF ON A TRAIN #162', FAD Magazine, 4 May 2016

Carl Swanson, 'Is Richard Prince the Andy Warhol of Instagram?', Vulture, 20 April 2016

Catherine Sedgwick, 'Richard Prince at Sadie Coles HQ', The Upcoming, 13 April 2016

Brooke Gabiee, 'A Correspondence with Richard Prince', The Travel Almanac, Issue 10, Spring/Summer 2016, pp. 46 - 67

Bill Powers, '"I Don't Know Half as Much as There is to Know, but at Least I Know Half": A Talk with Richard Prince', ARTnews, 02 November 2015

Anny Shaw, 'Richard Prince Instagram Portrait Leaps in Value at Phillips', The Art Newspaper, 15 October 2015

Noah Dillon, 'What's not the Matter with Richard Prince', Artcritical, 09 July 2015

Felix Petty, 'Defending Richard Prince Against Accusations of Misogyny', i-D, 03 June 2015

Hilarie M. Sheets, 'Richard Prince Takes a New Approach to Cowboys', The New York Times, 24 September 2015

Bettina Funcke, 'On the Copy: Copying; A Primer', Mousse, no. 49, Summer 2015, pp. 88 - 91

Eddy Frankel, 'Richard Prince: Gagosian Davies St.', Time Out London, no. 2334, 23 - 29, June 2015, p. 88

Alexander Hawkins, '"The Iphone became my studio": Richard Prince's Instagram Portraits', It's Nice That, 16 June 2015

Rachel Corbett, 'Artists Create New Medium by Making and Breaking the Law', The Art Newspaper, no. 267, April 2015

Adam Lehrer, 'Richard Prince Re-Appropriates Beauty in "Fashion" Exhibition at Nahmad Contemporary', Forbes, 04 March 2015

Yilmaz Dziewior, 'Richard Prince', Monopol, no. 1, January 2015, cover, pp. 6, 10, 49 - 88

Kelly Crow, 'Richard Prince: Unlikely Retreat', WSJ Magazine, Issue 54, December 2014 -January 2015, pp.128 - 137

Peter Schjeldahl, 'Richard Prince's Instagrams', The New Yorker, 30 September 2014

Jerry Saltz, 'Richard Prince's Instagram Paintings Are Genius Trolling', Vulture, 23 September 2014

Cait Munro, 'Richard Prince Turned His Instagram Feed into a Conceptual Art Project', Artnet News, 28 May 2014

Carol Vogel, 'Richard Prince's 'Canal Zone' to Be Shown at Gagosian', The New York Times, 03 April 2014

In the Frame: Richard Prince', The Art Newspaper, no. 256, April 2014

E. Longstaff, 'London: Richard Prince at Sadie Coles', Art Observed, blog, 17 March 2013

Paul Hobson, 'Hobson's Choice: Richard Prince at Sadie Coles', ContemporaryArtSociety,org, 08 March 2013

'Richard Prince's Picasso Nudes Come to London', Phaidon.com, January 2013

Randy Kennedy, 'Apropos Appropriation', The New York Times, 28 December 2011

Richard Prince, '20-20: Till Gerhard', frieze, September 2011, p. 122

Chris Sharp, 'Reviews', Art Review, Issue # 52, September 2011, p. 179

Matilda Battersby, 'Richard Prince: An American in Paris', The Independent, 30 March 2011

Lynda Yablonsky, 'Artifacts: A Short History of Richard Prince, on a T-Shirt', The New York Times Magazine, 24 May 2010

Ken Johnson, 'Materialism in Paint and in Culture', The New York Times, 27 May 2010

Hardeep Phull, 'Eternal Youth', The Saatchi Gallery magazine, Summer 2009

Gregory Cardon, 'Richard Prince by Gregory Cardon', Frog Number 8, 2009

Catherine Taft, 'She: Works by Wallace Berman and Richard Prince', Art Review, April 2009     Patrick Seguin, 'Richard Prince', Art Forum, March 2009, p. 255

Jane Morris, 'For sale: Serpentine's Richard Prince exhibition', The Art Newspaper, No.194 September 2008

'Top 100, 1948-2008, Das Ranking der Revolutionäre (no 24) (The Ranking of the Revolutionary)', Monopol, no. 7-8, 2008

Jessica Lack, 'Exhibitions: Richard Prince', The Guardian Guide, 28 June 2008

Sue Hubbard, 'Review: Richard Prince: Continuation', The Independent, 27 June 2008

Joanna Pitman, 'Richard Prince: Continuation at the Serpentine Gallery', The Times, 24 June 2008

Adrian Searle, 'Girlz on the hood', The Guardian, 24 June 2008

Charles Darwent, 'The Prince of Thieves', Independent, The New Review, 22 June 2008, p.16-19

Brian Appel, 'Reviews: Richard Prince', pluk, Issue 36, Summer 2008

'Worth Seeing: Collected Works, Richard Prince', Ausstellungen, March 2008

Steven Stern, 'Richard Prince', frieze, Issue 112, January/February 2008, p.179

Michele Robecchi, 'United States of Mind', Mousse, Issue No.11, November 2007

Nancy Spector, 'A Fresh Look at Richard Prince', Art World, October/November 2007, p.23

Murray Healy, 'Louis Vuitton/ Richard Prince', Pop, Winter 2007

Mark Prince, 'Beyond,Appropriation Art', Art Monthly, October 2007

Carlo Simula, 'Richard Prince', L'uomo Vogue, May/June 2007

Glenn O'Brien, 'The Real Richard', Purple Fashion Magazine, Summer 2007

Roberta Smith, 'Tracing a Radical's Progress Without Any Help from Him', The New York Times, 09 February 2007

Benjamin Genocchio, 'Roots of an Artist, Traced through His Appropriations', New York Times, 04 February 2007

Amelie Von Heydebrck and Florian Illies, 'Der Cowboy steigt ins Auto', Monopol (Berlin), January 2007

Marc Spiegler, 'Diese fünf Künstler werden uns überleben', Monopol (Berlin), January 2007

'Calendar: Richard Prince', Modern Painters, December - January 2006

            Jefferson Hack, 'Keep Your Dreams', Dazed and Confused, November 2006

Michael Newman, 'Richard Prince: Untitled Couple', Bookforum, October-December

John McWhinnie, 'One-Guy Show: Richard Prince Upstate', Blackbook, October/November 2006

            Nancy Spector, 'Value for Money', Frieze, October 2006

            Carol Vogel, 'Where Bel Canto Meets Paintbrush', New York Times, 15 August 2006

            Hiroshi Kagiyama, 'Richard Prince / Infant Prodigy', Huge, August 2006

Kevin Maher, 'The Old In Out: Destricted', Art Review, September 2006

Jessica Morgan, 'Blind Date', Visuell, Deutsche Bank 2006

Eve Therond, 'Intimate Prince', Whitewall, Premiere Issue 2006

Vince Aletti, 'Too Blessed to be Depressed', Modern Painters, May 2006

Geir Haraldseth, 'Rensselaerville', Acne Paper, Spring 2006

Annika Von Taube, 'Beware the Clowns', Sleek, Spring 2006

'Work in Progress: Can and Will', V Magazine, Spring Preview2006

John Haskell, 'A Royal Collection', ArtReview, February 2006        

Mariuccia Casadio and Ashley Heath, 'Richard Prince: Collecting American Icons', L'Uomo Vogue, February 2006

Hannah Vaughan, 'Richard Prince', Artkrush, January 2006

Neville Wakefield, 'My Library', Another Magazine, Autumn/Winter 2005

Sarah Kent, Richard Prince, 14-21 December 2005

Dodie Kazanjian, 'body language', Vogue, December 2005

'Art: Richard Prince', KultureFlash, December 2005

'What's On: United Kingdom: our selection A-Z', The Art Newspaper, December 2005

Rebecca Wilson, 'Pivotal Moments', ArtReview, December 2005

"Richard Prince vs. Sofia Coppola', Blackbook, Fall Preview 2005

Lindsay Pollock, 'Don't Look Now', ArtReview, July/August 2005

Brian Appel, 'Richard Prince', artcritical.com, July 2005

Jim Lewis, 'The Prince of Albany County', New York Times, 3 July 2005

Catherine Morris, 'To Market', Time Out (New York), 26 May -- 1 June 2005

Amy Gartrell, 'Richard Prince: Wilder', New York Times, 13 May 2005

Ken Johnson, 'Richard Prince', New York Times, 13 May 2005

Sarah Valdez, 'Richard Prince', Paper, May 2005

Karen Roxenberg, 'Artist: Richard Prince', New York Magazine, 2 May 2005

Eva Prinz, 'Richard Prince: Photographer Painter Theif?', Index, April/May 2005

Judd Tully, 'Dead-on Deadpan', Art Auction, April 2005

Carel Vogel, 'Guggenheim Upstate', New York Times, 29 April 2005

John McWhinnie, 'Richard Prince' Tokion, March/April 2005

Jason Edward Kaufman, 'Guggenheim opens Prince house to Public', The Art Newspaper, no. 159, June 2005

'Window on Their World', interview (Dike Blair), ArtReview, March 2005

Bruce Hainley, 'Chow Time' Artforum, March 2005

Anna Truxes, 'Richard Prince, Art Savant', Zink, March 2005

Adrian Dannatt, 'Artistic Musings on Pamela Anderson', The Art Newspaper, No. 155, February 2005

Dike Blair, 'A Reflexion or Two'; Douglas Fogle, 'How I Learned to Stop Worrying and Love the Joke (painting)'; Alison M. Gingeras, 'Richard Prince's SECOND HOUSE'; Vincent Pécoil, 'Richard Prince -- A Reader'; 'Edition for Parkett: Richard Prince'; Parkett, no. 72, 2005

Linda Yablonsky, 'What's so Funny about Contemporary Art', ARTnews, September 2004

Jorg Heiser, 'Man; Women', Frieze, No. 85,September 2004

Michael Ringier, 'Taking the grand tour', Art and Auction, June 2004

Eleanor Heartney, 'The Well-Tempered Biennial', Art in America, June/July 2004

Roger Bevan, 'Contemporary art smashes the $100 million barrier', The Art Newspaper, No. 148, June 2004

Matthew Collings, 'Good grey', Modern Painters, Summer 2004

Colin Gleadell, 'Prices go through the roof', The Daily Telegraph, 17 May 2004

Jack Bankowsky, 'This is Today', Artforum International, May 2004

Scott Rothkopf, 'Subject Matters', Artforum International, May 2004

Dan Cameron, Dan Fox, Jennifer Higgie, Matthew Higgs, Katy Siegel, Roberta Smith and Neville Wakefield, 'American Pie', Frieze, Issue 83 2004

Neville Wakefield, 'The drive-through', Art Review, Volume LIV, March 2004

Vincent Katz, 'Richard Prince at Barbara Gladstone', Art in America, March 2004

Mark Zimmerman, 'Richard Prince at Barbara Gladstone', Art US, January/February 2004

Eric Troncy, 'Remake', Numero 50, February 2004

Judd Tully, 'London sales preview', Art + Auction, February 2004

Kris Douglas, 'Minneapolis', Contemporary, no. 61, 2004

Raphael Rubinstein, 'Person, Place and Thing', Art in America, January 2004

Fisun Guner, 'Richard Prince: Nurse Paintings', Metrolife, 25 April 2003

Jessica Lack, 'Richard Prince', The Guide, 19-25 April 2003

Martin Herbert, 'Richard Prince', Time Out, 7-14 May 2003

Catherine Grant, 'Richard Prince: Nurse Paintings', Contemporary, No 52, 2003

'Richard Prince talks to Steve Lafreniere', Art Forum - 40^th Anniversary Special Issue - The 1980s: Part One, March 2003

Fisun Guner, 'Richard Prince: Nurse Paintings', Metrolife, 25 April 2003

Jessica Lack, 'Richard Prince', The Guide, 19-25 April 2003

Martin Herbert, 'Richard Prince', Time Out, 7-14 May 2003

Catherine Grant, 'Richard Prince: Nurse Paintings', Contemporary, No 52, 2003

'Richard Prince talks to Steve Lafreniere', Art Forum - 40^th Anniversary Special Issue - The 1980s: Part One, March 2003

Francis Summers, 'They Don't Tell 'Em Like They Used To', Sleazenation, May 2001

Mark Wilsher, Review, What's On, 9 May 2001

Sally O' Reilly, Review, Time Out, 16-23 May 2001

Alena Williams, Tema Celeste, May/June 2001

Roberta Smith, 'Richard Prince: Photographs 1977-79', The New York Times, 13 April 2001

Fisun Guner, 'Photography', Metro Life, 23 April 2001

Paul Clark, 'Review', Evening Standard, 23 April 2001

David Pagel, 'Publicity Photo Collection Suggests All Is Not Glossy', Los Angeles Times, March 2001

Laurie Attias, 'Elysian Fields', Frieze, November/December 2000

Ralph Rugoff, 'Richard Prince', Artforum, September 2000        Dorothy Krasowska, 'Richard Prince', NY Arts, July/August 2000

Julie Belcove, 'The Artist Known as Prince', W, June 2000

Adrian Dannatt, The Art Newspaper, June 2000

Roberta Smith, 'Richard Prince', The New York Times, 16 June 2000

'Richard Prince. Eight by Ten', Blind Spot, 2000

Max Henry, 'Gotham Dispatch', artnet.com, 22 May 2000

Martin Coomer, 'Richard Prince', Time Out, 5-12 May 1999

Susan Corrigan, 'Why men are scared of you?', I-D, May 1999

Robin Muir, 'The artist known as Prince', The Independent Magazine, April 1999

The Arena First Eleven, Arena, April 1999

Bruce Hainley, 'Richard Prince', ArtForum, March 1999

Richard Prince meets Mike Kelley, 'See you at the Velvet Goldmine', Dazed Magazine, January 1999

Roberta Smith, 'Richard Prince and Martin Kippenberger 'Psychoarchitecture', The New York Times, Friday 27 November 1998

Peter Nagy, Review, Time Out, 9-16 July 1998

Richard Prince, Glenn O'Brien, 'Are we having fun yet', Blind Spot, No.11

'Richard Prince Party', Dazed and Confused, March 1998

David Humphrey, 'New York Fax', Art Issues, No. 54, March/April 1998

David Humphrey, Review, Art Issues, No. 54, March/April 1998

Pryle Behrman, 'Stolen Images', contemporary visual arts, Issue 15, 1997

Luis Camnitzer, 'The 1997 Whitney Biennial', ArtNexus, No.25 July 1997

Roy Exley, 'Richard Prince', contemporary visual arts, Issue 15, 1997

Martin Herbert, 'Richard Prince', Time Out, 2-9 April 1997

Collier Schorr, 'A Pose Is A Pose Is A Pose', Frieze, Issue 33, March/April 1997

Stuart Horodner & Mark Sanders, 'Warhol is…', Dazed & Confused, No.27, March 1997            

Andrew Hultkrans, 'Andrew talks with J.G.Ballard and David Cronenberg - Body Work', Artforum, March 1997

Heinz-Norbert Jocks in conversation with Richard Prince, 'Ich hatte nun einmal beschlossen Warhol zu hassen, entgegen meinen Zeitgenossen, die ihn abgöttisch liebten', Kunstforum International, No.136, February-May 1997

Michael Hauffen, 'Richard Prince - Passionsspiel', Kunstforum International, No.136 February-May 1997           

William Feaver, 'Who, What and Where is the Cutting Edge?', ArtNews, Autumn 1996

Christian Haye, 'Screen', Frieze, Issue 29, 1996

Bruce Hainley, 'Screen: Friedrich Petzel', Art Forum, Vol.XXXIV, No.10, Summer 1996

Neville Wakefield, 'Richard Prince', Elle Decor, No.46, April/May 1996

Brooks Adams, 'Richard Prince', Frieze, Issue No. 27, March/April 1996

Barbara A. MacAdam, 'Richard Prince: Barbara Gladstone', Art News, Vol. 95, No. 3, March 1996

Francesco Bonami, 'Richard Prince', Flash Art, January/February 1996

Roberta Smith, 'Art After a Fashion', Vogue, January 1996

'Goings on About Town', The New Yorker, 4 December 1995

Douglas Coupland, 'Adult Comedy Action Drama', Art Forum, November 1995

Hovey Brock, 'Jackson Pollock Hero', New Observations No. 108, September/October 1995

Anne Doran, 'Richard Prince', Time Out, No. 7, 8-15 November 1995

Jonathan Fineberg, 'Strategies of Being', Art Since 1940, 1995

John Peter Mison, 'Modest Konst', O Mode,1995

Kristine McKenna, 'First House' - A Project for Artforum by Richard Prince, Artforum, December 1993

Philip Hunter Drohojowska, 'The Pleasure Posture', Art Issues, No. 30, November/December 1993

Carol Squires, 'Is Richard Prince A Feminist?', Art in America, November 1993

Roger Taylor, 'Prince of Thieves', World Art, November 1993

Eleanor Heartly, 'Richard Prince', ARTnews, November 1993

Jerry Saltz, 'Good Sex/Bad Sex', Art in America, September 1993

Peter Schjeldahl, Flash Art, Vol. XXV, No.167

Rugoff, 'Snap! It's Richard Prince', Harper's Bazaar, September 1993

Elizabeth Hess, 'Basic Instincts', Village Voice, 01 June 1993

Keneth Baker, 'Prince Rocks Media's Hold on Society', Datebook, 9 May 1993

Michael Cohen, 'Richard Prince-Regen Projects', Flash Art, Vol. XXXVI, No.171, Summer 1993

Richard Flood, 'Rosebud, Anyone?', Frieze, Issue 9, March 1993

Todd Gitlin, 'Opening Remarks', Photographic in Sights, Journal III, No.1

Philip Hunter Drohojowska, 'De-Construction Worker: Richard Prince's First House' Launches Regen Projects, Los Angeles Times, 10 April 1993

Laura Cottingham, 'Feminism vs. Masculinism', Tema Celeste, No. 39, January 1993

‘Neon Nights’, Artscribe, November/December 1992

Ken Johnson, ‘Richard Prince at the Whitney’, Art in America, November 1992

Susan Tallman, ‘It's a Man's World’, Metropolis M, No. 4, August 1992

Ronald Jones & Kay Larson, ‘Richard Prince’, Galleries Magazine, June/July 1992

Soren Marinsen & Lars Bent Petersen, Andsindustri, No. 5, June 1992 (Interview in Swedish)

Jim Lewis, ‘Bartleby, The Artist’, Art Issues, No. 23, May/June 1992

Kay Larson, ‘The Painting Pyramid’, New York Magazine, 25 May 1992

Paul Taylor, ‘Richard Prince, Art's Bad Boy, Becomes (Partly) Respectable’, The New York Times, 17 May 1992

Kim Levin, ‘Choices’, Village Voice, 12 May 1992

Hilton Kramer, ‘Kitsch Shots at Whitney; Re-Photography Show’, The New York Observer, Vol. 6, No. 18, 11 May 1992

‘You Wish It Didn't Exist’, New York Times, Egos & Ids section, 10 May 1991

Jack Bankowsky, ‘The Sweet Smell of Success’, Artforum, Vol. XXX, No. 9, May 1992

Roberta Smith, ‘Richard Prince, Questioning the Definition of Originality’, The New York Times, 8 May 1992

Susan Tallman, ‘The Psychopathology of Everyday Life’, Arts Magazine, Vol. 66, No. 7, March 1992

Vince Alleti, ‘Inside Culture: An American Tale’, Harper's Bazaar, No. 3364, April 1992

Donald Kuspit, ‘Richard Prince's Psychopathic America’, Artforum, Vol. XXX, No. 9, May 1992

Jan Hoet, ‘Documenta als Motor’, Kunstforum, No. 119

Martin Kunz, ‘USA-Blickpunkt Eastcoast’, Kunstforum, No. 119

Daniela Salvioni, ‘Richard Prince, Realist’, Parkett, No. 34

Susan Tallman, ‘To Know, Know, Know Him’, Parkett, No 34, 1992

Brian Wallis, Kalias, Renista d'Arte, IVAM Centre, Valencia, Spain. No. 8, Semestre II

Edmund White, ‘Bad Jokes’, Parkett, No. 34 1992

Katy Acker, ‘Red Wings: Concerning Richard Prince's Spiritual America’, Parkett, No. 34, 1992

Terry Myers, ‘New York in Review’, Arts Magazine, Vol. 66, No.1, September 1991 

Deborah Ripley, ‘Multiples: Skulls and Bunnies’, Artscribe, No. 88, September 1991

James Lewis, ‘Richard Prince: Notes Toward a Supreme Fiction’, Parkett, June 1991

Brian D'Amato, ‘Richard Prince/Barbara Gladstone’, Flash Art, Vol. XXIV, No. 159, Summer 1991

Mariuccia Casadio, ‘Metropolis’, Interview, Vol. XXI, No. 4, April 1991

Kay Heymer, ‘Review: Richard Prince - Galerie Gisela Capitain & Jablonka Galerie’, Flash Art, Vol. XXIV, No. 157, March/April 1991

Kay Larson, ‘The Subplot Thickens’, New York Magazine, Vol. 24, No. 21, 27 May 1991

Kim Levin, ‘Choices’, The Village Voice, 14 May 1991

Sylvère Otringer, ‘Third Wave’, Flash Art, Vol. XXIV, No. 158, May/June 1991

Roberta Smith, ‘Richard Prince at Barbara Gladstone’, The New York Times, 10 May 1991

Olivier Zahm, ‘Review: Richard Prince - Ghislaine Hussenot’, Artforum, April, Vol. XXIX, No.8

Art & Auction (Cover ill.), Vol. XIII, No. 9, April 1991

‘Richard Prince’, The New Yorker, 29 April 1991

Stuart Morgan, ‘Boyfriends, Girlfriends: Richard Prince's Alternative Bondings’, Artscribe, March/April 1991

 Donald Kuspit, ‘Tart Wit, Wise Humor’, Artforum, Vol. XXIX, No. 5, January 1991

Greg Hilty, ‘Diamonds and Dirt: Richard Prince's Greatest Hits’, Frieze, Issue 1 (Includes interview with the artist and reprint of J.G. Ballard interview), 1991

‘Wenn Worten sich zu Bildern Fugen’, Art, no.11, November 1990

Brooks Adams, ‘Richard Prince at Barbara Gladstone and Jay Gorney’, Art in America, Vol. 78, No. 5, May 1990

Vince Aletti, ‘I'm So Happy, Spiritual America, and Inside World’, Village Voice Literary Supplement, May 1990

Marjorie Welish, ‘Who's Afraid of Verbs, Nouns, and Adjectives?’, ARTS Magazine, Vol. 64, No. 8, April 1990

Laura Cottingham, ‘Richard Prince - Overtaken by his Muse’, Flash Art, No. 152, May/June 1990

Tiffany Bell, ‘Richard Prince at Jay Gorney Modern Art and Barbara Gladstone’, ARTnews, April 1990

Jack Bankowsky, ‘Richard Prince’, Contemporanea, No. 16, March 1990

Mariuccia Casadio, ‘Richard Prince: Suburban Fiction’, Vogue Italia, March 1990

Ingrid Schunemann, ‘Vom Eigentlichen’, Männer Vogue, March 1990

Dorothy Spears, ‘Richard Prince’, Arts Magazine, February 1990

David Rimanelli, ‘Richard Prince: Barbara Gladstone Gallery, Jay Gorney Modern Art’, Artforum, Vol. 28, No. 6, February 1990

Robert Atkins, ‘New York’, Contemporanea, Vol. III, No. 2, February 1990

Jerry Saltz, ‘Sleight/Slight of Hand - Richard Prince's What a Business, 1988’, Arts Magazine, Vol. 64, No. 5, January 1990

Deborah Gimelson, ‘The Whitney: Substance over Style’, New York Woman, Vol. 4, No. 4, December - January 1990

John Carlin, ‘80's Art Chart’, Paper, December-January 1990

Roberta Smith, ‘Richard Prince’, The New York Times, 1 December 1989

David Bonetti, ‘Postmodernism in the Global Village’, San Francisco Examiner, 29 December 1989

‘Art’, The New Yorker, 11 December 1988

Andy Grundberg, ‘The Mellowing of Post-Modernists’, The New York Times, 17 December 1989

Peter Mahr, ‘Wittgenstein’, Kunstforum International, November/December 1989

Peter Schjeldahl, ‘Tomorrowland’, 7 Days, Vol. 2, No. 46, 29 November 1989

Sophia Defina, ‘Prince's Pictures: Made in the USA’, Elle, Vol. V, No. 3, November 1989

Shaun Caley, ‘Special Affects’, Padiglione d'Arte Contemporea, Milan and ‘Double Take’, Flash Art International, October 1989

Judy Cantor, ‘Richard Prince: Greatest Hits’, Arena, No. 4, October 1989

Hunter Drohojowska, ‘Stop Making Sense’, ARTnews, Vol. 88, No. 8, October 1989

Hunter Drohojowska, ‘Signs of the Times: The Artist as a Double Agent’, The Journal of Art, Vol. 2, No.1, September/October 1989

Robert Taylor, ‘2 Shows a Portent of Future’, The Boston Sunday Globe, 6 August 1989

 Kunstforum International, July/August 1989

Roberta Smith, ‘Charting Traditions of non-traditional Photography’, The New York Times, (Arts and Leisure Section H), Sunday, 11 June 1989

David Reisman, ‘Inside World: Kent Fine Art’, Artscribe International, No. 76, Summer

Jan Avgikos, ‘The BiNational-ICA Boston’, Artscribe International, No. 76, Summer 1989

Robert Mahoney, ‘New York in Review’, ArtsMagazine, Vol. 63, Summer 1989

Richard B. Woodward, ‘Comics as Inspiration: Are We Having Fun Yet?’, The New York Times, 23 April 1989

William Feaver, ‘Art: Hacks V Snipper-Snappers’, The Observer (London), Sunday, 26 February 1989

Kay Heymer, ‘Richard Prince: Jablonka Galerie’, Tema Celeste, No. 19, January-March

Gregorio Magnani, ‘Richard Prince and Hans-Peter Feldmann’, Flash Art, No. 144, January/February 1989

Robert C. Morgan, ‘Paris’, Arts Magazine, Vol. 65, January 1989

Stuart Morgan, ‘Tell Me Everything: Richard Prince Interviewed by Stuart Morgan’, Artscribe International, No. 73, January/February 1989

Peter Plagens, ‘International Shows: Under Western Eyes’, Art in America, Vol. 77, January 1989

Jeffrey Rian, ‘Richard Prince’, Bijutsu Techo, Vol. 41, January 1989

Daniel Scheuer, ‘150th at f2: Snapshots of Contemporary Art Photography’, Center Quarterly, No. 41, Vol. 11, No. 1

Harri Uusitorppa, ‘Mainos on Kuin Vitsi: ei Kenenkaan oma’, Helsingin Sonomat, No 8 1989

‘Spiritual America’, dossier of reviews and clippings from the Spanish press, compiled by IVAM, Valencia, Spain, 1989

Maria Luisa Frisa, ‘Americana: Richard Prince’, Dolce Vita Magazine (Milan) No.15/16, December - January 1989

Jeffrey Rian, ‘Expressing the environment’, Tema Celeste, No. 14, December 1988

Jude Schwendenwein, ‘Thomas Ruff, Richard Prince, Robert Mapplethorpe, Jeff  Wall’, Artscribe International, No. 72, November/December 1988

Gabriella Gabrielli, ‘Richard Prince’, Juliet Art Magazine, No. 38, October/November

Giulio Ciavoliello, ‘Richard Prince’, Flash Art (Edizione Italiana), No. 146, October/November 1988

‘Drei Aneignungen’, Kölner Stadt-Anzeiger, 22 October 1988

Michel Nuridsany, ‘Grenoble sur tous les tons’, Le Figaro, 11 October 1988

Joshua Decter, ‘New York in Review’, Arts Magazine, Vol. 64, October 1988

Paul Taylor, ‘Richard Prince: Interview’, Flash Art, No. 142, October 1988

Daniela Salvioni, ‘Richard Prince’, Flash Art, No. 142, October 1988

 Christoph Schenker, ‘Allan McCollum/Richard Prince: Kunsthalle Zürich’, Noema, No. 20, September/October 1988

John Miller, ‘Richard Prince: Barbara Gladstone Gallery’, Artscribe International, No. 71, September/October 1988

Jude Schwendenwein, ‘Richard Prince’, New Art Examiner, September 1988

Paul Taylor, ‘Bigger Art Crowds Head for Smaller Spaces’, The New York Times (Arts & Leisure Section), 2 July 1988

Daniela Salvioni, ‘Richard Prince: Jokes Epitomize the Social Unconscious’, Flash Art International, No. 141, Summer 1988

Daniel Canogar, ‘Richard Prince’, Lapiz 56 (Spain), Ano. VI

Group Material, ‘Inserts’, Supplement to The New York Times, 22 May 1988

Patricia C. Phillips, ‘Richard Prince--Times Square’, Artforum, Vol. XXVI, April 1988

Charles Gandee, '60s '90s’, House & Garden, April 1988

 Isabelle Graw, ‘Wiederaufbereitung’, Wolkenkratzer Art Journal 2, March/April 1988

 Frank Lewis, ‘Pretty Photos Have Undertow’, Milwaukee Sentinel, Friday 25 March 1988

James Auer, ‘Photography Has Arrived’, The Milwaukee Journal, 20 March 1988

Vince Aletti, ‘Art’, The Village Voice, 15 March 1988

Melissa Wender, ‘Stolen Goodies’, Harvard Independent, 10 March 1988

‘New Mode From New York: Neo Geo’, Monthly Art Magazine Bijutsu Techo 39, December

Georges Porcari, Arts Magazine 62, December 1987

John Miller, ‘Whitney Biennial’, Artscribe International, No.64, Summer 1987

Dan Cameron, ‘Art and Its Double: A New York Perspective’, Flash Art, No.134, May 1987

Jeffrey Rian, ‘Social Science Fiction: An Interview with Richard Prince’, Art in America, Vol.75, No. 3, March 1987

Photographs, File Magazine 28, 1987

Richard Prince, ‘The Wrong Joke’, Artforum, Vol. 26, No. 4, 1987

Jan Avgikos, C Magazine, No.13 1987

Andy Grundberg, ‘The Crisis of the Real’, Views (supplement), Autumn 1986

‘Jokes: Richard Prince’, File Magazine, No. 26, May 1986

 Collins & Milazzo, ‘Tropical Codes II’, Kunstforum 84, June/July/August 1986

Gary Indiana, ‘Genuine Imitation Art’, The Village Voice, 18 November 1985

Douglas Davis, ‘Seeing Isn't Believing’, Newsweek, 3 June 1985

Kristine McKenna, ‘Looking for Truth Between the Lies’, Los Angeles Times, Sunday 19 May 1985

Hunter Drohojowska, ‘When is 'Appropriate' Appropriate?’ L.A. Weekly, 1-7 February 1985

Rosetta Brooks, ‘From the Night of Consumerism to the Dawn of Simulation’, Artforum, Vol. XXIII, February 1985

Colin Gardner, ‘Art: A Prince of a Different Color’, Los Angeles Reader, 25 January 1985

Deborah Bershad, ‘Repo Man’, Afterimage, January 1985

David Robbins, ‘An Interview with Richard Prince’, Aperture 100, 1985

Brian Wallis, ‘Mindless Pleasures’, Parkett, No. 6, 1985

J.G. Ballard, ‘Extra-Ordinary’, (an interview), ZG Magazine, #13, 1985

Gary Indiana, ‘Richard Prince at Baskerville + Watson’, Art in America, December 1984

Frances Schaves, ‘Richard Prince's Photographs’, Express, Vol. III, Winter 1984

Andy Grunberg, ‘Recycled Images with Eerie Echoes’, The New York Times, 21 October 1984

Andy Grunberg, ‘Richard Prince, Photographer’, The New York Times, 14 October 1984

Rosetta Brooks, ‘The Body of the Image’, ZG Magazine, No. 10, Spring 1984

Peter Halley, ‘Richard Prince Interviewed’, ZG Magazine, No. 10, Spring 1984

Guy Bellavace, ‘Dessasissement Et Reappropriation’, Parachute, Winter 198