| 1978 | Born Bridgeport (CT), USA |
| 2000 |
BFA Film/TV and Art History, New York University, New York (NY) |
Solo Exhibitions
| 2019 |
Interlude, Gallery Franco Noero, Turin, Italy |
| 2018 |
character limit, Blum & Poe, Los Angeles (CA), USA I don’t know, Société, Berlin E/either e/Either n/Neither N/neither, Andrew Kreps Gallery, New York (NY) more or less, Sadie Coles HQ, London |
| 2017 |
(@mined_oud), The Museo d'Arte Contemporanea Donnaregina – MADRE, Naples, Italy Forest/Trees, Greenspon, New York (NY) Meaning and Difference, The Power Station, Dallas (TX), USA |
| 2016 | such are promises, Sadie Coles HQ, London |
| 2015 |
rocks and mirrors, Franco Noero, Turin, Italy 39/50, fig-2, ICA, London The World as Will and Representation, Kölnischer Kunstverein, Cologne, Germany Reading Writing Arithmetic, Radio Athènes, Athens |
| 2014 |
Andrew Kreps, New York (NY) Egg, Chicago (IL), USA |
| 2013 |
Roads, Space, London Heaven and Earth, Blum and Poe, Los Angeles (CA), USA #I am just living to be dying by your side, Galleria Franco Noero, Turin, Italy |
| 2012 |
More Buildings about Songs and Food, Sadie Coles HQ, London Where is a Bicycle’s Vagina (and other enquiries) or Around the Samovar, 1857, Oslo Images, MOMA PS1, New York (NY) |
| 2011 | Chad Ochocinco, Andrew Kreps Gallery, New York (NY) |
| 2010 |
Alex Zachary, New York (NY) Number[s], Eighth Veil, Los Angeles (CA), USA |
| 2009 |
New Work, 303 Gallery, New York (NY) T&sn’Kreps, New York (NY) |
| 2008 |
Gallery Sora, Tokyo Nic Cage: A Bridal Tour of Southern California Foundries, 2nd Cannons Publications, Los Angeles (CA), USA; Pauline Gallery, Los Angeles (CA), USA |
| 2007 | as = poaching the poachers, Rivington Arms, New York (NY) |
| 2004 | Cat, Rivington Arms, New York (NY) |
| 2001 | Do Space Apes Masturbate?,1001 East 1st Street Arts Building, Los Angeles (CA), USA |
Group Exhibitions
| 2020 |
Me, Family, Mudam Luxembourg Musée d'Art Moderne Grand-Duc Jean, Luxembourg, Luxembourg |
| 2019 |
Furniture of Desire, Lie Lay Lain, New York (NY) Chairs Beyond Right & Wrong, R & Company, New York (NY) May You Live in Interesting Times, 58th International Art Exhibition, Venice Biennale, Venice, Italy |
| 2018 |
Adam McEwen Selects: Exhibition and Sale to Benefit the Foundation for Contemporary Arts, Gladstone Gallery, 21st Street, New York (NY) Fake as More, Front Desk Apparatus, New York (NY) and Simon Lee, New York (NY) Pizza is God, NRW-Forum, Dusseldorf, Germany Thumbs That Type and Swipe: The DIS Edutainment Network (a project by DIS), La Casa Encendida, Madrid Stories of Almost Everyone, Hammer Museum, Los Angeles (CA), USA |
| 2017 |
.COM/.CN, presented by K11 Art Foundation and MoMA PS1, K11 Art Museum, Shanghai, China Social Surfaces, Artist’s Space, New York (NY) Ripple Effect, Centre for Contemporary Art FUTURA, Prague (Interlude), Cookie Butcher, Brussels Synthetic Divide, ACRUSH, Zurich, Switzerland Fleming Faloon, Office Baroque, Brussels Earth Day, Ramiken Crucible, New York (NY) FRIEND ? ?, Galerie Maria Bernheim, Zurich, Switzerland Dreamlands (Screenings), Whitney Museum of American Art, New York (NY) Videobox, Carreau du Temple, Paris Acordo de confiança, Biblioteca Mario de Andrade, São Paulo, Brazil .COM/.CN, presented by K11 Art Foundation and MoMA PS1, K11 Art Foundation Pop-up Space, Sheung Wan, Hong Kong Low, XYZ Collective, The Steak House Doskoi, Tokyo Jade Bi, Galeria Madragoa, Lisbon Galerie Maria Bernheim, Zurich, Switzerland Galeria Madragoa, Lisbon Oliver Twist, Chapter 2, Rental Gallery, East Hampton, New York (NY) |
| 2016 |
For Pete’s Sake, Carl Kostyál, Stockholm Phantasmagoria, The Stolbun Collection, Chicago Project Space, Chicago (IL), USA Not My Bridge Not My Water, Aetopoulos, Athens Goulding the Lolly, Gavin Brown’s Enterprise, New York (NY) Your memories are our Future (curated by Palais de Tokyo & ACRUSH), ACRUSH, Zurich, Switzerland Can I step on it?, Galleria Franco Noero, Turin, Italy The Coveter, Dickinson Roundell, New York (NY) In the Making: Artists, Assistants, and Influence, Luxembourg & Dayan, New York (NY) Fluidity, Kunstverein, Hamburg, Germany One, No One and One Hundred Thousand, Kunsthalle Wien Karlsplatz, Vienna The Calder Prize 2005-2015, Pace London, London Not For Sale, Lovaas Projects, Munich, Germany Tomorrow is a new day, Yacht Walanka, Monaco Roman á Clef and/or the Appetite of the Chef, Rainbow in Spanish, Los Angeles (CA), USA An Idle Visitation, organized by AND NOW, Hester, and Tomorrow in Sante Fe (NM), USA |
| 2015 |
Darren Bader, Liz Magic Laser, Takeshi Murata, A Video Exhibition, Boatos Fine Art, São Paulo, Brazil What We Found, Non Objectif Sud, Tulette, France Under the Clouds, Serralves Museum of Contemporary Art, Porto, Portugal The Luluennial: A Slight Gestuary, Lulu, Mexico City Constructed Culture sounds like Conculture, Ellis King, Dublin Political Populism, Kunsthalle Wien, Vienna Visitors, Governors Island, New York (NY) The Daily Show, Bureau, New York (NY) Objects, Food, Rooms,Tankya Bonakdar Gallery, New York (NY) La vie modern, 13th Biennale de Lyon, Lyon, France Unlimited, Basel, Switzerland Love For Three Oranges, Gladstone Gallery, Brussels Small Sculpture, Shane Campbell Gallery, Chicago (IL), USA |
| 2014 |
Never Enough: Recent Acquisitions of Contemporary Art, Dallas Museum of Art, Dallas (TX), USA In Real Life, Christine Koenig Galerie, Vienna RRBGGGRWW (polysemes), Grand Century, New York (NY) Nuit Américaine, Office Baroque, Brussels Tragedy + Time, Public Fiction and the Hammer Museum, Los Angeles (CA), USA Urs Fischer curated show, Sadie Coles HQ, London Parcours, Art Basel, Basel, Switzerland 2014 Whitney Biennial, Whitney Museum of American Art, New York (NY) Little Nassau, Brooklyn, New York (NY), USA Vegetal Passion, Royal Garden 5 (online exhibition) Day-For-Night, Office Baroque, Brussels Parcours Frieze Projects 2014, Frieze New York, New York (NY) |
| 2013 |
Ground Control to Major Tom, Cookie Butcher, Antwerp, Belgium Empire State, New York Art Now, Galerie Thaddaeus Ropac, Paris Mixed Message Media, Gladstone Gallery, New York (NY) Young Collectors,Maison Particulière, Brussels Antigrazioso, Nouvelles Vagues in the Palais de Tokyo, Palais de Tokyo, Paris do it, Socrates Sculpture Park, New York (NY) (touring exhibition until 2019) Le Quattro Stagioni, Trois Gnossiennes, Triple DJ, Fondazione Nicola Trussardi, Milan, Italy This is THIS, Zach Feuer, New York (NY) Air de Pied-à-terre, Lisa Cooley Gallery (NY) What we did the following year, Ritter/Zamet, London ANAMERICANA, DEPART Foundation @ American Academy, Rome Pataphysics, Sean Kelly Gallery, New York (NY) PIZZA TIME!, Marlborough Broome St, New York (NY) Something About a Tree, FLAG Foundation, New York (NY) Jew York, Untitled, New York (NY) They might well have been remnants of the boat, Calder Foundation, New York (NY) Haim Steinbach-Darren Bader, TheNow, miart, Milan, Italy |
| 2012 |
Funny, Flag Art Foundation, New York (NY) Bulletin Boards, Venus Over Manhattan, New York (NY) Untitled (Tea Party), Klosterfelde, Berlin Ten Ten, Jason Alexander, New York (NY) D’Après Giorgio, Casa-museo Giorgio de Chirico, Rome |
| 2011 |
Foot To Foot, Regina Gallery, London Art Public, Art Basel: Miami Beach (FL), USA The Color of Company, Abrons Art Center, New York (NY) Histoires de votre vie, Office Baroque, Antwerp, Belgium Modify, As Needed, Museum of Contemporary Art, Miami (FL), USA Untitled group show, Untitled Gallery, New York (NY) On Forgery, LAXART, Los Angeles (CA), USA Touchy Feely, Human Resources Gallery, Los Angeles (CA), USA Sculpture is three-dimensional artwork created by shaping or combining hard materials..., Johan Konig Gallery, Berlin Office Baroque, Antwerp, Belgium |
| 2010 |
Looking Back / The Fifth White Columns Annual, White Columns, New York (NY) The hoax is a hoax or may or may not be again, Galerie Carlos Cardenas, Paris |
| 2009 |
Rob Pruitt's Flea Market, Tate Modern, London Don't Perish, Leo Koenig Inc., Projeckte, New York (NY) Taki Ishii Gallery, Armoury Show Booth, New York (NY) |
| 2008 |
The World is All That is The Case, Hudson Franklin, New York (NY) Gaping Hole Found in Universe, Daniel Hug, Los Angeles (CA), USA 8 1/2 x 11 / A4, James Fuentes LLC The World is All That is The Case, Hudson Franklin, New York (NY) Iconic Boston BBQ, LaMontagne Gallery, Boston (MA), USA Abandoned Plot, Brooklyn, New York (NY) Boofthle, Pauline Gallery, Los Angeles (CA), USA |
| 2007 |
Rob Pruitt’s Flea Market, Frieze Art Fair, London |
| 2006 |
More Songs About Buildings and Food: A Recipe For Downtown, Lower Manhattan Cultural Council, New York (NY) |
| 2005 |
The Pumpkin Show, Spencer Brownstone Gallery, New York (NY) |
| 2004 |
Word of Mouth, Dinter Fine Art, New York Do Something, Floating IP, Manchester, UK |
| 2003 | Study, Taka Ishii Gallery, Tokyo Mad Little, Mad Little Gallery, New York (NY) Emergence, Track 16 Gallery, Los Angeles (CA), USA |
| 2000 | Amok Festival of Experimental Film and Video, Brooklyn, New York (NY), USA |
Curated Shows
| 2010 | G_M_O_[sho], Nero Magazine http://www.neromagazine.it/gmo.html |
| 2009 |
The living and the dead (with Gavin Brown), Gavin Brown's enterprise, New York (NY) |
| 2008 | Sunshine (with Ritter/Zamet), Rental Gallery, New York (NY) |
| 2007 |
MoMA@Passerby: Dutch Elm Disease, GBE@Passerby, New York (NY) |
| 2006 | GRUPE (with Jesse Willenbring), GBE@Passerby, New York; Mandrake, Los Angeles (CA), USA |
| 2005 | Put It In Your Mouth / I'll see you on the dark side of the prune, Rivington Arms, New York (NY) |
Other Projects
| 2018 |
CleanEquity® Conference, Fairmont Monte Carlo, Monaco |
| 2017 |
chess: relatives, The Highline, New York (NY) |
| 2014 | Come Away with Me, Frieze Projects, New York (NY) |
| 2013 |
Liberi Tutti, Fondazione Trussardi @ Teatro Arsenale, Milan THENnow, booth (with Haim Steinbach), miart, Milan |
| 2012 | Life As a Readymade, published by Kiito-San, Brooklyn (NY), USA |
| 2011 | The Bearded Island (with Urs Fischer), published by Kiito-San, Brooklyn (NY), USA |
| 2009 | Do you have a name for this?, website project for Audio Visual Arts (AVA), New York (NY) LHOOQ, a book with Brian Kennon and Chris Lipomi |
| 2008 | artreview.com, Project Space, 4 – 11 February |
| 2007 | Art Basel Miami Beach catalogues, Rivington Arms and Ritter/Zamet booths, NADA Fair, Miami (FL), USA |
| 2006 | “Glennomnibus” in Textfield V |
Residencies
| 2014 | Atelier Calder, Saché, France |
Film screenings
| 2018 |
Living Content Live, Times Square Space, New York, 27 October |
Awards
| 2013 |
Calder Prize, Calder Foundation, New York (NY) Louis Comfort Tiffany Foundation biannual artist support program |
Public Collections
|
Aspen Art Museum, Aspen (CO), USA Centre national des arts plastiques, Paris Centre National d' Art et de Culture Georges-Pompidou, Paris Dallas Museum of Art, Dallas (TX), USA The University of Chicago Booth School of Business Art Collection, Chicago (IL), USA Walker Art Center, Minneapolis (MN), USA Whitney Museum of American Art, New York |