This three-volume retrospective is the first publication dedicated solely to Urs Fischer’s painting in the years between 1998 – 2017. Fischer’s two-dimensional works encapsulate some of the defining characteristics of his oeuvre: colour, precision, and juxtaposition. His unique approach to painting often capitalizes on the relationship between photography and painting, in many works exploring the potential of texture within two-dimensional plane. Works illustrated in the monograph are represented to scale relative to one another and include early collage works, many of which have not been exhibited for years.