| 1964 | Born in Halifax, England |
| 1987 | Newcastle upon Tyne Polytechnic, England |
| 1983 | Percival Whitley College, Halifax, England |
| Lives and works in London, England |
Solo Exhibitions
| 2022 |
Dog bEar Scarf, Josey, Norwich, England |
| 2019 |
Chance Encounters V, LOEWE FOUNDATION, Miami FL, USA Car Park, Sadie Coles HQ, Davies Street, London, England Bar, BAR, Turin, Italy |
| 2017 |
Theatre, Focal Point Gallery, Southend-on-Sea, England Dock Lands, Greene Naftali, New York NY, USA Awful Girls, Dorich House Museum, Dorich House Fellowship & Dora Volume 1, Kingston, England |
| 2016 |
Movie, Wilsey Court, de Young Museum, San Francisco CA, USA Blaffer Art Museum, Houston TX, USA |
| 2015 |
Robot, Sadie Coles HQ, London, England Balfour, Sadie Coles HQ, London, England |
| 2012 | Museum für Gegenwartskunst, Basel, Switzerland |
| 2011 |
Sadie Coles HQ, London, England Artists Space, New York NY, USA |
| 2010 |
Raven Row, London, England Galerie Neu, Berlin, Germany |
| 2009 |
Tramway, Glasgow, Scotland Studio #2, Frieze Art Fair, London, England Le Consortium, Dijon, France |
| 2008 |
Sadie Coles HQ, London, England Catch This 2008: New Works from the Arts Council Collection, Longside Gallery, Yorkshire Sculpture Park, Wakefield, England |
| 2007 | Galerie Neu, Berlin, Germany |
| 2006 | Kunstverein München, Munich, Germany |
| 2005 | Yorkshire Artspace, Sheffield, England |
| 2003 |
Waiters, Henry Moore Foundation Contemporary Projects, Venice Biennale, Venice, Italy |
| 2000 | Kino der Dekonstruktion, Frankfurter Kunstverein, Frankfurt, Germany |
| 1999 | Chisenhale Gallery, London, England |
| 1997 | 3 DJ Sculptures, Casco, Utrecht, The Netherlands |
| 1995 | Cultural Instructions, London, England |
Group Exhibitions
| 2022 |
Superficial Authenticity: Politics at the Surface, Filet, London, England REPEATER, Sadie Coles HQ, Kingly Street, London, England |
| 2021 |
Unhappiness is Treason I, Show me Yours (The Politics of Aesthetics), Filet, London, England |
| 2020 |
Masculinities: Liberation through Photography, Barbican Centre, London, England; Martin-Gropius-Bau, Berlin, Germany (touring) |
| 2019 |
On masculinity, Bonner Kunstverein, Bonn, Kölnischer Kunstverein, Cologne and Kunstverein für die Rheinlande und Westfalen, Dusseldorf, Germany 60 Years, Tate Britain, London, England Flora + Fauna, Sadie Coles HQ, London, England Palimpsest, Lismore Castle Arts, Waterford, Ireland |
| 2018 |
Parcours, Art Basel, Basel, Switzerland FLIP – About Image Construction, Zwarte Zaal, KASK, Ghent, Belgium |
| 2017 |
The Policeman’s Beard Is Half Constructed: Art in the Age of Artificial Intelligence, Bonner Kunstverein, Bonn, Germany Room, Mead Gallery, University of Warwick, Coventry, England IN A DREAM YOU SAW A WAY TO SURVIVE AND YOU WERE FULL OF JOY: Elizabeth Price Curates, De La Warr Pavilion, Bexhill-on-Sea, England Grounding Vision: Waclaw Szpakowski, Miguel Abreu, New York NY, USA Room, Sadie Coles HQ, London, England |
| 2016 |
Montage, Off Vendome, New York NY, USA Répétition, Boghossian Foundation – Villa Empain, Brussels See sun, and think shadow, Gladstone Gallery, New York NY, USA IN A DREAM YOU SAW A WAY TO SURVIVE AND YOU WERE FULL OF JOY: Elizabeth Price Curates, Whitworth Art Gallery, Manchester, England The Present and the Probable, Fused, San Francisco CA, USA Textilities...Once Removed (curated by Gregorio Magnani in dialogue with Rike Frank), Fondazione Antonio Ratti, Como, Italy |
| 2015 |
Dora, Stanley Picker Gallery, Kingston University, London, England Over you / you, 31st Biennial of Graphic Arts Ljubljana, Ljubljana, Slovenia Images. Strategies of Appropriation, Museum für Gegenwartskunst, Basel, Switzerland |
| 2014 |
A Singular Form, Secession, Vienna, Austria Somewhat Abstract, Nottingham Contemporary, Nottingham, England |
| 2013 | L’Image Pensée, Galerie Kamel Mennour, Paris, France |
| 2012 |
Schichtwechsel, Nordstern Videokunstzentrum, Gelsenkirchen, Germany Now I am quietly waiting for the catastrophe of my personality to seem beautiful again, and interesting, and modern, Bortolami, New York NY, USA Arts Council Collection Partnership, Aston Hall, Birmingham Museums and Art Gallery, Birmingham, England Janice Kerbel, Hilary Lloyd, Silke Otto-Knapp, Kölnischer Kunstverein, Cologne, Germany Remote Control, Institute of Contemporary Arts, London, England |
| 2011 |
Turner Prize, BALTIC Centre for Contemporary Art, Gateshead, England Un'Espressione Geografica (A Geographical Expression), Fondazione Sandretto Re Rebaudengo, Turin, Italy |
| 2010 |
Another Face: Works from the Arts Council Collection, Hatton Gallery, Newcastle upon Tyne, England Light Camera Action, abc – Art Berlin Contemporary, Berlin, Germany |
| 2009 | Little Theatre of Gestures, Kunstmuseum Basel, Museum für Gegenwartskunst, Basel, Switzerland; Malmö Konsthall, Malmö, Sweden Still/Moving/Still, International Photofestival, Knokke-Heist, Belgium |
| 2008 |
Dispersion, Institute of Contemporary Art, London, England FILMS, Sadie Coles HQ, London, England Une saison à Bruxelles, Galerie Neu at dépendance, Bruxelles, Belgium Art Sheffield 08. Yes, No & Other Options, Sheffield, England |
| 2007 |
Die Blaue Blume, Grazer Kunstverein, Graz, Austria Biennale d’Art Contemporain de Lyon, Lyon, France La Cámara del Eco. Arte Británico, Art from Britain, Echo Room, Alcalá 31, Madrid, Spain |
| 2006 |
Canal Plus at Vilma Gold: Films, performance, music, Vilma Gold, London, England ATTITUDE, c/o Atle Gerhardsen, Berlin, Germany Loveletter, Herald Street, London, England Never for money, always for love, Grazer Kunstverein, Graz, Austria |
| 2005 |
Use this kind of sky, Keith Talent Gallery, London, England I Really Should…, Lisson Gallery, London, England |
| 2003 |
A Perilous Space, Magnani, London, England Extended play, Govett-Brewster Art Gallery, New Plymouth, New Zealand To What End?, Center for Curatorial Studies, Bard College, New York NY, USA Electric Earth, The State Russian Museum, St. Petersburg, Russia (touring) |
| 2002 |
Gareth Jones, Hilary Lloyd, James Pyman, 38 Langham Street, London, England Happy Outsiders from London and Scotland, Galeria Zacheta, Warsaw, Poland Pause it, Gwangju Biennale, Gwangju, South Korea |
| 2001 |
ABBILD, Steirischer Herbst, Graz, Austria Videonale 9, Bonner Kunstverein, Germany Video Evidence, Southampton City Art Gallery, Southampton, England The seat with the clearest view, Grey Matter Contemporary Art, Sydney, Australia, arranged by Polly Staple City Racing 1988 –1998: a partial account, ICA Institute of Contemporary Arts ICA, London, England |
| 2000 |
Intelligence: New British Art 2000, Tate Britain, London, England The British Art Show 5, City Art Centre, Edinburgh, Scotland (touring) |
| 1999 |
Go away: artists and travel, Royal College of Art, London, England Video Room, L’espace lausannois d’art contemporain, Lausanne, Switzerland Sweetie, The British School at Rome, Rome, Italy |
| 1998 |
SuperNova, Stedelijk Museum Bureau, Amsterdam, The Netherlands Accelerator,Southampton City Art Gallery, Southampton; Arnolfini, Bristol, England It Took Ages, Bricks'n' Kicks, Vienna, Austria Camouflage 2000, Galerie Praz- Delavallade, Paris, France Inbreeder, Collective Gallery, Edinburgh, Scotland Hilary Lloyd, Jemima Stehli, Brian Dawn Chalkley presents..., City Racing, London, England Paul Graham, Hilary Lloyd, Richard Phillips, Bronwyn Keenan Gallery, New York NY, USA |
| 1997 |
Assuming Positions, ICA Institute of Contemporary Arts, London, England Lovecraft, CCA, Glasgow, Scotland; South London Gallery, London, England Hilary Lloyd, Jeremy Deller, Nicholas Usansky, Cabinet Gallery, London, England Some Kind of Heaven: Video Programme, Kunsthalle Nurnberg, South London Gallery, London, England Multiple Choice, Cubitt Gallery, London, England Snowflakes Falling on the International Dateline, Casco, Utrecht, The Netherlands |
| 1996 |
Against, Anthony d'Offay Gallery, London, England Alex Katz, Hilary Lloyd, Chris Moore, Andy Warhol, Gavin Brown's Enterprise, New York, NY, USA Life/Live, Musée d'Art Moderne, Paris, France; Centro Cultural de Belém, Lisbon, Portugal June Trailers, L'Atalantique Café, Milan, Italy Once Removed, Laure Genillard Gallery, London, England |
| 1995 |
Karaoke, South London Gallery, London, England Imprint 93/City Racing, City Racing, London, England |
| 1994 |
Imprint 93/Cabinet Gallery, Cabinet Gallery, London, England Something's Wrong, The Tannery, London, England |
| 1993 |
Matter & Fact, The Collection Gallery, London, England Making People Disappear, Cubitt Gallery, London, England |
Commissions and projects
| 2022 |
A Mellow Drama (London: Ublication, 2022) |
| 2020 |
LOEWE SS21 Womenswear Presentation, Paris, France and London, England |
| 2019 | LOEWE SS20 Menswear Presentation, Maison de l’UNESCO, Paris, France |
| 2018 |
THE PAINTER: A Visual Essay by Hilary Lloyd, frieze, no. 192, January-February 2018, pp. 103 – 109 |
| 2011 | The Shard, Arena Homme +, Issue 36, Autumn/Winter 2011 |
| 1993 | E1. (London: Imprint 93, 1993) |
Residencies
| 2018 | Zennor Project Space, Zennor, Cornwall, England |
| 2015 | Dorich House Museum, Kingston University, Kingston, England |
| 2010 | hosted by the Fondazione Sandretto Re Rebaudengo, Genova, Italy |
| 2009 | Tramway, Glasgow, Scotland |
| 2005 | Yorkshire Artspace, Sheffield |
| 2003 | Henry Moore Foundation Contemporary Projects, Venice Biennale, Venice, Italy |
| 2001 | Laurenz-Haus Stiftung, Basel, Switzerland |
| 1999 | Arnolfini, Bristol, England |
Public Collections
|
Arts Council England, England Leeds Art Gallery, Leeds, England Museum für Gegenwartskunst, Zurich, Switzerland Sammlung Goetz, Munich, Germany Southampton City Art Gallery, Southampton, England Städtische Galerie im Lenbachhaus, Munich, Germany Tate Collection, London, England |
Awards
| 2016 | The Bryan Robertson Trust Award, London, England |
| 2015 | Dorich House Fellow, Kingston University, Kingston, England |
| 2011 |
Nominated for the Turner Prize, BALTIC Centre for Contemporary Art, Gateshead, England |
| 2001 | Laurenz-Haus, Basel, Switzerland |
| 2000 | Paul Hamlyn Foundation, London, England |